1869 Results
Form:
books
books
Price:
$62.50
(available to order)
Summary:
Feldman is now widely recognized, alongside John Cage and Edgard Varèse, as one of the foremost American composers of the twentieth century. Despite his reputation, he remains poorly represented in published literature. Feldman loved to talk. This lifelong passion is demonstrated in the many interviews and lectures Morton Feldman gave about his life and work. Over the(...)
$62.50
(available to order)
Summary:
Feldman is now widely recognized, alongside John Cage and Edgard Varèse, as one of the foremost American composers of the twentieth century. Despite his reputation, he remains poorly represented in published literature. Feldman loved to talk. This lifelong passion is demonstrated in the many interviews and lectures Morton Feldman gave about his life and work. Over the(...)
Title:
Morton Feldman says : selected interviews and lectures 1964-1987
Actions:
Price:
$62.50
(available to order)
Summary:
Feldman is now widely recognized, alongside John Cage and Edgard Varèse, as one of the foremost American composers of the twentieth century. Despite his reputation, he remains poorly represented in published literature. Feldman loved to talk. This lifelong passion is demonstrated in the many interviews and lectures Morton Feldman gave about his life and work. Over the past seven years, editor Chris Villars has collected and published many of Feldman’s interviews online, a selection of which is now available for the first time in this book. The book is certainly an important addition to the literature of Feldman. Morton Feldman says can also be enjoyed for the pleasure that Feldman’s words offer, and for the illumination that they give to anyone who is making work in art or design. Morton Feldman says features 21 interviews and notes on conversations spanning 23 years of Feldman’s life, including conversations with Gavin Bryars, Kevin Volans, and Walter Zimmermann, as well as transcriptions of four Feldman’s lectures, held in Toronto (1982), Johannesburg (1983), and Darmstadt (1984). The publication also contains an introduction by the editor and the first English translation of Sebastian Claren’s biographical notes (originally published in Neither: Die Musik Morton Feldmans). A key element in the book is the photographs from Feldman’s life, which provide a rich accompaniment to the text.
Morton Feldman says : selected interviews and lectures 1964-1987
Actions:
Price:
$62.50
(available to order)
Summary:
Feldman is now widely recognized, alongside John Cage and Edgard Varèse, as one of the foremost American composers of the twentieth century. Despite his reputation, he remains poorly represented in published literature. Feldman loved to talk. This lifelong passion is demonstrated in the many interviews and lectures Morton Feldman gave about his life and work. Over the past seven years, editor Chris Villars has collected and published many of Feldman’s interviews online, a selection of which is now available for the first time in this book. The book is certainly an important addition to the literature of Feldman. Morton Feldman says can also be enjoyed for the pleasure that Feldman’s words offer, and for the illumination that they give to anyone who is making work in art or design. Morton Feldman says features 21 interviews and notes on conversations spanning 23 years of Feldman’s life, including conversations with Gavin Bryars, Kevin Volans, and Walter Zimmermann, as well as transcriptions of four Feldman’s lectures, held in Toronto (1982), Johannesburg (1983), and Darmstadt (1984). The publication also contains an introduction by the editor and the first English translation of Sebastian Claren’s biographical notes (originally published in Neither: Die Musik Morton Feldmans). A key element in the book is the photographs from Feldman’s life, which provide a rich accompaniment to the text.
Form:
books
books
Publication:
March 2006, London
March 2006, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Actions:
Price:
$87.00
(available to order)
Summary:
"Whoop to the duck!" is both a comprehensive retrospective and a preview of the work of the SPLITTERWERK label, active in the conflictive context between engineering and art since 1988. The publication covers the spectrum from urbanistic designs for our “post-urban society” to the return of the ornament and the exemplary implementation of new housing designs. Frank Lloyd(...)
$87.00
(available to order)
Summary:
"Whoop to the duck!" is both a comprehensive retrospective and a preview of the work of the SPLITTERWERK label, active in the conflictive context between engineering and art since 1988. The publication covers the spectrum from urbanistic designs for our “post-urban society” to the return of the ornament and the exemplary implementation of new housing designs. Frank Lloyd(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
December 2005, Vienna
December 2005, Vienna
Title:
Splitterwerk : whoop to the duck ! / es lebe die Ente!, buildings and projects
Actions:
Price:
$87.00
(available to order)
Summary:
"Whoop to the duck!" is both a comprehensive retrospective and a preview of the work of the SPLITTERWERK label, active in the conflictive context between engineering and art since 1988. The publication covers the spectrum from urbanistic designs for our “post-urban society” to the return of the ornament and the exemplary implementation of new housing designs. Frank Lloyd Wright’s open plan, Adolf Loos’ Raumplan or Margarete Schütte Lihotzky’s Frankfurt Kitchen find their contemporary continuation in the Graz Apartment. In the 21st century, the walls have a custom-made world of images which allows functions to be added “on demand”. The investigation of experimental surfaces has led Splitterwerk to fundamentally reassess imagery in architecture. It is a revival of a different nature for the "duck" (R. Venturi / D. Scott Brown) which calls for a further paradigm shift in architecture.
Splitterwerk : whoop to the duck ! / es lebe die Ente!, buildings and projects
Actions:
Price:
$87.00
(available to order)
Summary:
"Whoop to the duck!" is both a comprehensive retrospective and a preview of the work of the SPLITTERWERK label, active in the conflictive context between engineering and art since 1988. The publication covers the spectrum from urbanistic designs for our “post-urban society” to the return of the ornament and the exemplary implementation of new housing designs. Frank Lloyd Wright’s open plan, Adolf Loos’ Raumplan or Margarete Schütte Lihotzky’s Frankfurt Kitchen find their contemporary continuation in the Graz Apartment. In the 21st century, the walls have a custom-made world of images which allows functions to be added “on demand”. The investigation of experimental surfaces has led Splitterwerk to fundamentally reassess imagery in architecture. It is a revival of a different nature for the "duck" (R. Venturi / D. Scott Brown) which calls for a further paradigm shift in architecture.
Form:
books
books
Publication:
December 2005, Vienna
December 2005, Vienna
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Actions:
Price:
$27.95
(available to order)
Summary:
This book verifies the need for the arts and the sciences to work together in order to develop more creative and conceptual approaches to innovation and presentation. By blending ethnographical case studies, scientific viewpoints and critical essays, the focus of this research inquiry is the lab context. For scientists, the lab context is one of the most important(...)
$27.95
(available to order)
Summary:
This book verifies the need for the arts and the sciences to work together in order to develop more creative and conceptual approaches to innovation and presentation. By blending ethnographical case studies, scientific viewpoints and critical essays, the focus of this research inquiry is the lab context. For scientists, the lab context is one of the most important(...)
Title:
artists in labs : processes of inquiry
Actions:
Price:
$27.95
(available to order)
Summary:
This book verifies the need for the arts and the sciences to work together in order to develop more creative and conceptual approaches to innovation and presentation. By blending ethnographical case studies, scientific viewpoints and critical essays, the focus of this research inquiry is the lab context. For scientists, the lab context is one of the most important educational experiences. For contemporary artists, laboratories are inspiring spaces to investigate, share know-how transfer and search for new collaboration potentials. The nine labs represented in this book are from the natural, computing and engineering sciences. An enclosed comprehensive DVD documents the results, the problems and serves as a guideline for the future of true Art/Sci experiments.
artists in labs : processes of inquiry
Actions:
Price:
$27.95
(available to order)
Summary:
This book verifies the need for the arts and the sciences to work together in order to develop more creative and conceptual approaches to innovation and presentation. By blending ethnographical case studies, scientific viewpoints and critical essays, the focus of this research inquiry is the lab context. For scientists, the lab context is one of the most important educational experiences. For contemporary artists, laboratories are inspiring spaces to investigate, share know-how transfer and search for new collaboration potentials. The nine labs represented in this book are from the natural, computing and engineering sciences. An enclosed comprehensive DVD documents the results, the problems and serves as a guideline for the future of true Art/Sci experiments.
Form:
books
books
Publication:
April 2006, Wien, New York
April 2006, Wien, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Actions:
Price:
$56.50
(available in store)
Summary:
During their decade-long collaboration (1985-1995), Kate Ericson and Mel Ziegler produced some of the most influential conceptual art projects of the time. Among their witty and stimulating installations and outdoor projects was Camouflaged History, a house painted in a U.S. Army-designed camouflage pattern using 72 commercial paint colors included in the(...)
$56.50
(available in store)
Summary:
During their decade-long collaboration (1985-1995), Kate Ericson and Mel Ziegler produced some of the most influential conceptual art projects of the time. Among their witty and stimulating installations and outdoor projects was Camouflaged History, a house painted in a U.S. Army-designed camouflage pattern using 72 commercial paint colors included in the(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2006, Cambridge, Mass.
March 2006, Cambridge, Mass.
Title:
America starts here : Kate Ericson and Mel Ziegler
Actions:
Price:
$56.50
(available in store)
Summary:
During their decade-long collaboration (1985-1995), Kate Ericson and Mel Ziegler produced some of the most influential conceptual art projects of the time. Among their witty and stimulating installations and outdoor projects was Camouflaged History, a house painted in a U.S. Army-designed camouflage pattern using 72 commercial paint colors included in the municipally-approved "authentic colors" of historic Charleston, South Carolina. The commercial name of each paint, commemorating an aspect of the city's history, is also painted on the house, revealing and illuminating the lingering Civil War-era past of the region. Like the Earthwork pioneers, Ericson and Ziegler took the whole country as their working space; but rather than impose a conspicuous work of art upon a site or situation, they devised projects that altered sites subtly, creating a patchwork of poetic narratives and histories to be excavated. The windows rescued from the old National Licorice factory in Philadelphia in the title piece America Starts Here--which takes its name from the slogan used to promote Pennsylvania tourism during the 1980s--are hung according to the location of the original windows in the factory; the cracks in the glass echo the famous cracks in two of Philadelphia's tourist attractions, the Liberty Bell and Marcel Duchamp's The Large Glass.
America starts here : Kate Ericson and Mel Ziegler
Actions:
Price:
$56.50
(available in store)
Summary:
During their decade-long collaboration (1985-1995), Kate Ericson and Mel Ziegler produced some of the most influential conceptual art projects of the time. Among their witty and stimulating installations and outdoor projects was Camouflaged History, a house painted in a U.S. Army-designed camouflage pattern using 72 commercial paint colors included in the municipally-approved "authentic colors" of historic Charleston, South Carolina. The commercial name of each paint, commemorating an aspect of the city's history, is also painted on the house, revealing and illuminating the lingering Civil War-era past of the region. Like the Earthwork pioneers, Ericson and Ziegler took the whole country as their working space; but rather than impose a conspicuous work of art upon a site or situation, they devised projects that altered sites subtly, creating a patchwork of poetic narratives and histories to be excavated. The windows rescued from the old National Licorice factory in Philadelphia in the title piece America Starts Here--which takes its name from the slogan used to promote Pennsylvania tourism during the 1980s--are hung according to the location of the original windows in the factory; the cracks in the glass echo the famous cracks in two of Philadelphia's tourist attractions, the Liberty Bell and Marcel Duchamp's The Large Glass.
Form:
books
books
Publication:
March 2006, Cambridge, Mass.
March 2006, Cambridge, Mass.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Actions:
Price:
$33.95
(available to order)
Summary:
Intrigued and inspired by the neon beer signs on shopfronts in his San Francisco neighborhood, Bruce Nauman created his first neon piece, "Window or wall sign", in 1967. He wanted, he said, to achieve "an art that would kind of disappear - that was supposed to not quite look like art." Light offered Nauman a medium both elusive and effervescent, but one that could also(...)
$33.95
(available to order)
Summary:
Intrigued and inspired by the neon beer signs on shopfronts in his San Francisco neighborhood, Bruce Nauman created his first neon piece, "Window or wall sign", in 1967. He wanted, he said, to achieve "an art that would kind of disappear - that was supposed to not quite look like art." Light offered Nauman a medium both elusive and effervescent, but one that could also(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 2006, Milwaukee
January 2006, Milwaukee
Title:
Elusive signs : Bruce Nauman works with light
Actions:
Price:
$33.95
(available to order)
Summary:
Intrigued and inspired by the neon beer signs on shopfronts in his San Francisco neighborhood, Bruce Nauman created his first neon piece, "Window or wall sign", in 1967. He wanted, he said, to achieve "an art that would kind of disappear - that was supposed to not quite look like art." Light offered Nauman a medium both elusive and effervescent, but one that could also aggressively convey a message. Over the first three decades of his career, Nauman used the medium of light to explore the twists and turns of perception, logic, and meaning with the earnest playfulness that characterizes all his art. "Elusive signs" focuses on the discrete body of Nauman's work that uses neon and fluorescent light in signs and room installations, and includes images of nearly all Nauman's work with light. After "Window or wall sign", Nauman embarked on a series of neons that grappled with the semiotics of body and identity, and with "My name as though it were written on the surface of the moon" (1968), he forces the viewer to contemplate the role of naming in forming identity. Language - signs and symbols - plays an important role in Nauman's art. His later neon works emphasize the neon as a sign, presenting provocative twists of language and offering harsh and humorous sociopolitical commentary in such pieces as "Run from fear, fun from rear" (1972). This series culminates in the monumental, billboard-size "One hundred live and die" (1984), which employs overwhelming scale to bombard the viewer with sardonic aphorisms. In the essays that accompany the images of Nauman's work, Joseph Ketner II of the Milwaukee Art Museum (which originated the exhibit this book accompanies) and critics Janet Kraynak and Gregory Volk analyze the works in light both as a body of work and as an access point to Nauman's entire career.
Elusive signs : Bruce Nauman works with light
Actions:
Price:
$33.95
(available to order)
Summary:
Intrigued and inspired by the neon beer signs on shopfronts in his San Francisco neighborhood, Bruce Nauman created his first neon piece, "Window or wall sign", in 1967. He wanted, he said, to achieve "an art that would kind of disappear - that was supposed to not quite look like art." Light offered Nauman a medium both elusive and effervescent, but one that could also aggressively convey a message. Over the first three decades of his career, Nauman used the medium of light to explore the twists and turns of perception, logic, and meaning with the earnest playfulness that characterizes all his art. "Elusive signs" focuses on the discrete body of Nauman's work that uses neon and fluorescent light in signs and room installations, and includes images of nearly all Nauman's work with light. After "Window or wall sign", Nauman embarked on a series of neons that grappled with the semiotics of body and identity, and with "My name as though it were written on the surface of the moon" (1968), he forces the viewer to contemplate the role of naming in forming identity. Language - signs and symbols - plays an important role in Nauman's art. His later neon works emphasize the neon as a sign, presenting provocative twists of language and offering harsh and humorous sociopolitical commentary in such pieces as "Run from fear, fun from rear" (1972). This series culminates in the monumental, billboard-size "One hundred live and die" (1984), which employs overwhelming scale to bombard the viewer with sardonic aphorisms. In the essays that accompany the images of Nauman's work, Joseph Ketner II of the Milwaukee Art Museum (which originated the exhibit this book accompanies) and critics Janet Kraynak and Gregory Volk analyze the works in light both as a body of work and as an access point to Nauman's entire career.
Form:
books
books
Publication:
January 2006, Milwaukee
January 2006, Milwaukee
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Derek Sullivan: we may be standing on the shoulder of giants but some of us are looking at the stars
Derek Sullivan: we may be standing on the shoulder of giants but some of us are looking at the stars
Actions:
Price:
$20.00
(available in store)
Summary:
Published to accompany the exhibition: "Derek Sullivan: We May Be Standing on the Shoulder of Giants but Some of Us Are Looking at the Stars", Southern Alberta Art Gallery, January 26 to March 2, 2008. Including an essay by Pamela Meredith.
$20.00
(available in store)
Summary:
Published to accompany the exhibition: "Derek Sullivan: We May Be Standing on the Shoulder of Giants but Some of Us Are Looking at the Stars", Southern Alberta Art Gallery, January 26 to March 2, 2008. Including an essay by Pamela Meredith.
Publication:
February 2009, Alberta
February 2009, Alberta
Title:
Derek Sullivan: we may be standing on the shoulder of giants but some of us are looking at the stars
Actions:
Price:
$20.00
(available in store)
Summary:
Published to accompany the exhibition: "Derek Sullivan: We May Be Standing on the Shoulder of Giants but Some of Us Are Looking at the Stars", Southern Alberta Art Gallery, January 26 to March 2, 2008. Including an essay by Pamela Meredith.
Derek Sullivan: we may be standing on the shoulder of giants but some of us are looking at the stars
Actions:
Price:
$20.00
(available in store)
Summary:
Published to accompany the exhibition: "Derek Sullivan: We May Be Standing on the Shoulder of Giants but Some of Us Are Looking at the Stars", Southern Alberta Art Gallery, January 26 to March 2, 2008. Including an essay by Pamela Meredith.
Form:
books
books
Publication:
February 2009, Alberta
February 2009, Alberta
Form:
books
books
Price:
$36.95
(available to order)
Summary:
Ouvrage réalisé à l'occasion de l'exposition «Philippe Parreno» présentée au Centre Pompidou, Paris, Galerie Sud, du 3 juin au 7 septembre 2009. « Ce sont des monstres. Ils m'appatiennent tous. Certains vivent en moi. D'autres vivent autour de moi. Ils sortent même quand on ne les y a pas invités. Ça leur arrive tout le temps.» Philippe Parreno
$36.95
(available to order)
Summary:
Ouvrage réalisé à l'occasion de l'exposition «Philippe Parreno» présentée au Centre Pompidou, Paris, Galerie Sud, du 3 juin au 7 septembre 2009. « Ce sont des monstres. Ils m'appatiennent tous. Certains vivent en moi. D'autres vivent autour de moi. Ils sortent même quand on ne les y a pas invités. Ça leur arrive tout le temps.» Philippe Parreno
Title:
Parades?
Actions:
Price:
$36.95
(available to order)
Summary:
Ouvrage réalisé à l'occasion de l'exposition «Philippe Parreno» présentée au Centre Pompidou, Paris, Galerie Sud, du 3 juin au 7 septembre 2009. « Ce sont des monstres. Ils m'appatiennent tous. Certains vivent en moi. D'autres vivent autour de moi. Ils sortent même quand on ne les y a pas invités. Ça leur arrive tout le temps.» Philippe Parreno
Parades?
Actions:
Price:
$36.95
(available to order)
Summary:
Ouvrage réalisé à l'occasion de l'exposition «Philippe Parreno» présentée au Centre Pompidou, Paris, Galerie Sud, du 3 juin au 7 septembre 2009. « Ce sont des monstres. Ils m'appatiennent tous. Certains vivent en moi. D'autres vivent autour de moi. Ils sortent même quand on ne les y a pas invités. Ça leur arrive tout le temps.» Philippe Parreno
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$57.00
(available to order)
Summary:
Les sculptures publiques de Claes Oldenburg et de Coosje van Bruggen stigmatisent le grotesque urbain et architectural des mégapoles comme Chicago ou New York. Hanté par une mystique, le gratte-ciel, de Sullivan à Mies van der Rohe, devient pour les Oldenburg le symptôme du grotesque tragique ou tragi-comique de la modernité.
$57.00
(available to order)
Summary:
Les sculptures publiques de Claes Oldenburg et de Coosje van Bruggen stigmatisent le grotesque urbain et architectural des mégapoles comme Chicago ou New York. Hanté par une mystique, le gratte-ciel, de Sullivan à Mies van der Rohe, devient pour les Oldenburg le symptôme du grotesque tragique ou tragi-comique de la modernité.
Title:
Claes Oldenburg Coosje van Bruggen: le grotesque contre le sacré
Actions:
Price:
$57.00
(available to order)
Summary:
Les sculptures publiques de Claes Oldenburg et de Coosje van Bruggen stigmatisent le grotesque urbain et architectural des mégapoles comme Chicago ou New York. Hanté par une mystique, le gratte-ciel, de Sullivan à Mies van der Rohe, devient pour les Oldenburg le symptôme du grotesque tragique ou tragi-comique de la modernité.
Claes Oldenburg Coosje van Bruggen: le grotesque contre le sacré
Actions:
Price:
$57.00
(available to order)
Summary:
Les sculptures publiques de Claes Oldenburg et de Coosje van Bruggen stigmatisent le grotesque urbain et architectural des mégapoles comme Chicago ou New York. Hanté par une mystique, le gratte-ciel, de Sullivan à Mies van der Rohe, devient pour les Oldenburg le symptôme du grotesque tragique ou tragi-comique de la modernité.
Form:
books
books
Publication:
March 2009, Paris
March 2009, Paris
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$44.95
(available to order)
Summary:
The German artist Katharina Grosse has fulfilled her dream of a tailor-made studio, a place large enough to accommodate her large-scale works and where an industrial atmosphere is combined with with soft light and neutral walls. In close cooperation with the artist, the firm Augustin und Frank Architekten planned the studio in Berlin’s Mitte neighborhood and completed it(...)
$44.95
(available to order)
Summary:
The German artist Katharina Grosse has fulfilled her dream of a tailor-made studio, a place large enough to accommodate her large-scale works and where an industrial atmosphere is combined with with soft light and neutral walls. In close cooperation with the artist, the firm Augustin und Frank Architekten planned the studio in Berlin’s Mitte neighborhood and completed it(...)
Title:
Katharina Grosse : wish I had a big studio in the center of the city
Actions:
Price:
$44.95
(available to order)
Summary:
The German artist Katharina Grosse has fulfilled her dream of a tailor-made studio, a place large enough to accommodate her large-scale works and where an industrial atmosphere is combined with with soft light and neutral walls. In close cooperation with the artist, the firm Augustin und Frank Architekten planned the studio in Berlin’s Mitte neighborhood and completed it in 2007. The result is a compact reinforced concrete cube containing workrooms, storerooms, an archive, offices and living space. The contributors to this publication use Grosse’s studio as a springboard to explore the relationship between painting and architecture, and the role that studios play in the production of art. Numerous photographs show the raw architecture of the new building and the artist’s appropriation of the space. With contributions by Georg Augustin, Laura Bieger, Andreas Denk, Ulrich Loock and Philip Ursprung.
Katharina Grosse : wish I had a big studio in the center of the city
Actions:
Price:
$44.95
(available to order)
Summary:
The German artist Katharina Grosse has fulfilled her dream of a tailor-made studio, a place large enough to accommodate her large-scale works and where an industrial atmosphere is combined with with soft light and neutral walls. In close cooperation with the artist, the firm Augustin und Frank Architekten planned the studio in Berlin’s Mitte neighborhood and completed it in 2007. The result is a compact reinforced concrete cube containing workrooms, storerooms, an archive, offices and living space. The contributors to this publication use Grosse’s studio as a springboard to explore the relationship between painting and architecture, and the role that studios play in the production of art. Numerous photographs show the raw architecture of the new building and the artist’s appropriation of the space. With contributions by Georg Augustin, Laura Bieger, Andreas Denk, Ulrich Loock and Philip Ursprung.
Form:
books
books
Publication:
August 2009
August 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
New canvas
New canvas
Actions:
Price:
$96.00
(available to order)
Summary:
Daniel Gordon cuts, builds, experiments and photographs. Gordon’s relationship to photography is intrinsically linked to his working process. Like a painter or sculptor, he has an intense studio practice. He imagines and creates his images from scratch, literally and figuratively. This book, arguably the most comprehensive monograph of the artist to date, focuses on both(...)
$96.00
(available to order)
Summary:
Daniel Gordon cuts, builds, experiments and photographs. Gordon’s relationship to photography is intrinsically linked to his working process. Like a painter or sculptor, he has an intense studio practice. He imagines and creates his images from scratch, literally and figuratively. This book, arguably the most comprehensive monograph of the artist to date, focuses on both(...)
Title:
New canvas
Actions:
Price:
$96.00
(available to order)
Summary:
Daniel Gordon cuts, builds, experiments and photographs. Gordon’s relationship to photography is intrinsically linked to his working process. Like a painter or sculptor, he has an intense studio practice. He imagines and creates his images from scratch, literally and figuratively. This book, arguably the most comprehensive monograph of the artist to date, focuses on both Gordon’s final works and the process that leads to the end result, by emphasizing on the different layers that compose his photographs.
New canvas
Actions:
Price:
$96.00
(available to order)
Summary:
Daniel Gordon cuts, builds, experiments and photographs. Gordon’s relationship to photography is intrinsically linked to his working process. Like a painter or sculptor, he has an intense studio practice. He imagines and creates his images from scratch, literally and figuratively. This book, arguably the most comprehensive monograph of the artist to date, focuses on both Gordon’s final works and the process that leads to the end result, by emphasizing on the different layers that compose his photographs.
Form:
books
books
Publication:
September 2022
September 2022
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
