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Title:
Circumventions
Circumventions
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This book as been published on the occasion of the Dena Foundation Art Award 2003.
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This book as been published on the occasion of the Dena Foundation Art Award 2003.
Publication:
January 1900, Paris
January 1900, Paris
Title:
Circumventions
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$25.50
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Summary:
This book as been published on the occasion of the Dena Foundation Art Award 2003.
Circumventions
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Summary:
This book as been published on the occasion of the Dena Foundation Art Award 2003.
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books
books
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January 1900, Paris
January 1900, Paris
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books
books
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$45.95
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While lying on the beach in Nice one day, eighteen-year-old Yves Klein and his friends decided to divide the world up among themselves. Klein (1928-1962) chose the air, the cloudless sky. He remained fascinated with the element and its immaterial quality throughout his life. In the late fifties, he and the German architect Werner Ruhnau developed plans for an(...)
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Summary:
While lying on the beach in Nice one day, eighteen-year-old Yves Klein and his friends decided to divide the world up among themselves. Klein (1928-1962) chose the air, the cloudless sky. He remained fascinated with the element and its immaterial quality throughout his life. In the late fifties, he and the German architect Werner Ruhnau developed plans for an(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
July 2004, Ostfildern
July 2004, Ostfildern
Title:
Air architecture : Yves Klein
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While lying on the beach in Nice one day, eighteen-year-old Yves Klein and his friends decided to divide the world up among themselves. Klein (1928-1962) chose the air, the cloudless sky. He remained fascinated with the element and its immaterial quality throughout his life. In the late fifties, he and the German architect Werner Ruhnau developed plans for an "architecture of air" composed of walls and roofs of air-as represented, for example, in the idea of the "Temple of the Elements" with fountains of water and fire and a café protected against the rain only by air currents. Klein associated this idea with a philosophy of optimism devoted to the creation of a paradise on earth, a Garden of Eden in which human beings would be free to pursue their own interests. The publication is the first book devoted exclusively to this aspect of Yves Klein's art. It includes reproductions of drawings and other works as well as essays and lectures on the subject. Additional articles by other authors emphasize the significance of Klein's work to the theme of the immaterial.
Air architecture : Yves Klein
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While lying on the beach in Nice one day, eighteen-year-old Yves Klein and his friends decided to divide the world up among themselves. Klein (1928-1962) chose the air, the cloudless sky. He remained fascinated with the element and its immaterial quality throughout his life. In the late fifties, he and the German architect Werner Ruhnau developed plans for an "architecture of air" composed of walls and roofs of air-as represented, for example, in the idea of the "Temple of the Elements" with fountains of water and fire and a café protected against the rain only by air currents. Klein associated this idea with a philosophy of optimism devoted to the creation of a paradise on earth, a Garden of Eden in which human beings would be free to pursue their own interests. The publication is the first book devoted exclusively to this aspect of Yves Klein's art. It includes reproductions of drawings and other works as well as essays and lectures on the subject. Additional articles by other authors emphasize the significance of Klein's work to the theme of the immaterial.
Form:
books
books
Publication:
July 2004, Ostfildern
July 2004, Ostfildern
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Donald Judd
Donald Judd
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One of the most influential American artists of the post-war period, Donald Judd changed the course of modern sculpture. Beginning as an art critic and then a painter, Judd moved into three dimensions with the box-like structures he produced in the early 1960s, either arranged on the gallery floor or mounted on the wall. Initially constructed by hand, the sculptures were(...)
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One of the most influential American artists of the post-war period, Donald Judd changed the course of modern sculpture. Beginning as an art critic and then a painter, Judd moved into three dimensions with the box-like structures he produced in the early 1960s, either arranged on the gallery floor or mounted on the wall. Initially constructed by hand, the sculptures were(...)
Title:
Donald Judd
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One of the most influential American artists of the post-war period, Donald Judd changed the course of modern sculpture. Beginning as an art critic and then a painter, Judd moved into three dimensions with the box-like structures he produced in the early 1960s, either arranged on the gallery floor or mounted on the wall. Initially constructed by hand, the sculptures were later industrially manufactured in galvanized iron, steel, plexiglass, and plywood. His use of vibrant color, polished and reflective metals, and brightly hued lacquer confounded and continues to confound expectations of what "minimalist" sculpture should look like. This lavishly illustrated survey features 41 works from collections around the world, many of them large scale, each illustrated with full catalogue entries alongside many other major works by Judd. Contributors Nicholas Serota (Director of the Tate), Rudi Fuchs (former Director of The Stedelijk Museum, Amsterdam), American critics Richard Schiff and David Raskin, and British artist and critic David Batchelor explore the conflicts between previous critical interpretations of Judd and his own philosophical, political, and moral understanding of his work. Judd's critical response to the work of other artists is examined, as is the importance of color to his work, and his reaction to new man-made materials and artificially generated color in the late-20th-century environment. A section on Judd's installations at Marfa in Texas, and an extensive new chronology, compiled by Judd's assistant, Jeff Kopie, are also included. "Donald Judd" compromises the most thorough and up-to-date publication on Judd in print today.
Donald Judd
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One of the most influential American artists of the post-war period, Donald Judd changed the course of modern sculpture. Beginning as an art critic and then a painter, Judd moved into three dimensions with the box-like structures he produced in the early 1960s, either arranged on the gallery floor or mounted on the wall. Initially constructed by hand, the sculptures were later industrially manufactured in galvanized iron, steel, plexiglass, and plywood. His use of vibrant color, polished and reflective metals, and brightly hued lacquer confounded and continues to confound expectations of what "minimalist" sculpture should look like. This lavishly illustrated survey features 41 works from collections around the world, many of them large scale, each illustrated with full catalogue entries alongside many other major works by Judd. Contributors Nicholas Serota (Director of the Tate), Rudi Fuchs (former Director of The Stedelijk Museum, Amsterdam), American critics Richard Schiff and David Raskin, and British artist and critic David Batchelor explore the conflicts between previous critical interpretations of Judd and his own philosophical, political, and moral understanding of his work. Judd's critical response to the work of other artists is examined, as is the importance of color to his work, and his reaction to new man-made materials and artificially generated color in the late-20th-century environment. A section on Judd's installations at Marfa in Texas, and an extensive new chronology, compiled by Judd's assistant, Jeff Kopie, are also included. "Donald Judd" compromises the most thorough and up-to-date publication on Judd in print today.
Form:
books
books
Publication:
March 2004, London
March 2004, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$36.50
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This book was published to celebrate the opening of the Hayward Pavilion and foyer extension in October 2003. The highlight of the project is an elliptical, two-way-mirrored-glass pavilion designed by New York based artist Dan Graham, who conceived and developed the project with Haworth Tompkins Architects. The redeveloped foyer also includes a new café, space for talks,(...)
$36.50
(available to order)
Summary:
This book was published to celebrate the opening of the Hayward Pavilion and foyer extension in October 2003. The highlight of the project is an elliptical, two-way-mirrored-glass pavilion designed by New York based artist Dan Graham, who conceived and developed the project with Haworth Tompkins Architects. The redeveloped foyer also includes a new café, space for talks,(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2003, London
October 2003, London
Title:
Waterloo sunset at the Hayward Gallery
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This book was published to celebrate the opening of the Hayward Pavilion and foyer extension in October 2003. The highlight of the project is an elliptical, two-way-mirrored-glass pavilion designed by New York based artist Dan Graham, who conceived and developed the project with Haworth Tompkins Architects. The redeveloped foyer also includes a new café, space for talks, events and entertainment and improved disability access. This publication follows the development of this innovative project and includes excerpts from an interview with Dan Graham, by Mark Francis. Packed with images of the building project, architectural plans and models, the book provides a fascinating insight into a prestigious collaboration between artist and architect.
Waterloo sunset at the Hayward Gallery
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$36.50
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Summary:
This book was published to celebrate the opening of the Hayward Pavilion and foyer extension in October 2003. The highlight of the project is an elliptical, two-way-mirrored-glass pavilion designed by New York based artist Dan Graham, who conceived and developed the project with Haworth Tompkins Architects. The redeveloped foyer also includes a new café, space for talks, events and entertainment and improved disability access. This publication follows the development of this innovative project and includes excerpts from an interview with Dan Graham, by Mark Francis. Packed with images of the building project, architectural plans and models, the book provides a fascinating insight into a prestigious collaboration between artist and architect.
Form:
books
books
Publication:
October 2003, London
October 2003, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$83.95
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Summary:
Ce catalogue accompagne l'exposition du Musée d'art contemporain de Bordeaux. Conçue selon un parcours thématique, l’exposition confronte de nombreux mouvements artistiques de 1968 à 1978 : Ankform, Arte Povera, Land Art, support/surface.
$83.95
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Summary:
Ce catalogue accompagne l'exposition du Musée d'art contemporain de Bordeaux. Conçue selon un parcours thématique, l’exposition confronte de nombreux mouvements artistiques de 1968 à 1978 : Ankform, Arte Povera, Land Art, support/surface.
Title:
Les années 70 : l'art en cause
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$83.95
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Ce catalogue accompagne l'exposition du Musée d'art contemporain de Bordeaux. Conçue selon un parcours thématique, l’exposition confronte de nombreux mouvements artistiques de 1968 à 1978 : Ankform, Arte Povera, Land Art, support/surface.
Les années 70 : l'art en cause
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$83.95
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Summary:
Ce catalogue accompagne l'exposition du Musée d'art contemporain de Bordeaux. Conçue selon un parcours thématique, l’exposition confronte de nombreux mouvements artistiques de 1968 à 1978 : Ankform, Arte Povera, Land Art, support/surface.
Form:
books
books
Publication:
October 2002, Paris
October 2002, Paris
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$34.95
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Summary:
Suzaan Boettger offers the first comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of(...)
$34.95
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Suzaan Boettger offers the first comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of(...)
Title:
Earthworks : art and the landscape of the sixties
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Suzaan Boettger offers the first comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of the late 1960s social and political tumult. Boettger overturns many commonly held notions of Earthworks' origins and intentions. She argues that Robert Smithson's work on the Dallas-Fort Worth airport stimulated his thinking and that his writing about it catalyzed the movement. The visionary environments that followed, often sculpted in expansive and remote western terrains, were idealized by Americans and Europeans alike as displays of cowboy bravado. Boettger identifies earthworkers Michael Heizer, Dennis Oppenheim, Robert Morris, Walter de Maria, and Stephen Kaltenbach as former Californians whose treatment of the landscape reflects a western spirit. Her international purview integrates early work by the Europeans Barry Flanagan, Jan Dibbets, Richard Long, and Pino Pascali as precedents and parallels. Her examination of Earthworks' relationship to the ecology movement perceptively corrects a popular misconception about the artists' goals while acknowledging the social and cultural complexities of the period. Insightful discussions of Carl André, Sol LeWitt, and Claes Oldenburg - in addition to the artists mentioned above - are accompanied by many rare and new photographs of both the art and its creators. Witty, accessible, and scrupulously researched, Earthworks constructs day-to-day chronologies of the development of the artistic movement and its intersections with the larger public events of the time, including specific accounts of galleries, exhibitions, and criticism. Boettger's dynamic social history and psychological insights bring new meaning to this pivotal movement that both embodied and disrupted contemporary notions of art, nature, society, and their relationship to each other.
Earthworks : art and the landscape of the sixties
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Price:
$34.95
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Summary:
Suzaan Boettger offers the first comprehensive history of the Earthworks movement in the United States, providing a fascinating and in-depth analysis of the monumental forms that initiated the broader genre of Land Art. Examining the art, the artists, their dealers and proponents, Boettger interprets Earthworks as a manifestation both of artists' personal stories and of the late 1960s social and political tumult. Boettger overturns many commonly held notions of Earthworks' origins and intentions. She argues that Robert Smithson's work on the Dallas-Fort Worth airport stimulated his thinking and that his writing about it catalyzed the movement. The visionary environments that followed, often sculpted in expansive and remote western terrains, were idealized by Americans and Europeans alike as displays of cowboy bravado. Boettger identifies earthworkers Michael Heizer, Dennis Oppenheim, Robert Morris, Walter de Maria, and Stephen Kaltenbach as former Californians whose treatment of the landscape reflects a western spirit. Her international purview integrates early work by the Europeans Barry Flanagan, Jan Dibbets, Richard Long, and Pino Pascali as precedents and parallels. Her examination of Earthworks' relationship to the ecology movement perceptively corrects a popular misconception about the artists' goals while acknowledging the social and cultural complexities of the period. Insightful discussions of Carl André, Sol LeWitt, and Claes Oldenburg - in addition to the artists mentioned above - are accompanied by many rare and new photographs of both the art and its creators. Witty, accessible, and scrupulously researched, Earthworks constructs day-to-day chronologies of the development of the artistic movement and its intersections with the larger public events of the time, including specific accounts of galleries, exhibitions, and criticism. Boettger's dynamic social history and psychological insights bring new meaning to this pivotal movement that both embodied and disrupted contemporary notions of art, nature, society, and their relationship to each other.
Form:
books
books
Publication:
March 2004, Berkeley
March 2004, Berkeley
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$56.00
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Summary:
"Shopping" signifies more than the pure purchasing of goods. Strolling, looking at, choosing, buying and consuming goods has long become an essential part of urban life in the 20th century. Shopping is an essential ritual of public life, creating and transforming identity. Ever since Walter Benjamin´s description of the flaneur in the Paris arcades, the complex(...)
$56.00
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Summary:
"Shopping" signifies more than the pure purchasing of goods. Strolling, looking at, choosing, buying and consuming goods has long become an essential part of urban life in the 20th century. Shopping is an essential ritual of public life, creating and transforming identity. Ever since Walter Benjamin´s description of the flaneur in the Paris arcades, the complex(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
December 2002, Ostfildern
December 2002, Ostfildern
Title:
Shopping : a century of art and consumer culture
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"Shopping" signifies more than the pure purchasing of goods. Strolling, looking at, choosing, buying and consuming goods has long become an essential part of urban life in the 20th century. Shopping is an essential ritual of public life, creating and transforming identity. Ever since Walter Benjamin´s description of the flaneur in the Paris arcades, the complex interchanges between consumer culture and art have become an issue worthy of discussion, and the book Shopping is the first extensive publication to be dedicated to this topic. It documents and analyses the fascination of fine artists, architects, film makers with the more and more sophisticated means of seduction in shop windows, department stores and shopping arcades. Extensive pictorial material serves to illustrate the interaction between art and the consumption of goods using works by Eugène Atget, Berenice Abbott, Walker Evans, Andy Warhol, Claes Oldenburg, Roy Lichtenstein, Christo, Duane Hanson, Barbara Kruger, Jeff Koons, Andreas Gursky, and many more. The book is edited by Christoph Grunenberg and Max Hollein and includes contributions by internationally renowned authors.
Shopping : a century of art and consumer culture
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"Shopping" signifies more than the pure purchasing of goods. Strolling, looking at, choosing, buying and consuming goods has long become an essential part of urban life in the 20th century. Shopping is an essential ritual of public life, creating and transforming identity. Ever since Walter Benjamin´s description of the flaneur in the Paris arcades, the complex interchanges between consumer culture and art have become an issue worthy of discussion, and the book Shopping is the first extensive publication to be dedicated to this topic. It documents and analyses the fascination of fine artists, architects, film makers with the more and more sophisticated means of seduction in shop windows, department stores and shopping arcades. Extensive pictorial material serves to illustrate the interaction between art and the consumption of goods using works by Eugène Atget, Berenice Abbott, Walker Evans, Andy Warhol, Claes Oldenburg, Roy Lichtenstein, Christo, Duane Hanson, Barbara Kruger, Jeff Koons, Andreas Gursky, and many more. The book is edited by Christoph Grunenberg and Max Hollein and includes contributions by internationally renowned authors.
Form:
books
books
Publication:
December 2002, Ostfildern
December 2002, Ostfildern
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Mots-clés pour Daniel Buren
Mots-clés pour Daniel Buren
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Cet essai, en forme de lexique, s'organise autour de notions-clés et des principales oeuvres qui ont su ponctuer le parcours de Daniel Buren.
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Cet essai, en forme de lexique, s'organise autour de notions-clés et des principales oeuvres qui ont su ponctuer le parcours de Daniel Buren.
Title:
Mots-clés pour Daniel Buren
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Cet essai, en forme de lexique, s'organise autour de notions-clés et des principales oeuvres qui ont su ponctuer le parcours de Daniel Buren.
Mots-clés pour Daniel Buren
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Cet essai, en forme de lexique, s'organise autour de notions-clés et des principales oeuvres qui ont su ponctuer le parcours de Daniel Buren.
Form:
books
books
Publication:
June 2002, Paris
June 2002, Paris
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$62.95
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Summary:
Karl Stocker, scientist and co-initiator of the project, conducted the interviews with artists of Waltz’ dance ensemble, which form the basis of Insideout. The "subjective" life-stories are confronted with "objective", scientific theses by Pierre Bourdieu, Jean Baudrillard, Ulrich Beck and Judith Butler.
$62.95
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Summary:
Karl Stocker, scientist and co-initiator of the project, conducted the interviews with artists of Waltz’ dance ensemble, which form the basis of Insideout. The "subjective" life-stories are confronted with "objective", scientific theses by Pierre Bourdieu, Jean Baudrillard, Ulrich Beck and Judith Butler.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2004, Wien
March 2004, Wien
Title:
Insideout
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$62.95
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Karl Stocker, scientist and co-initiator of the project, conducted the interviews with artists of Waltz’ dance ensemble, which form the basis of Insideout. The "subjective" life-stories are confronted with "objective", scientific theses by Pierre Bourdieu, Jean Baudrillard, Ulrich Beck and Judith Butler.
Insideout
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$62.95
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Karl Stocker, scientist and co-initiator of the project, conducted the interviews with artists of Waltz’ dance ensemble, which form the basis of Insideout. The "subjective" life-stories are confronted with "objective", scientific theses by Pierre Bourdieu, Jean Baudrillard, Ulrich Beck and Judith Butler.
Form:
books
books
Publication:
March 2004, Wien
March 2004, Wien
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$27.95
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Summary:
Envisageant le land art comme un contexte plutôt que comme un mouvement, cette étude prend pour sujet une mouvance qui vit, dans les années 60, les artistes sortir de l’atelier, du musée, de la galerie, pour investir des lieux autres, principalement extérieurs et souvent non-urbains. L’auteur montre ici comment les différentes formes de déplacement observées instituent(...)
$27.95
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Summary:
Envisageant le land art comme un contexte plutôt que comme un mouvement, cette étude prend pour sujet une mouvance qui vit, dans les années 60, les artistes sortir de l’atelier, du musée, de la galerie, pour investir des lieux autres, principalement extérieurs et souvent non-urbains. L’auteur montre ici comment les différentes formes de déplacement observées instituent(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 1900, Bruxelles
January 1900, Bruxelles
Title:
En chemin, le land art - tome 2 : revenir
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Envisageant le land art comme un contexte plutôt que comme un mouvement, cette étude prend pour sujet une mouvance qui vit, dans les années 60, les artistes sortir de l’atelier, du musée, de la galerie, pour investir des lieux autres, principalement extérieurs et souvent non-urbains. L’auteur montre ici comment les différentes formes de déplacement observées instituent le «monde réel» en tant qu’atelier. Comment aussi, en transformant le fait de «sortir» de l’atelier en une volonté de «partir» ailleurs, le voyage constitue une modalité particulière du déplacement.
En chemin, le land art - tome 2 : revenir
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Envisageant le land art comme un contexte plutôt que comme un mouvement, cette étude prend pour sujet une mouvance qui vit, dans les années 60, les artistes sortir de l’atelier, du musée, de la galerie, pour investir des lieux autres, principalement extérieurs et souvent non-urbains. L’auteur montre ici comment les différentes formes de déplacement observées instituent le «monde réel» en tant qu’atelier. Comment aussi, en transformant le fait de «sortir» de l’atelier en une volonté de «partir» ailleurs, le voyage constitue une modalité particulière du déplacement.
Form:
books
books
Publication:
January 1900, Bruxelles
January 1900, Bruxelles
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
