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What is the future of the book? And, specifically, what is the future of books on art, design and architecture, and cultural-critical publications? We asked a large number of international interested individuals to respond to this question. Journalists, artists, architects, curators, translators, designers, philosophers, sociologists, teachers, book scholars, publishers,(...)
Future book(s): Sharing ideas on books and (art) publishing
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What is the future of the book? And, specifically, what is the future of books on art, design and architecture, and cultural-critical publications? We asked a large number of international interested individuals to respond to this question. Journalists, artists, architects, curators, translators, designers, philosophers, sociologists, teachers, book scholars, publishers, printing houses, distributors, booksellers, historians and art-historians, critics, policymakers, editors, students, and many others have enthusiastically shared their views with us, looking ahead five, twenty or seventy-two years (to the year 2100). At times utopian, wildly fantasizing, at other times with realistic scenarios, in both text and images, exciting for anyone who loves books and/or is involved in books and cultural content. Each section of this publication will be designed by various young designers, to celebrate its scope and diversity.
Book Design
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''Copy machine manifestos'' captures the rich history of artists' zines as never before, placing them in the lineage of the visual arts and exploring their vibrant growth over the past five decades. Fully illustrated with hundreds of zine covers and interiors, alongside work in other media, such as painting, photography, film, video, and performance, the book also(...)
Book Design
February 2024
Copy machine manifestos: Artists who make zines
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''Copy machine manifestos'' captures the rich history of artists' zines as never before, placing them in the lineage of the visual arts and exploring their vibrant growth over the past five decades. Fully illustrated with hundreds of zine covers and interiors, alongside work in other media, such as painting, photography, film, video, and performance, the book also features brief biographies for more than 100 zine-makers. Accompanying a major exhibition at the Brooklyn Museum, this expansive book, bound as a paperback with a separate jacket, focuses on zines from North America, celebrating how artists have harnessed the medium's essential role in community building and transforming material and conceptual approaches to making art across all media since 1970.
Book Design
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Ever since the creation of the first Penguin paperbacks in 1935, their jackets have become a constantly evolving part of Britain's culture and design history. Rich with stunning illustrations and filled with detail of individual titles, designers and even the changing size and shape of the Penguin logo itself, this book shows how covers become design classics. By looking(...)
Penguin by design : a cover story 1935-2005
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Ever since the creation of the first Penguin paperbacks in 1935, their jackets have become a constantly evolving part of Britain's culture and design history. Rich with stunning illustrations and filled with detail of individual titles, designers and even the changing size and shape of the Penguin logo itself, this book shows how covers become design classics. By looking back at seventy years of Penguin paperbacks, Phil Baines charts the development of British publishing, book-cover design and the role of artists and designers in creating and defining the Penguin look. Coupling in-depth analysis of designers - from Jan Tschichold to Romek Marber - with a wide-ranging look at the range of series and titles published - from early Penguins and Pelicans, to wartime Specials, fiction and reference, this is a distinctive picture of how Penguin has consistently established its identity through its covers, influenced by - and influencing - the wider development of graphic design and the changing fashions in typography, photography, illustration or printing techniques. Filled with inspiring images, "Penguin by Design" demonstrates just how difficult it is not to judge a book by its cover.
Book Design
L'art du pliage
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Hedi Kyle, artiste renommée dans le monde du livre, montre pas à pas comment réaliser des livres et objets uniques et originaux, en utilisant la technique du pliage.
L'art du pliage
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Hedi Kyle, artiste renommée dans le monde du livre, montre pas à pas comment réaliser des livres et objets uniques et originaux, en utilisant la technique du pliage.
Book Design
$39.95
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In "The book", Keith Houston reveals that the paper, ink, thread, glue, and board from which a book is made tell as rich a story as the words on its pages of civilizations, empires, human ingenuity, and madness. In an invitingly tactile history of this 2,000-year-old medium, Houston follows the development of writing, printing, the art of illustrations, and binding to(...)
The book: a cover-to-cover exploration of the most powerful object of our time
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In "The book", Keith Houston reveals that the paper, ink, thread, glue, and board from which a book is made tell as rich a story as the words on its pages of civilizations, empires, human ingenuity, and madness. In an invitingly tactile history of this 2,000-year-old medium, Houston follows the development of writing, printing, the art of illustrations, and binding to show how we have moved from cuneiform tablets and papyrus scrolls to the hardcovers and paperbacks of today.
Book Design
Artiste éditeur
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La pratique éditoriale comme réalisation artistique contemporaine, de Mallarmé à Jonathan Monk et Lawrence Weiner en passant par Fluxus, l'Internationale situationniste et les fanzines do-it-yourself. Cette publication est un essai tiré d'une thèse de doctorat en arts plastiques réalisée par Antoine Lefebvre, artiste dont la pratique consiste en grande partie en l'édition(...)
Artiste éditeur
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La pratique éditoriale comme réalisation artistique contemporaine, de Mallarmé à Jonathan Monk et Lawrence Weiner en passant par Fluxus, l'Internationale situationniste et les fanzines do-it-yourself. Cette publication est un essai tiré d'une thèse de doctorat en arts plastiques réalisée par Antoine Lefebvre, artiste dont la pratique consiste en grande partie en l'édition de ses propres publications ou de celles d'autres artistes. Créateur de La Bibliothèque Fantastique (2009-2013), l'ouvrage interroge la pratique éditoriale comme réalisation artistique contemporaine, évoquant le rôle joué par le texte fondateur de Michel Foucault qui fournira l'élan éditorial à Antoine Lefebvre. Il y est question de pratiques rudimentaires, comme l'édition de fanzines, de débrouille et de bricolage à travers le DIY (do-it-yourself).
Book Design
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The Most Beautiful Swiss Books’ is one of the most reputed competitions of its kind worldwide and has helped build up the international recognition enjoyed by contemporary Swiss book design. Prize winning designers include Adéla Svobodová, Anna Haas, Julia Born (who also won the Jan Tschichold Award), Kay Bachmann, Aude Lehmann, and sofie’s Kommunikationsdesign among(...)
The most beautiful Swiss books, 2010
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The Most Beautiful Swiss Books’ is one of the most reputed competitions of its kind worldwide and has helped build up the international recognition enjoyed by contemporary Swiss book design. Prize winning designers include Adéla Svobodová, Anna Haas, Julia Born (who also won the Jan Tschichold Award), Kay Bachmann, Aude Lehmann, and sofie’s Kommunikationsdesign among others. With an essay by Adam Szymczyk and introduction by Anisha Imhasly.
Book Design
books
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Cet ouvrage retrace les grandes étapes de l'histoire du livre et se présente comme une introduction aux titres suivants plus spécialisés. La mise en perspective de l'évolution des techniques et des enjeux de l'édition interroge notre propre relation au livre. A travers 150 illustrations, des premiers manuscrits aux dernières innovations graphiques, se dessine l'histoire(...)
Le livre
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Cet ouvrage retrace les grandes étapes de l'histoire du livre et se présente comme une introduction aux titres suivants plus spécialisés. La mise en perspective de l'évolution des techniques et des enjeux de l'édition interroge notre propre relation au livre. A travers 150 illustrations, des premiers manuscrits aux dernières innovations graphiques, se dessine l'histoire vivante du livre.
books
January 2008
Book Design
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Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul(...)
February 2010
Kiosk: Modes of multiplication
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Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul Biennial. To date, it contains more than 7,000 publications by approximately 500 independent art publishing projects, from magazines, fanzines, newspapers, journals, audio and video labels to institutional publishing, covering the entire bandwidth of publishing possibilities. On the occasion of the archive's final public presentation at the Kunstbibliothek, Berlin, this overview on independent art publishing activities today surveys the Kiosk project. This catalogue contains documentary illustrations and provides information on the contributing publishing projects.
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Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for(...)
Artist's magazines : an alternative space for art
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Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In this publication, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.