162 Results
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books
books
Title:
The lives of documents
The lives of documents
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How do photographers select, order, and display their images to make visual arguments about built and natural environments? Conceived as part of a long-term project at the CCA to examine the contemporary role of photography in the study and practice of architecture, The Lives of Documents — Photography as Project prompts reflections on the idea of the documentary as an(...)
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How do photographers select, order, and display their images to make visual arguments about built and natural environments? Conceived as part of a long-term project at the CCA to examine the contemporary role of photography in the study and practice of architecture, The Lives of Documents — Photography as Project prompts reflections on the idea of the documentary as an(...)
Title:
The lives of documents
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How do photographers select, order, and display their images to make visual arguments about built and natural environments? Conceived as part of a long-term project at the CCA to examine the contemporary role of photography in the study and practice of architecture, The Lives of Documents — Photography as Project prompts reflections on the idea of the documentary as an embedded quality of photography. Tracing the research materials, archiving practices, and production processes of diverse authors, photographers Bas Princen and Stefano Graziani highlight a selection of photographic projects that model our visible world by investigating notions of landscape and its destruction, global infrastructure, intimacy and interiority, and conditions of urban and domestic space and life. This publication follows Princen and Graziani’s travels to understand how artists use photography as a tool for their artistic research and how they conceive of their projects as evolving and expanding explorations. Bringing together studio visit images, artist interviews, and Princen and Graziani’s own reproduction of photographic projects, it emphasizes how photography reveals and expresses lived and built realities in ways that traditional architectural tools fail to represent or communicate.
The lives of documents
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How do photographers select, order, and display their images to make visual arguments about built and natural environments? Conceived as part of a long-term project at the CCA to examine the contemporary role of photography in the study and practice of architecture, The Lives of Documents — Photography as Project prompts reflections on the idea of the documentary as an embedded quality of photography. Tracing the research materials, archiving practices, and production processes of diverse authors, photographers Bas Princen and Stefano Graziani highlight a selection of photographic projects that model our visible world by investigating notions of landscape and its destruction, global infrastructure, intimacy and interiority, and conditions of urban and domestic space and life. This publication follows Princen and Graziani’s travels to understand how artists use photography as a tool for their artistic research and how they conceive of their projects as evolving and expanding explorations. Bringing together studio visit images, artist interviews, and Princen and Graziani’s own reproduction of photographic projects, it emphasizes how photography reveals and expresses lived and built realities in ways that traditional architectural tools fail to represent or communicate.
Form:
books
books
Publication:
June 2023
June 2023
Subject:
CCA Publications
CCA Publications
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books
books
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$14.00
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In this new volume of the CCA Singles presenting the Meanwhile in Japan conversations, Toyo Ito sat with a group of young architects and academics to discuss how his early work of the 1970s and 1980s took a radical approach to intervening in a newly emerged consumerist culture in Tokyo. As architects elsewhere in the world sought to break through the conventions of(...)
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In this new volume of the CCA Singles presenting the Meanwhile in Japan conversations, Toyo Ito sat with a group of young architects and academics to discuss how his early work of the 1970s and 1980s took a radical approach to intervening in a newly emerged consumerist culture in Tokyo. As architects elsewhere in the world sought to break through the conventions of(...)
Title:
Meanwhile in Japan: Toyo Ito with Koji Ichikawa and others
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In this new volume of the CCA Singles presenting the Meanwhile in Japan conversations, Toyo Ito sat with a group of young architects and academics to discuss how his early work of the 1970s and 1980s took a radical approach to intervening in a newly emerged consumerist culture in Tokyo. As architects elsewhere in the world sought to break through the conventions of modernism, Ito attempted to bring new significance to architecture in a rapidly transforming city, with particular attention to the lives of women in urban society. Led by Koji Ichikawa, the conversation included Mikio Wakabayashi, Kozo Kadowaki, Yutaro Muraji, Leo Tanishige, Mariko Terada, Naohiko Hino, Erika Nakagawa, and Tomoharu Makabe.
Meanwhile in Japan: Toyo Ito with Koji Ichikawa and others
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In this new volume of the CCA Singles presenting the Meanwhile in Japan conversations, Toyo Ito sat with a group of young architects and academics to discuss how his early work of the 1970s and 1980s took a radical approach to intervening in a newly emerged consumerist culture in Tokyo. As architects elsewhere in the world sought to break through the conventions of modernism, Ito attempted to bring new significance to architecture in a rapidly transforming city, with particular attention to the lives of women in urban society. Led by Koji Ichikawa, the conversation included Mikio Wakabayashi, Kozo Kadowaki, Yutaro Muraji, Leo Tanishige, Mariko Terada, Naohiko Hino, Erika Nakagawa, and Tomoharu Makabe.
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books
books
Publication:
April 2024
April 2024
Subject:
CCA Publications
CCA Publications
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books
books
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Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad(...)
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Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad(...)
Title:
Alina, Barbara, Halina, Helena, Zofia
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Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad shared her enthusiasm after researching the work of five women that conceived several residential neighbourhoods in Warsaw after the Second World War and redefined the city as a green haven. If the two book projects she presented in our exhibition—Atlas (2000) and Copy Cities (2003–2004)—brought together multiple fragments of her extensive and systematic documentary work on cities, her survey of the work of Alina Scholtz, Barbara Brukalska, Halina Skibniewska, Helena Syrkus, and Zofia Hansen leads now to a travel diary that reflects on the role of architecture and landscape architecture in defining places of bonding and belonging.
Alina, Barbara, Halina, Helena, Zofia
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Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad shared her enthusiasm after researching the work of five women that conceived several residential neighbourhoods in Warsaw after the Second World War and redefined the city as a green haven. If the two book projects she presented in our exhibition—Atlas (2000) and Copy Cities (2003–2004)—brought together multiple fragments of her extensive and systematic documentary work on cities, her survey of the work of Alina Scholtz, Barbara Brukalska, Halina Skibniewska, Helena Syrkus, and Zofia Hansen leads now to a travel diary that reflects on the role of architecture and landscape architecture in defining places of bonding and belonging.
Form:
books
books
Publication:
November 2024
November 2024
Subject:
CCA Publications
CCA Publications
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books
books
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$46.95
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved(...)
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved(...)
Publication:
September 2006, Ostfildern
September 2006, Ostfildern
Title:
Victor Burgin : voyage to Italy
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved text. At the beginning of the 1990s he turned to digital video art. This volume documents the many perspectives of the British artist’s reflections on Pompeii. Burgin created this series of images in 2006, while examining a nineteenth-century photograph of Pompeii from the collection of the Canadian Centre for Architecture in Montreal.
Victor Burgin : voyage to Italy
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved text. At the beginning of the 1990s he turned to digital video art. This volume documents the many perspectives of the British artist’s reflections on Pompeii. Burgin created this series of images in 2006, while examining a nineteenth-century photograph of Pompeii from the collection of the Canadian Centre for Architecture in Montreal.
Form:
books
books
Publication:
September 2006, Ostfildern
September 2006, Ostfildern
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books
books
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$48.00
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Les représentations idéales de l’Amérique, à la fois comme horizon prometteur et comme menace, ont joué un rôle déterminant dans la formation de l’architecture et de l’urbanisme russes de la Révolution américaine à la dissolution de l’Union soviétique. Jean-Louis Cohen retrace l’origine du concept d’"amerikanizm" et son impact sur l’environnement bâti de la Russie de(...)
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Les représentations idéales de l’Amérique, à la fois comme horizon prometteur et comme menace, ont joué un rôle déterminant dans la formation de l’architecture et de l’urbanisme russes de la Révolution américaine à la dissolution de l’Union soviétique. Jean-Louis Cohen retrace l’origine du concept d’"amerikanizm" et son impact sur l’environnement bâti de la Russie de(...)
Title:
Construire un nouveau Nouveau Monde : L’amerikanizm dans l’architecture russe
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Les représentations idéales de l’Amérique, à la fois comme horizon prometteur et comme menace, ont joué un rôle déterminant dans la formation de l’architecture et de l’urbanisme russes de la Révolution américaine à la dissolution de l’Union soviétique. Jean-Louis Cohen retrace l’origine du concept d’"amerikanizm" et son impact sur l’environnement bâti de la Russie de l’intérêt précoce de l’intelligentsia pour l’Amérique révolutionnaire et la découverte des expositions universelles du XIXe siècle jusqu’aux grands magasins, aux gratte-ciel et aux usines construits en Russie selon les méthodes américaines au cours du XXe siècle. Les images de l’Amérique ont également captivé l’avant-garde russe, d’El Lissitzky à Moïsseï Guinzbourg, et Cohen explore la relation spéculaire entretenue entre les deux pays au milieu du siècle dernier et à la fin de l’ère soviétique, dans une concurrence stratégique aiguisée par la Guerre Froide. Dans cette première grande étude de l’américanisme dans l’architecture russe, la trame tissée par Jean-Louis Cohen entrecroise les trajectoires d’écrivains, d’hommes politiques et d’urbanistes russes à travers le sol américain, met en avant le flux constant de transferts culturels et technologiques des États-Unis vers la Russie, et révèle la fascination parallèle des intellectuels russes et américains face à la poursuite inexorable de l’occupation et l’exploitation du territoire au sein de leurs frontières respectives. Construire un nouveau Nouveau Monde : L’amerikanizm dans l’architecture russe apporte une contribution opportune à notre compréhension de la géopolitique des édifices et des formes urbaines.
Construire un nouveau Nouveau Monde : L’amerikanizm dans l’architecture russe
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Les représentations idéales de l’Amérique, à la fois comme horizon prometteur et comme menace, ont joué un rôle déterminant dans la formation de l’architecture et de l’urbanisme russes de la Révolution américaine à la dissolution de l’Union soviétique. Jean-Louis Cohen retrace l’origine du concept d’"amerikanizm" et son impact sur l’environnement bâti de la Russie de l’intérêt précoce de l’intelligentsia pour l’Amérique révolutionnaire et la découverte des expositions universelles du XIXe siècle jusqu’aux grands magasins, aux gratte-ciel et aux usines construits en Russie selon les méthodes américaines au cours du XXe siècle. Les images de l’Amérique ont également captivé l’avant-garde russe, d’El Lissitzky à Moïsseï Guinzbourg, et Cohen explore la relation spéculaire entretenue entre les deux pays au milieu du siècle dernier et à la fin de l’ère soviétique, dans une concurrence stratégique aiguisée par la Guerre Froide. Dans cette première grande étude de l’américanisme dans l’architecture russe, la trame tissée par Jean-Louis Cohen entrecroise les trajectoires d’écrivains, d’hommes politiques et d’urbanistes russes à travers le sol américain, met en avant le flux constant de transferts culturels et technologiques des États-Unis vers la Russie, et révèle la fascination parallèle des intellectuels russes et américains face à la poursuite inexorable de l’occupation et l’exploitation du territoire au sein de leurs frontières respectives. Construire un nouveau Nouveau Monde : L’amerikanizm dans l’architecture russe apporte une contribution opportune à notre compréhension de la géopolitique des édifices et des formes urbaines.
Form:
books
books
Publication:
December 2019
December 2019
Subject:
CCA Publications
CCA Publications
Form:
books
books
Title:
Goodbye, oil
Goodbye, oil
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The illustrated book “Goodbye, Oil” explores how oil is produced and how we might lessen our dependence on this non-renewable resource. Harriet Russell’s story offers alternative modes of powering the vehicles we drive, making the goods we consume and heating our houses. The book adopts an unconventional perspective on energy and on the problems that may arise when we(...)
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The illustrated book “Goodbye, Oil” explores how oil is produced and how we might lessen our dependence on this non-renewable resource. Harriet Russell’s story offers alternative modes of powering the vehicles we drive, making the goods we consume and heating our houses. The book adopts an unconventional perspective on energy and on the problems that may arise when we(...)
Title:
Goodbye, oil
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The illustrated book “Goodbye, Oil” explores how oil is produced and how we might lessen our dependence on this non-renewable resource. Harriet Russell’s story offers alternative modes of powering the vehicles we drive, making the goods we consume and heating our houses. The book adopts an unconventional perspective on energy and on the problems that may arise when we finally run out of oil, inviting readers of all ages to imagine their daily lives differently. “Goodbye, Oil” is an expanded edition of “An Endangered Species,” first published by Harriet Russell as an introduction to “Sorry, Out of Gas: Architecture’s Response to the 1973 Oil Crisis” (2007).
Goodbye, oil
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The illustrated book “Goodbye, Oil” explores how oil is produced and how we might lessen our dependence on this non-renewable resource. Harriet Russell’s story offers alternative modes of powering the vehicles we drive, making the goods we consume and heating our houses. The book adopts an unconventional perspective on energy and on the problems that may arise when we finally run out of oil, inviting readers of all ages to imagine their daily lives differently. “Goodbye, Oil” is an expanded edition of “An Endangered Species,” first published by Harriet Russell as an introduction to “Sorry, Out of Gas: Architecture’s Response to the 1973 Oil Crisis” (2007).
Form:
books
books
Publication:
April 2018
April 2018
Subject:
CCA Publications
CCA Publications
Form:
books
books
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$50.00
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Comment concevoir la ville lorsque nos expériences les plus intimes sont constamment traquées et nos sentiments utilisés comme base à de nouveaux modes de production favorisant l’immatériel au détriment du matériel ? Depuis la crise financière de 2008, les listes d’indicateurs du bien-être et d’indices du bonheur, ainsi que les classements fondés sur la qualité de vie,(...)
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Comment concevoir la ville lorsque nos expériences les plus intimes sont constamment traquées et nos sentiments utilisés comme base à de nouveaux modes de production favorisant l’immatériel au détriment du matériel ? Depuis la crise financière de 2008, les listes d’indicateurs du bien-être et d’indices du bonheur, ainsi que les classements fondés sur la qualité de vie,(...)
Title:
Nos jours heureux : architecture et bien-être à l'ère du capitalisme émotionnel
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Comment concevoir la ville lorsque nos expériences les plus intimes sont constamment traquées et nos sentiments utilisés comme base à de nouveaux modes de production favorisant l’immatériel au détriment du matériel ? Depuis la crise financière de 2008, les listes d’indicateurs du bien-être et d’indices du bonheur, ainsi que les classements fondés sur la qualité de vie, circulent de manière virale. Parallèlement, les données émotionnelles présentées dans ces enquêtes, y compris les perceptions relatives aux notions de solitude, d’amitié et de peurs intimes, alimentent un agenda politique du bonheur en croissance et une nouvelle forme de marché dont l’atout le plus déterminant est l’« affect ». Nos jours heureux examine les implications architecturales de cette tendance en disséquant et en questionnant les conditions politiques, économiques et émotionnelles qui génèrent l’espace aujourd’hui. Structuré comme une narration visuelle – assortie de lectures critiques de William Davies, Daniel Fujiwara, Simon Fujiwara, Ingo Niermann, Deane Simpson et Mirko Zardini –, cet ouvrage présente l’architecture, la ville et le paysage comme des surfaces contestées, prises entre les lignes directrices intangibles des indices de bonheur, le nouveau marché des émotions et l’idéologie implacable de la positivité.
Nos jours heureux : architecture et bien-être à l'ère du capitalisme émotionnel
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Comment concevoir la ville lorsque nos expériences les plus intimes sont constamment traquées et nos sentiments utilisés comme base à de nouveaux modes de production favorisant l’immatériel au détriment du matériel ? Depuis la crise financière de 2008, les listes d’indicateurs du bien-être et d’indices du bonheur, ainsi que les classements fondés sur la qualité de vie, circulent de manière virale. Parallèlement, les données émotionnelles présentées dans ces enquêtes, y compris les perceptions relatives aux notions de solitude, d’amitié et de peurs intimes, alimentent un agenda politique du bonheur en croissance et une nouvelle forme de marché dont l’atout le plus déterminant est l’« affect ». Nos jours heureux examine les implications architecturales de cette tendance en disséquant et en questionnant les conditions politiques, économiques et émotionnelles qui génèrent l’espace aujourd’hui. Structuré comme une narration visuelle – assortie de lectures critiques de William Davies, Daniel Fujiwara, Simon Fujiwara, Ingo Niermann, Deane Simpson et Mirko Zardini –, cet ouvrage présente l’architecture, la ville et le paysage comme des surfaces contestées, prises entre les lignes directrices intangibles des indices de bonheur, le nouveau marché des émotions et l’idéologie implacable de la positivité.
Form:
books
books
Publication:
September 2019
September 2019
Subject:
CCA Publications
CCA Publications
Form:
books
books
Title:
TheThings Around Us
TheThings Around Us
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Embedded in politically and economically charged sites in the Pearl River Delta, Mongolia, and the European Union, 51N4E (Johan Anrys and Freek Persyn) and Rural Urban Framework (Joshua Bolchover and John Lin) operate in expanded ecologies of architectural practice, questioning the role of the architect today. By collaborating with policymakers, local contractors, and(...)
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Embedded in politically and economically charged sites in the Pearl River Delta, Mongolia, and the European Union, 51N4E (Johan Anrys and Freek Persyn) and Rural Urban Framework (Joshua Bolchover and John Lin) operate in expanded ecologies of architectural practice, questioning the role of the architect today. By collaborating with policymakers, local contractors, and(...)
Title:
TheThings Around Us
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Embedded in politically and economically charged sites in the Pearl River Delta, Mongolia, and the European Union, 51N4E (Johan Anrys and Freek Persyn) and Rural Urban Framework (Joshua Bolchover and John Lin) operate in expanded ecologies of architectural practice, questioning the role of the architect today. By collaborating with policymakers, local contractors, and NGOs, and by engaging their respective labs at ETH Zu¨rich and the University of Hong Kong as key research locations, both offices investigate new forms of cooperation and dialogue as crucial strategies for design. 51N4E and RUF work at the seams of urbanization, with projects situated in transitional settlements in Ulaanbaatar, the rural regions of China, the transforming neighborhoods of Brussels, and Albania’s shifting public spaces. This publication compares their research and design processes in order to question the extents and certainties of architecture against backdrops of indeterminate notions of citizenship, unstable stages of urbanization, and insecure economies and ecologies.
TheThings Around Us
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Embedded in politically and economically charged sites in the Pearl River Delta, Mongolia, and the European Union, 51N4E (Johan Anrys and Freek Persyn) and Rural Urban Framework (Joshua Bolchover and John Lin) operate in expanded ecologies of architectural practice, questioning the role of the architect today. By collaborating with policymakers, local contractors, and NGOs, and by engaging their respective labs at ETH Zu¨rich and the University of Hong Kong as key research locations, both offices investigate new forms of cooperation and dialogue as crucial strategies for design. 51N4E and RUF work at the seams of urbanization, with projects situated in transitional settlements in Ulaanbaatar, the rural regions of China, the transforming neighborhoods of Brussels, and Albania’s shifting public spaces. This publication compares their research and design processes in order to question the extents and certainties of architecture against backdrops of indeterminate notions of citizenship, unstable stages of urbanization, and insecure economies and ecologies.
Form:
books
books
Publication:
April 2021
April 2021
Subject:
CCA Publications
CCA Publications
Form:
books
books
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$144.95
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Summary:
Test.
$144.95
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Summary:
Test.
Title:
Trilogy Jean-Louis Cohen : Building a New World / Architecture in Uniform / Scenes of the World to Come
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$144.95
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Test.
Trilogy Jean-Louis Cohen : Building a New World / Architecture in Uniform / Scenes of the World to Come
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Summary:
Test.
Form:
books
books
Publication:
November 2020
November 2020
Subject:
CCA Publications
CCA Publications
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books
books
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$19.95
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La présente publication ainsi que le site Web qui accompagne ce projet (www.cca.qc.ca/installations) offrent une rétrospective des positions adoptées par cinq architectes et agences invités, entre 1996 et 1998, à créer dans la salle Sottsass de la maison Shaughnessy des installations présentant leur travail. Jacques Rousseau, Pierre Thibault, Sophie(...)
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La présente publication ainsi que le site Web qui accompagne ce projet (www.cca.qc.ca/installations) offrent une rétrospective des positions adoptées par cinq architectes et agences invités, entre 1996 et 1998, à créer dans la salle Sottsass de la maison Shaughnessy des installations présentant leur travail. Jacques Rousseau, Pierre Thibault, Sophie(...)
Title:
Installations architecturales : 5 architectes québécois au CCA / Architectural Installations : 5 Québec architects at the CCA
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La présente publication ainsi que le site Web qui accompagne ce projet (www.cca.qc.ca/installations) offrent une rétrospective des positions adoptées par cinq architectes et agences invités, entre 1996 et 1998, à créer dans la salle Sottsass de la maison Shaughnessy des installations présentant leur travail. Jacques Rousseau, Pierre Thibault, Sophie Charlebois, Atelier in situ et Atelier Big City sont les concepteurs de ces installations. / The present publication and its parallel website (www.cca.qc.ca/installations) offer a retrospective of recent positions adopted by the five architects invited to create installations, presenting their work, in the Sottsass Room of the CCA's Shaughnessy House between 1996 and 1998. Jacques Rousseau, Pierre Thibault, Sophie Charlebois, Atelier in situ and Atelier Big City have conceived the installations.
Installations architecturales : 5 architectes québécois au CCA / Architectural Installations : 5 Québec architects at the CCA
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La présente publication ainsi que le site Web qui accompagne ce projet (www.cca.qc.ca/installations) offrent une rétrospective des positions adoptées par cinq architectes et agences invités, entre 1996 et 1998, à créer dans la salle Sottsass de la maison Shaughnessy des installations présentant leur travail. Jacques Rousseau, Pierre Thibault, Sophie Charlebois, Atelier in situ et Atelier Big City sont les concepteurs de ces installations. / The present publication and its parallel website (www.cca.qc.ca/installations) offer a retrospective of recent positions adopted by the five architects invited to create installations, presenting their work, in the Sottsass Room of the CCA's Shaughnessy House between 1996 and 1998. Jacques Rousseau, Pierre Thibault, Sophie Charlebois, Atelier in situ and Atelier Big City have conceived the installations.
Form:
books
books
Publication:
May 1999, Montréal
May 1999, Montréal
Subject:
CCA Publications
CCA Publications
