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Bertram Brooker (1888–1955), an associate of the Group of Seven, was a multi-disciplinary artist who was deeply engaged with the visual, literary and performing arts in Canada during the dynamic inter-war period. Brooker combined elements of abstraction and figuration as a painter, illustrator and graphic designer – the focus of this publication – and reflected myriad(...)
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Bertram Brooker (1888–1955), an associate of the Group of Seven, was a multi-disciplinary artist who was deeply engaged with the visual, literary and performing arts in Canada during the dynamic inter-war period. Brooker combined elements of abstraction and figuration as a painter, illustrator and graphic designer – the focus of this publication – and reflected myriad(...)
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Bertram Brooker: When we awake!
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Bertram Brooker (1888–1955), an associate of the Group of Seven, was a multi-disciplinary artist who was deeply engaged with the visual, literary and performing arts in Canada during the dynamic inter-war period. Brooker combined elements of abstraction and figuration as a painter, illustrator and graphic designer – the focus of this publication – and reflected myriad strains of contemporary thought in his efforts as a novelist, poet, short-story and essay writer, screenwriter, playwright, actor, musician, and as one of the most influential art critics of his day.
Bertram Brooker: When we awake!
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Bertram Brooker (1888–1955), an associate of the Group of Seven, was a multi-disciplinary artist who was deeply engaged with the visual, literary and performing arts in Canada during the dynamic inter-war period. Brooker combined elements of abstraction and figuration as a painter, illustrator and graphic designer – the focus of this publication – and reflected myriad strains of contemporary thought in his efforts as a novelist, poet, short-story and essay writer, screenwriter, playwright, actor, musician, and as one of the most influential art critics of his day.
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books
books
Publication:
April 2024
April 2024
Subject:
Canadian art
Canadian art
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books
books
Title:
inemuri, dormir présent.e
inemuri, dormir présent.e
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Le livre « inemuri, dormir présent.e » résulte d’une recherche menée dans le cadre d’une résidence du CALQ au Tokyo Arts and Space (TOKAS) à l’été 2023 à Tokyo, Japon. Le projet explore les dimensions éthiques, sociologiques et économiques de l’inemuri, pratique japonaise qui consiste à dormir dans les lieux publics en réponse à un surmenage généralisé. À la fois(...)
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Le livre « inemuri, dormir présent.e » résulte d’une recherche menée dans le cadre d’une résidence du CALQ au Tokyo Arts and Space (TOKAS) à l’été 2023 à Tokyo, Japon. Le projet explore les dimensions éthiques, sociologiques et économiques de l’inemuri, pratique japonaise qui consiste à dormir dans les lieux publics en réponse à un surmenage généralisé. À la fois(...)
Title:
inemuri, dormir présent.e
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Le livre « inemuri, dormir présent.e » résulte d’une recherche menée dans le cadre d’une résidence du CALQ au Tokyo Arts and Space (TOKAS) à l’été 2023 à Tokyo, Japon. Le projet explore les dimensions éthiques, sociologiques et économiques de l’inemuri, pratique japonaise qui consiste à dormir dans les lieux publics en réponse à un surmenage généralisé. À la fois fonctionnelle et fictionnelle, une cellule de repos portative est imaginée afin de délimiter un espace personnel aux dormeur·euse·s, à même les lieux publics. Des photographies réalisées en collaboration avec des participant·e·s japonais·e·s relatent les diverses activations en contexte spécifique.
inemuri, dormir présent.e
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Summary:
Le livre « inemuri, dormir présent.e » résulte d’une recherche menée dans le cadre d’une résidence du CALQ au Tokyo Arts and Space (TOKAS) à l’été 2023 à Tokyo, Japon. Le projet explore les dimensions éthiques, sociologiques et économiques de l’inemuri, pratique japonaise qui consiste à dormir dans les lieux publics en réponse à un surmenage généralisé. À la fois fonctionnelle et fictionnelle, une cellule de repos portative est imaginée afin de délimiter un espace personnel aux dormeur·euse·s, à même les lieux publics. Des photographies réalisées en collaboration avec des participant·e·s japonais·e·s relatent les diverses activations en contexte spécifique.
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books
books
Publication:
April 2024
April 2024
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books
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L'évènement de type triennal en est à sa deuxième édition, succédant à celle qui s'est tenue en 2001 sur le canal de Lachine. «Artefact 2004 : sculptures urbaines» regroupe treize artistes (incluant Raymond Gervais, Michel Goulet, Daniel Olson et Alan Storey) dont les œuvres sont installées aux abords du chemin Olmsted, entre le Centre de la montagne près du symposium de(...)
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L'évènement de type triennal en est à sa deuxième édition, succédant à celle qui s'est tenue en 2001 sur le canal de Lachine. «Artefact 2004 : sculptures urbaines» regroupe treize artistes (incluant Raymond Gervais, Michel Goulet, Daniel Olson et Alan Storey) dont les œuvres sont installées aux abords du chemin Olmsted, entre le Centre de la montagne près du symposium de(...)
Publication:
September 2004, Montreal
September 2004, Montreal
Title:
Artefact 2004 : sculptures urbaines / urban sculptures
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L'évènement de type triennal en est à sa deuxième édition, succédant à celle qui s'est tenue en 2001 sur le canal de Lachine. «Artefact 2004 : sculptures urbaines» regroupe treize artistes (incluant Raymond Gervais, Michel Goulet, Daniel Olson et Alan Storey) dont les œuvres sont installées aux abords du chemin Olmsted, entre le Centre de la montagne près du symposium de 1964 et le grand chalet du belvédère. / Publication of a triennial exhibition devoted to ephemeral public art. In this second edition the objective was to select an area of the city of Montreal and invite artists to use it as a space for research and creation for the entire summer of 2004. Thus Montreal's Mont Royal park, and specifically the Olmsted Path which crosses it, were chosen for their significant features, rich histories and public affection. Participating artists include Raymond Gervais, Michel Goulet, Daniel Olson and Alan Storey. An essay is accompanied by texts on each individual work as well as an introduction to the event.
Artefact 2004 : sculptures urbaines / urban sculptures
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L'évènement de type triennal en est à sa deuxième édition, succédant à celle qui s'est tenue en 2001 sur le canal de Lachine. «Artefact 2004 : sculptures urbaines» regroupe treize artistes (incluant Raymond Gervais, Michel Goulet, Daniel Olson et Alan Storey) dont les œuvres sont installées aux abords du chemin Olmsted, entre le Centre de la montagne près du symposium de 1964 et le grand chalet du belvédère. / Publication of a triennial exhibition devoted to ephemeral public art. In this second edition the objective was to select an area of the city of Montreal and invite artists to use it as a space for research and creation for the entire summer of 2004. Thus Montreal's Mont Royal park, and specifically the Olmsted Path which crosses it, were chosen for their significant features, rich histories and public affection. Participating artists include Raymond Gervais, Michel Goulet, Daniel Olson and Alan Storey. An essay is accompanied by texts on each individual work as well as an introduction to the event.
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books
books
Publication:
September 2004, Montreal
September 2004, Montreal
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books
books
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$79.95
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In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of(...)
$79.95
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Summary:
In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of(...)
Publication:
May 2004, Brussels
May 2004, Brussels
Title:
Michael Snow : Biographie of the walking woman / de la femme qui marche 1961 - 1967 (2004)
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In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of the original cut-out as both tool and subject. "Biographie" is a 2004 The Walking Woman work which consists of the juxtaposition and the many-sided sequential ordering of a selection from these deliberate, inadvertent, and by-chance photographic documents. It is a Finnegan’s Wake, non-chronological biography. / À la fin des années 1960, Michael Snow réalisa plusieurs découpages naturalistes de figurines en carton en utilisant le mur comme arrière plan. Au début de 1961, il dessina, puis découpa la silhouette de profil d’une femme marchant, haute de 152 cm, dans un morceau de carton.Tout son travail, entre 1961 et 1967, utilise le profil ou la silhouette de la découpe originale aussi bien comme outil que comme sujet. Le livre "Biographie" est un livre d’artiste qui consiste en la juxtaposition et l’ordonnancement séquentiel de documents photographiques délibérés, inopinés ou aléatoires, conjuguant les apparitions ordinaires et sublimes de La femme qui marche. C’est une biographie non chronologique à la Finnegan’s Wake.
Michael Snow : Biographie of the walking woman / de la femme qui marche 1961 - 1967 (2004)
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Summary:
In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of the original cut-out as both tool and subject. "Biographie" is a 2004 The Walking Woman work which consists of the juxtaposition and the many-sided sequential ordering of a selection from these deliberate, inadvertent, and by-chance photographic documents. It is a Finnegan’s Wake, non-chronological biography. / À la fin des années 1960, Michael Snow réalisa plusieurs découpages naturalistes de figurines en carton en utilisant le mur comme arrière plan. Au début de 1961, il dessina, puis découpa la silhouette de profil d’une femme marchant, haute de 152 cm, dans un morceau de carton.Tout son travail, entre 1961 et 1967, utilise le profil ou la silhouette de la découpe originale aussi bien comme outil que comme sujet. Le livre "Biographie" est un livre d’artiste qui consiste en la juxtaposition et l’ordonnancement séquentiel de documents photographiques délibérés, inopinés ou aléatoires, conjuguant les apparitions ordinaires et sublimes de La femme qui marche. C’est une biographie non chronologique à la Finnegan’s Wake.
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books
books
Publication:
May 2004, Brussels
May 2004, Brussels
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books
books
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In "The World as I Found It" Alain Paiement revisits his photographic mapping of the building at 5012 Boulevard Saint-Laurent in Montréal, the building where he has lived and worked for over ten years. Entitled "Parages(Vicinity) 2002", this work was originally presented as an installation of multiple suspended banners, first at Galerie de l'UQAM in Montréal, and later at(...)
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In "The World as I Found It" Alain Paiement revisits his photographic mapping of the building at 5012 Boulevard Saint-Laurent in Montréal, the building where he has lived and worked for over ten years. Entitled "Parages(Vicinity) 2002", this work was originally presented as an installation of multiple suspended banners, first at Galerie de l'UQAM in Montréal, and later at(...)
Publication:
January 2003, New York
January 2003, New York
Title:
Alain Paiement : the world as I found it
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In "The World as I Found It" Alain Paiement revisits his photographic mapping of the building at 5012 Boulevard Saint-Laurent in Montréal, the building where he has lived and worked for over ten years. Entitled "Parages(Vicinity) 2002", this work was originally presented as an installation of multiple suspended banners, first at Galerie de l'UQAM in Montréal, and later at the Pratt Manhattan Gallery in New York. The book is formatted like a travel guide. The images presented are signposts to "Parages", marking a number of points of interest. Included with the book is a map that presents "Parages" in its entirety.
Alain Paiement : the world as I found it
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In "The World as I Found It" Alain Paiement revisits his photographic mapping of the building at 5012 Boulevard Saint-Laurent in Montréal, the building where he has lived and worked for over ten years. Entitled "Parages(Vicinity) 2002", this work was originally presented as an installation of multiple suspended banners, first at Galerie de l'UQAM in Montréal, and later at the Pratt Manhattan Gallery in New York. The book is formatted like a travel guide. The images presented are signposts to "Parages", marking a number of points of interest. Included with the book is a map that presents "Parages" in its entirety.
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books
books
Publication:
January 2003, New York
January 2003, New York
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books
books
Title:
Circumventions
Circumventions
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This book as been published on the occasion of the Dena Foundation Art Award 2003.
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This book as been published on the occasion of the Dena Foundation Art Award 2003.
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January 1900, Paris
January 1900, Paris
Title:
Circumventions
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This book as been published on the occasion of the Dena Foundation Art Award 2003.
Circumventions
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This book as been published on the occasion of the Dena Foundation Art Award 2003.
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January 1900, Paris
January 1900, Paris
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Summary:
Carole Forget propose dans ses livres de poésie une interrogation sur le lieu et l'espace. "Comme si le vide avait un lieu" : poésie d'après trois photographies de Melvin Charney.
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Carole Forget propose dans ses livres de poésie une interrogation sur le lieu et l'espace. "Comme si le vide avait un lieu" : poésie d'après trois photographies de Melvin Charney.
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May 2006, Outremont
May 2006, Outremont
Title:
Comme si le vide avait un lieu
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Carole Forget propose dans ses livres de poésie une interrogation sur le lieu et l'espace. "Comme si le vide avait un lieu" : poésie d'après trois photographies de Melvin Charney.
Comme si le vide avait un lieu
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Carole Forget propose dans ses livres de poésie une interrogation sur le lieu et l'espace. "Comme si le vide avait un lieu" : poésie d'après trois photographies de Melvin Charney.
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books
books
Publication:
May 2006, Outremont
May 2006, Outremont
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books
books
Title:
Derek Sullivan: we may be standing on the shoulder of giants but some of us are looking at the stars
Derek Sullivan: we may be standing on the shoulder of giants but some of us are looking at the stars
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Published to accompany the exhibition: "Derek Sullivan: We May Be Standing on the Shoulder of Giants but Some of Us Are Looking at the Stars", Southern Alberta Art Gallery, January 26 to March 2, 2008. Including an essay by Pamela Meredith.
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Published to accompany the exhibition: "Derek Sullivan: We May Be Standing on the Shoulder of Giants but Some of Us Are Looking at the Stars", Southern Alberta Art Gallery, January 26 to March 2, 2008. Including an essay by Pamela Meredith.
Publication:
February 2009, Alberta
February 2009, Alberta
Title:
Derek Sullivan: we may be standing on the shoulder of giants but some of us are looking at the stars
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Published to accompany the exhibition: "Derek Sullivan: We May Be Standing on the Shoulder of Giants but Some of Us Are Looking at the Stars", Southern Alberta Art Gallery, January 26 to March 2, 2008. Including an essay by Pamela Meredith.
Derek Sullivan: we may be standing on the shoulder of giants but some of us are looking at the stars
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Published to accompany the exhibition: "Derek Sullivan: We May Be Standing on the Shoulder of Giants but Some of Us Are Looking at the Stars", Southern Alberta Art Gallery, January 26 to March 2, 2008. Including an essay by Pamela Meredith.
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books
books
Publication:
February 2009, Alberta
February 2009, Alberta
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books
books
Title:
My Winnipeg with DVD
My Winnipeg with DVD
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Featuring the script, extensively annoted with a cornucopia of illuminating arcana, and an in-dept interview with Michael Ondaatje. This version includes the DVD of My Winnipeg.
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Summary:
Featuring the script, extensively annoted with a cornucopia of illuminating arcana, and an in-dept interview with Michael Ondaatje. This version includes the DVD of My Winnipeg.
Title:
My Winnipeg with DVD
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$35.95
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Featuring the script, extensively annoted with a cornucopia of illuminating arcana, and an in-dept interview with Michael Ondaatje. This version includes the DVD of My Winnipeg.
My Winnipeg with DVD
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$35.95
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Featuring the script, extensively annoted with a cornucopia of illuminating arcana, and an in-dept interview with Michael Ondaatje. This version includes the DVD of My Winnipeg.
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books
books
Publication:
April 2009
April 2009
Subject:
Canadian art
Canadian art
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books
books
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$40.00
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Summary:
Cette monographie présente les nouvelles oeuvres du photographe et cinéaste. Surtout connu pour ses portraits empreints de recul, Grandmaison explore les liens entre l’économie de l’image - ses matériaux et ses conventions formelles et techniques - et les structures socioéconomiques qui régissent notre monde quotidien. Il se penche sur les tensions entre le réalisme des(...)
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Cette monographie présente les nouvelles oeuvres du photographe et cinéaste. Surtout connu pour ses portraits empreints de recul, Grandmaison explore les liens entre l’économie de l’image - ses matériaux et ses conventions formelles et techniques - et les structures socioéconomiques qui régissent notre monde quotidien. Il se penche sur les tensions entre le réalisme des(...)
Publication:
February 2009, Hamilton
February 2009, Hamilton
Title:
Pascal Grandmaison : le grand jour / double take
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Cette monographie présente les nouvelles oeuvres du photographe et cinéaste. Surtout connu pour ses portraits empreints de recul, Grandmaison explore les liens entre l’économie de l’image - ses matériaux et ses conventions formelles et techniques - et les structures socioéconomiques qui régissent notre monde quotidien. Il se penche sur les tensions entre le réalisme des images captées et les codes abstraits qui fondent leur représentation. En français et anglais.
Pascal Grandmaison : le grand jour / double take
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$40.00
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Cette monographie présente les nouvelles oeuvres du photographe et cinéaste. Surtout connu pour ses portraits empreints de recul, Grandmaison explore les liens entre l’économie de l’image - ses matériaux et ses conventions formelles et techniques - et les structures socioéconomiques qui régissent notre monde quotidien. Il se penche sur les tensions entre le réalisme des images captées et les codes abstraits qui fondent leur représentation. En français et anglais.
Form:
books
books
Publication:
February 2009, Hamilton
February 2009, Hamilton
