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The Colour Journal is not simply another publication about the meaning of colour. Colours have not been approached in a literal way but as a starting point, a pretext to tell bigger stories, a means of revealing the story within the story: we all know Henri Matisse's Blue Nudes, but who can say the same about Biskra, the forgotten Algerian oasis that inspired him? We may(...)
The Colour Journal: The blue issue, Vol. 1
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The Colour Journal is not simply another publication about the meaning of colour. Colours have not been approached in a literal way but as a starting point, a pretext to tell bigger stories, a means of revealing the story within the story: we all know Henri Matisse's Blue Nudes, but who can say the same about Biskra, the forgotten Algerian oasis that inspired him? We may also know about the ultramarine pigment that Yves Klein patented, but who has heard of Edouard Adam, a merchant in Montparnasse who discovered its formula? The Colour Journal intends to fight against the dictatorship of immediacy, to give depth to the pretty images of fashion magazines and Instagram feeds, to delve into familiar moments of art history and discover what lies beneath, to dig into museum libraries and reveal unseen treasures. To bring this enterprise to life, The Colour Journal travelled from Idaho to Guangxi, from antiquity to the present day, to bring you a dialogue between forgotten archives and contemporary photography: follow a denim hunter in the American West, visit one of China's last cultural minorities, peek into Helmut Newton's private collection of Polaroids and dive into David Hockney's chlorinated swimming pools.
Colour Theory and Design
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In this new approach to the history of colour, Kelly Grovier takes readers on a search for the intriguing and unusual. In Grovier’s telling, a colour’s connotations are never fixed but are endlessly evolving. Knowledge of a pigment and its history can unlock meaning in the works that feature it. Grovier employs the term ''artymology'' to suggest that colour is a(...)
The art of colour: a history in 39 pigments
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In this new approach to the history of colour, Kelly Grovier takes readers on a search for the intriguing and unusual. In Grovier’s telling, a colour’s connotations are never fixed but are endlessly evolving. Knowledge of a pigment and its history can unlock meaning in the works that feature it. Grovier employs the term ''artymology'' to suggest that colour is a linguistic device, where pigments stand in for syllables in art’s language. Colour is the site of invigorating conflict—a battleground where past and present, influence and originality, and superstition and science merge into meanings that complicate and intensify our appreciation of a given work. How might it change our understanding of a well-known masterpiece like Vincent van Gogh’s ''Starry Night'' to know that the intense yellow moon in that painting was sculpted from clumps of dehydrated urine from cows that were fed nothing but mango leaves? Or that the cobalt blue pigment in Van Gogh’s sky shares a material bloodline with the glaze of Ming Dynasty porcelain? Consisting of ten chapters, each presenting a biography of a family of colours, this volume mines a rich vein of pigmentation from prehistoric cave painting to art of the present day. The book also includes features exploring important milestones in the history of colour theory from the Enlightenment to the twentieth century.
Colour Theory and Design
Lumière sur la couleur
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Les couleurs sont omniprésentes dans notre quotidien, et définir ce qu'est une couleur semble un exercice facile. C'est en réalité une notion difficile à cerner : la couleur du peintre n'est pas celle du physicien, la couleur biologique ne correspond pas à celle du numérique. Une couleur peut se voir, se toucher, se nommer ; on peut aussi mesurer sa longueur d'onde, la(...)
Lumière sur la couleur
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Les couleurs sont omniprésentes dans notre quotidien, et définir ce qu'est une couleur semble un exercice facile. C'est en réalité une notion difficile à cerner : la couleur du peintre n'est pas celle du physicien, la couleur biologique ne correspond pas à celle du numérique. Une couleur peut se voir, se toucher, se nommer ; on peut aussi mesurer sa longueur d'onde, la décomposer en pigments, l'inscrire dans un système ou tout simplement la ressentir. La couleur a son mot à dire dans les domaines les plus variés : sciences, symbolique, culture, zoologie, savoir-faire, histoire, économie. Lumière sur la couleur, destiné à un large public, rassemble dans un ouvrage abondamment illustré les différents aspects de ce sujet fascinant. Conçu par sept spécialistes de haut niveau, il propose une approche pluridisciplinaire permettant de définir et de comprendre notre relation au monde de la couleur.
Colour Theory and Design
La ville en couleurs
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La couleur est une composante essentielle de notre environnement et libère des messages qui agissent sur notre inconscient et nos états d'âme. La couleur s'invite dans tous les domaines de la création, que ce soit la mode, le design, l'urbanisme, l'architecture ou l'art. Ce livre, magnifiquement illustré, nous promène de siècle en siècle et d'un continent à l'autre dans(...)
La ville en couleurs
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La couleur est une composante essentielle de notre environnement et libère des messages qui agissent sur notre inconscient et nos états d'âme. La couleur s'invite dans tous les domaines de la création, que ce soit la mode, le design, l'urbanisme, l'architecture ou l'art. Ce livre, magnifiquement illustré, nous promène de siècle en siècle et d'un continent à l'autre dans l'univers de la symbolique des couleurs. II met en lumière l'évolution du langage de la couleur à travers les civilisations. Dans la ville, comme dans l'art ou la décoration, les harmonies de couleurs sont en constante mutation. Interactions passionnantes entre les formes urbaines et le design, de l'Antiquité à nos jours.
Colour Theory and Design
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Sanzo Wada (1883-1967) was an artist, teacher, costume and kimono designer during a turbulent time in avant-garde Japanese art and cinema. Wada was ahead of his time in developing traditional and Western influenced colour combinations, helping to lay the foundations for contemporary colour research. Based on his original 6-volume work from the 1930s, this book offers 348(...)
A dictionary of color combinations
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Sanzo Wada (1883-1967) was an artist, teacher, costume and kimono designer during a turbulent time in avant-garde Japanese art and cinema. Wada was ahead of his time in developing traditional and Western influenced colour combinations, helping to lay the foundations for contemporary colour research. Based on his original 6-volume work from the 1930s, this book offers 348 color combinations, as attractive and sensuous as the books own design.
Colour Theory and Design
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How do architects use colour? Do they adopt a different strategy or starting point for every project? Do they gradually cultivate individual colour palettes, which develop alongside their body of built work? Architectural colour in the professional palette investigates, documents and analyses the work of a number of contemporary architects in order to respond to these(...)
Architectural colour in the professional palette
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How do architects use colour? Do they adopt a different strategy or starting point for every project? Do they gradually cultivate individual colour palettes, which develop alongside their body of built work? Architectural colour in the professional palette investigates, documents and analyses the work of a number of contemporary architects in order to respond to these questions and provide a clear reference of contemporary colour use. The book suggests a holistic approach to the integration of colour in architecture; through a series of thematic essays, the text explores and reveals underlying principles in colour design and application.
Colour Theory and Design
The color revolution
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The Color Revolution traces the relationship of color and commerce, from haute couture to automobile showrooms to interior design, describing the often unrecognized role of the color profession in consumer culture. Blaszczyk examines the evolution of the color profession from 1850 to 1970, telling the stories of innovators who managed the color cornucopia that modern(...)
The color revolution
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The Color Revolution traces the relationship of color and commerce, from haute couture to automobile showrooms to interior design, describing the often unrecognized role of the color profession in consumer culture. Blaszczyk examines the evolution of the color profession from 1850 to 1970, telling the stories of innovators who managed the color cornucopia that modern artificial dyes and pigments made possible. These "color stylists," "color forecasters," and "color engineers" helped corporations understand the art of illusion and the psychology of color.
Colour Theory and Design
Under the rainbow
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Ce livre s'inscrit dans un projet de recherche réalisé à l'ECAL, portant un regard critique sur les standards dans le domaine de l'impression offset. Sont rassemblés ici des textes et des images ayant un lien avec l'impression en couleur et relatant des histoires parfois connues, d'autres oubliées ou certaines encore jamais racontées.
Under the rainbow
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Ce livre s'inscrit dans un projet de recherche réalisé à l'ECAL, portant un regard critique sur les standards dans le domaine de l'impression offset. Sont rassemblés ici des textes et des images ayant un lien avec l'impression en couleur et relatant des histoires parfois connues, d'autres oubliées ou certaines encore jamais racontées.
Colour Theory and Design
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Our lives are saturated by color. We live in a world of vivid colors, and color marks our psychological and social existence. But for all color’s inescapability, we don’t know much about it. Now authors David Scott Kastan and Stephen Farthing offer an exploration of one of the most intriguing and least understood aspects of everyday experience. Kastan and Farthing, a(...)
Colour Theory and Design
October 2019
On color
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Our lives are saturated by color. We live in a world of vivid colors, and color marks our psychological and social existence. But for all color’s inescapability, we don’t know much about it. Now authors David Scott Kastan and Stephen Farthing offer an exploration of one of the most intriguing and least understood aspects of everyday experience. Kastan and Farthing, a scholar and a painter, respectively, investigate color from numerous perspectives: literary, historical, cultural, anthropological, philosophical, art historical, political, and scientific.
Colour Theory and Design
La vie secrète des couleurs
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De la période bleue de Picasso au charbon de bois des grottes de Lascaux, des tournesols jaune de Van Gogh au rose fluorescent du mouvement punk, parcourez l’histoire à travers la mode, la politique, l’art et la guerre. Ce livre raconte l’histoire vivante de notre culture.
La vie secrète des couleurs
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De la période bleue de Picasso au charbon de bois des grottes de Lascaux, des tournesols jaune de Van Gogh au rose fluorescent du mouvement punk, parcourez l’histoire à travers la mode, la politique, l’art et la guerre. Ce livre raconte l’histoire vivante de notre culture.
Colour Theory and Design