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Le craft est depuis longtemps l’objet de débats passionnés qui nécessitent aujourd’hui un éclairage critique et théorique renouvelé, que le seul terme d’« artisanat » restreint parfois. Politiques, écologiques, entrepreneuriales, humanitaires, patrimoniales, technologiques ou éducatives, les formes du craft se sont, ces dernières années, étendues, réinventées mais aussi(...)
Crafts : anthologie contemporaine pour un artisanat de demain
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Le craft est depuis longtemps l’objet de débats passionnés qui nécessitent aujourd’hui un éclairage critique et théorique renouvelé, que le seul terme d’« artisanat » restreint parfois. Politiques, écologiques, entrepreneuriales, humanitaires, patrimoniales, technologiques ou éducatives, les formes du craft se sont, ces dernières années, étendues, réinventées mais aussi complexifiées.
Design, Periods and Styles
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At once beautiful works of art and technological wonders, the objects featured in "Making Marvels" demonstrate how European royalty from the Renaissance to the Enlightenment signaled their status through their collections of ingeniously crafted inventions. Featuring 150 exemplary objects ranging from mechanical toys to scientific instruments, timepieces to automata, this(...)
Making marvels: science and splendour at the courts of Europe
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At once beautiful works of art and technological wonders, the objects featured in "Making Marvels" demonstrate how European royalty from the Renaissance to the Enlightenment signaled their status through their collections of ingeniously crafted inventions. Featuring 150 exemplary objects ranging from mechanical toys to scientific instruments, timepieces to automata, this study brings to life a glorious period when luxury, a quest for knowledge, scientific invention, and political power combined to produce remarkable works of art. More than frivolous playthings, these works inspired technical innovations that influenced a broad spectrum of activities, including astronomy, engineering, and artisanal craftsmanship.
Design, Periods and Styles
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In the mid-1960s, reacting to contemporary social and political upheaval, young Italian architects and designers began developing a new style that openly challenged Modernism. Known as 'Radical design', this movement probed possibilities for visually transforming the urban environment. This publication surveys the work of these pioneering designers through nearly 70(...)
Radical: Italian design 1965-1985. The Dennis Freedman collection
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In the mid-1960s, reacting to contemporary social and political upheaval, young Italian architects and designers began developing a new style that openly challenged Modernism. Known as 'Radical design', this movement probed possibilities for visually transforming the urban environment. This publication surveys the work of these pioneering designers through nearly 70 objects and architectural models — including rare prototypes and limited-production pieces.
Design, Periods and Styles
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With eighty tales of design, laid out in A to Z format, and an irreverent structure, this becomes a picture book for the refined adult. Each letter delves into one facet of this enduring era of design: midcentury modern homes, interior design, graphic design, and illustration, as well as the iconic personalities.
From A to Eames: a visual guide to mid-century modern design
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With eighty tales of design, laid out in A to Z format, and an irreverent structure, this becomes a picture book for the refined adult. Each letter delves into one facet of this enduring era of design: midcentury modern homes, interior design, graphic design, and illustration, as well as the iconic personalities.
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March 2019
Design, Periods and Styles
Dutch design a history
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Thomas, a museum curator, delves deeply into the rich design history of the Netherlands, beginning with the historical roots of Dutch crafts education and the moral and social ideals of modernism that became central to the nation’s cultural dialogue. Touching upon such issues as the emergence of the professional industrial designer, public work initiatives, debates about(...)
Dutch design a history
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Thomas, a museum curator, delves deeply into the rich design history of the Netherlands, beginning with the historical roots of Dutch crafts education and the moral and social ideals of modernism that became central to the nation’s cultural dialogue. Touching upon such issues as the emergence of the professional industrial designer, public work initiatives, debates about design as art, and the provocative notion of “anti-design,” Thomas argues that though Dutch design from the beginning has been driven by aims of functionality, simplicity, and affordability, it has also embraced luxury and exclusivity. The book also discusses the role played by leading Dutch designers and their works, including Wim Crouwel, Marcel Wanders, and the design collective Droog Design. An unprecedented, detailed history, Dutch Design Culture is a critical primer on one of the leading national design movements today.
Design, Periods and Styles
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Comprising the effort of more than a century of collecting chairs, the Faculty of Architecture of the TU Delft can pride itself on having one of the major furniture collections in the Netherlands. Set up as an educational tool, the collection has offered knowledge about materials, construction and typology to students and designers. In the catalogue, the entire collection(...)
Design, Periods and Styles
March 2008, Rotterdam
Chairs: catalogue of the Delft faculty of architecture collection
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Comprising the effort of more than a century of collecting chairs, the Faculty of Architecture of the TU Delft can pride itself on having one of the major furniture collections in the Netherlands. Set up as an educational tool, the collection has offered knowledge about materials, construction and typology to students and designers. In the catalogue, the entire collection of over 240 chairs is presented for the first time. Each object is accompanied by images and a thorough description. Also, the book offers comprehensive texts on key designs in the collection, showing the diversity of the collection which consists of world famous designs, 17th, 18th and 19th century designs, everyday household chairs and rare pieces of furniture that have never been published before. Among the designers presented are Verner Panton, Gerrit Th. Rietveld, Hendrik Petrus Berlage, Jean Prouvé, Marcel Breuer and Droog Design.
Design, Periods and Styles
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Reaching an apogee of 6,000 members in the years just before the Civil War, the Shaker movement was the most extensive, enduring, and successful utopian society ever established in America. Leaving Manchester, England, in 1776 to avoid persecution, the Shakers crossed the Atlantic and during the next 50 years established 19 villages from Maine to Kentucky. The Shakers(...)
Design, Periods and Styles
April 2008, New York, Vermont, New Haven, London
Shaker Design out of this world
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Reaching an apogee of 6,000 members in the years just before the Civil War, the Shaker movement was the most extensive, enduring, and successful utopian society ever established in America. Leaving Manchester, England, in 1776 to avoid persecution, the Shakers crossed the Atlantic and during the next 50 years established 19 villages from Maine to Kentucky. The Shakers were guided by the principles of utility, honesty, and order in both their work and worship, and this belief system influenced the physical expression of the goods they produced for use at home and for sale outside their communities. This lovely book presents a wide array of extraordinarily fine examples of Shaker furniture, household objects, textiles, religious drawings, and items made to sell to the “world’s people” (non-Shakers). The book’s expert contributors discuss Shaker design in relation to the furniture they constructed, the products they sold, their gift drawings and spirituality, and their rejection of American Fancy design. The book also considers the powerful inspiration Shaker design has provided for diverse modern and contemporary designers, including George Nakashima, Roy McMakin, Thomas Moser, and Scandinavian furniture makers.
Design, Periods and Styles
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In Imagine No Possessions, Christina Kiaer investigates the Russian Constructivist conception of objects as being more than commodities. "Our things in our hands must be equals, comrades," wrote Aleksandr Rodchenko in 1925. Kiaer analyzes this Constructivist counterproposal to capitalism's commodity fetish by examining objects produced by Constructivist artists between(...)
Design, Periods and Styles
April 2008, Cambridge, Massachusetts
Imagine no possessions: the socialist objects of Russian constructivism
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In Imagine No Possessions, Christina Kiaer investigates the Russian Constructivist conception of objects as being more than commodities. "Our things in our hands must be equals, comrades," wrote Aleksandr Rodchenko in 1925. Kiaer analyzes this Constructivist counterproposal to capitalism's commodity fetish by examining objects produced by Constructivist artists between 1923 and 1925: Vladimir Tatlin's prototype designs for pots and pans and other everyday objects, Liubov' Popova's and Varvara Stepanova's fashion designs and textiles, Rodchenko's packaging and advertisements for state-owned businesses (made in collaboration with revolutionary poet Vladimir Mayakovsky), and Rodchenko's famous design for the interior of a workers' club. These artists, heeding the call of Constructivist manifestos to abandon the nonobjective painting and sculpture of the early Russian avant-garde and enter into Soviet industrial production, aimed to work as "artist-engineers" to produce useful objects for everyday life in the new socialist collective.
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April 2008, Cambridge, Massachusetts
Design, Periods and Styles
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Accompanying the exhibition at the Victoria & Albert Museum, London, this ground-breaking study of modern art, architecture, design and film examines the Cold War as a conflict between differing conceptions of modern life. It is an ambitious review of the geography of Cold War modernity, including works from the Socialist Bloc and western Europe, the United States, Cuba(...)
Design, Periods and Styles
October 2008, London
Cold war modern design 1945 - 1970
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Accompanying the exhibition at the Victoria & Albert Museum, London, this ground-breaking study of modern art, architecture, design and film examines the Cold War as a conflict between differing conceptions of modern life. It is an ambitious review of the geography of Cold War modernity, including works from the Socialist Bloc and western Europe, the United States, Cuba and Japan. Essays on subjects as diverse as Cold War strategy, domesticity and hi-tech design developments are illustrated with remarkable images by internationally renowned artists and designers from Picasso to Kubrick, alongside the forgotten figures of the Cold War era.
Design, Periods and Styles
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The Cubist movement, which revolutionized the art world in the early twentieth century, was largely restricted to painting and sculpture in Western Europe. However, in Bohemia, Cubism achieved remarkable heights not only in painting and sculpture, but also in architecture and the applied arts. The startling work created by the Czech avant-garde of the early 1900s has(...)
Czech cubism : Architecture, furniture, and decorative arts, 1910-1925
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The Cubist movement, which revolutionized the art world in the early twentieth century, was largely restricted to painting and sculpture in Western Europe. However, in Bohemia, Cubism achieved remarkable heights not only in painting and sculpture, but also in architecture and the applied arts. The startling work created by the Czech avant-garde of the early 1900s has rarely been seen outside of Eastern Europe. ''Czech cubism'' presents a collection of architecture, furniture, and decorative arts through more than 500 photographs and drawings. Essays by nine noted scholars provide historical and critical background for the work.