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The open terrain of new media is closing fast. Market concentration, legal consolidation and tightening governmental control have effectively ended the myth of the free and open networks. In Delusive Spaces, Eric Kluitenberg takes a critical position that retains a utopian potential for emerging media cultures. The book investigates the archeology of media and machine,(...)
Delusive spaces: essays on culture, media and technology
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The open terrain of new media is closing fast. Market concentration, legal consolidation and tightening governmental control have effectively ended the myth of the free and open networks. In Delusive Spaces, Eric Kluitenberg takes a critical position that retains a utopian potential for emerging media cultures. The book investigates the archeology of media and machine, mapping the different methods and metaphors that speak about technology. Returning to the present, Kluitenberg discusses the cultural use of new media in an age of post-governmental politics. Delusive Spaces concludes with the impossibility of representation. Going beyond the obvious delusions of the 'new' and the 'free', Kluitenberg theorizes artistic practices and European cultural policies, demonstrating a provocative engagement with the utopian dimension of technology. Eric Kluitenberg is a Dutch media theorist, writer and organizer. Since the late 1980s, he has been involved in numerous international projects in the field of electronic art, media culture, and information politics. Kluitenberg heads the media program at De Balie, Centre for Culture and Politics in Amsterdam. He is the editor of the Book of Imaginary Media (NAi Publishers, 2006) and the theme issue Hybrid Space of Open, journal on art and the public domain (2007).
Epistemology
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The past decade has seen phenomenal growth in the development and use of virtual worlds. In one of the most notable, Second Life, millions of people have created online avatars in order to play games, take classes, socialize, and conduct business transactions. Second Life offers a gathering point and the tools for people to create a new world online. Too often neglected(...)
Making virtual worlds : Linden Lab and Second Life
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The past decade has seen phenomenal growth in the development and use of virtual worlds. In one of the most notable, Second Life, millions of people have created online avatars in order to play games, take classes, socialize, and conduct business transactions. Second Life offers a gathering point and the tools for people to create a new world online. Too often neglected in popular and scholarly accounts of such groundbreaking new environments is the simple truth that, of necessity, such virtual worlds emerge from physical workplaces marked by negotiation, creation, and constant change. Thomas Malaby spent a year at Linden Lab, the real-world home of Second Life, observing those who develop and profit from the sprawling, self-generating system they have created.
Epistemology
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Originally published in 1968, this sequel to "The Medium is the Massage" is a collage of images and text that sharply illustrates how electric technology "stimulate more discontinuity and diversity and division than the old mechanical society."
War and peace in the global village
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Originally published in 1968, this sequel to "The Medium is the Massage" is a collage of images and text that sharply illustrates how electric technology "stimulate more discontinuity and diversity and division than the old mechanical society."
Epistemology
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Environmentalism and social sciences appear to be in a period of disorientation and perhaps transition. In this innovative collection, leading international thinkers explore the notion that one explanation for the current malaise of the “politics of ecology” is that we increasingly find ourselves negotiating “technonatural” space/times. International contributors map the(...)
Technonature: environments, technologies, spaces and places in the twenty-first century
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Environmentalism and social sciences appear to be in a period of disorientation and perhaps transition. In this innovative collection, leading international thinkers explore the notion that one explanation for the current malaise of the “politics of ecology” is that we increasingly find ourselves negotiating “technonatural” space/times. International contributors map the political ecologies of our technonatural present and indicate possible paths for technonatural futures.
Epistemology
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In Prometheus Wired, Darin Barney debunks claims that a networked society will provide the infrastructure for a political revolution and shows that the resources we need for understanding and making sound judgments about this new technology are surprisingly close at hand. By looking to thinkers who grappled with the relationship of society and technology, such as Plato,(...)
Prometheus wired: the hope for democraty in the age of network technology
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In Prometheus Wired, Darin Barney debunks claims that a networked society will provide the infrastructure for a political revolution and shows that the resources we need for understanding and making sound judgments about this new technology are surprisingly close at hand. By looking to thinkers who grappled with the relationship of society and technology, such as Plato, Aristotle, Marx, and Heidegger, Barney critically examines such assertions about the character of digital networks.
Epistemology
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3 audio-cds, 192 minutes booklet, 40 pages
okkulte stimmen mediale musik: recordinsgs of intelligences 1905-2007
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3 audio-cds, 192 minutes booklet, 40 pages
Epistemology
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"In(visible)" engages with the cognitive, social, technological and aesthetic dimensions of a dataculture which, in the highly charged dichotomies of private/public, visibility/invisibility, individual/community, autonomy/control, attempts to mark out new routes to communicate the practices and strategies of artistic and scientific engagement.
(In)visible: learning to act in the metaverse
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"In(visible)" engages with the cognitive, social, technological and aesthetic dimensions of a dataculture which, in the highly charged dichotomies of private/public, visibility/invisibility, individual/community, autonomy/control, attempts to mark out new routes to communicate the practices and strategies of artistic and scientific engagement.
Epistemology
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''Pevsner: the BBC years'' gives the first full account of Sir Nikolaus Pevsner’s engagement with the BBC at a time when both were the dominant institutions in their own fields -- Pevsner as the most persuasive figure in architecture and art history, the BBC as the country's sole broadcaster. With the arrival of the Third Programme in 1946, he quickly became a(...)
Pevsner: The BBC Years: Listening to the Visual Arts
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''Pevsner: the BBC years'' gives the first full account of Sir Nikolaus Pevsner’s engagement with the BBC at a time when both were the dominant institutions in their own fields -- Pevsner as the most persuasive figure in architecture and art history, the BBC as the country's sole broadcaster. With the arrival of the Third Programme in 1946, he quickly became a broadcasting celebrity, and one whom senior BBC figures regarded as essential and novel listening. This book looks at the sudden rise in Pevsner’s standing at the BBC and at the circumstances surrounding his being commissioned, in the mid-1950s, to give the first series of Reith Lectures on an arts subject -- the relationship between visual expression and national identity.
Epistemology
Pevsner: The complete broadcast talks: architecture and art on radio and television, 1945-1977
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This book brings together the surviving texts of the 113 talks on art and architecture that we know of, given by the art historian Sir Nikolaus Pevsner on radio and television between 1945--1977. It includes the seven texts of the 1955 Reith Lectures in their original broadcast form, as well as lectures that Pevsner gave in German (for the BBC in London and RIAS in(...)
Pevsner: The complete broadcast talks: architecture and art on radio and television, 1945-1977
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This book brings together the surviving texts of the 113 talks on art and architecture that we know of, given by the art historian Sir Nikolaus Pevsner on radio and television between 1945--1977. It includes the seven texts of the 1955 Reith Lectures in their original broadcast form, as well as lectures that Pevsner gave in German (for the BBC in London and RIAS in Berlin) and on the radio in New Zealand. These talks are important as an example of the attempt by the BBC in particular to provide intellectual programming for the mass population. The talks are important for what they reveal about changing tastes in the treatment of the arts as a broadcast topic, as well as offering a case study of the development of one particular historian's approach to a subject that was gaining ground in universities as a direct result of his popularisation of it.
Epistemology
La galaxie Gutenberg
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Analysant les effets des changements techniques sur la communication, les cultures, les sociétés et la politique depuis l’époque médiévale, McLuhan livre avec La Galaxie Gutenberg, son œuvre majeure. « Le médium est le message », résume-t-il. Une idée toujours pertinente à notre époque où triomphe une culture de l’image qui semble nous ramener à un stade pré-alphabétique,(...)
La galaxie Gutenberg
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Analysant les effets des changements techniques sur la communication, les cultures, les sociétés et la politique depuis l’époque médiévale, McLuhan livre avec La Galaxie Gutenberg, son œuvre majeure. « Le médium est le message », résume-t-il. Une idée toujours pertinente à notre époque où triomphe une culture de l’image qui semble nous ramener à un stade pré-alphabétique, rythmé par le flot ininterrompu des sentiments et des réactions immédiates.
Epistemology