Log 62 : fall 2024
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The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also(...)
October 2024
Log 62 : fall 2024
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The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also distancing itself from a more radical critical approach that leans toward an ‘anthropologization’ of architecture."
Sous le vent de la mer
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« Je me rendis compte que la mer elle-même devait être le personnage central de mon récit, que je le veuille ou non. Car la mer, tenant pouvoir de vie et de mort sur chacune de ses créatures, de la plus petite à la plus grande, allait inévitablement pénétrer chaque page. » À la fin des années 1930, une jeune biologiste marine passionnée de littérature imagine un projet(...)
October 2024
Sous le vent de la mer
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« Je me rendis compte que la mer elle-même devait être le personnage central de mon récit, que je le veuille ou non. Car la mer, tenant pouvoir de vie et de mort sur chacune de ses créatures, de la plus petite à la plus grande, allait inévitablement pénétrer chaque page. » À la fin des années 1930, une jeune biologiste marine passionnée de littérature imagine un projet inédit : raconter la mer du point de vue des espèces qui la peuplent. Paru en 1941, ce grand récit polyphonique et poétique est le premier livre de Rachel Carson. C’est aussi son préféré.
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"Do glaciers listen?" explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with(...)
Do glaciers listen? Local knowledge, colonial encounters, and social imagination
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"Do glaciers listen?" explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic social upheaval resulting from European exploration and increased travel and trade among Aboriginal peoples. Focusing on these contrasting views during the late stages of the Little Ice Age (1550-1900), Cruikshank demonstrates how local knowledge is produced, rather than discovered, through colonial encounters, and how it often conjoins social and biophysical processes. She then traces how the divergent views weave through contemporary debates about cultural meanings as well as current discussions about protected areas, parks, and the new World Heritage site.
Current Exhibitions
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What fuels and sustains activism and organizing when it feels like our worlds are collapsing? ''Let This Radicalize You" is a practical and imaginative resource for activists and organizers building power in an era of destabilization and catastrophe. Longtime organizers and movement educators Mariame Kaba and Kelly Hayes examine some of the political lessons of the(...)
Let this radicalize you: organizing and the revolution of reciprocal care
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What fuels and sustains activism and organizing when it feels like our worlds are collapsing? ''Let This Radicalize You" is a practical and imaginative resource for activists and organizers building power in an era of destabilization and catastrophe. Longtime organizers and movement educators Mariame Kaba and Kelly Hayes examine some of the political lessons of the COVID-19 pandemic, including the convergence of mass protest and mass formations of mutual aid, and consider what this confluence of power can teach us about a future that will require mass acts of care, rescue and defense, in the face of both state violence and environmental disaster. The book is intended to aid and empower activists and organizers as they attempt to map their own journeys through the work of justice-making. It includes insights from a spectrum of experienced organizers, including Sharon Lungo, Carlos Saavedra, Ejeris Dixon, Barbara Ransby, and Ruth Wilson Gilmore about some of the difficult and joyous lessons they have learned in their work.
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Reliefs n.18 : Glaciers
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Numéro consacré aux glaciers, avec des articles, des entretiens, des extraits littéraires illustrés, des infographies ainsi que des conseils de lecture, de films et de musique.
Reliefs n.18 : Glaciers
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Numéro consacré aux glaciers, avec des articles, des entretiens, des extraits littéraires illustrés, des infographies ainsi que des conseils de lecture, de films et de musique.
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"A year of deep listening" is a publication of 365 scores for listening gathered by the Center for Deep Listening in celebration of the legacy of groundbreaking composer Pauline Oliveros. Originally begun online, in honor of what would have been Oliveros’ 90th birthday (May 30, 2022), the project shared one score per day across social media for 365 days. The book version(...)
A year of deep listening: 365 text scores for Pauline Oliveros
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"A year of deep listening" is a publication of 365 scores for listening gathered by the Center for Deep Listening in celebration of the legacy of groundbreaking composer Pauline Oliveros. Originally begun online, in honor of what would have been Oliveros’ 90th birthday (May 30, 2022), the project shared one score per day across social media for 365 days. The book version of"A year of deep listening" brings these scores together into one beautiful and historic volume. An expression of the Deep Listening community, the scores were created by over 300 artists—ranging from prize winning composers to ear-minded grocery store clerks, from those who worked closely with Oliveros for decades to those who never met her.
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A series of photographs of the Rhône Glacier in Switzerland, taken between the summers of 2014 and 2017. Each year during this season, the authorities cover the glacier with blankets to fight melting ice. "I took my first pictures of the Rhône Glacier in July 2014. I remember climbing up the mountainside along the edge of the glacier to get a better view. I came across a(...)
Sahli Hansjörg: Rhonegletscher
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A series of photographs of the Rhône Glacier in Switzerland, taken between the summers of 2014 and 2017. Each year during this season, the authorities cover the glacier with blankets to fight melting ice. "I took my first pictures of the Rhône Glacier in July 2014. I remember climbing up the mountainside along the edge of the glacier to get a better view. I came across a couple of alpinists up there. We chatted briefly... At the time, the covered glacier made a very tidy impression. The blankets were nice and white, stretched taut, the ice beneath them voluminous... The function of the blankets, which was to shield the ice, along with the ice grotto beneath it, from solar radiation, was plain to see. When I came back a fortnight later, everything looked different. There had been a storm and lots of rain. Some of the blankets were torn off, shredded, dirty. The glacier was a pitiful sight to behold... "
Current Exhibitions
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In southern France, high above the villas and the pleasure palaces of the Côte d’Azur, there is the Alpine Extension of the Maginot Line. These little-known fortifications were built before the Second World War to protect France from Mussolini. But nobody has successfully invaded over the Alps since Napoleon, and things didn’t quite turn out as the French(...)
Bunker research: the hidden history of modernism in the mountains
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In southern France, high above the villas and the pleasure palaces of the Côte d’Azur, there is the Alpine Extension of the Maginot Line. These little-known fortifications were built before the Second World War to protect France from Mussolini. But nobody has successfully invaded over the Alps since Napoleon, and things didn’t quite turn out as the French expected. Now, the bunkers are marooned, forlorn and crumbling, in some of the most beautiful and remote parts of France. They are disappearing into the landscapes they once commanded, stray facts from a future passed, still waiting for an onslaught that never came.
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Documenting Gehry's work from 1988 to the present, this book traces his evolution from a Southern California architect known for his idiosyncratic use of materials to an international figure who has redefined modernism with his sculpturally expressionistic work.
December 2002, New York
Gehry talks : architecture + process
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Documenting Gehry's work from 1988 to the present, this book traces his evolution from a Southern California architect known for his idiosyncratic use of materials to an international figure who has redefined modernism with his sculpturally expressionistic work.
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In 1856, the English photographer Francis Frith set out on the first of three tours of Egypt and the Holy Lands. Traveling up the Nile and then on to the Sinai, Palestine, Syria, and Lebanon, Frith systematically crafted exquisite pictures of ruins, landscapes, and legendary sites. He then published his views in England and America in a variety of formats, becoming(...)
January 2004, Princeton
Francis Frith in Egypt and Palestine : a Victorian photographer abroad
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In 1856, the English photographer Francis Frith set out on the first of three tours of Egypt and the Holy Lands. Traveling up the Nile and then on to the Sinai, Palestine, Syria, and Lebanon, Frith systematically crafted exquisite pictures of ruins, landscapes, and legendary sites. He then published his views in England and America in a variety of formats, becoming something of a celebrity in photographic circles. This book, the first to place Frith's Egyptian and Levantine images in cultural context, reveals the distinct meanings these ostensibly "topographic" pictures held for the photographer and his Victorian audience. A Quaker by birth and an entrepreneur by nature, Frith brought to his photographic projects a sense of mission: to revive and confirm the stories of the Bible, while offering the region to armchair travelers as a seamless Oriental milieu of Romantic reverie. Francis Frith in Egypt and Palestine narrates the political, intellectual, and social concerns that make Frith representative of England's encounter with the East in the nineteenth century. Historian of photography Douglas R. Nickel brings a sophisticated interdisciplinary approach to bear on the subject in order to expose the complexity of Frith's image-making, setting the photographs against a Victorian backdrop of religious debate, imperialist thought, Romantic philosophy, and Pre-Raphaelite aesthetics.