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Renaissance et baroque
Renaissance et baroque
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Longtemps, le terme baroque fut employé pour décrire le style en lequel la Renaissance se serait désintégrée. Renaissance et baroque est le premier ouvrage d’histoire de l’art à envisager les choses autrement et à démontrer que le baroque relève au contraire d’une esthétique propre. Pour définir ses valeurs formelles, le jeune Heinrich Wölfflin va les opposer à celles du(...)
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Longtemps, le terme baroque fut employé pour décrire le style en lequel la Renaissance se serait désintégrée. Renaissance et baroque est le premier ouvrage d’histoire de l’art à envisager les choses autrement et à démontrer que le baroque relève au contraire d’une esthétique propre. Pour définir ses valeurs formelles, le jeune Heinrich Wölfflin va les opposer à celles du(...)
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August 2017
August 2017
Title:
Renaissance et baroque
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Longtemps, le terme baroque fut employé pour décrire le style en lequel la Renaissance se serait désintégrée. Renaissance et baroque est le premier ouvrage d’histoire de l’art à envisager les choses autrement et à démontrer que le baroque relève au contraire d’une esthétique propre. Pour définir ses valeurs formelles, le jeune Heinrich Wölfflin va les opposer à celles du classicisme de la Renaissance. Il compare les oeuvres de Bramante, Raphaël, Peruzzi, Sangallo, Michel-Ange, Vignole, della Porta, Maderna, et s’appuie sur des exemples romains. À travers l’évolution des styles et des goûts dans la peinture mais surtout dans l’architecture des églises, palais, villas, fontaines et jardins, c’est l’expression de l’état d’âme de la société italienne des XVIe et XVIIe siècles qu’il révèle.
Renaissance et baroque
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Longtemps, le terme baroque fut employé pour décrire le style en lequel la Renaissance se serait désintégrée. Renaissance et baroque est le premier ouvrage d’histoire de l’art à envisager les choses autrement et à démontrer que le baroque relève au contraire d’une esthétique propre. Pour définir ses valeurs formelles, le jeune Heinrich Wölfflin va les opposer à celles du classicisme de la Renaissance. Il compare les oeuvres de Bramante, Raphaël, Peruzzi, Sangallo, Michel-Ange, Vignole, della Porta, Maderna, et s’appuie sur des exemples romains. À travers l’évolution des styles et des goûts dans la peinture mais surtout dans l’architecture des églises, palais, villas, fontaines et jardins, c’est l’expression de l’état d’âme de la société italienne des XVIe et XVIIe siècles qu’il révèle.
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books
books
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August 2017
August 2017
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books
books
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$44.95
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Comme l'illustrent "L'École d'Athènes" de Raphaël ou "L'Apothéose d'Homère" d'Ingres, la Renaissance marque l'avènement de l'artiste, qui revendique désormais un statut intellectuel et social comparable à celui des philosophes-poètes. Mais le travail manuel reste au cœur de son activité : matériaux et pratiques artistiques sont engagés dans l'œuvre au même titre que la(...)
$44.95
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Summary:
Comme l'illustrent "L'École d'Athènes" de Raphaël ou "L'Apothéose d'Homère" d'Ingres, la Renaissance marque l'avènement de l'artiste, qui revendique désormais un statut intellectuel et social comparable à celui des philosophes-poètes. Mais le travail manuel reste au cœur de son activité : matériaux et pratiques artistiques sont engagés dans l'œuvre au même titre que la(...)
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L'architecture parmi les arts ; matérialité, transferts et travail artistique dans l'Italie de la Renaissance
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Comme l'illustrent "L'École d'Athènes" de Raphaël ou "L'Apothéose d'Homère" d'Ingres, la Renaissance marque l'avènement de l'artiste, qui revendique désormais un statut intellectuel et social comparable à celui des philosophes-poètes. Mais le travail manuel reste au cœur de son activité : matériaux et pratiques artistiques sont engagés dans l'œuvre au même titre que la vision poétique. L'idée artistique elle-même ne naîtrait-elle donc pas aussi du maniement physique des outils et des matériaux ? Et l'architecture, semblant confinée dans une pensée isolée de la fabrication matérielle, pourrait-elle s'intégrer dans cette perspective progressivement admise pour les autres arts ? Les questionnements qui traversent ce livre invitent à une réflexion sur le rôle de la matière, des instruments et des gestes dans le travail artistique, mais aussi sur le dialogue qu'entretiennent les arts entre eux, favorisé par l'utilisation de matériaux communs, à travers une étude de quelques œuvres majeures de l'architecture de la Renaissance italienne.
L'architecture parmi les arts ; matérialité, transferts et travail artistique dans l'Italie de la Renaissance
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Comme l'illustrent "L'École d'Athènes" de Raphaël ou "L'Apothéose d'Homère" d'Ingres, la Renaissance marque l'avènement de l'artiste, qui revendique désormais un statut intellectuel et social comparable à celui des philosophes-poètes. Mais le travail manuel reste au cœur de son activité : matériaux et pratiques artistiques sont engagés dans l'œuvre au même titre que la vision poétique. L'idée artistique elle-même ne naîtrait-elle donc pas aussi du maniement physique des outils et des matériaux ? Et l'architecture, semblant confinée dans une pensée isolée de la fabrication matérielle, pourrait-elle s'intégrer dans cette perspective progressivement admise pour les autres arts ? Les questionnements qui traversent ce livre invitent à une réflexion sur le rôle de la matière, des instruments et des gestes dans le travail artistique, mais aussi sur le dialogue qu'entretiennent les arts entre eux, favorisé par l'utilisation de matériaux communs, à travers une étude de quelques œuvres majeures de l'architecture de la Renaissance italienne.
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books
books
Publication:
September 2016
September 2016
Subject:
History until 1900, Renaissance
History until 1900, Renaissance
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books
books
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$25.95
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Un commentaire des traités les plus importants de la Renaissance à l'époque contemporaine. Regroupés selon les pays et les époques, les écrits d'architectes et maîtres d'oeuvre tels que Battista Alberti, Andrea Palladio, Marc-Antoine Laugier, Eugène Viollet-le-Duc, John Shute, Le Corbusier, Aldo Rossi et Rem Koolhaas sont étudiés.
$25.95
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Summary:
Un commentaire des traités les plus importants de la Renaissance à l'époque contemporaine. Regroupés selon les pays et les époques, les écrits d'architectes et maîtres d'oeuvre tels que Battista Alberti, Andrea Palladio, Marc-Antoine Laugier, Eugène Viollet-le-Duc, John Shute, Le Corbusier, Aldo Rossi et Rem Koolhaas sont étudiés.
Title:
Théorie de l'architecture de la renaissance à nos jours
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Un commentaire des traités les plus importants de la Renaissance à l'époque contemporaine. Regroupés selon les pays et les époques, les écrits d'architectes et maîtres d'oeuvre tels que Battista Alberti, Andrea Palladio, Marc-Antoine Laugier, Eugène Viollet-le-Duc, John Shute, Le Corbusier, Aldo Rossi et Rem Koolhaas sont étudiés.
Théorie de l'architecture de la renaissance à nos jours
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Un commentaire des traités les plus importants de la Renaissance à l'époque contemporaine. Regroupés selon les pays et les époques, les écrits d'architectes et maîtres d'oeuvre tels que Battista Alberti, Andrea Palladio, Marc-Antoine Laugier, Eugène Viollet-le-Duc, John Shute, Le Corbusier, Aldo Rossi et Rem Koolhaas sont étudiés.
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books
books
Publication:
February 2016
February 2016
Subject:
History until 1900, Renaissance
History until 1900, Renaissance
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books
books
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$92.00
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This publication offers the first comprehensive study in English of Baldassare Longhena (1598–1682), the indispensable architect of the Venetian Baroque. While Longhena's legacy is most visible in his iconic Madonna della Salute, the 17th-century basilica devoted to the Virgin Mary in gratitude for Venice's deliverance from the plague, and in the Pesaro and Rezzonico(...)
$92.00
(available to order)
Summary:
This publication offers the first comprehensive study in English of Baldassare Longhena (1598–1682), the indispensable architect of the Venetian Baroque. While Longhena's legacy is most visible in his iconic Madonna della Salute, the 17th-century basilica devoted to the Virgin Mary in gratitude for Venice's deliverance from the plague, and in the Pesaro and Rezzonico(...)
Title:
Baldessare Longhena and Venetian Baroque architecture
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This publication offers the first comprehensive study in English of Baldassare Longhena (1598–1682), the indispensable architect of the Venetian Baroque. While Longhena's legacy is most visible in his iconic Madonna della Salute, the 17th-century basilica devoted to the Virgin Mary in gratitude for Venice's deliverance from the plague, and in the Pesaro and Rezzonico palaces along the Grand Canal, he created a plethora of other works over the course of a career that spanned half a century. Andrew Hopkins's thought-provoking text considers the full span of Longhena's illustrious career, from his monumental staircases and libraries to the palaces commissioned by private patrons and his projects for Venice's Greek and Jewish communities. This lively account is accompanied by more than sixty color and 300 black-and-white photographs commissioned especially for the book. A complete list of Longhena's work is included in an appendix.
Baldessare Longhena and Venetian Baroque architecture
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$92.00
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Summary:
This publication offers the first comprehensive study in English of Baldassare Longhena (1598–1682), the indispensable architect of the Venetian Baroque. While Longhena's legacy is most visible in his iconic Madonna della Salute, the 17th-century basilica devoted to the Virgin Mary in gratitude for Venice's deliverance from the plague, and in the Pesaro and Rezzonico palaces along the Grand Canal, he created a plethora of other works over the course of a career that spanned half a century. Andrew Hopkins's thought-provoking text considers the full span of Longhena's illustrious career, from his monumental staircases and libraries to the palaces commissioned by private patrons and his projects for Venice's Greek and Jewish communities. This lively account is accompanied by more than sixty color and 300 black-and-white photographs commissioned especially for the book. A complete list of Longhena's work is included in an appendix.
Form:
books
books
Publication:
August 2012
August 2012
Subject:
History until 1900, Renaissance
History until 1900, Renaissance
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books
books
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$71.95
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Summary:
Margaret M. D'Evelyn has gathered evidence to document how Andrea Palladio's understanding of Vitruvius influenced Daniele Barbaro. This volume also charts the invention of the illustrated architectural book and how major architect-authors, such as Leon Battista Alberti and Sebastiano Serlio, contributed to its development - demonstrating how Vitruvius shaped the way the(...)
$71.95
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Summary:
Margaret M. D'Evelyn has gathered evidence to document how Andrea Palladio's understanding of Vitruvius influenced Daniele Barbaro. This volume also charts the invention of the illustrated architectural book and how major architect-authors, such as Leon Battista Alberti and Sebastiano Serlio, contributed to its development - demonstrating how Vitruvius shaped the way the(...)
Title:
Venice and Vitruvius: reading Venice with Daniele Barbaro and Andrea Palladio
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Margaret M. D'Evelyn has gathered evidence to document how Andrea Palladio's understanding of Vitruvius influenced Daniele Barbaro. This volume also charts the invention of the illustrated architectural book and how major architect-authors, such as Leon Battista Alberti and Sebastiano Serlio, contributed to its development - demonstrating how Vitruvius shaped the way the city of Venice was viewed.
Venice and Vitruvius: reading Venice with Daniele Barbaro and Andrea Palladio
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$71.95
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Summary:
Margaret M. D'Evelyn has gathered evidence to document how Andrea Palladio's understanding of Vitruvius influenced Daniele Barbaro. This volume also charts the invention of the illustrated architectural book and how major architect-authors, such as Leon Battista Alberti and Sebastiano Serlio, contributed to its development - demonstrating how Vitruvius shaped the way the city of Venice was viewed.
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books
books
Publication:
July 2012
July 2012
Subject:
History until 1900, Renaissance
History until 1900, Renaissance
Form:
books
books
Price:
$82.95
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Summary:
Though little known in the English-speaking world, Johann Bernhard Fischer von Erlach (1656-1723) was one of the most important and influential European baroque architects. The buildings that he designed for the emperor of Austria and his courtiers reveal an element of theatricality - an element that author Esther Gordon Dotson probes in this accessible and attractive(...)
$82.95
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Summary:
Though little known in the English-speaking world, Johann Bernhard Fischer von Erlach (1656-1723) was one of the most important and influential European baroque architects. The buildings that he designed for the emperor of Austria and his courtiers reveal an element of theatricality - an element that author Esther Gordon Dotson probes in this accessible and attractive(...)
Subject:
History until 1900, Renaissance
History until 1900, Renaissance
Publication:
July 2012
July 2012
Title:
J.B. Fischer von Erlach: architecture as theater in the baroque era
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Though little known in the English-speaking world, Johann Bernhard Fischer von Erlach (1656-1723) was one of the most important and influential European baroque architects. The buildings that he designed for the emperor of Austria and his courtiers reveal an element of theatricality - an element that author Esther Gordon Dotson probes in this accessible and attractive volume. In his architectural designs, Fischer incorporated devices from ceremonial pageantry and scene design, controlled lighting effects, and a sense of dramatic progression in approaching and moving through a building. Dotson identifies these various elements in her close reading of Fischer's structures, and splendid new photographs, taken by Mark Richard Ashton, bring them to life on the printed page. The author guides readers in discovering the theatrical qualities in Fischer's buildings, illuminating their conceptual liveliness, variety, and drama.
J.B. Fischer von Erlach: architecture as theater in the baroque era
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$82.95
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Summary:
Though little known in the English-speaking world, Johann Bernhard Fischer von Erlach (1656-1723) was one of the most important and influential European baroque architects. The buildings that he designed for the emperor of Austria and his courtiers reveal an element of theatricality - an element that author Esther Gordon Dotson probes in this accessible and attractive volume. In his architectural designs, Fischer incorporated devices from ceremonial pageantry and scene design, controlled lighting effects, and a sense of dramatic progression in approaching and moving through a building. Dotson identifies these various elements in her close reading of Fischer's structures, and splendid new photographs, taken by Mark Richard Ashton, bring them to life on the printed page. The author guides readers in discovering the theatrical qualities in Fischer's buildings, illuminating their conceptual liveliness, variety, and drama.
Form:
books
books
Publication:
July 2012
July 2012
Subject:
History until 1900, Renaissance
History until 1900, Renaissance
Form:
books
books
Price:
$140.00
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Summary:
For nearly three centuries Leonardo da Vinci's work was known primarily through the abridged version of his "Treatise on Painting", first published in Paris in 1651 and soon translated into all the major European languages. Here for the first time is a study that examines the historical reception of this vastly influential text. This collection charts the varied(...)
$140.00
(available to order)
Summary:
For nearly three centuries Leonardo da Vinci's work was known primarily through the abridged version of his "Treatise on Painting", first published in Paris in 1651 and soon translated into all the major European languages. Here for the first time is a study that examines the historical reception of this vastly influential text. This collection charts the varied(...)
Title:
Re-reading Leonardo: the treatise on painting across Europe, 1550-1900
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For nearly three centuries Leonardo da Vinci's work was known primarily through the abridged version of his "Treatise on Painting", first published in Paris in 1651 and soon translated into all the major European languages. Here for the first time is a study that examines the historical reception of this vastly influential text. This collection charts the varied interpretations of Leonardo's ideas in French, Italian, Spanish, English, German, Dutch, Flemish, Greek, and Polish speaking environments where the Trattato was an important resource for the academic instruction of artists, one of the key sources drawn upon by art theorists, and widely read by a diverse network of artists, architects, biographers, natural philosophers, translators, astronomers, publishers, engineers, theologians, aristocrats, lawyers, politicians, entrepreneurs, and collectors.
Re-reading Leonardo: the treatise on painting across Europe, 1550-1900
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$140.00
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Summary:
For nearly three centuries Leonardo da Vinci's work was known primarily through the abridged version of his "Treatise on Painting", first published in Paris in 1651 and soon translated into all the major European languages. Here for the first time is a study that examines the historical reception of this vastly influential text. This collection charts the varied interpretations of Leonardo's ideas in French, Italian, Spanish, English, German, Dutch, Flemish, Greek, and Polish speaking environments where the Trattato was an important resource for the academic instruction of artists, one of the key sources drawn upon by art theorists, and widely read by a diverse network of artists, architects, biographers, natural philosophers, translators, astronomers, publishers, engineers, theologians, aristocrats, lawyers, politicians, entrepreneurs, and collectors.
Form:
books
books
Publication:
July 2009
July 2009
Subject:
History until 1900, Renaissance
History until 1900, Renaissance
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books
books
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$119.95
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Summary:
Publié à Cologne en 1572, le«Civitates orbis terrarum»présente des cartes et des images des principales cités du XVIe siècle. Une sélection de plus de 70 vues historiques est ici proposée. Les cartes sont expliquées en détail et l'histoire de chaque ville est relatée. Avec des informations sur les diverses gravures représentant des costumes et des armoiries d'époque.
$119.95
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Summary:
Publié à Cologne en 1572, le«Civitates orbis terrarum»présente des cartes et des images des principales cités du XVIe siècle. Une sélection de plus de 70 vues historiques est ici proposée. Les cartes sont expliquées en détail et l'histoire de chaque ville est relatée. Avec des informations sur les diverses gravures représentant des costumes et des armoiries d'époque.
Title:
Cités de la Renaissance: Civitates orbis terrarum
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Publié à Cologne en 1572, le«Civitates orbis terrarum»présente des cartes et des images des principales cités du XVIe siècle. Une sélection de plus de 70 vues historiques est ici proposée. Les cartes sont expliquées en détail et l'histoire de chaque ville est relatée. Avec des informations sur les diverses gravures représentant des costumes et des armoiries d'époque.
Cités de la Renaissance: Civitates orbis terrarum
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Publié à Cologne en 1572, le«Civitates orbis terrarum»présente des cartes et des images des principales cités du XVIe siècle. Une sélection de plus de 70 vues historiques est ici proposée. Les cartes sont expliquées en détail et l'histoire de chaque ville est relatée. Avec des informations sur les diverses gravures représentant des costumes et des armoiries d'époque.
Form:
books
books
Publication:
November 2009
November 2009
Subject:
History until 1900, Renaissance
History until 1900, Renaissance
Form:
books
books
Price:
$44.95
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Summary:
Based on archival, artistic, and architectural evidence, Stephen Bowd presents an innovative microhistory of a fascinating, yet historically neglected city. He shows how Brescian loyalty to Venice was repeatedly tested by a succession of disasters: assault by Milanese forces, economic downturn, demographic collapse, and occupation by French and Spanish armies intent on(...)
$44.95
(available to order)
Summary:
Based on archival, artistic, and architectural evidence, Stephen Bowd presents an innovative microhistory of a fascinating, yet historically neglected city. He shows how Brescian loyalty to Venice was repeatedly tested by a succession of disasters: assault by Milanese forces, economic downturn, demographic collapse, and occupation by French and Spanish armies intent on(...)
Title:
Venice's most loyal city: Civic identity in Renaissance Brescia
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Based on archival, artistic, and architectural evidence, Stephen Bowd presents an innovative microhistory of a fascinating, yet historically neglected city. He shows how Brescian loyalty to Venice was repeatedly tested by a succession of disasters: assault by Milanese forces, economic downturn, demographic collapse, and occupation by French and Spanish armies intent on dismembering the Venetian empire. In spite of all these troubles the city experienced a cultural revival and a dramatic political transformation under Venetian rule, which Bowd describes and uses to illuminate the process of state formation in one of the most powerful regions of Renaissance Italy.
Venice's most loyal city: Civic identity in Renaissance Brescia
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Based on archival, artistic, and architectural evidence, Stephen Bowd presents an innovative microhistory of a fascinating, yet historically neglected city. He shows how Brescian loyalty to Venice was repeatedly tested by a succession of disasters: assault by Milanese forces, economic downturn, demographic collapse, and occupation by French and Spanish armies intent on dismembering the Venetian empire. In spite of all these troubles the city experienced a cultural revival and a dramatic political transformation under Venetian rule, which Bowd describes and uses to illuminate the process of state formation in one of the most powerful regions of Renaissance Italy.
Form:
books
books
Publication:
November 2010
November 2010
Subject:
History until 1900, Renaissance
History until 1900, Renaissance
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books
books
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$36.95
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Summary:
This book discusses the social and political institutions that existed in Italy during the fifteenth and sixteenth centuries, and analyses the ways of thinking and seeing that characterized this period of artistic creativity.
$36.95
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Summary:
This book discusses the social and political institutions that existed in Italy during the fifteenth and sixteenth centuries, and analyses the ways of thinking and seeing that characterized this period of artistic creativity.
Title:
The Italian renaissance: culture and society in Italy
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This book discusses the social and political institutions that existed in Italy during the fifteenth and sixteenth centuries, and analyses the ways of thinking and seeing that characterized this period of artistic creativity.
The Italian renaissance: culture and society in Italy
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$36.95
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This book discusses the social and political institutions that existed in Italy during the fifteenth and sixteenth centuries, and analyses the ways of thinking and seeing that characterized this period of artistic creativity.
Form:
books
books
Publication:
March 2014
March 2014
Subject:
History until 1900, Renaissance
History until 1900, Renaissance
