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Modern life is an ever-accelerating barrage of people, buildings,vehicles, creatures, and things. How much can a curious mind take in? And what can it do with all the data? Gregory L. Blackstock, a retired Seattle pot washer, draws order out of all the chaos with a pencil, a black marker, and some crayons. Blackstock is autistic and an artistic savant. He creates(...)
Blackstock's collections : the drawings of a artistic savant
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Modern life is an ever-accelerating barrage of people, buildings,vehicles, creatures, and things. How much can a curious mind take in? And what can it do with all the data? Gregory L. Blackstock, a retired Seattle pot washer, draws order out of all the chaos with a pencil, a black marker, and some crayons. Blackstock is autistic and an artistic savant. He creates visual lists of everything from wasps to hats to emergency vehicles to noisemakers. In the spirit of the Outsider art of Henry Darger and Howard Finster, Blackstock makes art that is stirring in its profusion and detail and inspiring in its simple beauty. He has never received formal artistic training, yet his renderings clearly and beguilingly show subtle differences and similarities—enabling the viewer to see, for example, the distinctive features of a dolly varden, a Pacific Coast steelhead cutthroat, and fourteen other types of trout. Each collection is lovingly captioned in Blackstock's unique hand with texts that reflect facts from his research as well as his passions and preferences. Blackstock's Collections contains over 100 extraordinary examples of his splendidly original taxonomy, offering a unique look inside the mind of a man making sense of life through art.
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Despite Julie Doucet’s renunciation of her comics-centric lifestyle more than five years ago, 365 Days is imbued with the iconic talent and studied aesthetic of her seminal comic book series Dirty Plotte, which catapulted her into being one of the world’s greatest cartoonists. This visual journal, starting in late 2002, is an idiosyncratic collision of her various(...)
365 days
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Despite Julie Doucet’s renunciation of her comics-centric lifestyle more than five years ago, 365 Days is imbued with the iconic talent and studied aesthetic of her seminal comic book series Dirty Plotte, which catapulted her into being one of the world’s greatest cartoonists. This visual journal, starting in late 2002, is an idiosyncratic collision of her various creative interests, wherein personal narrative, collage, and drawing begin to tell the story of her pursuits into printmaking and beyond, chronicling her maturation as a mid-career artist and her fluid extension into a broader arts community. Now exhibiting internationally, Doucet blurs the boundaries between high art, illustration, craft, and comics: where panel borders once divided pages, collage creeps in; events and doodles merge; recollection and narrative blend with the abstract. The surreal neurosis of her comics has subsided to reveal a more relaxed creativity that is unrestricted by form or definition and is as engaging as ever.
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This new edition presents Seth's first book in it's definitive form, collecting the extensive, beautilly illustrated storyline from his popular comic book series Palookaville. Here, he vividly recounts his search for meaning in the life and work of Kalo a forgotten gagcartoonist of the 1940's and '50's, This compulsive task takes him through stacks of crumbling books and(...)
It's a good life, if you don't weaken
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This new edition presents Seth's first book in it's definitive form, collecting the extensive, beautilly illustrated storyline from his popular comic book series Palookaville. Here, he vividly recounts his search for meaning in the life and work of Kalo a forgotten gagcartoonist of the 1940's and '50's, This compulsive task takes him through stacks of crumbling books and magazines in the hope of finding, and ultimately holding onto, a piece of the past. With this remarkable novella, Seth has demonstrated to power of comics as a narrative form. The story unfolds slowly, opening windows onto haunting scenes of old factories, remote towns, and distant train routes: taking us back, on a voyage across both distance and time.
Illustration
GRR30: urban recordings
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26th September 2006, Neue Zuercher Zeitung, Zurich: 'This meaty and yet compact volume compiles everyday scenes from all over the globe. (...) The opulent mix of old and new drawings exemplifies Giezendanner's tendency to work less on complete pictures and more on a 'world of images'. (Villoe Huszai)
June 2006, Zurich/Berlin
GRR30: urban recordings
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26th September 2006, Neue Zuercher Zeitung, Zurich: 'This meaty and yet compact volume compiles everyday scenes from all over the globe. (...) The opulent mix of old and new drawings exemplifies Giezendanner's tendency to work less on complete pictures and more on a 'world of images'. (Villoe Huszai)
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The theme of illustrations is often created as how the illustrators or designers would like to present themselves. As a bank of resources, we spotlight on the characteristic of the purpose of how visual impact is transferred through illustrations. Thus, the collection showcased in the book is divided into 5 sections - Dream & Fantasy; Fun & Playful; Gloomy & Mystery;(...)
It's a matter of illustration
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The theme of illustrations is often created as how the illustrators or designers would like to present themselves. As a bank of resources, we spotlight on the characteristic of the purpose of how visual impact is transferred through illustrations. Thus, the collection showcased in the book is divided into 5 sections - Dream & Fantasy; Fun & Playful; Gloomy & Mystery; Structural & Complex; and Distinctive & Unique, to uncover the diversity of illustrations, its global trends and its influence.
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Bibliodyssey
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Across the world, libraries and institutions are just beginning to make their collections available online, much of this amazing material goes unoticed by the casual surfer. BibliOdyssey's mission has been to search the dustier corners of the internet and retrieve these materials for our enjoyment. Thanks to the efforts of this singular weblog, a myriad of(...)
Bibliodyssey
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Across the world, libraries and institutions are just beginning to make their collections available online, much of this amazing material goes unoticed by the casual surfer. BibliOdyssey's mission has been to search the dustier corners of the internet and retrieve these materials for our enjoyment. Thanks to the efforts of this singular weblog, a myriad of long-forgotten imagery has now resurfaced. Each of these fascinating images is accompanied by a commentary from PK, author and curator of BibliOdyssey, and a link to the source website. With a foreword by artist Dinos Chapman, BibliOdyssey is a journey in discovery and delight, a true cabinet of curiosities.
Illustration
Musée Tomi Ungerer
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On ne présente plus Tomi Ungerer. Les Trois Brigands, le Géant de Zéralda, Pas de baiser pour maman et tant d'autres histoires à succès l'ont hissé depuis longtemps au panthéon des auteurs pour enfants. Ses satires acérées de la société américaine, qui défraient la chronique dans les années 1970, n'ont guère perdu de leur actualité ; ses dessins publicitaires explosifs(...)
Musée Tomi Ungerer
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On ne présente plus Tomi Ungerer. Les Trois Brigands, le Géant de Zéralda, Pas de baiser pour maman et tant d'autres histoires à succès l'ont hissé depuis longtemps au panthéon des auteurs pour enfants. Ses satires acérées de la société américaine, qui défraient la chronique dans les années 1970, n'ont guère perdu de leur actualité ; ses dessins publicitaires explosifs ont fait date ; ses œuvres érotiques continuent d'évoquer avec ambivalence et délectation la place de la femme dans nos sociétés. Tomi Ungerer est aussi l'affichiste virulent de la lutte contre le sida, le nucléaire, le racisme. Mais il sait être tendre envers ce qui lui est cher: en témoignent ses illustrations de contes et de chansons populaires qui accompagnent l'imaginaire de plus d'un lecteur. A l'occasion de l'ouverture du Musée Tomi Ungerer, Centre international de l'Illustration, cet ouvrage présente pour la première fois une analyse rétrospective de son œuvre. Parmi les huit mille dessins et sculptures, les mille trois cents livres, les archives, les revues, les photographies dont Tomi Ungerer a fait donation à sa ville natale, ce livre propose quelques chemins de traverse dans la production protéiforme de l'artiste.
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Woodcutter, painter, cosmopolitan and anti-militarist, Belgium-born Masereel (1889-1972) was an extremely popular artist in 1920s Germany. A contemporary of Kathe Kollwitz and George Grosz, his "novels-without-words"--completely composed of woodcuts--have been neglected in the States. Here, 165 striking woodcuts generate the visual narrative of a young man's initiation(...)
Passionate journey: A vision in woodcut
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Woodcutter, painter, cosmopolitan and anti-militarist, Belgium-born Masereel (1889-1972) was an extremely popular artist in 1920s Germany. A contemporary of Kathe Kollwitz and George Grosz, his "novels-without-words"--completely composed of woodcuts--have been neglected in the States. Here, 165 striking woodcuts generate the visual narrative of a young man's initiation into the urban milieu. The raw power and diversity of the city's day to day events continually expand his understanding of life's possibilities. The hero's fascination with the city's abundance of art and culture, political debate and industrial glory combine with observations on an equal profusion of poignant social trauma. The protagonist travels to distant lands; this journey of vibrant percipience propels him toward an enlarged comprehension of his role in a world of good and evil, love and tenderness and clashing social interests. Mann's effusive introduction discusses Masereel's life and influences and details the ideas that motivated and enliven this vivid work.
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This graphic novel by an Expressionist master offers a stunning depiction of urban Europe between the world wars. First published in Germany in 1925, it presents 100 woodcuts of remarkable force and beauty that depict scenes of work and leisure, wealth and deprivation, and joy and loneliness.
The city: A vision in woodcuts
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This graphic novel by an Expressionist master offers a stunning depiction of urban Europe between the world wars. First published in Germany in 1925, it presents 100 woodcuts of remarkable force and beauty that depict scenes of work and leisure, wealth and deprivation, and joy and loneliness.
Illustration
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This illustrated version of the popular Passover song "Had gadya" was the wonderfully playful offspring of the avant-garde artist El Lissitzky (1890-1941). It dates to a little-known period early in his career when he immersed himself in the Jewish cultural renaissance that flourished in Russia from roughly 1912 to the early 1920s. Signed with his Hebrew given name, this(...)
Illustration
June 2004, Los Angeles
Had Gadya the only kid : Facsmile of El Lissitzky's
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This illustrated version of the popular Passover song "Had gadya" was the wonderfully playful offspring of the avant-garde artist El Lissitzky (1890-1941). It dates to a little-known period early in his career when he immersed himself in the Jewish cultural renaissance that flourished in Russia from roughly 1912 to the early 1920s. Signed with his Hebrew given name, this volume—with its wraparound cover, colorful lithographic montages, and stylized use of Yiddish and Aramaic words—celebrates Lissitzky's interest in Jewish folk traditions while looking forward to the dynamic graphic and typographic designs for which he is best remembered. This near-scale facsimile—including the rarely seen cover—allows readers to experience Lissitzky's Had gadya as originally envisioned. It is accompanied here by Nancy Perloff's discussion of the work's cultural and artistic contexts, Arnold J. Band's English translation of Lissitzky's Yiddish version of the song, sections on Lissitzky's iconography and vocabulary, and lyrics set to music. Arnold J. Band is professor emeritus of Hebrew and comparative literature at the University of California, Los Angeles. Nancy Perloff is collections curator of modern and new media collections at the Getty Research Institute.
Illustration