$75.00
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Finding your way around Sami building culture and architecture can be a challenge, as the material is scattered and sometimes inaccessible. This book is intended as both an introduction and a guide to deepening one's knowledge of the subject - in North Sami, Norwegian and English. In October 2021, the National Museum opened an exhibition of architect and artist Joar(...)
Huksendaidda: Architecture in Sapmi
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$75.00
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Finding your way around Sami building culture and architecture can be a challenge, as the material is scattered and sometimes inaccessible. This book is intended as both an introduction and a guide to deepening one's knowledge of the subject - in North Sami, Norwegian and English. In October 2021, the National Museum opened an exhibition of architect and artist Joar Nango's nomadic architectural library Girjegumpi. During the opening weekend, the museum organized a seminar on Sami architecture, and the lectures from the seminar are the basis for the book. Here you can read more about Nango's work Girjegumpi, Sami building practices, the treatment of the Sami in the history of architecture in Norway, how reconstruction and Norwegianization went hand in hand, the phenomenon of kjempelávvu, and also get an overview of Sami architecture on the Norwegian side of Sápmi.
Indigenous architecture
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In 1892 seventeen Haida artists were commissioned to carve a model of HlGaagilda Llnagaay (the village of Skidegate on Haida Gwaii, British Columbia) for the 1893 World’s Fair in Chicago. The Skidegate model, featuring twenty-nine large houses and forty-two poles, is the only known model village in North America carved by nineteenth-century Indigenous residents of the(...)
Skidegate House Models: From Haida Gwaii to the Chicago World's Fair and Beyond
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In 1892 seventeen Haida artists were commissioned to carve a model of HlGaagilda Llnagaay (the village of Skidegate on Haida Gwaii, British Columbia) for the 1893 World’s Fair in Chicago. The Skidegate model, featuring twenty-nine large houses and forty-two poles, is the only known model village in North America carved by nineteenth-century Indigenous residents of the village it portrayed. Based on over twenty years of collaborative research with the Skidegate Haida community, the book features vital cultural context. Robin K. Wright explores how Haida people represented their culture to the outside world at a time when they were suffering from devastating population loss due to introduced diseases and from ongoing attempts by the settler government to suppress their culture by making the potlatch illegal. While promoters of the Chicago World’s Fair used the village to celebrate the perceived “progress” of the dominant society, for Skidegate residents it provided a means to preserve their history and culture. After the exposition, many models were dispersed to the Field Museum of Natural History and other collections, but fourteen of the model houses have not yet been located. The book provides extensive archival information and photographs that contextualize the model village and might help locate the missing houses. Wright’s community-engaged research offers valuable insights into Northwest Coast art history.
Indigenous architecture
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"Voices of the land: Indigenous design and planning from the prairies" produced by the Indigenous Design and Planning Students’ Association (IDPSA), of the Faculty of Architecture at the University of Manitoba. IDPSA was founded in Fall 2019, as a platform to host honest conversations around inclusion and representation. In an effort to broaden the lens of Indigenous(...)
Indigenous architecture
July 2021
Voices of the land : Indigenous design and planning from the prairies
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"Voices of the land: Indigenous design and planning from the prairies" produced by the Indigenous Design and Planning Students’ Association (IDPSA), of the Faculty of Architecture at the University of Manitoba. IDPSA was founded in Fall 2019, as a platform to host honest conversations around inclusion and representation. In an effort to broaden the lens of Indigenous design and planning, IDPSA actively seeks to incorporate Indigenous values within the design community through advocating for culturally informed initiatives, programs, and curriculum. This book features 16 Indigenous students, representing a range of nations across Turtle Island, and spanning all four departments (Architecture, Landscape Architecture, Interior Design, and City Planning) from the Faculty of Architecture. In it, you will read profiles of their members, faculty, and alumni, along with their artistic visions and designs. The intention with this publication is to ensure that these important conversations on inclusion and representation in design education continue throughout Turtle Island.
Indigenous architecture
Old stories, new ways: Conversations about an architecture inspired by indigenous ways of knowing
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Vivian Manasc, one of the founders of Manasc Isaac Architects, has pioneered sustainable architecture in Canada. Her work in partnership with Indigenous communities has been her greatest inspiration, and it has transformed the very nature of her practice. Through the profound lessons of the seven Grandfather Teachings, Vivian came to understand that the process of(...)
December 2020
Old stories, new ways: Conversations about an architecture inspired by indigenous ways of knowing
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Vivian Manasc, one of the founders of Manasc Isaac Architects, has pioneered sustainable architecture in Canada. Her work in partnership with Indigenous communities has been her greatest inspiration, and it has transformed the very nature of her practice. Through the profound lessons of the seven Grandfather Teachings, Vivian came to understand that the process of planning and designing a building should be a circle, with the beginning and end of the story linked together. The stories Vivian tells in this book are also framed by these teachings of Courage, Love, Wisdom, Respect, Truth, Humility and Honesty, with each teaching illuminating an aspect of how working with Dene, Cree, Saulteaux, Métis, Inuit and Inuvialuit communities has influenced her design practice.
$40.00
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This volume showcases decolonizing projects which work to destable and disquiet colonial built environments. The land, towns, and cities on which we live have always been Indigenous places yet, for the most part our Indigenous value sets and identities have been disregarded or appropriated. Indigenous people continue to be gentrified out of the places to which they belong(...)
June 2021
Our voices II: The de-colonial project
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This volume showcases decolonizing projects which work to destable and disquiet colonial built environments. The land, towns, and cities on which we live have always been Indigenous places yet, for the most part our Indigenous value sets and identities have been disregarded or appropriated. Indigenous people continue to be gentrified out of the places to which they belong and neo-liberal systems work to continuously subjugate Indigenous involvement in decision-making processes in subtle, but potent ways. However, we are not, and have never been cultural dopes. Rather, we have, and continue to subvert the colonial value sets that overlay our places in important ways.
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"Our Voices: Indigeneity and Architecture" is an exciting advance in the field of architecture offering multiple indigenous perspectives on architecture and design theory and practice. Indigenous authors from Aotearoa NZ, Canada, Australia, and the USA explore the making and keeping of places and spaces which are informed by indigenous values and identities. The lack of(...)
August 2018
Our voices: indigeneity and architecture
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"Our Voices: Indigeneity and Architecture" is an exciting advance in the field of architecture offering multiple indigenous perspectives on architecture and design theory and practice. Indigenous authors from Aotearoa NZ, Canada, Australia, and the USA explore the making and keeping of places and spaces which are informed by indigenous values and identities. The lack of publications to date offering an indigenous lens on the field of architecture belies the rich expertise found in indigenous communities in all four countries. This expertise is made richer by the fact that this indigenous expertise combines both architecture and design professional practice, that for the most part is informed by Western thought and practice, with a frame of reference that roots this architecture in the indigenous places in which it sits.
books
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A virtual tour of recent Native building projects in Canada and the western and midwestern United States, New Architecture on Indigenous Lands conducts readers through cultural centers and schools, clinics and housing, and even a sugar camp, all while showing how tribal identity is manifested in various distinctive ways. Focusing on such sites as the Tribal Council(...)
New architecture on indigenous lands
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$55.99
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A virtual tour of recent Native building projects in Canada and the western and midwestern United States, New Architecture on Indigenous Lands conducts readers through cultural centers and schools, clinics and housing, and even a sugar camp, all while showing how tribal identity is manifested in various distinctive ways. Focusing on such sites as the Tribal Council Chambers of the Pojoaque Pueblo; the Zuni Eagle Sanctuary in New Mexico; the Nk’Mip Desert Cultural Centre in Osoyoos, British Columbia; and the T’lisalagi’lakw Elementary School, Joy Monice Malnar and Frank Vodvarka offer wide-ranging insights into the sensory, symbolic, cultural, and environmental contexts of this new architecture.
books
July 2013
Indigenous architecture