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Reprint: November 1998
Focus green 2008
$66.00
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This catalogue is published to accompany the exhibition Focus Green, Baden-Wüettemberg International Design Award 2008 and Mia Seeger Prize 2008. 18 October - 30 November 2008
Focus green 2008
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This catalogue is published to accompany the exhibition Focus Green, Baden-Wüettemberg International Design Award 2008 and Mia Seeger Prize 2008. 18 October - 30 November 2008
Industrial Design
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Bosh, Burkhardt Leitner Constructiv, Daimler, Duravit, Festo, Hansgrohe, Interstuhl, Walter Knoll, Steuler Fliesen, Stihl, Wilde+Spieth
Model: design culture in Germany
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Bosh, Burkhardt Leitner Constructiv, Daimler, Duravit, Festo, Hansgrohe, Interstuhl, Walter Knoll, Steuler Fliesen, Stihl, Wilde+Spieth
Industrial Design
My Dutch design 0809 set
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This 10th anniversary edition is designed by Holland’s most famous designer, now in its eighties and a real icon for young Dutch graphic designers, Dick Bruna. The book contains a cross-section of the current state of design in the Netherlands, in all its diversity - from functional minimalism to experimental indulgence - and covering all disciplines from graphics and(...)
September 2008, Amsterdam
My Dutch design 0809 set
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$159.95
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This 10th anniversary edition is designed by Holland’s most famous designer, now in its eighties and a real icon for young Dutch graphic designers, Dick Bruna. The book contains a cross-section of the current state of design in the Netherlands, in all its diversity - from functional minimalism to experimental indulgence - and covering all disciplines from graphics and product design to interactive media.
Italian design
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The story of Italian design, told through works selected from the collection of the Museum of Modern Art, New York.
Italian design
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The story of Italian design, told through works selected from the collection of the Museum of Modern Art, New York.
Industrial Design
American design
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The story of American Design, told through works selected from the collection of the Museum of Modern Art, New York.
American design
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The story of American Design, told through works selected from the collection of the Museum of Modern Art, New York.
Industrial Design
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Tangible Traces proffers context, craftsmanship and tradition as antidotes to our seamless global landscape of bland architecture and design. The architecture firm Onix, spatial designer Frank Havermans, textile designer Claudy Jongstra, fashion designer Alexander van Slobbe and industrial designer Hella Jongerius share a common quest to imbue their work with unexpected(...)
Tangible traces: Dutch architecture and design in the making
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Tangible Traces proffers context, craftsmanship and tradition as antidotes to our seamless global landscape of bland architecture and design. The architecture firm Onix, spatial designer Frank Havermans, textile designer Claudy Jongstra, fashion designer Alexander van Slobbe and industrial designer Hella Jongerius share a common quest to imbue their work with unexpected meaning derived from consideration of local culture and context, rediscovery of traditional craft, use of quotidian materials and a fascination with chance and improvisation. Though they look to the past for inspiration, a fusion of state-of-the-art technologies and an unmistakably Dutch vision lends their designs a contemporary air.
Industrial Design
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Shoes made from discarded rubber, a knife grinder made from a bicycle wheel, an organ made from water pipes, a lamp made from plastic bottle bottoms and a clock made from old flip-flops are a few of the ingenious recycled Kenyan products covered in this fascinating volume. Annelise Della Rosa is a teacher and a scholar, she lives and works in Italy and Kenya.She(...)
The art of recycling in Kenya
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Shoes made from discarded rubber, a knife grinder made from a bicycle wheel, an organ made from water pipes, a lamp made from plastic bottle bottoms and a clock made from old flip-flops are a few of the ingenious recycled Kenyan products covered in this fascinating volume. Annelise Della Rosa is a teacher and a scholar, she lives and works in Italy and Kenya.She received artistic training and also studied psychology and, in herresearch, she has linked her own experience in Africa to her study of theuse of artistic languages.
Industrial Design
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Design in the 21st Century has liberated itself from industrial conditions and the associated physical demands. With new technology, expanded choice of materials and the practice of luxurious craftsmanship, designers are embracing design with scintillating attitude, challenging aesthetic boundaries and speculating new expressions in visual codes. "Desire" documents(...)
Desire : the shape of things to come
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Design in the 21st Century has liberated itself from industrial conditions and the associated physical demands. With new technology, expanded choice of materials and the practice of luxurious craftsmanship, designers are embracing design with scintillating attitude, challenging aesthetic boundaries and speculating new expressions in visual codes. "Desire" documents current developments in furniture and object design today, showcasing recent work by the most exciting and influential designers from around the globe categorized into four distinct trends and groups : Modernists, Taletellers, Inventors and Entertainers.
Industrial Design
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This publication studies methods for creating flexible looks for public and cultural institutions. The classic logos normally used by companies are the result of a unique process of compression and abstraction. By contrast, flexible looks do not conceal their diverse components of identity in a logo, forming instead a complex family of symbols from them. In the(...)
Dynamic identities in cultural and public contexts
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This publication studies methods for creating flexible looks for public and cultural institutions. The classic logos normally used by companies are the result of a unique process of compression and abstraction. By contrast, flexible looks do not conceal their diverse components of identity in a logo, forming instead a complex family of symbols from them. In the combination of a basic logo and a family of symbols, the look is in a position to represent the fundamentals (the philosophy of the institution, its program) and the specifics (e.g., temporary exhibitions and events). The author describes the effect and potential of looks and offers the criteria that distinguish fully developed, dynamic looks. Case studies of famous designers such as Karl Gerstner and Ruedi Baur enhance the analysis.
Industrial Design