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Ce livre ouvre une discussion à propos des motifs visuels les plus reproduits pour figurer l'espace de Los Angeles dans les productions audiovisuelles, à la télévision et sur les écrans. Que l'on soit immobilisé à la maison à cause d'une jambe dans le plâtre comme Jeff Jefferies dans Fenêtre sur cour, ou que l'on soit enfermé chez soi et contraint d'observer sur un écran(...)
Écologies visuelles de Los Angeles
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Ce livre ouvre une discussion à propos des motifs visuels les plus reproduits pour figurer l'espace de Los Angeles dans les productions audiovisuelles, à la télévision et sur les écrans. Que l'on soit immobilisé à la maison à cause d'une jambe dans le plâtre comme Jeff Jefferies dans Fenêtre sur cour, ou que l'on soit enfermé chez soi et contraint d'observer sur un écran son pays frappé par une pandémie, voir le monde à travers une fenêtre n'a jamais pris autant de sens qu'aujourd'hui. Mais si nous pouvons « voir à distance » pouvons-nous réellement « prendre de la distance » sur les images que nous voyons ? Par exemple, que nous disent les séries dont elle est l'héroïne de Los Angeles et de ses habitants ? Existe-t-il une culture visuelle angeline ? Les multiples images dont elle est l'objet depuis plusieurs décennies font circuler des motifs récurrents. Ces derniers participent d'un certain regard porté sur la ville qui n'est pas sans poser quelques conflits idéologiques. Diffusées en masse, certains d'entre-eux renforcent les stéréotypes urbains, mais aussi sociaux. Transmédiatiques, ces motifs se comportent comme des organismes autonomes qui forment des écologies visuelles. En s'appuyant sur l'approches écologiques de l'historien anglais Reyner Banham, ce livre ouvre une discussion à propos des motifs visuels qui dominent pour figurer les espaces physiques et sociaux de Los Angeles à la télévision et sur les écrans. Et vise à identifier quelles sont les contre-visions imaginées comme des alternatives aux lieux communs, comme des fictions émancipatrices de Los Angeles.
Architecture ecologies
Climate inheritance
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Climate Inheritance is a speculative design research publication that reckons with the complexity of world and heritage in the Anthropocene. The impacts of climate change on heritage sites—from Venice flooding to extinction in the Galápagos Islands—have garnered empathetic media attention in a landscape that has otherwise failed to communicate the urgency of the climate(...)
Architecture ecologies
September 2023
Climate inheritance
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Climate Inheritance is a speculative design research publication that reckons with the complexity of world and heritage in the Anthropocene. The impacts of climate change on heritage sites—from Venice flooding to extinction in the Galápagos Islands—have garnered empathetic media attention in a landscape that has otherwise failed to communicate the urgency of the climate crisis. In a strategic subversion of the media aura of heritage, DESIGN EARTH casts ten World Heritage sites as narrative figures to visualize pervasive climate risks—rising sea levels, extinction, droughts, air pollution, melting glaciers, material vulnerability, unchecked tourism, and the massive displacement of communities and cultural artifacts—all while situating the present emergency within the wreckages of other ends of world, replete with the salvages of extractivism, racism, and settler colonialism. The possibilities of such climate inheritances are narrated in drawing triptychs and mythologies that bequeath other worlds and values.
Architecture ecologies
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This book presents conflicting definitions and concepts of architects and designers and the parallel histories of their intellectual positions toward environmental thought from the 19th century to today. It showcases that ecological design starts with the reconceptualization of the world as a complex system of flows rather than a discrete compilation of objects, which(...)
Histories of ecological design: an unfinished cyclopedia
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This book presents conflicting definitions and concepts of architects and designers and the parallel histories of their intellectual positions toward environmental thought from the 19th century to today. It showcases that ecological design starts with the reconceptualization of the world as a complex system of flows rather than a discrete compilation of objects, which visual artist and theorist György Kepes has described as one of the fundamental reorientations of the 20th century. To survey the formation of this field, the history of ecological design will not be exclusively examined chronologically, but also in connected worldviews, each rendering evolving perceptions of nature, its relation to culture, and the occupation of the natural world by human and non-human subjects.
Architecture ecologies
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From the late nineteenth through most of the twentieth century, the evangelical Protestant Grenfell Mission in Newfoundland and Labrador, Canada, created a network of hospitals, schools, orphanages, stores, and industries with the goal of bringing health and organized society to settler fisherfolk and Indigenous populations. This infrastructure also served to support(...)
Slow disturbance: infrastructural mediation on the settler colonial resource frontier
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From the late nineteenth through most of the twentieth century, the evangelical Protestant Grenfell Mission in Newfoundland and Labrador, Canada, created a network of hospitals, schools, orphanages, stores, and industries with the goal of bringing health and organized society to settler fisherfolk and Indigenous populations. This infrastructure also served to support resource extraction of fisheries off Labrador's coast. In 'Slow Disturbance' Rafico Ruiz engages with the Grenfell Mission to theorize how settler colonialism establishes itself through what he calls infrastructural mediation—the ways in which colonial lifeworlds, subjectivities, and affects come into being through the creation and maintenance of infrastructures. Drawing on archival documents, maps, interviews with municipal officials, teachers, and residents, as well as his field photography, Ruiz shows how the mission's infrastructural mediation—from its attempts to restructure the local economy to the aerial surveying and mapping of the coastline—responded to the colony's environmental conditions in ways that expanded the bounds of the settler frontier. By tracing the mission's history and the mechanisms that enabled its functioning, Ruiz complicates understandings of mediation and infrastructure while expanding current debates surrounding settler colonialism and extractive capitalism.
Architecture ecologies
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In this book, Brenna Bhandar examines how modern property law contributes to the formation of racial subjects in settler colonies and to the development of racial capitalism. Examining both historical cases and ongoing processes of settler colonialism in Canada, Australia, and Israel and Palestine, Bhandar shows how the colonial appropriation of indigenous lands depends(...)
Colonial lives of property: law, land, and racial regimes of ownership
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In this book, Brenna Bhandar examines how modern property law contributes to the formation of racial subjects in settler colonies and to the development of racial capitalism. Examining both historical cases and ongoing processes of settler colonialism in Canada, Australia, and Israel and Palestine, Bhandar shows how the colonial appropriation of indigenous lands depends upon ideologies of European racial superiority as well as upon legal narratives that equate civilized life with English concepts of property. In this way, property law legitimates and rationalizes settler colonial practices while it racializes those deemed unfit to own property. The solution to these enduring racial and economic inequities, Bhandar demonstrates, requires developing a new political imaginary of property in which freedom is connected to shared practices of use and community rather than individual possession.
Architecture ecologies
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Le risque majeur de notre époque est celui d’un crash territorial total. La métropolisation à marche forcée provoque la marchandisation des territoires et la dégradation des milieux qui les rendent habitables. Ce volume tente d’y répondre en réunissant chercheurs, concepteurs et activistes reconnus pour leur engagement. Leurs contributions examinent l’implication directe(...)
Crash metropolis : Design écosocial et critique de la métropolisation des territoires
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Le risque majeur de notre époque est celui d’un crash territorial total. La métropolisation à marche forcée provoque la marchandisation des territoires et la dégradation des milieux qui les rendent habitables. Ce volume tente d’y répondre en réunissant chercheurs, concepteurs et activistes reconnus pour leur engagement. Leurs contributions examinent l’implication directe des designers, architectes, urbanistes et artistes pour comprendre leur responsabilité et les potentiels de « réhabitation » que ces pratiques peuvent porter. Dans ce travail de « recherche-édition » richement illustré les différents régimes de discours (textes et images) et les propositions graphiques soutiennent l’esprit critique et expérimental du projet. Sous la direction de Ludovic Duhem, philosophe, coordinateur de la recherche à l’École Supérieure d’Art et de Design de Valenciennes.
Architecture ecologies
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At the foot of the Argentine Andes, bulldozers are destroying forests and homes to create soy fields in an area already strewn with rubble from previous waves of destruction and violence. Based on ethnographic research in this region where the mountains give way to the Gran Chaco lowlands, Gastón R. Gordillo shows how geographic space is inseparable from the material,(...)
Rubble: the afterlife of destruction
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At the foot of the Argentine Andes, bulldozers are destroying forests and homes to create soy fields in an area already strewn with rubble from previous waves of destruction and violence. Based on ethnographic research in this region where the mountains give way to the Gran Chaco lowlands, Gastón R. Gordillo shows how geographic space is inseparable from the material, historical, and affective ruptures embodied in debris. His exploration of the significance of rubble encompasses lost cities, derelict train stations, overgrown Jesuit missions and Spanish forts, stranded steamships, mass graves, and razed forests. Examining the effects of these and other forms of debris on the people living on nearby ranches and farms, and in towns, Gordillo emphasizes that for the rural poor, the rubble left in the wake of capitalist and imperialist endeavors is not romanticized ruin but the material manifestation of the violence and dislocation that created it.
Architecture ecologies
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There is almost nothing new left to say about the urgent need to reduce our devastating impact on the biosphere that supports us. In architectural terms, we have been told since the 1960s that mainstream architecture is not engaged enough with the environmental consequences of what it produces and how it produces it. The usual approach is to propose new ways of designing(...)
Revolution? Architecture and the antropocene
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There is almost nothing new left to say about the urgent need to reduce our devastating impact on the biosphere that supports us. In architectural terms, we have been told since the 1960s that mainstream architecture is not engaged enough with the environmental consequences of what it produces and how it produces it. The usual approach is to propose new ways of designing and building to persuade the reader of the centrality of environmental concerns. But too many readers have remained resolutely unpersuaded over decades. In four sharp, interlocking essays, this book asks why the majority of the architectural profession and its clients still only pay lip service to the importance of the environmental. In each essay, therefore, are examples of innovative and determined people pursuing other ways of practicing architecture and other ways of training architects for this critical century, who are pulling the model of a nature-centric practice out of the margins and into the centre.
Architecture ecologies
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How do we make sense of the Earth at a moment in which it is presented in crisis? Geostories is a manifesto on the environmental imagination that renders sensible the issues of climate change and through geographic fiction invites readers to relate to the complexity of Earth systems in their vast scales of time and space. The book is organized into three(...)
Geostories: another architecture for the environment
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How do we make sense of the Earth at a moment in which it is presented in crisis? Geostories is a manifesto on the environmental imagination that renders sensible the issues of climate change and through geographic fiction invites readers to relate to the complexity of Earth systems in their vast scales of time and space. The book is organized into three sections–terrarium, aquarium, planetarium, each of which revisits such devices of wonder that assemble publics around representations of the Earth. The series of architectural projects becomes a medium to synthesize different forms and scales of knowledge on technological externalities, such as oil extraction, deep-sea mining, ocean acidification, water shortage, air pollution, trash, space debris, and a host of other social-ecological issues. Through design research, Geostories brings together spatial history, geographic representation, projective design, and material public assemblies to speculate on ways of living with such legacy technologies on the planet.
Architecture ecologies
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Debrisphere is a yet-unnamed stratum of Earth's crust, a supra-stratum of the Lithosphere. It contains the worldwide man-made landscapes: the artificial mountains of Germany, the “blooming deserts” of Israel, the military coral reefs of China and the United States, and other similar constructions around the world resulted from, or still serving, conflict and war. The(...)
Debrisphere: Landscape as an extension of the military imagination
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Debrisphere is a yet-unnamed stratum of Earth's crust, a supra-stratum of the Lithosphere. It contains the worldwide man-made landscapes: the artificial mountains of Germany, the “blooming deserts” of Israel, the military coral reefs of China and the United States, and other similar constructions around the world resulted from, or still serving, conflict and war. The artist's book by Anca Benera and Arnold Estefan is published as an extension to their eponymous installation, presented for the first time in the frame of “Natural Histories. Traces of the Political” exhibition at MUMOK Vienna in 2017. Alongside the artists' case studies, which include Ariel Sharon Park, Teuflesberg, Diego Garcia, Johnston Atoll and the Spartly Islands, the publication includes four republished texts by Andrew Chubb, Hito Steyerl and Eyal Weizman, and newly commissioned texts by Noit Banai, Maja & Reuben Fowkes and Raluca Voinea.
Architecture ecologies