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James Baldwin was one of America’s most powerful analysts of the psychology of white supremacy. In this speech he offers a devastating, but also strikingly empathetic, account of the role played by racism in American society.
The American Dream is at the expense of the American negro
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James Baldwin was one of America’s most powerful analysts of the psychology of white supremacy. In this speech he offers a devastating, but also strikingly empathetic, account of the role played by racism in American society.
Literature and poetry
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"Un coup de dés jamais n’abolira le hasard" / "A Throw of the Dice will Never Abolish Chance" (Sculpture) is a close copy of the 1914 edition of the French symbolist poet Stéphane Mallarmé’s poem of the same name, but with all the words cut out by laser, in a way that corresponds directly to the typographic layout used by Mallarmé to articulate the text. "A Preface"(...)
Michalis Pichler: Un coup de dés jamais n'abolira le hasard
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"Un coup de dés jamais n’abolira le hasard" / "A Throw of the Dice will Never Abolish Chance" (Sculpture) is a close copy of the 1914 edition of the French symbolist poet Stéphane Mallarmé’s poem of the same name, but with all the words cut out by laser, in a way that corresponds directly to the typographic layout used by Mallarmé to articulate the text. "A Preface" features the entire poem written as a block of text with each line separated by a slash (/). This block-transcription of the Mallarme-Text was carried out 1969 by Broodthaers. 12 double spreads follow, with immaculately cut out windows standing in for the text. When turning the pages, numerous shadows are being generated by the cutouts.
Literature and poetry
Obsidian situations
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Tricia Middleton’s debut verse-novel brings the artist’s genius for summoning the psychic life of the object world to the page, here trading in the resonant material vocabulary that she has honed to perfection conjuring the wayward spirits of late-stage capitalism in sculptural form, for the equally resplendent wordplay of incisive observational poetry. Ostensibly set(...)
Obsidian situations
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Tricia Middleton’s debut verse-novel brings the artist’s genius for summoning the psychic life of the object world to the page, here trading in the resonant material vocabulary that she has honed to perfection conjuring the wayward spirits of late-stage capitalism in sculptural form, for the equally resplendent wordplay of incisive observational poetry. Ostensibly set in present-day Paris, ''Obsidian situations'' spans centuries, telling a story about the epigenetics of suffering, survival, and redemption in social and cultural form. Alternating between myriad personae—sometimes artist or artwork, poet or amorphous cloud—the anonymous, decidedly female, narrator that serves as our guide to the city of light channels the souls of works of art and ideas, of artists, philosophers, courtesans and, most heartrending of all, des Enfants-Trouvés through incantatory soliloquies that call to account the half-life of Enlightenment ideals propping up the soft and saggy moral economy of the L’age Anthropocentric. As a force of self-definition and a body objectified—and so subject to the same degradation as any and all things—our champion encounters ‘situations’ that are in equal parts hilarious and heartbreaking, horrifying and wretched, breathtakingly beautiful, poignant, and mad. It’s a world of museums and collectors, artists and curators, lovers and mothers, daughters and others, charged with desire and repulsion, longing and rejection, death and devastation that, ironically, can only be transformed in art and in poetry and in dreams.
Literature and poetry
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« Architecture : Le coyote, le petit-renard, le geai et le pou » est un conte philosophique sur ce qu’habiter la Terre ensemble signifie. Il place le désir de communauté comme préalable pour parvenir à s’établir. En partant d’un conte autochtone, l’auteur analyse le cheminement de quatre compères, ici : un coyote, un renard, un geai et un pou qui se rencontrent et(...)
Architecture : Le coyote, le petit renard, le geai et le pou
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« Architecture : Le coyote, le petit-renard, le geai et le pou » est un conte philosophique sur ce qu’habiter la Terre ensemble signifie. Il place le désir de communauté comme préalable pour parvenir à s’établir. En partant d’un conte autochtone, l’auteur analyse le cheminement de quatre compères, ici : un coyote, un renard, un geai et un pou qui se rencontrent et décident d’œuvrer ensemble, et de s’accorder pour s’établir dans un lieu idéal et habiter, ensemble, le monde. Plein de poésie et de philosophie, superbement illustré, ce conte questionne les fondements mêmes de l’architecture.
Literature and poetry
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Comment habite-on un livre ? Quel espace a-t-on construit dans sa tête lorsqu'on sort de la lecture d'un roman ? La question du rapport entre architecture et littérature a souvent été posée. Serait-ce donc ici un ouvrage de plus qui s'y rapporte ? Non, car il s'agit ici d'un livre d'aventure, écrite et dessinée. Une sorte d'aventure à la Indiana Jones : dans quelle jungle(...)
La traversée de ma bibliothèque
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Comment habite-on un livre ? Quel espace a-t-on construit dans sa tête lorsqu'on sort de la lecture d'un roman ? La question du rapport entre architecture et littérature a souvent été posée. Serait-ce donc ici un ouvrage de plus qui s'y rapporte ? Non, car il s'agit ici d'un livre d'aventure, écrite et dessinée. Une sorte d'aventure à la Indiana Jones : dans quelle jungle architecturale se retrouve-t-on lorsqu'on traverse au sens propre une bibliothèque. C'est donc une traversée qui comporte des allers, des retours, des dérives et des lieux au-delà de la lecture. Une traversée qui donne un point de vue spatial sur la lecture des livres qui devient ici promenade architecturale d'un nouveau type. L'ouvrage pose également la question de la représentation et de l'outil du dessin comme élément constructeur de l'architecture. Les lectures génèrent des images mentales capables d'influer et d'accompagner les architectes dans la construction d'espaces.
Literature and poetry
Cité selon
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«Cité selon» est une action citoyenne qui prend la forme d'un passeport passe-partout pour tous. Avec «Cité selon» en poche, le lecteur-citoyen pourra, où qu'il soit et en tout temps, exercer son droit démocratique et prétendre être ailleurs. À la carte, onze poésies et fictions dont le lieu commun est la ville : Jacob Wren consigne sur papier quelques mouvements(...)
Cité selon
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«Cité selon» est une action citoyenne qui prend la forme d'un passeport passe-partout pour tous. Avec «Cité selon» en poche, le lecteur-citoyen pourra, où qu'il soit et en tout temps, exercer son droit démocratique et prétendre être ailleurs. À la carte, onze poésies et fictions dont le lieu commun est la ville : Jacob Wren consigne sur papier quelques mouvements de foule. Dessavage décline une génétique citoyenne. Thomas Braichet est contrevenant à un carrefour typographique. Àlain Farah prend le métro de Paris pour son ventre. Bertrand Laverdure applique ses dons prémonitoires dans les parcs publics Montréalais. Xandaire Sélène indique cinq parcours pour guérir vos maux spirituels. Simon St-Onge nous écrit de Val d'Or, sous le ciel d'Arabie. Daniel Canty prend le Train poussière et voyage vers la République des statues. Félix Philantrope continue de rencontrer des gens. Guy Bennett décrit huit immeubles où nous ne vivons pas. La vie en ville est illustrée par Isabelle Arsenault, Melinda Pap, David Lafrance, et Rafael Sottolichio. Il y a aussi des photos. On s'oriente en consultant la carte dépliable en troisième de couverture.
Literature and poetry
$18.95
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Accordéon is an experimental novel, a piercing deconstruction of Québécois culture, an ode to Montréal--a city where everything happens at once and all realities exist simultaneously. Against a satirical Ministry of Culture set on quotas, preservation and containment according to its own cultural code, Kaie Kellough weaves voices and images from the margins to probe(...)
November 2016
Accordéon
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Accordéon is an experimental novel, a piercing deconstruction of Québécois culture, an ode to Montréal--a city where everything happens at once and all realities exist simultaneously. Against a satirical Ministry of Culture set on quotas, preservation and containment according to its own cultural code, Kaie Kellough weaves voices and images from the margins to probe collective fantasies of Québec old and new.
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In ''Doomed and famous,'' an obituarist opens his archive in celebration of the most marginal and improbable characters, creating a meta-fiction of extinction and obscurity. For many decades Adrian Dannatt tracked and dredged the dead, with a macabre disregard for the etiquette of mortality. His specialty, much in demand among even the most mainstream publications, was to(...)
Doomed and famous: selected obituaries
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In ''Doomed and famous,'' an obituarist opens his archive in celebration of the most marginal and improbable characters, creating a meta-fiction of extinction and obscurity. For many decades Adrian Dannatt tracked and dredged the dead, with a macabre disregard for the etiquette of mortality. His specialty, much in demand among even the most mainstream publications, was to memorialize those whose eccentricity or criminality made them unlikely candidates for the fleeting immortality of a newspaper necrology. Dannatt maintained a veritable lust, perverse certainly, for capturing and celebrating such wayward existences. This book is a selection of some of the best—meaning most improbable—of these miniature biographies.
Literature and poetry
Pro Eto: That's What
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Vladimir Mayakovsky was one of the towering literary figures of pre- and post-revolutionary Russia, speaking as much to the working man (he often employed the rough talk of the streets and revolutionary rhetoric in his poetry) as to other poets (his creative fascination with sound and form, linguistic metamorphosis and variation made him a sort of 'poet's poet', the(...)
Pro Eto: That's What
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Vladimir Mayakovsky was one of the towering literary figures of pre- and post-revolutionary Russia, speaking as much to the working man (he often employed the rough talk of the streets and revolutionary rhetoric in his poetry) as to other poets (his creative fascination with sound and form, linguistic metamorphosis and variation made him a sort of 'poet's poet', the doyen, if not the envy, of his contemporaries, Pasternak among them). His poetry, influenced by Whitman and Verhaeren and strangely akin to modern rock poetry in its erotic thrust, bluesy complaints and cries of pain, not to mention its sardonic humour, is at once aggressive, mocking and tender, and often fantastic or grotesque. "Pro Eto - That's What" is a long love poem detailing the pain and suffering inflicted on the poet by his lover and her final rejection of him. But as well as being an agonising parable of separation and betrayal, it is also a political work, highly critical of Lenin's reforms of Soviet Socialism.
Literature and poetry
The Mother
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Inspired by real events and centring on the figure of Pelageya Vlasova -- the "mother" of the title -- and her son Pavel, Gorky's masterpiece describes the brutal life of ordinary Russian factory workers in the years leading to the 1905 Revolution and explores the rise of the proletariat, the role of women in society and the lower classes' struggle for self-affirmation.
The Mother
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Inspired by real events and centring on the figure of Pelageya Vlasova -- the "mother" of the title -- and her son Pavel, Gorky's masterpiece describes the brutal life of ordinary Russian factory workers in the years leading to the 1905 Revolution and explores the rise of the proletariat, the role of women in society and the lower classes' struggle for self-affirmation.
Literature and poetry