Dusty pink
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Written with the hope of achieving a “dreary distant banality,” Jean-Jacques Schuhl's first novel is a subjective stroll through an underground, glamorous Paris, a city that slips into the background but never disappears, hovering on the verge of its own suppression. An elegiac and luminous cut-up, "Dusty Pink" brings together race wire results, editions of France-Soir,(...)
Dusty pink
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Written with the hope of achieving a “dreary distant banality,” Jean-Jacques Schuhl's first novel is a subjective stroll through an underground, glamorous Paris, a city that slips into the background but never disappears, hovering on the verge of its own suppression. An elegiac and luminous cut-up, "Dusty Pink" brings together race wire results, editions of France-Soir, the lyrics to well-known British songs, scripts from famous old films, pharmaceutical leaflets, fashion ads, and strips and scraps of culture in which the avant-garde and academicism blur in an overview of the cultural scene. This world of atmospheres, portraits, and dazzling associations of ideas creates a plane of shimmering surfaces.
Literature and poetry
Essays against everything
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Mark Grief examines the tyranny of exercise, the folly of food snobbery, the sexualization of childhood (and everything else), the philosophical meaning of pop music, the rise and fall of the hipster, the uses of reality TV, the impact of protest movements, and the crisis of policing. Four of the selections address, directly and unironically, the meaning of life how to(...)
Essays against everything
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Mark Grief examines the tyranny of exercise, the folly of food snobbery, the sexualization of childhood (and everything else), the philosophical meaning of pop music, the rise and fall of the hipster, the uses of reality TV, the impact of protest movements, and the crisis of policing. Four of the selections address, directly and unironically, the meaning of life how to find a philosophical stance to adopt toward one’s self and the world. Mark Greif manages to revivify the thought and spirit of the greatest of American dissenters, Henry David Thoreau, for our time and historical situation.
Literature and poetry
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We are living in the Anthropocene—an era of dramatic and violent climate change featuring warming oceans, melting icecaps, extreme weather events, habitat loss, species extinction, and more. What will life be like in a climate-changed world? In ''Tomorrow’s parties,'' science fiction authors speculate how we might be able to live and even thrive through the advancing(...)
Tomorrow's parties: Life in the Anthropocene
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We are living in the Anthropocene—an era of dramatic and violent climate change featuring warming oceans, melting icecaps, extreme weather events, habitat loss, species extinction, and more. What will life be like in a climate-changed world? In ''Tomorrow’s parties,'' science fiction authors speculate how we might be able to live and even thrive through the advancing Anthropocene. In ten original stories by writers from around the world, an interview with celebrated writer Kim Stanley Robinson, and a series of intricate and elegant artworks by Sean Bodley, ''Tomorrow’s parties'' takes rational optimism as a moral imperative, or at least a pragmatic alternative to despair. In these stories—by writers from the United Kingdom, the United States, Nigeria, China, Bangladesh, and Australia—a young man steals from delivery drones; a political community lives on an island made of ocean-borne plastic waste; and a climate change denier tries to unmask ''crisis actors.'' Climate-changed life also has its pleasures and epiphanies, as when a father in Africa works to make his son’s dreams of ''Viking adventure'' a reality, and an IT professional dispatched to a distant village encounters a marvelous predigital fungal network. Contributors include Pascall Prize for Criticism winner James Bradley, Hugo Award winners Greg Egan and Sarah Gailey, Philip K Dick Award winner Meg Elison, and New York Times bestselling author Daryl Gregory.
Literature and poetry
Envelope poems
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Although a very prolific poet, Emily Dickinson published fewer than a dozen poems. Instead, she created small handmade books. In her later years, she stopped producing these, but she continued to write a great deal, and at her death she left behind many poems, drafts, and letters. It is among the makeshift and fragile manuscripts of Dickinson’s later writings that we find(...)
Literature and poetry
October 2016
Envelope poems
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Although a very prolific poet, Emily Dickinson published fewer than a dozen poems. Instead, she created small handmade books. In her later years, she stopped producing these, but she continued to write a great deal, and at her death she left behind many poems, drafts, and letters. It is among the makeshift and fragile manuscripts of Dickinson’s later writings that we find the envelope poems gathered here. These manuscripts on envelopes (recycled by the poet with marked New England thrift) were written with the full powers of her late, most radical period. Intensely alive, these envelope poems are charged with a special poignancy—addressed to no one and everyone at once.
Literature and poetry
Postillons
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« Pendant un peu plus d’un an, j’ai pris l’habitude d’écrire, chaque jour, des courts textes qui sont, pour moi, des dessins faits de mots, des images que je n’aurai pas pu dessiner. Ils viennent en prolongement de mes livres d’images, on retrouve le père de la tendresse des pierres, les enfants des petits, des fragments sur l’amour ou le désir, comme une suite aux «(...)
Postillons
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« Pendant un peu plus d’un an, j’ai pris l’habitude d’écrire, chaque jour, des courts textes qui sont, pour moi, des dessins faits de mots, des images que je n’aurai pas pu dessiner. Ils viennent en prolongement de mes livres d’images, on retrouve le père de la tendresse des pierres, les enfants des petits, des fragments sur l’amour ou le désir, comme une suite aux « Coquins » ou aux « Amours suspendues » mais il est aussi question de ruralité, de souvenirs d’enfance. Mon premier livre « L’homme en pièces » se passait complètement de mot, celui-ci se passe d’image et propose une collection de postillons, premières gouttelettes vers la littérature. »
Literature and poetry
Sous la lumière des vitrines
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Stettler a plus de cinquante-cinq ans. Célibataire endurci, vivant seul depuis que sa mère est morte, il est le décorateur en chef du plus grand magasin de la ville, Les Quatre Saisons. Ses vitrines, pleines de goût et de créativité, confinent souvent à l’œuvre d’art, et le succès qu’elles rencontrent a placé leur concepteur au rang de quasi-artiste. Or voilà que le vieux(...)
Sous la lumière des vitrines
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Stettler a plus de cinquante-cinq ans. Célibataire endurci, vivant seul depuis que sa mère est morte, il est le décorateur en chef du plus grand magasin de la ville, Les Quatre Saisons. Ses vitrines, pleines de goût et de créativité, confinent souvent à l’œuvre d’art, et le succès qu’elles rencontrent a placé leur concepteur au rang de quasi-artiste. Or voilà que le vieux propriétaire meurt et que ses fils en profitent pour faire souffler un vent nouveau sur tout le magasin. Ils décident d’engager un jeune décorateur qui se chargera désormais – en alternance avec Stettler – de la mise au point des vitrines. Non pas un assistant, mais un successeur désigné, un rival, un ennemi. Avec une délicatesse et un art du contrepoint remarquables, Alain Claude Sulzer éclaire, sous la lumière des vitrines d’un grand magasin, l’éternel combat des anciens et des modernes.
Literature and poetry
Return to the field
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''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban(...)
Return to the field
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''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban Cabeza de Baca, Adjua Gargi Nzinga Greaves, David Johnson, Suzanne Kite, Charmaine Lee, Philip Matthews, Nat Ward, and Sara J. Winston, ''Return to the field'' assembles a dense and resonant, multi-vocal conversation threaded together by Kruis’ book-length poem, ''A Connectome.'' ''Return to the field'' is published on the occasion of Martha Tuttle's exhibition and sculptural installation, ''A stone that thinks of Enceladus,'' on view at Storm King Art Center (New Windsor, New York) from July 15, 2020 through November 8, 2021.
Literature and poetry
Among a sea of influences
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This publication documents a series of workshops and conversations hosted by Wendy’s Subway and organized by English-Arabic bilingual magazine Makzhin editor Mirene Arsanios on questions of formative literary influences. Three female Arab writers were invited to choose and discuss ten books that shaped their understanding of poetry and translation. Notwithstanding the(...)
Among a sea of influences
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This publication documents a series of workshops and conversations hosted by Wendy’s Subway and organized by English-Arabic bilingual magazine Makzhin editor Mirene Arsanios on questions of formative literary influences. Three female Arab writers were invited to choose and discuss ten books that shaped their understanding of poetry and translation. Notwithstanding the difficulty of the task, Marwa Helal, Mona Kareem, and Iman Mersal played along, selecting—among a sea of influences—authors and/or translators whose works were key to their own practice, and to their embodied understanding of what it means to write in Arabic from a female perspective. Asking what kind of writings are/were available to them, and which books or translations unseated their understanding of the world, Helal, Kareem, and Mersal discuss writing within the diaspora and across borders, radical publishing and translation networks, cultural and linguistic translation, vernacular language as resistance, and more.
Literature and poetry
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Ce livre posthume de Serge Bouchard fait suite à « L’Allume-cigarette de la Chrysler noire » (2019) et à '« Un café avec Marie. » Un recueil de textes brefs, rédigés et lus à l’émission radiophonique hebdomadaire « C’est fou…, » coanimée avec Jean-Philippe Pleau, qui signe la préface de ce livre. On y retrouve les thèmes chers à l’auteur : la nature, la solidarité(...)
La Prière de l'épinette noire
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Ce livre posthume de Serge Bouchard fait suite à « L’Allume-cigarette de la Chrysler noire » (2019) et à '« Un café avec Marie. » Un recueil de textes brefs, rédigés et lus à l’émission radiophonique hebdomadaire « C’est fou…, » coanimée avec Jean-Philippe Pleau, qui signe la préface de ce livre. On y retrouve les thèmes chers à l’auteur : la nature, la solidarité humaine, l’amitié avec les Autochtones, les bizarreries du monde actuel, la beauté, la mélancolie.
Literature and poetry
books
Books v. cigarettes
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Beginning with a dilemma about whether he spends more money on reading or smoking, George Orwell’s entertaining and uncompromising essays go on to explore everything from the perils of second-hand bookshops to the dubious profession of being a critic, from freedom of the press to what patriotism really means. From the Penguin Great Ideas series.
Books v. cigarettes
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Beginning with a dilemma about whether he spends more money on reading or smoking, George Orwell’s entertaining and uncompromising essays go on to explore everything from the perils of second-hand bookshops to the dubious profession of being a critic, from freedom of the press to what patriotism really means. From the Penguin Great Ideas series.
books
May 2008
Literature and poetry