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At its root, modernism is that fundamental. It is a question of having something to represent that is of the moment. In the most radical interpretation, modernism always comes too late. The modern is that which is always new, which is to say, always changing and already old by the time it has appeared. Modernism is always a retrospective act, one of documenting or trying(...)
Making it modern: the history of modernism in architecture and design
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At its root, modernism is that fundamental. It is a question of having something to represent that is of the moment. In the most radical interpretation, modernism always comes too late. The modern is that which is always new, which is to say, always changing and already old by the time it has appeared. Modernism is always a retrospective act, one of documenting or trying to catch what has already appeared - an attempt to fix life as it is being lived. Modernity is just the very fact that we as human beings are continually remaking the world around us through our actions, and are doing so consciously. Modernism is a monument to or memory of that act, which in its own making tries to remake the world it is pretending to represent.
Modernism
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Genealogy of Modern Architecture is a reference work on modern architecture by Kenneth Frampton, one of today's leading architectural theorists. Conceived as a genealogy of twentieth century architecture from 1924 to 2000, it compiles some sixteen comparative analyses of canonical modern buildings ranging from exhibition pavilions and private houses to office buildings(...)
A genealogy of modern architecture: Comparative critical analysis of built form
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Genealogy of Modern Architecture is a reference work on modern architecture by Kenneth Frampton, one of today's leading architectural theorists. Conceived as a genealogy of twentieth century architecture from 1924 to 2000, it compiles some sixteen comparative analyses of canonical modern buildings ranging from exhibition pavilions and private houses to office buildings and various kinds of public institutions. The buildings are compared in terms of their hierarchical spatial order, circulation structure and referential details. The analyses are organized so as to show what is similar and different between two paired types, thus revealing how modern tradition has been diversely inflected.
Modernism
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Modernist Estates: the buildings and the people who live in them today gives us an inside look at remarkable and sometimes controversial estates in Britain and their impact on the lives of their communities. Featuring twenty-one modernist homes and their residents, including the Barbican, the Isokon, Balfron Tower and Park Hill, it provides an overview of the building,(...)
Modernist estates: the buildings and the people who live in them
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Modernist Estates: the buildings and the people who live in them today gives us an inside look at remarkable and sometimes controversial estates in Britain and their impact on the lives of their communities. Featuring twenty-one modernist homes and their residents, including the Barbican, the Isokon, Balfron Tower and Park Hill, it provides an overview of the building, architects, historical and political context, and explores, with interviews and contemporary photography, what it's like to live on a modernist estate today.
Modernism
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From metal-clad houses to skyscrapers, aluminium’s futuristic image became increasingly prominent in American architecture during the 20th century, influencing everything from roadside diners built in the Googie style to later postmodernism. This book features a selection of American and Japanese architectural precedents built during the transitional period from modern to(...)
Ex-dreams: The alternative mid-century architecture
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From metal-clad houses to skyscrapers, aluminium’s futuristic image became increasingly prominent in American architecture during the 20th century, influencing everything from roadside diners built in the Googie style to later postmodernism. This book features a selection of American and Japanese architectural precedents built during the transitional period from modern to postmodern architecture, depicted in photographs, drawings, illustrations, and even cartoons. Deepening an understanding of these complex trends is an essay by Tomoyuki Gondo, plus interviews and discussions with various experts in the field such as Lloyd Khan, Victor Newlove, and Seng Kuan.
Modernism
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"Impossible histories" is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and(...)
Modernism
July 2003, Cambridge / London
Impossible histories : historical avant-gardes, neo-avant-gardes, and post-avant-gardes in Yugoslavia, 1918-1991
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"Impossible histories" is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and Central European avant-gardes. Censorship and suppression kept much of the work far from the eyes and ears of the Yugoslav people, while language barriers and the inaccessibility of archives caused it to remain largely unknown to Western scholars. Even at this late stage in the scholarly investigation of the avant-garde, few Westerners have heard of the movements Belgrade surrealism, signalism, Yugo-Dada, and zenitism; the groups Alfa, Exat 51, Gorgona, OHO, and Scipion Nasice Sisters Theater; or the magazines Danas, Red Pilot, Tank, Vecnost, and Zvrk. The pieces in this collection offer comparative and interpretive accounts of the avant-gardes in the former Yugoslavian countries of Croatia, Serbia, and Slovenia. The book is divided into four sections : art and politics; literature; visual art and architecture; and art in motion (covering theater, dance, music, film, and video). All of the contributors live in the region and many of them participated in the movements discussed. The book also reprints a selection of the most important manifestos generated by all phases of Yugoslav avant-garde activity.
Modernism
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This special issue of a+u includes the following residential buildings: Hvitträsk, 1903 /Saarinen, Lindgren, Gesellius Robie House, 1910 /Frank Lloyd Wright Scheu House, 1912 /Adolf Loos (...)
May 2000, Tokyo
Visions of the real : modern houses in the 20th century : volume 1, 1900-1949
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This special issue of a+u includes the following residential buildings: Hvitträsk, 1903 /Saarinen, Lindgren, Gesellius Robie House, 1910 /Frank Lloyd Wright Scheu House, 1912 /Adolf Loos Une Petite Maison, 1923 /Le Corbusier Rietveld-Schröder House, 1924 /Gerrit Thomas Rietveld How House, 1925 /Rudolph Schindler Melnikov House, 1929 /Konstantin Melnikov Tugendhat House, 1930 /Ludwig Mies van der Rohe Maison de Verre, 1931 /Pierre Chareau Dammann House, 1932 /Arne Korsmo Schminke House, 1933 /Hans Scharoun Summer House, 1937 /Gunnar Asplund Gropius House, 1937 /Walter Gropius House over the Brook, 1945 /Amancio Williams Kaufmann Desert House, 1946 /Richard Neutra Maison Curutchet, 1949 /Le Corbusier
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May 2000, Tokyo
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The writings of graphic designer, prolific critic, and avant-garde partisan Karel Teige (1900-1951) represent one of the great forgotten legacies of modern artistic theory. Together with Jaromír Krejcar and Josef Chocol, he founded the radical Devetsil group in 1920, an(...)
Modern architecture in Czechoslovakia and other writings
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The writings of graphic designer, prolific critic, and avant-garde partisan Karel Teige (1900-1951) represent one of the great forgotten legacies of modern artistic theory. Together with Jaromír Krejcar and Josef Chocol, he founded the radical Devetsil group in 1920, an organization committed to promoting international modernism through manifestos and polemics. After meeting Le Corbusier in Paris in 1922, Teige increasingly turned his attention to architecture. Over the next decade he crystallized his ideas on functionalist and constructivist practice through relationships with ideological allies including Adolf Behne, Theo van Doesburg, Hannes Meyer, and El Lissitzky. In "Modern Architecture in Czechoslovakia" (published in 1930), Teige both publicized the modernist efforts of his native country, and aligned them with the avant-garde efforts of the East and West. Now in English for the first time, this work is supplemented by a selection of Teige's other writings on art and architecture. An introduction by Jean-Louis Cohen traces the diverse pursuits of this multifaceted figure.
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January 2001, Los Angeles
Modernism
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Architect, designer, and architectural critic, George Nelson (1908�1986) was a young and impressionable architect when he wrote a series of articles in 1935 and 1936 that eloquently introduced astonishing buildings and fascinating personalities from across the Atlantic to wider American audiences. Building a New Europe presents this important collection of writings(...)
Building a new europe : Portraits of modern architects
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Architect, designer, and architectural critic, George Nelson (1908�1986) was a young and impressionable architect when he wrote a series of articles in 1935 and 1936 that eloquently introduced astonishing buildings and fascinating personalities from across the Atlantic to wider American audiences. Building a New Europe presents this important collection of writings together for the first time. The subjects of Nelson�s essays include figures both major (Mies van Der Rohe and Le Corbusier) and minor (Helweg-Moeller and Ivar Tengbom). All of these architects would soon be affected by World War II�they would be put out of work or seek new careers abroad. Nelson�s essays spark fascinating questions about the canon of modernism: how would circumstances in the pre-war years cause some architects to rise and others to fall? Accompanied by a comprehensive introduction and a wide selection of archival photographs, many never before published, this unique study is a significant contribution to the history of modern architecture. George Nelson served as the design director of Herman Miller from 1946 to 1972. His books include Chairs: 20th Century Landmarks in Design and Tomorrow�s House.
Modernism
The modernist home
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The Modernist house was a test of modern architects’ ability to meet human needs while fuelling the intellect. "The Modernist home" reveals the striking results of the challenge to fit utopian modernist principles to day-to-day living. The Modernist house dissolved the closed spaces of the traditional home, modernising the bathrooms and kitchens, opening the interior(...)
The modernist home
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The Modernist house was a test of modern architects’ ability to meet human needs while fuelling the intellect. "The Modernist home" reveals the striking results of the challenge to fit utopian modernist principles to day-to-day living. The Modernist house dissolved the closed spaces of the traditional home, modernising the bathrooms and kitchens, opening the interior to natural light and providing balconies and terraces for sun-worship and sleeping in the open air. Tim Benton uncovers its elements: from the technology that provided central heating and electric lighting; to new construction materials, such as concrete and steel; to close-ups on features like winter gardens and folding furniture. He opens the door on Modernist houses around the world, from Le Corbusier’s Villa Savoye, to Mies van der Rohe’s Barcelona Pavilion, all fully illustrated with colour photographs and plans.
Modernism
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Modern is the most comprehensive study of Modern Movement architecture in Britain ever published. Shortlisted for the RIBA Bookshops International Book Award of 2005, this critically acclaimed publication is now available in paperback for the first time. Encyclopedic in scope and structure, it covers the work of such renowned architects as Walter Gropius, Marcel Breuer,(...)
Modernism
July 2007, London, New York
Modern : The modern movement in Britain
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Modern is the most comprehensive study of Modern Movement architecture in Britain ever published. Shortlisted for the RIBA Bookshops International Book Award of 2005, this critically acclaimed publication is now available in paperback for the first time. Encyclopedic in scope and structure, it covers the work of such renowned architects as Walter Gropius, Marcel Breuer, Maxwell Fry, Ernö Goldfinger, Berthold Lubetkin and others who changed the vocabulary of architecture in Britain between the wars. Specially commissioned photographs document all the major surviving buildings, from private houses and apartment blocks to schools and factories.
Modernism