2347 Results
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Images of buildings and places, seen from the American road. Like many who grew up during the spread of sprawl—with its predictable landscape of housing developments, shopping malls, interstate highways, and big-box construction— the photographer Jeff Brouws is drawn to places that still embody the vernacular past as well as to those that starkly portray the soulless,(...)
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Images of buildings and places, seen from the American road. Like many who grew up during the spread of sprawl—with its predictable landscape of housing developments, shopping malls, interstate highways, and big-box construction— the photographer Jeff Brouws is drawn to places that still embody the vernacular past as well as to those that starkly portray the soulless,(...)
Subject:
Photography monographs
Photography monographs
Publication:
September 2006, New York / London
September 2006, New York / London
Title:
Approaching nowhere : photographs by Jeff Brouws
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Images of buildings and places, seen from the American road. Like many who grew up during the spread of sprawl—with its predictable landscape of housing developments, shopping malls, interstate highways, and big-box construction— the photographer Jeff Brouws is drawn to places that still embody the vernacular past as well as to those that starkly portray the soulless, franchised American landscape.
Approaching nowhere : photographs by Jeff Brouws
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$65.00
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Images of buildings and places, seen from the American road. Like many who grew up during the spread of sprawl—with its predictable landscape of housing developments, shopping malls, interstate highways, and big-box construction— the photographer Jeff Brouws is drawn to places that still embody the vernacular past as well as to those that starkly portray the soulless, franchised American landscape.
Form:
books
books
Publication:
September 2006, New York / London
September 2006, New York / London
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
George Tice : Paterson II
George Tice : Paterson II
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Photographer George Tice began his thirty-year documentation of the vernacular architecture of his home state with Paterson in 1972, which formed part of his one-man show at Metropolitan Museum of Art. In Paterson II, Tice revisits his source of inspiration, adding scores of new images, and making a statement about time and change in both a small Northeastern city and in(...)
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Photographer George Tice began his thirty-year documentation of the vernacular architecture of his home state with Paterson in 1972, which formed part of his one-man show at Metropolitan Museum of Art. In Paterson II, Tice revisits his source of inspiration, adding scores of new images, and making a statement about time and change in both a small Northeastern city and in(...)
Subject:
Photography monographs
Photography monographs
Publication:
January 1900, New York
January 1900, New York
Title:
George Tice : Paterson II
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Photographer George Tice began his thirty-year documentation of the vernacular architecture of his home state with Paterson in 1972, which formed part of his one-man show at Metropolitan Museum of Art. In Paterson II, Tice revisits his source of inspiration, adding scores of new images, and making a statement about time and change in both a small Northeastern city and in much of America.
George Tice : Paterson II
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Photographer George Tice began his thirty-year documentation of the vernacular architecture of his home state with Paterson in 1972, which formed part of his one-man show at Metropolitan Museum of Art. In Paterson II, Tice revisits his source of inspiration, adding scores of new images, and making a statement about time and change in both a small Northeastern city and in much of America.
Form:
books
books
Publication:
January 1900, New York
January 1900, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
(Re)naissances
(Re)naissances
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$47.95
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Le Centre hospitalier du Vexin est un lieu singulier par sa géographie et son histoire. Aujourd'hui spécialisé dans les soins de suite et de rééducation et la prise en charge du handicap lourd, cet hôpital fut à l'origine, en 1930, un sanotarium à l'architecture révolutionnaire, se dévelopanat en tros grands bâtiments de béton construits au ilieu d'une forêt. Situé loin(...)
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Le Centre hospitalier du Vexin est un lieu singulier par sa géographie et son histoire. Aujourd'hui spécialisé dans les soins de suite et de rééducation et la prise en charge du handicap lourd, cet hôpital fut à l'origine, en 1930, un sanotarium à l'architecture révolutionnaire, se dévelopanat en tros grands bâtiments de béton construits au ilieu d'une forêt. Situé loin(...)
Subject:
Photography monographs
Photography monographs
Publication:
June 2006, Plancoët
June 2006, Plancoët
Title:
(Re)naissances
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Le Centre hospitalier du Vexin est un lieu singulier par sa géographie et son histoire. Aujourd'hui spécialisé dans les soins de suite et de rééducation et la prise en charge du handicap lourd, cet hôpital fut à l'origine, en 1930, un sanotarium à l'architecture révolutionnaire, se dévelopanat en tros grands bâtiments de béton construits au ilieu d'une forêt. Situé loin des grandes villes, il fur utilisé pendant la seconde guerre mondiale comme camp de prsonniers de 1940 à 1943. La police française y interna des communistes et des résistants dont beaucoup furent déportés dans les camps de concentration. Gwendal Bescond, photographe, Catherine Déréthé, compositrice sonore, et Nolwenn Assolant, écrivaine, évoquent ce site où l'on passe en un instant d'un univers de traces fantomatiques à un lieu dédié à la reconstruction du corps et qui mêle l'histoire collective à la mémoire individuelle.
(Re)naissances
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Le Centre hospitalier du Vexin est un lieu singulier par sa géographie et son histoire. Aujourd'hui spécialisé dans les soins de suite et de rééducation et la prise en charge du handicap lourd, cet hôpital fut à l'origine, en 1930, un sanotarium à l'architecture révolutionnaire, se dévelopanat en tros grands bâtiments de béton construits au ilieu d'une forêt. Situé loin des grandes villes, il fur utilisé pendant la seconde guerre mondiale comme camp de prsonniers de 1940 à 1943. La police française y interna des communistes et des résistants dont beaucoup furent déportés dans les camps de concentration. Gwendal Bescond, photographe, Catherine Déréthé, compositrice sonore, et Nolwenn Assolant, écrivaine, évoquent ce site où l'on passe en un instant d'un univers de traces fantomatiques à un lieu dédié à la reconstruction du corps et qui mêle l'histoire collective à la mémoire individuelle.
Form:
books
books
Publication:
June 2006, Plancoët
June 2006, Plancoët
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$104.00
(available in store)
Summary:
When renowned Hiroshi Sugimoto was invited to photograph the Pulitzer Foundation for the Arts, St. Louis, his attention immediately focused on an immense steel sculpture, Richard Serra's Joe, one of the artist's torqued spirals, which occupies a small courtyard of the museum. Joe allows viewers to walk in through a narrow passage between towering, sloping walls. The path(...)
$104.00
(available in store)
Summary:
When renowned Hiroshi Sugimoto was invited to photograph the Pulitzer Foundation for the Arts, St. Louis, his attention immediately focused on an immense steel sculpture, Richard Serra's Joe, one of the artist's torqued spirals, which occupies a small courtyard of the museum. Joe allows viewers to walk in through a narrow passage between towering, sloping walls. The path(...)
Subject:
Photography monographs
Photography monographs
Publication:
August 2006, St.Louis
August 2006, St.Louis
Title:
Joe
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$104.00
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When renowned Hiroshi Sugimoto was invited to photograph the Pulitzer Foundation for the Arts, St. Louis, his attention immediately focused on an immense steel sculpture, Richard Serra's Joe, one of the artist's torqued spirals, which occupies a small courtyard of the museum. Joe allows viewers to walk in through a narrow passage between towering, sloping walls. The path leads to a surprising central space from which only the curving steel walls and the sky are visible. Sugimoto's pictures in this book capture the elliptical nature of Serra's piece. His images are complemented by the words of Jonathan Safran Foer, whose affecting prose poem-about an "average Joe" experiencing the circular passage of time-echoes, without directly referencing, Serra's sculpture. Designed by Takaaki Matsumoto, this large-format book features tritone reproductions printed on uncoated stock.
Joe
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$104.00
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Summary:
When renowned Hiroshi Sugimoto was invited to photograph the Pulitzer Foundation for the Arts, St. Louis, his attention immediately focused on an immense steel sculpture, Richard Serra's Joe, one of the artist's torqued spirals, which occupies a small courtyard of the museum. Joe allows viewers to walk in through a narrow passage between towering, sloping walls. The path leads to a surprising central space from which only the curving steel walls and the sky are visible. Sugimoto's pictures in this book capture the elliptical nature of Serra's piece. His images are complemented by the words of Jonathan Safran Foer, whose affecting prose poem-about an "average Joe" experiencing the circular passage of time-echoes, without directly referencing, Serra's sculpture. Designed by Takaaki Matsumoto, this large-format book features tritone reproductions printed on uncoated stock.
Form:
books
books
Publication:
August 2006, St.Louis
August 2006, St.Louis
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Window eleven Septembers
Window eleven Septembers
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From his window on the 26th floor overlooking Eighth Avenue in New York City, Reiner Leist has a view not unlike that of many urban buildings: the facades of neighboring buildings, the bustle of people, the steady parade of trucks, buses and cars. Seen day after day through the lens of his antique large-format camera, Leist's view takes on a new and poignant perspective.(...)
$110.00
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Summary:
From his window on the 26th floor overlooking Eighth Avenue in New York City, Reiner Leist has a view not unlike that of many urban buildings: the facades of neighboring buildings, the bustle of people, the steady parade of trucks, buses and cars. Seen day after day through the lens of his antique large-format camera, Leist's view takes on a new and poignant perspective.(...)
Subject:
Photography monographs
Photography monographs
Publication:
September 2006, Munich, Berlin, London, New York
September 2006, Munich, Berlin, London, New York
Title:
Window eleven Septembers
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$110.00
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From his window on the 26th floor overlooking Eighth Avenue in New York City, Reiner Leist has a view not unlike that of many urban buildings: the facades of neighboring buildings, the bustle of people, the steady parade of trucks, buses and cars. Seen day after day through the lens of his antique large-format camera, Leist's view takes on a new and poignant perspective. In all, Leist has taken more than 2,000 photographs over more than a decade. This book presents a selection of Leist's photographs from the months of September 1995 through 2005, recording the transformation of New York's famous skyline as seen over the course of eleven Septembers.
Window eleven Septembers
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$110.00
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Summary:
From his window on the 26th floor overlooking Eighth Avenue in New York City, Reiner Leist has a view not unlike that of many urban buildings: the facades of neighboring buildings, the bustle of people, the steady parade of trucks, buses and cars. Seen day after day through the lens of his antique large-format camera, Leist's view takes on a new and poignant perspective. In all, Leist has taken more than 2,000 photographs over more than a decade. This book presents a selection of Leist's photographs from the months of September 1995 through 2005, recording the transformation of New York's famous skyline as seen over the course of eleven Septembers.
Form:
books
books
Publication:
September 2006, Munich, Berlin, London, New York
September 2006, Munich, Berlin, London, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$60.00
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Juergen Teller Cindy Sherman Marc Jacobs is a book of collaborative photos that began with Jacobs' spring 2005 campaign but goes well beyond it. Twenty-nine images show Jacobs-clad Teller and Sherman in her first collaboration with another photographer.
$60.00
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Summary:
Juergen Teller Cindy Sherman Marc Jacobs is a book of collaborative photos that began with Jacobs' spring 2005 campaign but goes well beyond it. Twenty-nine images show Jacobs-clad Teller and Sherman in her first collaboration with another photographer.
Subject:
Photography monographs
Photography monographs
Publication:
April 2006, New York
April 2006, New York
Title:
Juergen Teller, Cindy Sherman, Marc Jacobs
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$60.00
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Summary:
Juergen Teller Cindy Sherman Marc Jacobs is a book of collaborative photos that began with Jacobs' spring 2005 campaign but goes well beyond it. Twenty-nine images show Jacobs-clad Teller and Sherman in her first collaboration with another photographer.
Juergen Teller, Cindy Sherman, Marc Jacobs
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$60.00
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Summary:
Juergen Teller Cindy Sherman Marc Jacobs is a book of collaborative photos that began with Jacobs' spring 2005 campaign but goes well beyond it. Twenty-nine images show Jacobs-clad Teller and Sherman in her first collaboration with another photographer.
Form:
books
books
Publication:
April 2006, New York
April 2006, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$39.95
(available to order)
Summary:
Soixante ans après le raid raté de Dieppe, le photographe Bertrand Carrière apporte 913 portraits d’hommes sur cette plage de Haute-Normandie afin de créer une installation photographique éphémère. Dans la suite de cette installation, Carrière réalise des photographies de paysages de cette région. La série "Caux" présente un territoire balayé par les vents de la mer où(...)
$39.95
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Summary:
Soixante ans après le raid raté de Dieppe, le photographe Bertrand Carrière apporte 913 portraits d’hommes sur cette plage de Haute-Normandie afin de créer une installation photographique éphémère. Dans la suite de cette installation, Carrière réalise des photographies de paysages de cette région. La série "Caux" présente un territoire balayé par les vents de la mer où(...)
Title:
Dieppe : paysages et installations / landscapes and installations
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Soixante ans après le raid raté de Dieppe, le photographe Bertrand Carrière apporte 913 portraits d’hommes sur cette plage de Haute-Normandie afin de créer une installation photographique éphémère. Dans la suite de cette installation, Carrière réalise des photographies de paysages de cette région. La série "Caux" présente un territoire balayé par les vents de la mer où les falaises se dressent encore comme une forteresse. Avec des textes de Béatrice Richard, André-Louis Paré, Didier Mouchel.
Dieppe : paysages et installations / landscapes and installations
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Soixante ans après le raid raté de Dieppe, le photographe Bertrand Carrière apporte 913 portraits d’hommes sur cette plage de Haute-Normandie afin de créer une installation photographique éphémère. Dans la suite de cette installation, Carrière réalise des photographies de paysages de cette région. La série "Caux" présente un territoire balayé par les vents de la mer où les falaises se dressent encore comme une forteresse. Avec des textes de Béatrice Richard, André-Louis Paré, Didier Mouchel.
Form:
books
books
Publication:
January 1900, Montréal
January 1900, Montréal
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$62.50
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Summary:
Published to accompany an exhibition at the Technisches Museum, Vienna. "Blue. Inventing the River Danube" combines a cultural history of the river with an artistic exploration of its present. The journey begins in Vienna and continue eastwards along the river for two thousand kilometres. Historical photograhs tell the story of how technologyreinvented the Danube from the(...)
$62.50
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Summary:
Published to accompany an exhibition at the Technisches Museum, Vienna. "Blue. Inventing the River Danube" combines a cultural history of the river with an artistic exploration of its present. The journey begins in Vienna and continue eastwards along the river for two thousand kilometres. Historical photograhs tell the story of how technologyreinvented the Danube from the(...)
Subject:
Photography monographs
Photography monographs
Publication:
June 2005, Vienna
June 2005, Vienna
Title:
Blue : inventing the river Danube
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$62.50
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Published to accompany an exhibition at the Technisches Museum, Vienna. "Blue. Inventing the River Danube" combines a cultural history of the river with an artistic exploration of its present. The journey begins in Vienna and continue eastwards along the river for two thousand kilometres. Historical photograhs tell the story of how technologyreinvented the Danube from the middle of the 19th century onwards. They depict the development of the continent's second largest river, and its cultural and economic significance for central and south-easthern Europe. The river as it is today is the theme of the artistic work by Iosif Kiraly (Bucharest)and Sophie Ristelhueber (Paris). In winter and spring 2004/2005 the two photographers travelled along the Danube, eastwards and westwards. Kiraly visited places that have been shaped by the industrial age. Ristelhueber followed the Danube along its last few miles to Sulina, the place where the Danube ends and the Black Sea begins.
Blue : inventing the river Danube
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$62.50
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Published to accompany an exhibition at the Technisches Museum, Vienna. "Blue. Inventing the River Danube" combines a cultural history of the river with an artistic exploration of its present. The journey begins in Vienna and continue eastwards along the river for two thousand kilometres. Historical photograhs tell the story of how technologyreinvented the Danube from the middle of the 19th century onwards. They depict the development of the continent's second largest river, and its cultural and economic significance for central and south-easthern Europe. The river as it is today is the theme of the artistic work by Iosif Kiraly (Bucharest)and Sophie Ristelhueber (Paris). In winter and spring 2004/2005 the two photographers travelled along the Danube, eastwards and westwards. Kiraly visited places that have been shaped by the industrial age. Ristelhueber followed the Danube along its last few miles to Sulina, the place where the Danube ends and the Black Sea begins.
Form:
books
books
Publication:
June 2005, Vienna
June 2005, Vienna
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$33.50
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Summary:
Welcome to Hiroya Kawabata's secret gallery of ‘light tattoos', exclusive to people who stroll through the modern urban landscape with a highly developed awareness. In this world, light patterns are reflected, abstracted and amplified from building to building in an ever changing installation.
$33.50
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Summary:
Welcome to Hiroya Kawabata's secret gallery of ‘light tattoos', exclusive to people who stroll through the modern urban landscape with a highly developed awareness. In this world, light patterns are reflected, abstracted and amplified from building to building in an ever changing installation.
Title:
Hiroya Kawabata : reflections of Tokyo
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$33.50
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Welcome to Hiroya Kawabata's secret gallery of ‘light tattoos', exclusive to people who stroll through the modern urban landscape with a highly developed awareness. In this world, light patterns are reflected, abstracted and amplified from building to building in an ever changing installation.
Hiroya Kawabata : reflections of Tokyo
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Price:
$33.50
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Summary:
Welcome to Hiroya Kawabata's secret gallery of ‘light tattoos', exclusive to people who stroll through the modern urban landscape with a highly developed awareness. In this world, light patterns are reflected, abstracted and amplified from building to building in an ever changing installation.
Form:
books
books
Publication:
January 1900, Tokyo
January 1900, Tokyo
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$84.95
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Summary:
Cyril Connolly wrote that 'no city should be too large for a man (or woman) to walt out of in a morning.'It is a sensible standard, though by it the Denver area in the 1970's was a disappointment. People had moved there to enjoy nature, but found that nature was mostly inacessible except on weekends. Often little of it was even visible out the window. The puzzle became(...)
$84.95
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Summary:
Cyril Connolly wrote that 'no city should be too large for a man (or woman) to walt out of in a morning.'It is a sensible standard, though by it the Denver area in the 1970's was a disappointment. People had moved there to enjoy nature, but found that nature was mostly inacessible except on weekends. Often little of it was even visible out the window. The puzzle became(...)
Title:
Robert Adams Interiors 1973-1974
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$84.95
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Cyril Connolly wrote that 'no city should be too large for a man (or woman) to walt out of in a morning.'It is a sensible standard, though by it the Denver area in the 1970's was a disappointment. People had moved there to enjoy nature, but found that nature was mostly inacessible except on weekends. Often little of it was even visible out the window. The puzzle became how to live inside. These rooms seemed to me then to be mostly sad , although what strikee me now is the evidence in them, however fragile, of caring.
Robert Adams Interiors 1973-1974
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$84.95
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Summary:
Cyril Connolly wrote that 'no city should be too large for a man (or woman) to walt out of in a morning.'It is a sensible standard, though by it the Denver area in the 1970's was a disappointment. People had moved there to enjoy nature, but found that nature was mostly inacessible except on weekends. Often little of it was even visible out the window. The puzzle became how to live inside. These rooms seemed to me then to be mostly sad , although what strikee me now is the evidence in them, however fragile, of caring.
Form:
books
books
Publication:
January 2006, Tucson
January 2006, Tucson
Subject:
Photography monographs
Photography monographs
