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If a picture is worth a thousand words, then it's a good bet that at least half of those words relate to the picture's copyright status. Art historians, artists, and anyone who wants to use the images of others will find themselves awash in byzantine legal terms, constantly evolving copyright law, varying interpretations by museums and estates, and despair over the(...)
Museums and Universal Exhibitions
June 2006, Chicago, London
Permissions, a survival guide : blunt talk about art as intellectual property
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If a picture is worth a thousand words, then it's a good bet that at least half of those words relate to the picture's copyright status. Art historians, artists, and anyone who wants to use the images of others will find themselves awash in byzantine legal terms, constantly evolving copyright law, varying interpretations by museums and estates, and despair over the complexity of the whole situation. Here, Susan Bielstein offers her decades of experience as an editor working with illustrated books. In doing so, she unsnarls the threads of permissions that have ensnared scholars, critics, and artists for years. Organized as a series of “takes” that range from short sidebars to extended discussions, "Permissions, a survival guide" explores intellectual property law as it pertains to visual imagery. How can you determine whether an artwork is copyrighted? How do you procure a high-quality reproduction of an image? What does “fair use” really mean? Is it ever legitimate to use the work of an artist without permission? Bielstein discusses the many uncertainties that plague writers who work with images in this highly visual age, and she does so based on her years navigating precisely these issues. As an editor who has hired a photographer to shoot an incredibly obscure work in the Italian mountains (a plan that backfired hilariously), who has tried to reason with artists' estates in languages she doesn't speak, and who has spent her time in the archival trenches, she offers a snappy and humane guide to this difficult terrain.
Museums and Universal Exhibitions
Archiprix 2008
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The book Archiprix 2008 introduces the latest wave of fledgling design talent. Archiprix is well-known at home and abroad as a platform for promising architects, urban designers and landscape architects
Museums and Universal Exhibitions
June 2008, Amsterdam
Archiprix 2008
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The book Archiprix 2008 introduces the latest wave of fledgling design talent. Archiprix is well-known at home and abroad as a platform for promising architects, urban designers and landscape architects
Museums and Universal Exhibitions
$82.95
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Un voyage architectural à travers tous les projets réalisés à l'occasion des Jeux olympiques de Pékin 2008, accompagné de plans, dessins, imagés de synthèse t photographies, avec notamment les spectaculaires " Nid d'oiseau " et " Aquacube ". A Pékin et dans six autres villes, 37 sites accueillent toutes les épreuves olympiques. Ces réalisations souvent innovantes sont(...)
Museums and Universal Exhibitions
August 2008
Architectures olympiques : Pékin 2008
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Un voyage architectural à travers tous les projets réalisés à l'occasion des Jeux olympiques de Pékin 2008, accompagné de plans, dessins, imagés de synthèse t photographies, avec notamment les spectaculaires " Nid d'oiseau " et " Aquacube ". A Pékin et dans six autres villes, 37 sites accueillent toutes les épreuves olympiques. Ces réalisations souvent innovantes sont présentées, commentées et illustrées par plus de 450 documents.
Museums and Universal Exhibitions
$115.00
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The German architect and theorist Gottfried Semper was a founder of Modernism. Forced to leave Dresden in 1849, he composed this important manifesto on the phenomenology of materials and the systematization of the ideal museum while in exile. Published in transcription for the first time, with original line breaks, this volume includes all drawings and some manuscript(...)
December 2008, Vienna, Los Angeles
The ideal museum ; practical art in metals and hard materials
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The German architect and theorist Gottfried Semper was a founder of Modernism. Forced to leave Dresden in 1849, he composed this important manifesto on the phenomenology of materials and the systematization of the ideal museum while in exile. Published in transcription for the first time, with original line breaks, this volume includes all drawings and some manuscript pages in facsimile.
books
$24.95
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The guide describes and illutrates all 107 RIBA, RIBA National, RIBA European and RIBA International Award-winning schemes, including the winners of the international Lubetkin Prize and a series of further prizes for conservation, public space, client of the year, sustainability, schools, houses and small projects. The guide is introduced with an essay on the purpose of(...)
Architecture 2008 the guide to the RIBA awards
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The guide describes and illutrates all 107 RIBA, RIBA National, RIBA European and RIBA International Award-winning schemes, including the winners of the international Lubetkin Prize and a series of further prizes for conservation, public space, client of the year, sustainability, schools, houses and small projects. The guide is introduced with an essay on the purpose of awards by Tony Chapman, who heads the RIBA's award programme.
books
December 2008
Museums and Universal Exhibitions
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This book traces the history and significance of expositions and is fully illustrated with posters, ephemera, photographs, books and catalogue plates.
Expo : international expositions, 1851-2010
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This book traces the history and significance of expositions and is fully illustrated with posters, ephemera, photographs, books and catalogue plates.
Museums and Universal Exhibitions
$22.00
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When the gates of the 1964–1965 New York World’s Fair swung open on April 24, 1964, the first of more than 51 million lucky visitors entered, ready to witness the cutting edge of worldwide technology and progress. Faced with a disappointing lack of foreign participants due to political contention, the fair instead showcased the best of American industry and science. While(...)
Museums and Universal Exhibitions
July 2008, Charleston, Chicago
The 1964-1965 New York World's fair: creation and legacy
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When the gates of the 1964–1965 New York World’s Fair swung open on April 24, 1964, the first of more than 51 million lucky visitors entered, ready to witness the cutting edge of worldwide technology and progress. Faced with a disappointing lack of foreign participants due to political contention, the fair instead showcased the best of American industry and science. While multimillion-dollar pavilions predicted colonies on the moon and hotels under the ocean, other forecasts, such as the promises of computer technology, have surpassed even the most optimistic predictions of the fair. The 1964–1965 New York World’s Fair: Creation and Legacy uses rare, previously unpublished photographs to examine the creation of the fair and the legacies left behind for future generations. Bill Cotter and Bill Young, authors of The 1964–1965 New York World’s Fair, they have contributed to numerous other books, magazine articles, and documentaries on the fair. They also host two popular Web sites devoted to the study and appreciation of this once-in-a-lifetime event.
Museums and Universal Exhibitions
$32.95
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Les expositions se multipliant dans les musées et les institutions culturelles, leur rôle dans le cadre de la diffusion de la culture prenant une importance de plus en plus grande, les professionnels des musées sont amenés à produire des expositions de plus en plus nombreuses et d'une qualité toujours meilleure. Face à cela, les étudiants et les jeunes professionnels des(...)
Museums and Universal Exhibitions
January 2006, Paris
L'exposition : théorie et pratique
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Les expositions se multipliant dans les musées et les institutions culturelles, leur rôle dans le cadre de la diffusion de la culture prenant une importance de plus en plus grande, les professionnels des musées sont amenés à produire des expositions de plus en plus nombreuses et d'une qualité toujours meilleure. Face à cela, les étudiants et les jeunes professionnels des musées manifestent un besoin d'information dans le domaine de l'exposition. Cet ouvrage a pour but de répondre à l'attente d'information et d'aide des étudiants et des professionnels, et d'améliorer la qualité des productions grâce à la méthode de travail proposée.
Museums and Universal Exhibitions
$30.00
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The new and remarkable season of Milanese architecture and its great protagonists. An interpretation of the recent and decisive transformations of Milan, with a focus on the Expo area, including the international pavilions and service structures.
Museums and Universal Exhibitions
March 2016
Milan architectureL the city and expo
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The new and remarkable season of Milanese architecture and its great protagonists. An interpretation of the recent and decisive transformations of Milan, with a focus on the Expo area, including the international pavilions and service structures.
Museums and Universal Exhibitions
books
$46.95
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The author, Gerhard Mack, explores the architecture of each individual museum in detail, and highlights current tendencies in museum building in his seminal essay "Time Rediscovered". This is complemented by an introduction by Harald Szeemann, who(...)
Art museums into the 21st century
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The author, Gerhard Mack, explores the architecture of each individual museum in detail, and highlights current tendencies in museum building in his seminal essay "Time Rediscovered". This is complemented by an introduction by Harald Szeemann, who as curator of the Kunsthaus in Zürich, was appointed director for Fine Arts at the Biennale in Venice this year. The museums examined in this book are Kunsthaus in Bregenz, the Museum of the Beyeler Fondation near Basel, the Guggenheim Museum in Bilbao, the Getty Center in Los Angeles and the Moderna und Arkitektur Museet in Stockholm all opening within a year of one another. The Tate Gallery of Modern Art which is being built by Herzog & de Meuron in a former power station on the Thames in London is to be completed in May 1999. Conversations with the architects Frank O. Gehry, Jacques Herzog, Richard Meier, Rafael Moneo, Jean Nouvel, Renzo Piano and Peter Zumthor reveal the wide spectrum of design concerns in contemporary museum design and building. In the Pavilion at the Beyeler Fondation, the interaction of nature, light and the presentation of art is an impressive experience. Jean Nouvel perceives the museum as a public place, bringing the various areas of 'urban chaos' into contact with each other. A total of eight projects are presented.
books
January 1900, Basel
Museums and Universal Exhibitions