In almost every picture
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This chronological collection begins in 1936, when a 16 year old Dutch girl picks up a gun and shoots at the target in a fairground shooting gallery. Every time she hits the target, it triggers the shutter of a camera, and a portrait of a girl in firing pose is taken and given as a prize. This series documents almost every year of the woman's life up until present times,(...)
October 2008, Amsterdam
In almost every picture
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This chronological collection begins in 1936, when a 16 year old Dutch girl picks up a gun and shoots at the target in a fairground shooting gallery. Every time she hits the target, it triggers the shutter of a camera, and a portrait of a girl in firing pose is taken and given as a prize. This series documents almost every year of the woman's life up until present times, where at the age of 88 the woman still makes her pilgrimage to the Shooting Gallery.
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From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists.
Photography Periods and Styles
March 2013
Color rush: american color photography from Stieglitz to Sherman
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From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists.
Photography Periods and Styles
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
April 2013
Bending the frame : photojournalism, documentary, and the citizen
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
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Streetwise: Masters of 60s Photography brings together the work of nine photographers who turned their cameras on the dramatic social transformations unfolding around them in 1960s America: Diane Arbus, Ruth-Marion Baruch, Jerry Berndt, Bruce Davidson, Lee Friedlander, Danny Lyon, Garry Winogrand and Ernest Withers. Building on Robert Frank’s The Americans, this new(...)
Streetwise: masters of 60s photograhy
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Streetwise: Masters of 60s Photography brings together the work of nine photographers who turned their cameras on the dramatic social transformations unfolding around them in 1960s America: Diane Arbus, Ruth-Marion Baruch, Jerry Berndt, Bruce Davidson, Lee Friedlander, Danny Lyon, Garry Winogrand and Ernest Withers. Building on Robert Frank’s The Americans, this new generation of photographers was concerned with revealing a more realistic, sometimes unpleasant and always challenging view of an America undergoing radical change as the civil rights movement and the counterculture got underway. Ranging from the “outlaw culture” of bikers and chain gangs to the rallies of the Black Panthers and the politically charged South, the subject matter of these photographers was unlike anything previously seen in American photography or indeed American history.
Photography Periods and Styles
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This book presents works by a number of major Italian photographers who have explored aspects of their native land that are rarely depicted elsewhere. The photographs range from social documentary works of the 1950s to the conceptual photography of the 1970s, more personal explorations and travelogues of the 1980s and contemporary photographic remappings of Italian(...)
Peripheral visions : italian photography in context, 1950's - present
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This book presents works by a number of major Italian photographers who have explored aspects of their native land that are rarely depicted elsewhere. The photographs range from social documentary works of the 1950s to the conceptual photography of the 1970s, more personal explorations and travelogues of the 1980s and contemporary photographic remappings of Italian cities. This thematic interpretation conveys the incredibly vital and diverse range of expressions that have unfolded in Italian photography over the past five decades. Published for a 2012 exhibition at Hunter College, The City University of New York, Peripheral Visions includes works by Marina Ballo Charmet, Olivo Barbieri, Gabriele Basilico, Gianni Berengo Gardin, Mario Carrieri, Vincenzo Castella, Cesare Colombo, Mario Cresci, Paola Di Bello, Luigi Ghirri, Guido Guidi, Alessandro Imbriaco, Francesco Jodice, Mimmo Jodice, Armin Linke, Maurizio Montagna, Paolo Monti, Ugo Mulas, Walter Niedermayr, Franco Vaccari and Massimo Vitali.
Photography Periods and Styles
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An illustrated directory of experimental, Dada, and in particular, Surrealist photography from 1918-1948, containing over 200 photographic images by some 50 revolutionary artists.
Ghosts of the black chamber: Experimental, Dada, and Surrealist photography 1918-1948
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An illustrated directory of experimental, Dada, and in particular, Surrealist photography from 1918-1948, containing over 200 photographic images by some 50 revolutionary artists.
Photography Periods and Styles
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American Modern explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures. It identifies the points where Abbott, Evans, and Bourke-White connected, diverged, and competed, and demonstrates how commercial and governmental commissions, the influence of mass media, the establishment of public institutions of modern art,(...)
October 2010
American Modern: Documentary photography by Abbott, Evans, and Bourke-White
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American Modern explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures. It identifies the points where Abbott, Evans, and Bourke-White connected, diverged, and competed, and demonstrates how commercial and governmental commissions, the influence of mass media, the establishment of public institutions of modern art, and international theories of photography all intersected to establish the now-dominant documentary style.
$66.00
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This publication presents a critical examination of the intersections between photography and sculpture, exploring how one medium has become implicated in the understanding of the other. Through a selection of nearly 300 pictures by more than 100 artists from the nineteenth century to the present, it looks at how and why sculpture became a photographic subject and how(...)
August 2010
The original copy: photography of sculpture, 1839 to today
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This publication presents a critical examination of the intersections between photography and sculpture, exploring how one medium has become implicated in the understanding of the other. Through a selection of nearly 300 pictures by more than 100 artists from the nineteenth century to the present, it looks at how and why sculpture became a photographic subject and how photography informs and challenges our knowledge of sculpture. The images range in subject from inanimate objects to performing bodies.
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Examining the revolution in photography that took place across Europe between 1918 and 1945, this survey orients its examination around three cities, each of which served as a nexus for major developments in the medium: Prague, Paris and Barcelona. Until the First World War, photography had largely followed the aesthetics of painting. During and after the war, such(...)
Praha, Paris, Barcelona: photographic modernity from 1918 to 1948
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Examining the revolution in photography that took place across Europe between 1918 and 1945, this survey orients its examination around three cities, each of which served as a nexus for major developments in the medium: Prague, Paris and Barcelona. Until the First World War, photography had largely followed the aesthetics of painting. During and after the war, such movements as Constructivism and Surrealism led photography to new frontiers, developing techniques and styles that explored the medium strictly on its own terms.
Photography Periods and Styles
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In contemporary art, the mention of Leipzig brings to mind Arno Rink or Neo Rauch, but a comparable school of photography evolved alongside these painters. This publication introduces these extraordinary photographers to a broader audience, among them Arno Fischer, Evelyn Richter and Wolfgang G. Schröter.
Photography Periods and Styles
August 2010
The other Leipzig School: photography in the GDR, teachers and students of the Academy of Visual Arts Leipzig
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In contemporary art, the mention of Leipzig brings to mind Arno Rink or Neo Rauch, but a comparable school of photography evolved alongside these painters. This publication introduces these extraordinary photographers to a broader audience, among them Arno Fischer, Evelyn Richter and Wolfgang G. Schröter.
books
August 2010
Photography Periods and Styles