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Un ouvrage qui clôt dix ans d'atelier photographique documentaire autour du site Artem mené à l'École nationale supérieure d'art et de design de Nancy. Réalisés par plusieurs promotions d'étudiants, les clichés illustrent l'évolution des lieux depuis la destruction des anciennes casernes de Molitor jusqu'à la fin du programme de construction et d'aménagement.
En construction : de Molitor à Artem
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Un ouvrage qui clôt dix ans d'atelier photographique documentaire autour du site Artem mené à l'École nationale supérieure d'art et de design de Nancy. Réalisés par plusieurs promotions d'étudiants, les clichés illustrent l'évolution des lieux depuis la destruction des anciennes casernes de Molitor jusqu'à la fin du programme de construction et d'aménagement.
Photography Collections
This place
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“This Place” is a monumental photographic project that explores Israel and the West Bank, as place and metaphor, through the eyes of 10 internationally celebrated photographers: Frédéric Brenner, Wendy Ewald, Martin Kollar, Josef Koudelka, Jungjin Lee, Stephen Shore, Rosalind Fox Solomon, Thomas Struth, Jeff Wall and Nick Waplington. Their photographs question the(...)
This place
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“This Place” is a monumental photographic project that explores Israel and the West Bank, as place and metaphor, through the eyes of 10 internationally celebrated photographers: Frédéric Brenner, Wendy Ewald, Martin Kollar, Josef Koudelka, Jungjin Lee, Stephen Shore, Rosalind Fox Solomon, Thomas Struth, Jeff Wall and Nick Waplington. Their photographs question the history, the divisions and paradoxes of the region and its inhabitants. From the photographers’ differing visual vocabularies, nationalities and cultural backgrounds, the picture that emerges is not a single, monolithic vision but rather a diverse and fragmented portrait.
Photography Collections
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Undeniably one of the most influential innovations of the modern world, the car has changed not only the way we live, but also the way we look at the world around us. From formal, compositional device to highly desirable, photogenic object, the car has a long and enduring appeal in modern and contemporary photography as revealed in this latest addition to the V(...)
Autofocus: the car in photography
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Undeniably one of the most influential innovations of the modern world, the car has changed not only the way we live, but also the way we look at the world around us. From formal, compositional device to highly desirable, photogenic object, the car has a long and enduring appeal in modern and contemporary photography as revealed in this latest addition to the V Photography Library. "Autofocus" explores the deep cultural significance of the car in the history of photography, playing a role both as subject matter and as a genuine creative vehicle- the means by which photographers have accomplished many of their great works. Showcased is work by Henri Cartier-Bresson, Walker Evans, Robert Frank, Edward Weston, and Weegee.
Photography Collections
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This publication brings together a range of private homes built since the 1950s in Salento, in the area to the south of Lecce: single and double-family dwellings which, in terms of quality and variety, represent a unique example of spontaneity and aesthetic anarchy on the Italian architectural panorama. The study is carried out with the contribution of three photographers(...)
Photography Collections
February 2019
Salento Moderno: an inventory of private houses in Southern Puglia
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This publication brings together a range of private homes built since the 1950s in Salento, in the area to the south of Lecce: single and double-family dwellings which, in terms of quality and variety, represent a unique example of spontaneity and aesthetic anarchy on the Italian architectural panorama. The study is carried out with the contribution of three photographers and two historians of architecture, and examines a highly peculiar phenomenon from an unusual perspective. In Southern Salento, in the area lying between Capo di Santa Maria di Leuca, Porto Cesareo on the Ionian Sea and San Foca on the Adriatic coast, house construction is founded on a solid craft tradition which, in open contrast with any institutional architectural school, has led to the rise of eccentric, free and fluid approaches to architecture. Investigating private living and its relation to public space, the volume opens a broader reflection on taste, celebrating its variety and imaginative scope.
Photography Collections
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Ce numéro inédit de Spectre invite des artistes contemporains à livrer leur interprétation du trauma végétal, interrogeant notre relation aux plantes et à la sensibilité qui leur est propre.
Spectre n° 02 : Vegetal trauma
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Ce numéro inédit de Spectre invite des artistes contemporains à livrer leur interprétation du trauma végétal, interrogeant notre relation aux plantes et à la sensibilité qui leur est propre.
Photography Collections
Soviet metro stations
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Canadian photographer Christopher Herwig has completed a subterranean expedition photographing the stations of each Metro network of the former USSR. From extreme marble and chandelier opulence to brutal futuristic minimalist glory, 'Soviet Metro Stations' documents this wealth of diverse architecture.
Soviet metro stations
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Canadian photographer Christopher Herwig has completed a subterranean expedition photographing the stations of each Metro network of the former USSR. From extreme marble and chandelier opulence to brutal futuristic minimalist glory, 'Soviet Metro Stations' documents this wealth of diverse architecture.
Photography Collections
$29.95
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In the late 1960s and early 1970s, the John Hinde Studio, based in Dublin, produced a series of postcards to be sold at Butlin's holiday camps throughout the British Isles. Famous for their “hi-de-hi” catchphrase, redcoat hosts and bargain packages with all entertainment included, Butlin's annually hosted over a million holidaying Britons throughout the 1970s. It was the(...)
Our true intention is all for your delight : the John Hinde Butlin's photographs
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In the late 1960s and early 1970s, the John Hinde Studio, based in Dublin, produced a series of postcards to be sold at Butlin's holiday camps throughout the British Isles. Famous for their “hi-de-hi” catchphrase, redcoat hosts and bargain packages with all entertainment included, Butlin's annually hosted over a million holidaying Britons throughout the 1970s. It was the challenging job of two German (Elmar Ludwig and Edmund Nägele) and one British photographer (David Noble) to execute the photographs to Hinde's rigorous formula and standards. With innovative use of color and elaborate staging (the trademarks of a John Hinde postcard), each photograph is painstakingly produced, with often large casts of real holidaymakers acting their allocated roles in these narrative tableaux of the Butlin's quiet lounges, ballrooms and Beachcomber bars. Shot with large-format cameras and lit like a film set, these photographs were an extraordinary undertaking in their production values, and helped John Hinde become one of the most successful postcard publishers in the world. Most of the John Hinde Butlin's photographs have only ever been published as postcards.
Photography Collections
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Depuis les années 60, la photographie publicitaire s’affiche sur les murs de nos villes et les pages des magazines. Gabriel Bauret revient sur les campagnes publicitaires qui ont marqué les cinquante dernières années et analyse le travail de ceux qui se sont distingués par leur originalité, leur créativité, ainsi qu’un style immédiatement reconnaissable : Richard Avedon,(...)
La photographie publicitaire: 50 ans de création
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Depuis les années 60, la photographie publicitaire s’affiche sur les murs de nos villes et les pages des magazines. Gabriel Bauret revient sur les campagnes publicitaires qui ont marqué les cinquante dernières années et analyse le travail de ceux qui se sont distingués par leur originalité, leur créativité, ainsi qu’un style immédiatement reconnaissable : Richard Avedon, Guy Bourdin, Jean-Paul Goude, Jean-François Jonvelle, Dominique Issermann, Peter Lindbergh, Sacha, Jeanloup Sieff, Annie Leibovitz, Sarah Moon ou encore Oliviero Toscani… Une rétrospective sur un genre à part entière qui façonne notre imaginaire collectif, qui, par sa force de diffusion influence notre perception de la société.
Photography Collections
$33.95
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed(...)
April 2012
Utopia dystopia : construction and destruction in photography and collage
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed a number of strategies to this end, such as cutting, fragmenting, and puncturing images as well as reassembling those culled from ready-made materials or giving a subject multiple exposures. The resulting photographs, photocollages, photomontages, and other creations question the validity of seamless pictorial images, and attempt to dismantle the notion of photography as an objective medium. This publication features approximately forty-five exemplary works by artists such as Herbert Bayer, John Heartfield, Hannah Hoch, Arata Isozaki, El Lissitzky, Carter Mull, Laszlo Moholy-Nagy, Vik Muniz, Man Ray, Okanoue Toshiko, and many others.
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Dans cet ouvrage abondamment illustré, la commissaire invitée Anne-Marie Ninacs présente les vingt-cinq artistes dont les oeuvres sont exposées dans le cadre de la biennale internationale de photographie contemporaine, en plus d'essais inédits de philosophes, d'historiens de l'art et de théoriciens de la culture visuelle qui éclairent les rapports qu'entretiennent la(...)
Lucidité : vues de l'intérieur / Lucidity: inward views
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Dans cet ouvrage abondamment illustré, la commissaire invitée Anne-Marie Ninacs présente les vingt-cinq artistes dont les oeuvres sont exposées dans le cadre de la biennale internationale de photographie contemporaine, en plus d'essais inédits de philosophes, d'historiens de l'art et de théoriciens de la culture visuelle qui éclairent les rapports qu'entretiennent la photographie et la lucidité. Il s'agit de la publication officielle de la 12e édition du Mois de la photo à Montréal. In this lavishly illustrated book, guest curator Anne-Marie Ninacs introduces the twenty-five artists whose works are exhibited in the international biennale of contemporary photography. It is the official publication of the 12th presentation of Le Mois de la photo à Montréal.