Circulation(s), 2020
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Le catalogue du festival Circulation(s) 2020, panorama annuel de la jeune photographie contemporaine européenne. Le festival Circulation(s), qui fête ses dix années d'existence, est dédié à la jeune photographie européenne, avec pour but d’en faire émerger les talents. De mars à juin 2020, il présente une grande exposition, au Centquatre à Paris, qui réunit 42(...)
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June 2020
Circulation(s), 2020
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Le catalogue du festival Circulation(s) 2020, panorama annuel de la jeune photographie contemporaine européenne. Le festival Circulation(s), qui fête ses dix années d'existence, est dédié à la jeune photographie européenne, avec pour but d’en faire émerger les talents. De mars à juin 2020, il présente une grande exposition, au Centquatre à Paris, qui réunit 42 photographes issus de 16 nationalités. Engagement social, explorations visuelles de la science, interrogations politiques sur le Brexit ou la montée des nationalismes : les jeunes photographes interrogent le monde avec des écritures originales qui mêlent approches conceptuelles et documentaires.
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Le festival Circulation(s), initié par l’association Fetart en 2011, propose chaque année de découvrir la jeune photographie européenne. Il a pour vocation de faire émerger les talents et de créer un réseau de structures européennes. À Paris et dans différents lieux en France et à l’international, il révèle chaque année la vitalité de la jeune création et défend la(...)
Circulation(s), 2021 : Festival de la jeune photographie européenne
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Le festival Circulation(s), initié par l’association Fetart en 2011, propose chaque année de découvrir la jeune photographie européenne. Il a pour vocation de faire émerger les talents et de créer un réseau de structures européennes. À Paris et dans différents lieux en France et à l’international, il révèle chaque année la vitalité de la jeune création et défend la diversité des écritures photographiques au travers d’expositions et d’événements singuliers. Cet ouvrage constitue le catalogue de l’édition 2021.
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How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially(...)
Fotoclubismo: Brazilian modernist photography and the Foto-Cine Clube Bandeirante 1946-1964
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How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially unknown today to European and North American audiences. The vast majority of FCCB members pursued photography outside of their day jobs as lawyers, businessmen, accountants, journalists, engineers, biologists and bankers, but they were nonetheless quite serious about their artistic ambition. Their radical experimentations with process and form and their determination to distill inventive compositions from everyday life contributed to their esteemed reputation within an active international postwar scene—a status that has been all but forgotten.
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In 1935, well into the era of Soviet communism, Russian satirical writers Ilya Ilf and Evgeny Petrov came to the U.S as special correspondents for the Russian newspaper ''Pravda.'' They drove cross-country and back on a ten-week trip, recording images of American life through humerous texts and the lens of a Leica camera. When they returned home, they published their work(...)
Ilf and Petrov's American road trip
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In 1935, well into the era of Soviet communism, Russian satirical writers Ilya Ilf and Evgeny Petrov came to the U.S as special correspondents for the Russian newspaper ''Pravda.'' They drove cross-country and back on a ten-week trip, recording images of American life through humerous texts and the lens of a Leica camera. When they returned home, they published their work in ''Ogonek,'' the Soviet equivalent of ''Time'' magazine, and later in the book ''Odnoetazhnaia Amerika'' (''Single-Storied America''). This wonderful lost workfilled with wry observations, biting opinions, and telling photographsis now collected in ''Ilf and Petrov's American Road Trip,'' the first English translation.
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Since the birth of photography, photographers have been taking images of the earth from the air-with spectacular visual results. Celebrating over 150 years of these incredible images, this book tells the fascinating story of how these pictures were created, the technologies that have made them possible, and the photographers that have propelled image-taking to bold new(...)
From above: the story of aerial photography
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Since the birth of photography, photographers have been taking images of the earth from the air-with spectacular visual results. Celebrating over 150 years of these incredible images, this book tells the fascinating story of how these pictures were created, the technologies that have made them possible, and the photographers that have propelled image-taking to bold new heights. Taking advantage of the amazing sense of perspective that aerial photography offers, this collection of images also offers a unique overview of the events, challenges, and changes of the past 150 years of human history.
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The Radical Camera explores the fascinating blend of aesthetics and social activism at the heart of the Photo League, tracing the group's left-leaning roots and idealism to the worker-photography movement in Europe. Influenced by mentors Lewis Hine, Berenice Abbott, and Paul Strand, artists in the Photo League worked within a unique complex comprising a school, a(...)
The radical camera: New York's Photo League 1936-1951
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The Radical Camera explores the fascinating blend of aesthetics and social activism at the heart of the Photo League, tracing the group's left-leaning roots and idealism to the worker-photography movement in Europe. Influenced by mentors Lewis Hine, Berenice Abbott, and Paul Strand, artists in the Photo League worked within a unique complex comprising a school, a darkroom, a gallery, and a salon, in which photography was discussed as both a means for social change and an art form. Presenting 150 works of the members of the Photo League alongside complementary essays that offer new interpretations of the League's work, ideas, and pedagogy, this illustrated book features artists including Margaret Bourke-White, Sid Grossman, Morris Engel, Lisette Model, Ruth Orkin, Walter Rosenblum, Aaron Siskind, W. Eugene Smith, and Weegee, among many others.
books
December 2011
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Here, 18 photographers document cities from Detroit to Manila, to make a composite portrait of a city of all cities. The photographers are Sibylle Bergemann, Jörg Brüggemann, Espen Eichhöfer, Annette Hauschild, Harald Hauswald, Pepa Hristová, Andrej Krementschouk, Ute & Werner Mahler, Thomas Meyer, Dawin Meckel, Julian Röder, Frank Schinski, Jordis Antonia Schlosser, Anne(...)
The city: Becoming and decaying
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Here, 18 photographers document cities from Detroit to Manila, to make a composite portrait of a city of all cities. The photographers are Sibylle Bergemann, Jörg Brüggemann, Espen Eichhöfer, Annette Hauschild, Harald Hauswald, Pepa Hristová, Andrej Krementschouk, Ute & Werner Mahler, Thomas Meyer, Dawin Meckel, Julian Röder, Frank Schinski, Jordis Antonia Schlosser, Anne Schönharting, Linn Schröder, Heinrich Völkel and Maurice Weiss.
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A comprehensive look at the work of 100 contemporary photographers who capture the impact of human activity on natural landscapes. The Altered Landscape is a provocative collection of photographs representing a wide range of artists, techniques, visual styles, subjects, and ideological positions.Contributors are Lucy Lippard, Geoff Manaugh and WJT Mitchell.
The altered landscape: photographs of a changing environment
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A comprehensive look at the work of 100 contemporary photographers who capture the impact of human activity on natural landscapes. The Altered Landscape is a provocative collection of photographs representing a wide range of artists, techniques, visual styles, subjects, and ideological positions.Contributors are Lucy Lippard, Geoff Manaugh and WJT Mitchell.
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A photographer on the Hajj
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The diaries of Muhammed Ali Effendi Sa'udi, a civil servant and accomplished photographer, offer a rare glimpse of the Hajj through Egyptian eyes at the beginning of the twentieth century when the Ottoman Empire was on the wane and the advance of the Hijaz railway threatened to upset vested interests in the old pattern of pilgrimage. Sa'udi twice accompanied the Amir(...)
A photographer on the Hajj
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The diaries of Muhammed Ali Effendi Sa'udi, a civil servant and accomplished photographer, offer a rare glimpse of the Hajj through Egyptian eyes at the beginning of the twentieth century when the Ottoman Empire was on the wane and the advance of the Hijaz railway threatened to upset vested interests in the old pattern of pilgrimage. Sa'udi twice accompanied the Amir al-Hajj, Ibrahim Rif'at Pasha, attached to the official Egyptian caravan. His story of these journeys combines the thoughts of a devout Muslim with fine detail on the hardships and health hazards facing pilgrims, the high-level intrigues, and the ever-present dangers of taking photographs. The authors have compressed the diaries into a readable narrative with selected quotations, illustrated with Sa'udi's photographs.
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The tree in photographs
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Through the works of artists such as Robert Adams, Eugène Atget, Anne Brigman, William Eggleston, P. H. Emerson, Gustave Le Gray, Eliot Porter, Alfred Stieglitz, Paul Strand, William Henry Fox Talbot, and Carleton Watkins, this book spans the history of photography from the mid-nineteenth to early-twenty-first century to address the image of the tree in its many(...)
The tree in photographs
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Through the works of artists such as Robert Adams, Eugène Atget, Anne Brigman, William Eggleston, P. H. Emerson, Gustave Le Gray, Eliot Porter, Alfred Stieglitz, Paul Strand, William Henry Fox Talbot, and Carleton Watkins, this book spans the history of photography from the mid-nineteenth to early-twenty-first century to address the image of the tree in its many connotations—as graphic form, symbolic icon, and role model for the beauty of nature.
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