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The Cubist movement, which revolutionized the art world in the early twentieth century, was largely restricted to painting and sculpture in Western Europe. However, in Bohemia, Cubism achieved remarkable heights not only in painting and sculpture, but also in architecture and the applied arts. The startling work created by the Czech avant-garde of the early 1900s has(...)
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The Cubist movement, which revolutionized the art world in the early twentieth century, was largely restricted to painting and sculpture in Western Europe. However, in Bohemia, Cubism achieved remarkable heights not only in painting and sculpture, but also in architecture and the applied arts. The startling work created by the Czech avant-garde of the early 1900s has(...)
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Czech cubism : Architecture, furniture, and decorative arts, 1910-1925
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The Cubist movement, which revolutionized the art world in the early twentieth century, was largely restricted to painting and sculpture in Western Europe. However, in Bohemia, Cubism achieved remarkable heights not only in painting and sculpture, but also in architecture and the applied arts. The startling work created by the Czech avant-garde of the early 1900s has rarely been seen outside of Eastern Europe. ''Czech cubism'' presents a collection of architecture, furniture, and decorative arts through more than 500 photographs and drawings. Essays by nine noted scholars provide historical and critical background for the work.
Czech cubism : Architecture, furniture, and decorative arts, 1910-1925
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The Cubist movement, which revolutionized the art world in the early twentieth century, was largely restricted to painting and sculpture in Western Europe. However, in Bohemia, Cubism achieved remarkable heights not only in painting and sculpture, but also in architecture and the applied arts. The startling work created by the Czech avant-garde of the early 1900s has rarely been seen outside of Eastern Europe. ''Czech cubism'' presents a collection of architecture, furniture, and decorative arts through more than 500 photographs and drawings. Essays by nine noted scholars provide historical and critical background for the work.
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books
books
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June 1992
June 1992
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As a follow-up of a first volume published in 2019 that built on years of thematic investigations, the book focuses on how the institution works out and on these questions by rethinking its tools and how it relates to others. ''The Museum Is Not Enough'' (no. 10–14) gathers conversations among curators, artists, academics, and architects on how institutions engage(...)
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As a follow-up of a first volume published in 2019 that built on years of thematic investigations, the book focuses on how the institution works out and on these questions by rethinking its tools and how it relates to others. ''The Museum Is Not Enough'' (no. 10–14) gathers conversations among curators, artists, academics, and architects on how institutions engage(...)
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CCA Publications
CCA Publications
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January 2022
January 2022
Title:
The Museum Is Not Enough, Num.10-14
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As a follow-up of a first volume published in 2019 that built on years of thematic investigations, the book focuses on how the institution works out and on these questions by rethinking its tools and how it relates to others. ''The Museum Is Not Enough'' (no. 10–14) gathers conversations among curators, artists, academics, and architects on how institutions engage multiple contexts, objects, and perspectives: reflecting on strategies to unlearn and decentre established ways of seeing and doing; looking closely at how to describe and document archival sources while interrogating the stakes, and often the harm, in separating cultural objects from their context; questioning the relationship between institutions and “the public”; and discussing curatorial tools—and particularly film—that collapse research and display, observation and action, here and there. Underlying these reflections is the realization that the museum’s activity can’t be constructed from a fixed position. Unless the questions it deals with are observed from another angle, it is hard not to perpetuate the thinking that created them. The book responds to an urgent need to equip the institution to understand how things around it are rapidly changing, and the importance of conveying and discussing this instability. Here, the museum gets outside its physical walls to explore on-site, to talk with people, to connect and activate collaborators, to design conditions for different forms of dialogue to happen on the ground.
The Museum Is Not Enough, Num.10-14
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As a follow-up of a first volume published in 2019 that built on years of thematic investigations, the book focuses on how the institution works out and on these questions by rethinking its tools and how it relates to others. ''The Museum Is Not Enough'' (no. 10–14) gathers conversations among curators, artists, academics, and architects on how institutions engage multiple contexts, objects, and perspectives: reflecting on strategies to unlearn and decentre established ways of seeing and doing; looking closely at how to describe and document archival sources while interrogating the stakes, and often the harm, in separating cultural objects from their context; questioning the relationship between institutions and “the public”; and discussing curatorial tools—and particularly film—that collapse research and display, observation and action, here and there. Underlying these reflections is the realization that the museum’s activity can’t be constructed from a fixed position. Unless the questions it deals with are observed from another angle, it is hard not to perpetuate the thinking that created them. The book responds to an urgent need to equip the institution to understand how things around it are rapidly changing, and the importance of conveying and discussing this instability. Here, the museum gets outside its physical walls to explore on-site, to talk with people, to connect and activate collaborators, to design conditions for different forms of dialogue to happen on the ground.
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books
books
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January 2022
January 2022
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CCA Publications
CCA Publications
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books
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Contrairement à ce que suggèrent la plupart des histoires, la Seconde Guerre mondiale à été un moment fondamental dans la modernisation tant théorique que pratique de l'architecture. Architecture en uniforme ouvre de nouvelles perspectives sur l'histoire architecturale de la guerre, rendant compte des épisodes qui se sont succédé entre le bombardement de Guernica en(...)
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Contrairement à ce que suggèrent la plupart des histoires, la Seconde Guerre mondiale à été un moment fondamental dans la modernisation tant théorique que pratique de l'architecture. Architecture en uniforme ouvre de nouvelles perspectives sur l'histoire architecturale de la guerre, rendant compte des épisodes qui se sont succédé entre le bombardement de Guernica en(...)
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Architecture en uniforme : projeter et construire pour la Seconde Guerre mondiale
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Contrairement à ce que suggèrent la plupart des histoires, la Seconde Guerre mondiale à été un moment fondamental dans la modernisation tant théorique que pratique de l'architecture. Architecture en uniforme ouvre de nouvelles perspectives sur l'histoire architecturale de la guerre, rendant compte des épisodes qui se sont succédé entre le bombardement de Guernica en 1937 et celui d'Hiroshima en 1945, et qui ont conduit à la suprématie définitive des langages modernes. Les thèmes parcourus, comme le rôle des villes dans la guerre aérienne, les nouveaux bâtiments des usines, la participation directe de l'architecture à la guerre, les mégaprojets et les développements dans la vie civile après la guerre, révèlent l'ampleur de la contribution des architectes à tous les aspects de la mobilisation totale de ces années douloureuses.
Architecture en uniforme : projeter et construire pour la Seconde Guerre mondiale
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Contrairement à ce que suggèrent la plupart des histoires, la Seconde Guerre mondiale à été un moment fondamental dans la modernisation tant théorique que pratique de l'architecture. Architecture en uniforme ouvre de nouvelles perspectives sur l'histoire architecturale de la guerre, rendant compte des épisodes qui se sont succédé entre le bombardement de Guernica en 1937 et celui d'Hiroshima en 1945, et qui ont conduit à la suprématie définitive des langages modernes. Les thèmes parcourus, comme le rôle des villes dans la guerre aérienne, les nouveaux bâtiments des usines, la participation directe de l'architecture à la guerre, les mégaprojets et les développements dans la vie civile après la guerre, révèlent l'ampleur de la contribution des architectes à tous les aspects de la mobilisation totale de ces années douloureuses.
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books
books
Publication:
April 2011
April 2011
Subject:
CCA Publications
CCA Publications
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books
books
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Contrary to what is suggested by most historical accounts, the Second World War was a key moment in the modernisation of architectural theory and practice. Architecture in Uniform offers a new perspective on the architectural history of the war, documenting a series of episodes that took place between the bombings of Guernica in 1937 and Hiroshima in 1945, leading to(...)
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Contrary to what is suggested by most historical accounts, the Second World War was a key moment in the modernisation of architectural theory and practice. Architecture in Uniform offers a new perspective on the architectural history of the war, documenting a series of episodes that took place between the bombings of Guernica in 1937 and Hiroshima in 1945, leading to(...)
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Architecture in uniform: designing and building for the Second World War
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Contrary to what is suggested by most historical accounts, the Second World War was a key moment in the modernisation of architectural theory and practice. Architecture in Uniform offers a new perspective on the architectural history of the war, documenting a series of episodes that took place between the bombings of Guernica in 1937 and Hiroshima in 1945, leading to the definitive supremacy of modernism in architecture. It discusses topics such as the role of cities in the air war, the new buildings erected for industrial production, architecture's participation in actual warfare, and wartime mega-projects and post-war developments in the civilian sphere, revealing the extent of the contribution made by architects to all aspects of the mobilisation that characterised the war years.
Architecture in uniform: designing and building for the Second World War
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Contrary to what is suggested by most historical accounts, the Second World War was a key moment in the modernisation of architectural theory and practice. Architecture in Uniform offers a new perspective on the architectural history of the war, documenting a series of episodes that took place between the bombings of Guernica in 1937 and Hiroshima in 1945, leading to the definitive supremacy of modernism in architecture. It discusses topics such as the role of cities in the air war, the new buildings erected for industrial production, architecture's participation in actual warfare, and wartime mega-projects and post-war developments in the civilian sphere, revealing the extent of the contribution made by architects to all aspects of the mobilisation that characterised the war years.
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books
books
Publication:
April 2011
April 2011
Subject:
CCA Publications
CCA Publications
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books
books
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Afterword: J
Afterword: J
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Afterword is a series of CCA publications that document and reflect on the realisation of projects. Each Afterword looks back on a selected CCA project after a pause to critically assess its context and process, to consider newly-disclosed aspects of the project and those whose relevance emerged only after time. Each volume is identified by a letter to create an(...)
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Afterword is a series of CCA publications that document and reflect on the realisation of projects. Each Afterword looks back on a selected CCA project after a pause to critically assess its context and process, to consider newly-disclosed aspects of the project and those whose relevance emerged only after time. Each volume is identified by a letter to create an(...)
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Afterword: J
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Afterword is a series of CCA publications that document and reflect on the realisation of projects. Each Afterword looks back on a selected CCA project after a pause to critically assess its context and process, to consider newly-disclosed aspects of the project and those whose relevance emerged only after time. Each volume is identified by a letter to create an independent alphabet for ideas; this first volume J looks at the exhibition component of the project entitled Journeys: How travelling fruit, ideas and buildings rearrange our environment , its content and presentation within the CCA gallery spaces.
Afterword: J
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Afterword is a series of CCA publications that document and reflect on the realisation of projects. Each Afterword looks back on a selected CCA project after a pause to critically assess its context and process, to consider newly-disclosed aspects of the project and those whose relevance emerged only after time. Each volume is identified by a letter to create an independent alphabet for ideas; this first volume J looks at the exhibition component of the project entitled Journeys: How travelling fruit, ideas and buildings rearrange our environment , its content and presentation within the CCA gallery spaces.
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books
books
Publication:
June 2011
June 2011
Subject:
CCA Publications
CCA Publications
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books
books
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Imperfect Health takes a critical look at how architects and planners are responding to growing urban health concerns and points to sometimes unforeseen consequences of their built interventions. Available in English and French editions, the book tackles this contemporary issue from a historical and critical perspective, focusing on different themes: epidemics and urban(...)
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Imperfect Health takes a critical look at how architects and planners are responding to growing urban health concerns and points to sometimes unforeseen consequences of their built interventions. Available in English and French editions, the book tackles this contemporary issue from a historical and critical perspective, focusing on different themes: epidemics and urban(...)
Title:
Imperfect health: the medicalization of architecture
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Imperfect Health takes a critical look at how architects and planners are responding to growing urban health concerns and points to sometimes unforeseen consequences of their built interventions. Available in English and French editions, the book tackles this contemporary issue from a historical and critical perspective, focusing on different themes: epidemics and urban defence systems; architecture combating pollution; environmental and urban challenges, obesity and design strategies; Modernism and tuberculosis; sunbathing and suburbia; aging today and indoor life and toxic materials. The publication is richly conveyed through a diverse range of materials including architectural drawings, photographs, books and artefacts.
Imperfect health: the medicalization of architecture
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Imperfect Health takes a critical look at how architects and planners are responding to growing urban health concerns and points to sometimes unforeseen consequences of their built interventions. Available in English and French editions, the book tackles this contemporary issue from a historical and critical perspective, focusing on different themes: epidemics and urban defence systems; architecture combating pollution; environmental and urban challenges, obesity and design strategies; Modernism and tuberculosis; sunbathing and suburbia; aging today and indoor life and toxic materials. The publication is richly conveyed through a diverse range of materials including architectural drawings, photographs, books and artefacts.
Form:
books
books
Publication:
February 2012
February 2012
Subject:
CCA Publications
CCA Publications
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books
books
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Alors que les débats politiques contemporains abordent de plus en plus la question de la santé, les urbanistes et les architectes tentent eux aussi de répondre à ces préoccupations sociétales. En imparfaite santé : la médicalisation de l’architecture étudie la complexité, la corrélation et l’émergence de ces problèmes sanitaires contemporains au travers des réponses(...)
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Alors que les débats politiques contemporains abordent de plus en plus la question de la santé, les urbanistes et les architectes tentent eux aussi de répondre à ces préoccupations sociétales. En imparfaite santé : la médicalisation de l’architecture étudie la complexité, la corrélation et l’émergence de ces problèmes sanitaires contemporains au travers des réponses(...)
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En imparfaite santé : la médicalisation de l'architecture
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Alors que les débats politiques contemporains abordent de plus en plus la question de la santé, les urbanistes et les architectes tentent eux aussi de répondre à ces préoccupations sociétales. En imparfaite santé : la médicalisation de l’architecture étudie la complexité, la corrélation et l’émergence de ces problèmes sanitaires contemporains au travers des réponses architecturales et urbaines proposées. Les disciplines du design traitent de ces peurs et de ces inquiétudes en intégrant les paradigmes médicaux à leurs projets et en faisant parfois leurs principes mêmes de conception d'environnements thérapeutiques. En imparfaite santé explore les liens historiques entre ces disciplines, la santé et l'environnement. Mettant en lumière les incertitudes et les contradictions associées à la notion de santé telles qu,elles sont actualisée dans la médecine occidentale, cet ouvrage insiste sur la nécessité d'une méthodologie autre par laquelle l'urbanisme, l'architecture et le paysagisme, au lieu de guérir, pourraient s'attacher à prendre soin des habitants et de leur environnement.
En imparfaite santé : la médicalisation de l'architecture
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Alors que les débats politiques contemporains abordent de plus en plus la question de la santé, les urbanistes et les architectes tentent eux aussi de répondre à ces préoccupations sociétales. En imparfaite santé : la médicalisation de l’architecture étudie la complexité, la corrélation et l’émergence de ces problèmes sanitaires contemporains au travers des réponses architecturales et urbaines proposées. Les disciplines du design traitent de ces peurs et de ces inquiétudes en intégrant les paradigmes médicaux à leurs projets et en faisant parfois leurs principes mêmes de conception d'environnements thérapeutiques. En imparfaite santé explore les liens historiques entre ces disciplines, la santé et l'environnement. Mettant en lumière les incertitudes et les contradictions associées à la notion de santé telles qu,elles sont actualisée dans la médecine occidentale, cet ouvrage insiste sur la nécessité d'une méthodologie autre par laquelle l'urbanisme, l'architecture et le paysagisme, au lieu de guérir, pourraient s'attacher à prendre soin des habitants et de leur environnement.
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books
books
Publication:
February 2012
February 2012
Subject:
CCA Publications
CCA Publications
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books
books
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$19.95
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La présente publication ainsi que le site Web qui accompagne ce projet (www.cca.qc.ca/installations) offrent une rétrospective des positions adoptées par cinq architectes et agences invités, entre 1996 et 1998, à créer dans la salle Sottsass de la maison Shaughnessy des installations présentant leur travail. Jacques Rousseau, Pierre Thibault, Sophie(...)
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La présente publication ainsi que le site Web qui accompagne ce projet (www.cca.qc.ca/installations) offrent une rétrospective des positions adoptées par cinq architectes et agences invités, entre 1996 et 1998, à créer dans la salle Sottsass de la maison Shaughnessy des installations présentant leur travail. Jacques Rousseau, Pierre Thibault, Sophie(...)
Title:
Installations architecturales : 5 architectes québécois au CCA / Architectural Installations : 5 Québec architects at the CCA
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La présente publication ainsi que le site Web qui accompagne ce projet (www.cca.qc.ca/installations) offrent une rétrospective des positions adoptées par cinq architectes et agences invités, entre 1996 et 1998, à créer dans la salle Sottsass de la maison Shaughnessy des installations présentant leur travail. Jacques Rousseau, Pierre Thibault, Sophie Charlebois, Atelier in situ et Atelier Big City sont les concepteurs de ces installations. / The present publication and its parallel website (www.cca.qc.ca/installations) offer a retrospective of recent positions adopted by the five architects invited to create installations, presenting their work, in the Sottsass Room of the CCA's Shaughnessy House between 1996 and 1998. Jacques Rousseau, Pierre Thibault, Sophie Charlebois, Atelier in situ and Atelier Big City have conceived the installations.
Installations architecturales : 5 architectes québécois au CCA / Architectural Installations : 5 Québec architects at the CCA
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La présente publication ainsi que le site Web qui accompagne ce projet (www.cca.qc.ca/installations) offrent une rétrospective des positions adoptées par cinq architectes et agences invités, entre 1996 et 1998, à créer dans la salle Sottsass de la maison Shaughnessy des installations présentant leur travail. Jacques Rousseau, Pierre Thibault, Sophie Charlebois, Atelier in situ et Atelier Big City sont les concepteurs de ces installations. / The present publication and its parallel website (www.cca.qc.ca/installations) offer a retrospective of recent positions adopted by the five architects invited to create installations, presenting their work, in the Sottsass Room of the CCA's Shaughnessy House between 1996 and 1998. Jacques Rousseau, Pierre Thibault, Sophie Charlebois, Atelier in situ and Atelier Big City have conceived the installations.
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books
books
Publication:
May 1999, Montréal
May 1999, Montréal
Subject:
CCA Publications
CCA Publications
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books
books
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$59.95
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L'architecte italien Carlo Scarpa a produit entre 1953 et 1979 une série de réalisations incroyablement variées qui ont remis en question les idées sur ce que l'architecture moderne pouvait être. Il jugeait nécessaire de concilier une adhésion profonde à la nouveauté avec les traditions de l'artisanat local et les pratiques universelles séculaires, afin de créer une(...)
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L'architecte italien Carlo Scarpa a produit entre 1953 et 1979 une série de réalisations incroyablement variées qui ont remis en question les idées sur ce que l'architecture moderne pouvait être. Il jugeait nécessaire de concilier une adhésion profonde à la nouveauté avec les traditions de l'artisanat local et les pratiques universelles séculaires, afin de créer une(...)
Subject:
CCA Publications
CCA Publications
Publication:
May 1999, Montréal/New York
May 1999, Montréal/New York
Title:
Carlo Scarpa architecte : composer avec l'histoire
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L'architecte italien Carlo Scarpa a produit entre 1953 et 1979 une série de réalisations incroyablement variées qui ont remis en question les idées sur ce que l'architecture moderne pouvait être. Il jugeait nécessaire de concilier une adhésion profonde à la nouveauté avec les traditions de l'artisanat local et les pratiques universelles séculaires, afin de créer une architecture qui saurait être l'expression de notre civilisation de la machine sans abandonner la force psychique et sensuelle du lieu, de la matière et de la mémoire. Cette conciliation que cherchait Scarpa prend forme dans les réalisations discutées ici - le palais Abatellis, la gypsothèque de Canova, le musée du Castelvecchio, la maison Veritti, le magasin Olivetti, le palais de la Fondation Querini Stampalia, la Banca Popolare et la tombe de la famille Brion - et qui, subtilement, gardent une grande pertinence pour une époque de plus en plus préoccupée d'adapter à ses besoins le monde bâti - plutôt que de le révolutionner. Carlo Scarpa, architecte : Composer avec l'histoire illustre, à l'aide de nombreux dessins de Scarpa, les façons dont l'architecte fait entrer en dialogue la lumière, l'espace et l'architecture dans un contexte urbain dense et chargé d'histoire . Ce dialogue est mis en valeur par l'œil patient du photographe italien Guido Guidi qui présente les bâtiments dans leur état actuel.
Carlo Scarpa architecte : composer avec l'histoire
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L'architecte italien Carlo Scarpa a produit entre 1953 et 1979 une série de réalisations incroyablement variées qui ont remis en question les idées sur ce que l'architecture moderne pouvait être. Il jugeait nécessaire de concilier une adhésion profonde à la nouveauté avec les traditions de l'artisanat local et les pratiques universelles séculaires, afin de créer une architecture qui saurait être l'expression de notre civilisation de la machine sans abandonner la force psychique et sensuelle du lieu, de la matière et de la mémoire. Cette conciliation que cherchait Scarpa prend forme dans les réalisations discutées ici - le palais Abatellis, la gypsothèque de Canova, le musée du Castelvecchio, la maison Veritti, le magasin Olivetti, le palais de la Fondation Querini Stampalia, la Banca Popolare et la tombe de la famille Brion - et qui, subtilement, gardent une grande pertinence pour une époque de plus en plus préoccupée d'adapter à ses besoins le monde bâti - plutôt que de le révolutionner. Carlo Scarpa, architecte : Composer avec l'histoire illustre, à l'aide de nombreux dessins de Scarpa, les façons dont l'architecte fait entrer en dialogue la lumière, l'espace et l'architecture dans un contexte urbain dense et chargé d'histoire . Ce dialogue est mis en valeur par l'œil patient du photographe italien Guido Guidi qui présente les bâtiments dans leur état actuel.
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books
books
Publication:
May 1999, Montréal/New York
May 1999, Montréal/New York
Subject:
CCA Publications
CCA Publications
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books
books
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$49.95
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Published to accompany the exhibition of the same name at the CCA. With essays by Anthony Sutcliffe, Marcel Fournier, Véronique Rodriguez, Paul-André Linteau, David B. Hanna, Walter van Nus, France Vanlaethem and Isabelle Gournay.
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Published to accompany the exhibition of the same name at the CCA. With essays by Anthony Sutcliffe, Marcel Fournier, Véronique Rodriguez, Paul-André Linteau, David B. Hanna, Walter van Nus, France Vanlaethem and Isabelle Gournay.
Subject:
CCA Publications
CCA Publications
Publication:
May 1998, Toronto / Montréal
May 1998, Toronto / Montréal
Title:
Montreal metropolis: 1880-1930
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Published to accompany the exhibition of the same name at the CCA. With essays by Anthony Sutcliffe, Marcel Fournier, Véronique Rodriguez, Paul-André Linteau, David B. Hanna, Walter van Nus, France Vanlaethem and Isabelle Gournay.
Montreal metropolis: 1880-1930
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Published to accompany the exhibition of the same name at the CCA. With essays by Anthony Sutcliffe, Marcel Fournier, Véronique Rodriguez, Paul-André Linteau, David B. Hanna, Walter van Nus, France Vanlaethem and Isabelle Gournay.
Form:
books
books
Publication:
May 1998, Toronto / Montréal
May 1998, Toronto / Montréal
Subject:
CCA Publications
CCA Publications
