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Livret accompagnant la première exposition de jouets tirés de la collection du CCA. Texte de Witold Rybczynski et notes de Rosemary Haddad et Brooke Hodge. / Booklet accompanying the first exhibition from the CCA's toys collection. Text by Witold Rybczynski with notes by Rosemary Haddad and Brooke Hodge.
L'architecture en jeux : jeux de construction du CCA / Buildings in boxes: architectural toys from the CCA
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Livret accompagnant la première exposition de jouets tirés de la collection du CCA. Texte de Witold Rybczynski et notes de Rosemary Haddad et Brooke Hodge. / Booklet accompanying the first exhibition from the CCA's toys collection. Text by Witold Rybczynski with notes by Rosemary Haddad and Brooke Hodge.
CCA Publications
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"Le point de départ du masque Lancaster / Hanover est l'espace, dans le sens le plus large du mot, d'une Communauté Fermière et le fait de conjurer (comme la danse rituelle) cet espace à l'aide d'un nombre de 'sujets' et de leurs 'objets' respectifs qui dénotent ce 'lieu d'habitation' imaginaire. C'est l'espace-habitation d'une communauté, conjuré dans l'autonomie d'un(...)
John Hejduk: The Lancaster/Hanover Masque, le Masque Lancaster/Hanover
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"Le point de départ du masque Lancaster / Hanover est l'espace, dans le sens le plus large du mot, d'une Communauté Fermière et le fait de conjurer (comme la danse rituelle) cet espace à l'aide d'un nombre de 'sujets' et de leurs 'objets' respectifs qui dénotent ce 'lieu d'habitation' imaginaire. C'est l'espace-habitation d'une communauté, conjuré dans l'autonomie d'un jeu théâtrale et architectonique." Avec une préface de Phyllis Lambert et un essai de Wim van der Bergh. "The point of departure for the Lancaster/Hanover Masque is the space of a Rural Farm Community and the process of 'spell-binding' the space (as in a ritual dance) by means of a number of 'subjects' and corresponding 'objects' which denote this imaginary habitat. It is the simulated living-dwelling space of a community spell-bound in the autonomy of a theatrical/architectural play." With a preface by Phyllis Lambert and an essay by Wim van der Bergh.
CCA Publications
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Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée,(...)
Embarquement pour Katsura : Irene F. Whittome au CCA / Departure for Katsura : Irene F. Whittome at the CCA
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Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée, Whittome cherche à en révéler le pouvoir d'évocation et l'intensité contemplative. Laurier Lacroix présente la genèse de l'exposition et propose des interprétations poétiques de oeuvres et des installations. Le projet d'artiste créé pour la publication est constitué de l'impression en braille de 14 haikus de poète japonais Basho. With a text by guest curator Laurier Lacroix, and an aritst’s project by Irene F. Whittome, this exhibition catalogue examines the multifaceted relationships between art and architecture. Through a selection of works drawn from the CCA collections and new works Whittome has created specifically for the spaces of the CCA, the artist has sought to bring out the evocative and contemplative power of each. The text by Laurier Lacroix describes the genesis of the exhibition and offers a series of poetic interpretations of the works. The artist’s project created for the publication consists of 14 haiku by the Japanese poet Basho printed in braille.
CCA Publications
Publications de l'avant-garde soviétique : dessins d'architecture de l'avant-garde russe, 1917-1935
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Le catalogue de l'exposition préparée par Irena Zantovska Murray à partir des collections du CCA, étudie comment les idées qui sous-tendaient les mouvements de l'avant-garde ont été transmises. L'innovation graphique, qui est la marque des publications de l'avant-garde, traduit la hardiesse des propositions architecturales qui y sont présentées.
CCA Publications
June 1991, Montréal
Publications de l'avant-garde soviétique : dessins d'architecture de l'avant-garde russe, 1917-1935
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Le catalogue de l'exposition préparée par Irena Zantovska Murray à partir des collections du CCA, étudie comment les idées qui sous-tendaient les mouvements de l'avant-garde ont été transmises. L'innovation graphique, qui est la marque des publications de l'avant-garde, traduit la hardiesse des propositions architecturales qui y sont présentées.
CCA Publications
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Livret accompagnant l'exposition sur l'oeuvre de Myron Goldsmith, présentée au CCA en 1991.
Myron Goldsmith : poète de la structure
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Livret accompagnant l'exposition sur l'oeuvre de Myron Goldsmith, présentée au CCA en 1991.
CCA Publications
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Cette courte monographie et l'exposition itinérante qu'elle accompagne ont pour but de faire mieux connaître l'une des principales figures de l'architecture canadienne à l'heure actuelle. Ce livre contient les essais d'Alberto Pérez-Gomez et d'Howard Shubert ainsi que des photographies de Geoffrey James. / This short monograph and the travelling(...)
CCA Publications
January 1994, Montréal
Richard Henriquez et le Théâtre de la mémoire / Richard Henriquez : Memory Theatre
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Cette courte monographie et l'exposition itinérante qu'elle accompagne ont pour but de faire mieux connaître l'une des principales figures de l'architecture canadienne à l'heure actuelle. Ce livre contient les essais d'Alberto Pérez-Gomez et d'Howard Shubert ainsi que des photographies de Geoffrey James. / This short monograph and the travelling exhibition to which it is a guide introduce a major figure in Canadian architecture today. With essays by Alberto Pérez-Gomez and Howard Shubert, and photographs by Geoffrey James.
CCA Publications
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Ce livre contient un prologue de Phyllis Lambert, des essais de Paolo Costantini et de John Szarkowski ainsi que des entretiens de David Harris avec les photographes Burley, Friedlander et James.
Frederick Law Olmsted en perspective : photographies de Robert Burley, Lee Friedlander et Geoffrey James
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Ce livre contient un prologue de Phyllis Lambert, des essais de Paolo Costantini et de John Szarkowski ainsi que des entretiens de David Harris avec les photographes Burley, Friedlander et James.
CCA Publications
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Cedric Price Works 1952-2003: A Forward-Minded Retrospective by Samantha Hardingham is a two-volume anthology, co-published by the Architectural Association (AA) and the Canadian Centre for Architecture (CCA), and is supported by the Graham Foundation and the Cedric Price Estate. The books bring together for the first time all of the projects, articles and talks of(...)
January 2017
Cedric Price Works, 1952-2003: A forward-minded retrospective
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Cedric Price Works 1952-2003: A Forward-Minded Retrospective by Samantha Hardingham is a two-volume anthology, co-published by the Architectural Association (AA) and the Canadian Centre for Architecture (CCA), and is supported by the Graham Foundation and the Cedric Price Estate. The books bring together for the first time all of the projects, articles and talks of British architect Cedric Price, aiming to present his munificence as thinker, philosopher and designer. A student at the AA in the 1950s, Price established his office in London in 1960 and went on to produce some of architecture's most intensely imaginative and experimental projects of the latter half of the 20th century. His work is central in defining architectural discourse around the emerging postwar themes of mobility and indeterminacy in design. 2 Volumes in a custom-made slipcase, 912 pages and 512 pages respectively. 1,255 colour and b illustrations.
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This book documents two complementary urban realities that have played a fundamental role in the imagination, definition and redefinition of the twentieth-century modern city. Shifting away from an understanding of architecture as the construction of monumental masterpieces, the texts collected here assemble the narratives behind the public spaces, housing and social(...)
Casablanca Chandigarh: a report on modernization
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This book documents two complementary urban realities that have played a fundamental role in the imagination, definition and redefinition of the twentieth-century modern city. Shifting away from an understanding of architecture as the construction of monumental masterpieces, the texts collected here assemble the narratives behind the public spaces, housing and social facilities in these two cities, where modern plans have proven unexpectedly resilient and adaptable over time. This perspective is reinforced through visual contributions by Yto Barrada and Takashi Homma—two photographers especially invested in capturing everyday urban life. In a world marked by decolonization and Cold War politics, Casablanca and Chandigarh appear simultaneously as exponents of and countercurrents to modernization and its development perspectives. The book’s three chapters set the context for reading Casablanca and Chandigarh as the results of nuanced, dynamic processes of international exchange driven by the engagement and expertise of a new class of design professionals. As a dossier of actors, alignments and agendas, the book contributes to an alternative historiography of post-war urbanism and to recent reflections on the impact of transnational practice.
CCA Publications
Archaeology of the digital
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Archaeology of the Digital delves into the genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s. How was the transition from analog practices to new digital tools managed, and the dialogue between them exploited? What was the cultural and technological landscape of that moment? These questions are(...)
Archaeology of the digital
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Archaeology of the Digital delves into the genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s. How was the transition from analog practices to new digital tools managed, and the dialogue between them exploited? What was the cultural and technological landscape of that moment? These questions are at the foundation of this publication and its accompanying exhibition that unfold around four projects selected as seminal moments in the early development stages of digital architecture: Frank Gehry’s Lewis Residence (1989 –1995), Peter Eisenman’s Frankfurt Biozentrum (1987), Shoei Yoh’s design of the roof structure of Odawara Municipal Sports Complex and of Galaxy Toyama Gymnasium (1990 –1992) and Chuck Hoberman’s Expanding Sphere (1991) and Iris Dome (1994). Each project established a significant direction for architectural research by experimenting with the possibilities offered by novel digital tools. The dialogue between computer sciences, architecture and engineering is at the core of these experiments, which can be considered precursors of approaches still operative today.
CCA Publications