Eduardo Souto de Moura
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Eduardo Souto de Moura studied architecture at the School of Fine Arts in his home town in Portugal and has since been awarded several prestigious European prizes. His recent work includes houses in the Rua Lugarintho, the renovation of the Municipal Market in Braga, the Portuguese Pavilion at the Expo 2000 in Hanover, Germany, and a project for the Braga Stadium.
Eduardo Souto de Moura
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Eduardo Souto de Moura studied architecture at the School of Fine Arts in his home town in Portugal and has since been awarded several prestigious European prizes. His recent work includes houses in the Rua Lugarintho, the renovation of the Municipal Market in Braga, the Portuguese Pavilion at the Expo 2000 in Hanover, Germany, and a project for the Braga Stadium.
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The first of its kind in Europe, Plymouth Theatre Royal's new complex provides a single location for the production of theatrical works, including the construction of sets, costumes and props, combined with rehearsal and education spaces. Sited on reclaimed land overlooking the river Plym, inland the aera is industrial, with BOC, a fish factory, oil, sewage, fertilisers,(...)
Plymouth Theatre Royal production centre : Ian Ritchie architects
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The first of its kind in Europe, Plymouth Theatre Royal's new complex provides a single location for the production of theatrical works, including the construction of sets, costumes and props, combined with rehearsal and education spaces. Sited on reclaimed land overlooking the river Plym, inland the aera is industrial, with BOC, a fish factory, oil, sewage, fertilisers, and the usual crop of tin sheds, engineering structures, and the occasional oil tank or gasholder. Into this mix PTR2 forms the thin end of a regeneration edge.
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Art deco New York
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'Art deco New York' takes readers on a historical and visual journey through the city during the transformative decades between the two world wars, when Art Deco influenced not only architectural styles but also fashion and furniture, textiles and graphic, the design of train and automobiles and even the look of film and stage sets.
Art deco New York
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'Art deco New York' takes readers on a historical and visual journey through the city during the transformative decades between the two world wars, when Art Deco influenced not only architectural styles but also fashion and furniture, textiles and graphic, the design of train and automobiles and even the look of film and stage sets.
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October 2004, New York
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Zaha Hadid
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This fully illustrated catalogue of the major retrospective exhibition provides an in-depth examination of the work of one of today’s most visionary architects. The first woman to be awarded the Pritzker Architecture Prize, in 2004, Zaha Hadid is known for projects that have literally "shifted the geometry of buildings." The Iraqi-born, London-based architect has(...)
August 2006, New York
Zaha Hadid
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This fully illustrated catalogue of the major retrospective exhibition provides an in-depth examination of the work of one of today’s most visionary architects. The first woman to be awarded the Pritzker Architecture Prize, in 2004, Zaha Hadid is known for projects that have literally "shifted the geometry of buildings." The Iraqi-born, London-based architect has collaborated with the Guggenheim on several projects leading up to this comprehensive retrospective, including the design for the museum’s exhibition The Great Utopia in 1992. Each of Hadid’s dynamic and innovative works builds on over 30 years of experimentation and research in the interrelated fields of urbanism, architecture and design. True to Hadid’s interdisciplinary approach to architecture, all mediums will be covered here. Having first achieved international recognition through her striking images and designs, Zaha Hadid is now widely known as an innovator who consistently tests the boundaries of architecture, urbanism and design. One of her most important "testing fields" has been her drawings. Her reconsideration of the architectural drawing through nontraditional floor plans has had a major impact on all areas of design and architecture. Once considered unbuildable, her projects can now be seen around the world, including major projects in Europe, North America and Asia. Hadid’s most recent work incorporates smooth surfaces where walls seem to melt, floors curving upward, and ceilings that appear to compress, bend and expand. In her designs, architecture emerges not as an isolated object but out of the surrounding landscape and urban environment, and as a result of its users' movements and paths. Her work addresses "fluid geometries" and "artificial natures." The book features color illustrations of designs and models, previously unpublished paintings and photographs of buildings at all stages of construction, as well as two previously unpublished interviews with Hadid by Alvin Boyarsky.
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Patterns of the Earth
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This book celebrates the patterns and abstract forms found in nature. Bernhard Edmaier’s aerial photographs show the beautiful shapes formed on the earth’s surface by rocks, ice, sand, water, trees and plants. The hundreds of images in this book make us look at the world in a new way, by showing us surprising similarities and unexpected links between the most disparate(...)
Patterns of the Earth
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This book celebrates the patterns and abstract forms found in nature. Bernhard Edmaier’s aerial photographs show the beautiful shapes formed on the earth’s surface by rocks, ice, sand, water, trees and plants. The hundreds of images in this book make us look at the world in a new way, by showing us surprising similarities and unexpected links between the most disparate regions of the planet. Instead of seeing a forest or a desert or a field, we see circles and lines, zigzags and spirals, abstract shapes and precise repetition occurring in the most unexpected places. In this book, Edmaier`s photographs are organized by shape and form into clearly defined sections, with tabbed pages for easy access. Each section features short texts explaining where the types of patterns depicted in that chapter are found and how they are formed. In additon, every picture has a caption describing the location of the depicted pattern, and how it was created.
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November 2006, London, New York
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This book features the cartography of nine of metropolises : Boston, New York, Philadelphia, Washington DC, New Orleans, St. Louis, Chicago, Denver, and San Francisco. Illustrated by rare or previosly unpublished maps and views.
American cities : historic maps and views
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This book features the cartography of nine of metropolises : Boston, New York, Philadelphia, Washington DC, New Orleans, St. Louis, Chicago, Denver, and San Francisco. Illustrated by rare or previosly unpublished maps and views.
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With the exception of poster art, French graphic design has enjoyed little recognition on the international stage – until now. This new book tells the story of the development of design in the France. French graphic design has thrived on a multitude of external influences from places as far afield as Russia, Switzerland, Poland, Germany and Hungary. The designers here(...)
The story of graphic design in France
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With the exception of poster art, French graphic design has enjoyed little recognition on the international stage – until now. This new book tells the story of the development of design in the France. French graphic design has thrived on a multitude of external influences from places as far afield as Russia, Switzerland, Poland, Germany and Hungary. The designers here are legendary artists, actually some of the world’s most revered: French artists and artists who made Paris their home - Man Ray, Brassai, Cassandre, Leger, Duchamp, Mallarme to name just a few. "Graphic design in France" documents the emergence of graphic design as a culture in France and illustrates how it has come to the fore in recent years with a great burst of vitality in poster art, typography, editorial design, magazine design, information graphics, multimedia and television. This book places the tradition of French graphic design amidst the greater aesthetic languages of fine art, iconography, urban architecture, sculpture, communication art, fashion, literature, and much more.
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During a residency at the University of Houston, the The Center for Land Use Interpretation (CLUI)established a field station on the banks of the Buffalo Bayou, revealing aspects of the relationship between oil and the landscape in Houston that are often overlooked, even by the city's residents. The CLUI's findings are presented in this volume, and a concurrent exhibition(...)
January 2009, Houston
On the banks of Bayou city: the center for land use interpretation in Houston
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During a residency at the University of Houston, the The Center for Land Use Interpretation (CLUI)established a field station on the banks of the Buffalo Bayou, revealing aspects of the relationship between oil and the landscape in Houston that are often overlooked, even by the city's residents. The CLUI's findings are presented in this volume, and a concurrent exhibition at the Blaffer Gallery, titled "Texas Oil: Landscape of an Industry". The book documents the CLUI's methodology in a series of interviews and includes a photographic essay on land use in Houston featuring a panoramic, foldout section and a comprehensive chronology of the CLUI's projects and publications over the past 14 years.
I.M. Pei : complete works
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When I. M. Pei was awarded the Pritzker Prize in 1983, the jury said he had "given this century some of its most beautiful interior spaces and exterior forms." This publication, the first and definitive survey of the master architect, attests to this statement by showcasing Pei’s transcendent, sculptural forms in over fifty projects and more than 300 illustrations,(...)
January 1900, New York
I.M. Pei : complete works
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When I. M. Pei was awarded the Pritzker Prize in 1983, the jury said he had "given this century some of its most beautiful interior spaces and exterior forms." This publication, the first and definitive survey of the master architect, attests to this statement by showcasing Pei’s transcendent, sculptural forms in over fifty projects and more than 300 illustrations, culminating in the last works he is currently completing.
Campo Santo
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This brief volume is the latest and reportedly last collection of essays by German novelist and critic Sebald, who has seemed more prolific since his death in 2001 than in life. Despite the masterful translation, these essays fail to cohere, though they contain elements common to most of Sebald's work: an integration of art, politics and memory, framed by the writer's own(...)
Campo Santo
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This brief volume is the latest and reportedly last collection of essays by German novelist and critic Sebald, who has seemed more prolific since his death in 2001 than in life. Despite the masterful translation, these essays fail to cohere, though they contain elements common to most of Sebald's work: an integration of art, politics and memory, framed by the writer's own curmudgeonly presence. The essays, however, feel unfinished, lacking polish and structural integrity. The collection is split into two parts, "Prose" and "Essays," with the first—a series of considerations of the landscape, history and social milieu of the island of Corsica—by far the more successful. The second, longer section contains an assortment of literary critical pieces, some detailed, such as a long essay about novelists writing about the destruction of German cities during WWII; others discursive, such as an apparently unfinished review of a book about Kafka's relationship with film that wanders from films Sebald himself viewed to films Kafka may or may not have seen. Although Sebald was a beautiful and intelligent writer, it's hard to see how these essays will appeal to anyone outside of scholars and already committed Sebald fans eager to read every word he ever set to paper.
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