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This book addresses the design demands of the ever-evolving contemporary work environment. Featuring design products, prototypes and models, it introduces work concepts originated by internationally recognised designers who confront the unique needs of specific workspaces. Essays and interviews explore such themes as the nomadic offices of business travellers, domestic(...)
Workspheres : design and contemporary work styles
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This book addresses the design demands of the ever-evolving contemporary work environment. Featuring design products, prototypes and models, it introduces work concepts originated by internationally recognised designers who confront the unique needs of specific workspaces. Essays and interviews explore such themes as the nomadic offices of business travellers, domestic offices, the virtual office, and more traditional offices in settings configured for group interaction.
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George Nikolajevich
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The first monographic survey on the the architect George Nikolajevich, working in St. Louis.
George Nikolajevich
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The first monographic survey on the the architect George Nikolajevich, working in St. Louis.
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This young German architect contributes to the current debate in modern architecture with his innovative designs. André Poitiers' adventure in design has been one of experimentation, an experimentation in which he has pursued difficult objectives and pushed himself to the edge of known territory. The expertise is there, acquired in the studio of Norman Foster, but his(...)
André Poitiers : objects in the territory
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This young German architect contributes to the current debate in modern architecture with his innovative designs. André Poitiers' adventure in design has been one of experimentation, an experimentation in which he has pursued difficult objectives and pushed himself to the edge of known territory. The expertise is there, acquired in the studio of Norman Foster, but his dream has invaded the territory of architecture and generated intentionally provocative figures. Poitiers picked his own, original way, driven by futuristic and iconoclastic impetus. Technology and New Pop seem to have been the hardware and software of his path. The most recent goal on Poitiers' journey is Plasma, the liquid, organic and living material, liable to alter in relation to functional and environmental factors. Poitiers' unusual and individual approach to designing is reflected in the graphics and presentation of the book.
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The iconic building
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Charles Jencks takes on "trendiness" in architecture : namely the rise of the "iconic building," instantly distinctively recognizable structures like Norman Foster's "Gherkin" in London or Daniel Libeskind's Ground Zero designs in New York. Although there have always been buildings built to be instant icons such as palaces and cathedrals, Jencks sees this latest trend as(...)
September 2005, New York
The iconic building
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Charles Jencks takes on "trendiness" in architecture : namely the rise of the "iconic building," instantly distinctively recognizable structures like Norman Foster's "Gherkin" in London or Daniel Libeskind's Ground Zero designs in New York. Although there have always been buildings built to be instant icons such as palaces and cathedrals, Jencks sees this latest trend as being fueled by the real estate industry's thirst for profit and architects' outsize egos. Since the debut of Gehry's Guggenheim Bilbao, a roster of international architects has created iconic buildings that court publicity and controversy in equal measure. Some iconic buildings are successful creations that fulfill their contradictory requirements, while others make the public and the critics wince. In addition to Foster, Gehry and Libeskind, Jencks also discusses recent works by Peter Eisenman, Zaha Hadid, Rem Koolhaas, and Renzo Piano.
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Architect Stanley Saitowitz, based in San Francisco, is known for a practice that unites the qualities of early modern architecture with the construction techniques, materials, and urban and social attributes of the twenty-first century. Recurring themes in his work include the careful connection to time and place; the construction of spaces that allow fields of(...)
October 2005, New York
Stanley Saitowitz : buildings and projects
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Architect Stanley Saitowitz, based in San Francisco, is known for a practice that unites the qualities of early modern architecture with the construction techniques, materials, and urban and social attributes of the twenty-first century. Recurring themes in his work include the careful connection to time and place; the construction of spaces that allow fields of opportunity; the use of generative systems; the role of architecture as a support for human activity; and the visible trace of building techniques. This monograph, the first on Stanley Saitowitz office, presents fifty projects from more than thirty years of practice. The projects, divided by building type, are accompanied by a personal text in which Saitowitz plainly discusses his influences and interests. Landscape houses, often built on spectacular sites in Marin, Napa, and Sonoma, have evolved to include the noted "bar houses." Urban houses, while compact and dense, incorporate a sense of volume; similarly, multifamily housing provides indeterminate space to allow for personalization. Buildings for schools range from the riverside campus of the Oxbow School in Napa to the structurally innovative Building 23B at UCSF Mission Bay. Among the public landscapes is Mill Race Park in Columbus, Indiana, an assemblage of constructions specific to both place and function. Finally, Saitowitz has developed a series of designs that explore the formation of a Jewish architecture, notably synagogues in San Francisco and La Jolla and the Holocaust Memorial in Boston. Principal photography by Richard Barnes and Tim Griffith.
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Arcade 20.3 spring 2002
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A hodge-podge: fiction, photos, poetry, catalogs, historical facts, a cartoon—the narrowly objective hard by the expansively subjective. The plurality of genres pleased me. Any account of our territory bereft of, say, facts, poetry, projections, wild speculation, polemics, or sketchy memory, would seem to me to be fatally compromised. As the Office for Soft Architecture(...)
Arcade 20.3 spring 2002
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A hodge-podge: fiction, photos, poetry, catalogs, historical facts, a cartoon—the narrowly objective hard by the expansively subjective. The plurality of genres pleased me. Any account of our territory bereft of, say, facts, poetry, projections, wild speculation, polemics, or sketchy memory, would seem to me to be fatally compromised. As the Office for Soft Architecture puts it in their Fourth Walk: “[We] painted the place in the polis of the sour heat and the pulse beneath our coats, the specific entry of our exhalations and words into the atmosphere…Our method was patience. We would slowly absorb each image until we were what we had deliberately chosen to become. Of course then we ourselves were the documents; we acquired a fragility. Hello my Delicate we would repeat when we met by chance in the streets under the rows of posters Hello my Delicate.” Matthew Stadler is a novelist and essayist whose writing about design has appeared in Nest magazine, Wiederhal, Frieze, The Guardian, and The Seattle Times. He is the editor of Clear Cut Press, a new publishing and distribution company based in Astoria, OR. editor@clearcutpress.com. Tae Won Yu is an artist working in Olympia, Washington. His previous projects include designs for Built To Spill, photographs for Nest magazine, and illlustrations for The Stranger.
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March 2002, Seattle
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William Kesling and his design/build firm, Kesling Modern Structures, played a unique and important role in the development and acceptance of modern architecture in Southern California. Kesling was one of Julius Shulman's first clients. These never-before-published images were taken with Shulman's first vest-pocket camera.
Kesling modern structures : popularizing modern design in southern California 1934-1962
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William Kesling and his design/build firm, Kesling Modern Structures, played a unique and important role in the development and acceptance of modern architecture in Southern California. Kesling was one of Julius Shulman's first clients. These never-before-published images were taken with Shulman's first vest-pocket camera.
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Geoffrey James spent months tracking the Prairie light while photographing the city of Lethbridge and its environs. Those images reveal something of a place, a sensibility and a harsh light that together probe to the core of the Canadian experience. The images formed the basis of an exhibition, The Lethbridge Project, at the Southern Alberta Art Gallery. Now, they have(...)
Place - Geoffrey James, Rudy Wiebe
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Geoffrey James spent months tracking the Prairie light while photographing the city of Lethbridge and its environs. Those images reveal something of a place, a sensibility and a harsh light that together probe to the core of the Canadian experience. The images formed the basis of an exhibition, The Lethbridge Project, at the Southern Alberta Art Gallery. Now, they have been married with the words of Rudy Wiebe to present a vision of the very soul of Canada, and of that Prairie experience which has so informed recent Canadian fiction. Rudy Wiebe offers an accompanying set of brief stories that draw on many layers of history as well as his personal memories to evoke the sense of place that is Lethbridge.
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The revival of ornament has seen a resurgence of interest in wallpaper design. Wallpaper is back, but this time it is different. No longer used 360 degrees to cover cracks and imperfections in crumbling plasterwork, wallcoverings are now a means of expressing individuality. The new wallpaper is blurring the division between art and interior decoration. Graphic designers(...)
Wallpaper
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The revival of ornament has seen a resurgence of interest in wallpaper design. Wallpaper is back, but this time it is different. No longer used 360 degrees to cover cracks and imperfections in crumbling plasterwork, wallcoverings are now a means of expressing individuality. The new wallpaper is blurring the division between art and interior decoration. Graphic designers and illustrators are playing with scale and using walls as their canvases while fashion and textile designers are transferring their fabric prints to paper. This book is a showcase of fresh and innovative wallpaper designs from 50 artists.
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Los Angeles is a breeding ground for adventurous experimental architects and a magnet for their high-profile clients. "L.A. 2000+" assembles the best work completed in the city since 2000, offering a snapshot of the region and its architecture at the dawn of the twenty-first century. From the widely celebrated Walt Disney Concert Hall in downtown Los Angeles by architect(...)
May 2006, New York
LA 2000 + : new architecture in Los Angeles
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Los Angeles is a breeding ground for adventurous experimental architects and a magnet for their high-profile clients. "L.A. 2000+" assembles the best work completed in the city since 2000, offering a snapshot of the region and its architecture at the dawn of the twenty-first century. From the widely celebrated Walt Disney Concert Hall in downtown Los Angeles by architect Frank Gehry to lesser known but equally arresting works such as Studio Pali Fekete Architectsí, Somis Hay Barn in Ventura County and Godfredsen-Sigalís Hustler Casino in Gardena, the picture that emerges is sometimes startling and unexpected but always impressive. This volume collects thirty original new buildings, designed by both as yet unheralded talents such as null.lab and predock_frane and internationally renowned architects such as Gehry, Thom Mayne of Morphosis, and Eric Owen Moss. The introductory essay by urban designer John Leighton Chase puts these works in historical and architectural context, offering a unique perspective on the opportunities and difficulties inherent in building in a region known not only for its explosive population growth but also for the artistry of its inhabitants.