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This sumptuously illustrated volume presents over 180 outstanding Viennese silver objects representing the period from Neoclassicism to the Wiener Werkstätte. Comparing early eighteenth-century works with examples of twentieth-century design and architecture, it offers a fascinating look at Vienna's contribution to the development of modern decorative arts. The authors(...)
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This sumptuously illustrated volume presents over 180 outstanding Viennese silver objects representing the period from Neoclassicism to the Wiener Werkstätte. Comparing early eighteenth-century works with examples of twentieth-century design and architecture, it offers a fascinating look at Vienna's contribution to the development of modern decorative arts. The authors(...)
Publication:
August 2003, Ostfildern
August 2003, Ostfildern
Title:
Viennese silver : modern design 1780-1918
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This sumptuously illustrated volume presents over 180 outstanding Viennese silver objects representing the period from Neoclassicism to the Wiener Werkstätte. Comparing early eighteenth-century works with examples of twentieth-century design and architecture, it offers a fascinating look at Vienna's contribution to the development of modern decorative arts. The authors demonstrate how the roots of modern design go back further than is generally assumed. Achieving remarkable clarity and formal reduction, Viennese Biedermeier designers created everyday objects of silver with astonishingly straightforward and purposeful forms that remain as progressive as ever today. In turn-of-the-century Vienna, Josef Hoffmann and Koloman Moser drew inspiration from the intellectual legacy of the period in their designs for the Wiener Werkstätte. Many of the ideas introduced by the Viennese avant-garde were later expressed in such movements as the Bauhaus and De Stijl. By examining this history in all its complexity, the book traces the development of the vocabulary for contemporary design.
Viennese silver : modern design 1780-1918
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This sumptuously illustrated volume presents over 180 outstanding Viennese silver objects representing the period from Neoclassicism to the Wiener Werkstätte. Comparing early eighteenth-century works with examples of twentieth-century design and architecture, it offers a fascinating look at Vienna's contribution to the development of modern decorative arts. The authors demonstrate how the roots of modern design go back further than is generally assumed. Achieving remarkable clarity and formal reduction, Viennese Biedermeier designers created everyday objects of silver with astonishingly straightforward and purposeful forms that remain as progressive as ever today. In turn-of-the-century Vienna, Josef Hoffmann and Koloman Moser drew inspiration from the intellectual legacy of the period in their designs for the Wiener Werkstätte. Many of the ideas introduced by the Viennese avant-garde were later expressed in such movements as the Bauhaus and De Stijl. By examining this history in all its complexity, the book traces the development of the vocabulary for contemporary design.
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books
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August 2003, Ostfildern
August 2003, Ostfildern
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Walking into a space designed by David Rockwell is like walking into another world. He and his New York firm Rockwell Group create public spaces that aim straight for our infatuation with escapism. Whether it's the four-star restaurant Nobu; the hip boutique hotel W; or the boisterous Mohegan casino, theirs is an architecture that uses immersion as a tool to transport us(...)
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Walking into a space designed by David Rockwell is like walking into another world. He and his New York firm Rockwell Group create public spaces that aim straight for our infatuation with escapism. Whether it's the four-star restaurant Nobu; the hip boutique hotel W; or the boisterous Mohegan casino, theirs is an architecture that uses immersion as a tool to transport us(...)
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Pleasure : the architecture and design of rockwell group
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Walking into a space designed by David Rockwell is like walking into another world. He and his New York firm Rockwell Group create public spaces that aim straight for our infatuation with escapism. Whether it's the four-star restaurant Nobu; the hip boutique hotel W; or the boisterous Mohegan casino, theirs is an architecture that uses immersion as a tool to transport us away from ordinary environments. The work of Rockwell Group stands out among that of other modern masters for its undiluted populism and immediate gratification. Pleasure is the first book to examine the theaters, hotels, stadiums, restaurants, casinos, and other public spaces across the country that have positioned Rockwell Group as one of America's most powerful firms. With provocative analysis from the most notable educators, artists, critics, and design tastemakers of our day, the book is a riveting re-working of the traditional architectural monograph format. Pleasure will appeal not just to architects and designers of all types, but also to the wide spectrum of people who are seduced by the destination spaces it creates.
Pleasure : the architecture and design of rockwell group
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Walking into a space designed by David Rockwell is like walking into another world. He and his New York firm Rockwell Group create public spaces that aim straight for our infatuation with escapism. Whether it's the four-star restaurant Nobu; the hip boutique hotel W; or the boisterous Mohegan casino, theirs is an architecture that uses immersion as a tool to transport us away from ordinary environments. The work of Rockwell Group stands out among that of other modern masters for its undiluted populism and immediate gratification. Pleasure is the first book to examine the theaters, hotels, stadiums, restaurants, casinos, and other public spaces across the country that have positioned Rockwell Group as one of America's most powerful firms. With provocative analysis from the most notable educators, artists, critics, and design tastemakers of our day, the book is a riveting re-working of the traditional architectural monograph format. Pleasure will appeal not just to architects and designers of all types, but also to the wide spectrum of people who are seduced by the destination spaces it creates.
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January 1900, New York
January 1900, New York
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sale books
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Title:
Campo Santo
Campo Santo
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This brief volume is the latest and reportedly last collection of essays by German novelist and critic Sebald, who has seemed more prolific since his death in 2001 than in life. Despite the masterful translation, these essays fail to cohere, though they contain elements common to most of Sebald's work: an integration of art, politics and memory, framed by the writer's own(...)
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This brief volume is the latest and reportedly last collection of essays by German novelist and critic Sebald, who has seemed more prolific since his death in 2001 than in life. Despite the masterful translation, these essays fail to cohere, though they contain elements common to most of Sebald's work: an integration of art, politics and memory, framed by the writer's own(...)
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Campo Santo
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This brief volume is the latest and reportedly last collection of essays by German novelist and critic Sebald, who has seemed more prolific since his death in 2001 than in life. Despite the masterful translation, these essays fail to cohere, though they contain elements common to most of Sebald's work: an integration of art, politics and memory, framed by the writer's own curmudgeonly presence. The essays, however, feel unfinished, lacking polish and structural integrity. The collection is split into two parts, "Prose" and "Essays," with the first—a series of considerations of the landscape, history and social milieu of the island of Corsica—by far the more successful. The second, longer section contains an assortment of literary critical pieces, some detailed, such as a long essay about novelists writing about the destruction of German cities during WWII; others discursive, such as an apparently unfinished review of a book about Kafka's relationship with film that wanders from films Sebald himself viewed to films Kafka may or may not have seen. Although Sebald was a beautiful and intelligent writer, it's hard to see how these essays will appeal to anyone outside of scholars and already committed Sebald fans eager to read every word he ever set to paper.
Campo Santo
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Summary:
This brief volume is the latest and reportedly last collection of essays by German novelist and critic Sebald, who has seemed more prolific since his death in 2001 than in life. Despite the masterful translation, these essays fail to cohere, though they contain elements common to most of Sebald's work: an integration of art, politics and memory, framed by the writer's own curmudgeonly presence. The essays, however, feel unfinished, lacking polish and structural integrity. The collection is split into two parts, "Prose" and "Essays," with the first—a series of considerations of the landscape, history and social milieu of the island of Corsica—by far the more successful. The second, longer section contains an assortment of literary critical pieces, some detailed, such as a long essay about novelists writing about the destruction of German cities during WWII; others discursive, such as an apparently unfinished review of a book about Kafka's relationship with film that wanders from films Sebald himself viewed to films Kafka may or may not have seen. Although Sebald was a beautiful and intelligent writer, it's hard to see how these essays will appeal to anyone outside of scholars and already committed Sebald fans eager to read every word he ever set to paper.
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books
books
Publication:
January 1900, New York
January 1900, New York
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sale books
sale books
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Title:
Architecture on architecture
Architecture on architecture
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Individually and in partnership, as architects, educators, and advocates, the four principals of Platt Byard Dovell White Architects have made an indelible impression on the contemporary and historic architecture of New York City and beyond. In projects that range from historic preservation--the Charles A. Dana Discovery Center in Central Park and the Supreme Court of New(...)
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Individually and in partnership, as architects, educators, and advocates, the four principals of Platt Byard Dovell White Architects have made an indelible impression on the contemporary and historic architecture of New York City and beyond. In projects that range from historic preservation--the Charles A. Dana Discovery Center in Central Park and the Supreme Court of New(...)
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Architecture on architecture
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Individually and in partnership, as architects, educators, and advocates, the four principals of Platt Byard Dovell White Architects have made an indelible impression on the contemporary and historic architecture of New York City and beyond. In projects that range from historic preservation--the Charles A. Dana Discovery Center in Central Park and the Supreme Court of New York's Appellate Division First Department--to modernist interventions--the Saginaw Art Museum in Michigan and New 42nd Street Studios near Times Square--the firm's work is notable for its balance of innovation and tradition, of working within an urban context while contributing to that context. The first monograph on this award-winning firm, Architecture on Architecture illustrates the philosophy of Platt Byard Dovell White in its presentation of buildings and projects. Portfolios of twenty-three institutional, commercial, and residential works are complemented by two essays--one by noted critic Kenneth Frampton--and a lively timeline showing the personal and professional evolution of the architects.
Architecture on architecture
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Individually and in partnership, as architects, educators, and advocates, the four principals of Platt Byard Dovell White Architects have made an indelible impression on the contemporary and historic architecture of New York City and beyond. In projects that range from historic preservation--the Charles A. Dana Discovery Center in Central Park and the Supreme Court of New York's Appellate Division First Department--to modernist interventions--the Saginaw Art Museum in Michigan and New 42nd Street Studios near Times Square--the firm's work is notable for its balance of innovation and tradition, of working within an urban context while contributing to that context. The first monograph on this award-winning firm, Architecture on Architecture illustrates the philosophy of Platt Byard Dovell White in its presentation of buildings and projects. Portfolios of twenty-three institutional, commercial, and residential works are complemented by two essays--one by noted critic Kenneth Frampton--and a lively timeline showing the personal and professional evolution of the architects.
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books
books
Publication:
May 2007, New York
May 2007, New York
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sale books
sale books
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$11.95
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Summary:
Les «Wallpaper* city guides» proposent au voyageur amateur de design un choix rigoureux des meilleures adresses qu'une ville peut offrir, dans une mise en pages sobre et élégante. Précis et pratiques, ils réunissent toutes les informations nécessaires pour vous faire découvrir de l'intérieur les villes les plus enivrantes du monde.
$11.95
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Les «Wallpaper* city guides» proposent au voyageur amateur de design un choix rigoureux des meilleures adresses qu'une ville peut offrir, dans une mise en pages sobre et élégante. Précis et pratiques, ils réunissent toutes les informations nécessaires pour vous faire découvrir de l'intérieur les villes les plus enivrantes du monde.
Title:
Wallpaper* city guide : Barcelone (édition française)
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Les «Wallpaper* city guides» proposent au voyageur amateur de design un choix rigoureux des meilleures adresses qu'une ville peut offrir, dans une mise en pages sobre et élégante. Précis et pratiques, ils réunissent toutes les informations nécessaires pour vous faire découvrir de l'intérieur les villes les plus enivrantes du monde.
Wallpaper* city guide : Barcelone (édition française)
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Les «Wallpaper* city guides» proposent au voyageur amateur de design un choix rigoureux des meilleures adresses qu'une ville peut offrir, dans une mise en pages sobre et élégante. Précis et pratiques, ils réunissent toutes les informations nécessaires pour vous faire découvrir de l'intérieur les villes les plus enivrantes du monde.
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Publication:
March 2007, Paris
March 2007, Paris
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sale books
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$24.95
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Summary:
Ingo Maurer has revolutionozed lighting design. Whether pure and simple or opulent and grandiose, his lamps and lighting installations bare his uniquely poetic as well as romantic signature. This book offers an in-depth overview of Ingo Maurer's work from the beginning of his career until today.
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Ingo Maurer has revolutionozed lighting design. Whether pure and simple or opulent and grandiose, his lamps and lighting installations bare his uniquely poetic as well as romantic signature. This book offers an in-depth overview of Ingo Maurer's work from the beginning of his career until today.
Publication:
September 2007, München, London, New York
September 2007, München, London, New York
Title:
Ingo Maurer: designing with light / gestalten mit licht
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Ingo Maurer has revolutionozed lighting design. Whether pure and simple or opulent and grandiose, his lamps and lighting installations bare his uniquely poetic as well as romantic signature. This book offers an in-depth overview of Ingo Maurer's work from the beginning of his career until today.
Ingo Maurer: designing with light / gestalten mit licht
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Ingo Maurer has revolutionozed lighting design. Whether pure and simple or opulent and grandiose, his lamps and lighting installations bare his uniquely poetic as well as romantic signature. This book offers an in-depth overview of Ingo Maurer's work from the beginning of his career until today.
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books
books
Publication:
September 2007, München, London, New York
September 2007, München, London, New York
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Flexible architecture adapts to new uses, responds to change rather than stagnating, and is motive rather than static. Understanding how it has been conceived, designed, made, and used helps us understand its potential in solving current and future problems associated with technological, social, and economic change. This book explores the whole genre of flexible(...)
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Flexible architecture adapts to new uses, responds to change rather than stagnating, and is motive rather than static. Understanding how it has been conceived, designed, made, and used helps us understand its potential in solving current and future problems associated with technological, social, and economic change. This book explores the whole genre of flexible(...)
Publication:
June 2007
June 2007
Title:
Flexible : Architecture that responds to change
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Flexible architecture adapts to new uses, responds to change rather than stagnating, and is motive rather than static. Understanding how it has been conceived, designed, made, and used helps us understand its potential in solving current and future problems associated with technological, social, and economic change. This book explores the whole genre of flexible architecture buildings that are intended to respond to evolving situations in their form, operation, or location. Crossing the boundaries between architecture, interior design, product design, and furniture design, this innovative book is the first to deal with the entire scope of the topic.
Flexible : Architecture that responds to change
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Flexible architecture adapts to new uses, responds to change rather than stagnating, and is motive rather than static. Understanding how it has been conceived, designed, made, and used helps us understand its potential in solving current and future problems associated with technological, social, and economic change. This book explores the whole genre of flexible architecture buildings that are intended to respond to evolving situations in their form, operation, or location. Crossing the boundaries between architecture, interior design, product design, and furniture design, this innovative book is the first to deal with the entire scope of the topic.
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books
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Publication:
June 2007
June 2007
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$7.99
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The commercial architecture created by Wayne McAllister (1907-2000) is responsible for much of the character of Southern California. His Fred-and-Ginger nightclubs and glinting-steel-and-blazing-neon circular drive-ins brought Hollywood to life. His Sands Hotel in Las Vegas became the home of the Rat Pack; the mythology of Frank Sinatra, Dean Martin, and Sammy Davis Jr.(...)
$7.99
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Summary:
The commercial architecture created by Wayne McAllister (1907-2000) is responsible for much of the character of Southern California. His Fred-and-Ginger nightclubs and glinting-steel-and-blazing-neon circular drive-ins brought Hollywood to life. His Sands Hotel in Las Vegas became the home of the Rat Pack; the mythology of Frank Sinatra, Dean Martin, and Sammy Davis Jr.(...)
Publication:
February 2007, Layton
February 2007, Layton
Title:
The leisure architecture of Wayne McAllister
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The commercial architecture created by Wayne McAllister (1907-2000) is responsible for much of the character of Southern California. His Fred-and-Ginger nightclubs and glinting-steel-and-blazing-neon circular drive-ins brought Hollywood to life. His Sands Hotel in Las Vegas became the home of the Rat Pack; the mythology of Frank Sinatra, Dean Martin, and Sammy Davis Jr. owes a great deal to the swank glamour of the Copa Room and the Sands Hotel, one of McAllister's finest.
The leisure architecture of Wayne McAllister
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Summary:
The commercial architecture created by Wayne McAllister (1907-2000) is responsible for much of the character of Southern California. His Fred-and-Ginger nightclubs and glinting-steel-and-blazing-neon circular drive-ins brought Hollywood to life. His Sands Hotel in Las Vegas became the home of the Rat Pack; the mythology of Frank Sinatra, Dean Martin, and Sammy Davis Jr. owes a great deal to the swank glamour of the Copa Room and the Sands Hotel, one of McAllister's finest.
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books
books
Publication:
February 2007, Layton
February 2007, Layton
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books
books
Title:
Jardiniers
Jardiniers
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«Jardiniers» donnent un visage et la parole à ceux qui créent des jardins et qui, souvent, disparaissent derrière leurs créations. Professionnels ou amateurs, dix-neuf jardiniers de diverses nationalités se retrouvent dans ce livre et font dialoguer, au-delà des pays, et grâce aux photographies de Bruno Suet, leurs jardins : Patrick Blanc, Alan Bloom, Érik Borja, Fernando(...)
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«Jardiniers» donnent un visage et la parole à ceux qui créent des jardins et qui, souvent, disparaissent derrière leurs créations. Professionnels ou amateurs, dix-neuf jardiniers de diverses nationalités se retrouvent dans ce livre et font dialoguer, au-delà des pays, et grâce aux photographies de Bruno Suet, leurs jardins : Patrick Blanc, Alan Bloom, Érik Borja, Fernando(...)
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Jardiniers
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«Jardiniers» donnent un visage et la parole à ceux qui créent des jardins et qui, souvent, disparaissent derrière leurs créations. Professionnels ou amateurs, dix-neuf jardiniers de diverses nationalités se retrouvent dans ce livre et font dialoguer, au-delà des pays, et grâce aux photographies de Bruno Suet, leurs jardins : Patrick Blanc, Alan Bloom, Érik Borja, Fernando Caruncho, Gilles Clément, Randoll Coate, Didier Courbot, Éléonore Cruse, Ian Hamilton Finlay, Kathryn Gustafson, Claude Lafon, Éric Ossart & Arnaud Maurières, Piet Oudolf, Hugues Peuvergne, Dan Pearson, Alain Richert, Barbara Wirth, Jacques Wirtz.
Jardiniers
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«Jardiniers» donnent un visage et la parole à ceux qui créent des jardins et qui, souvent, disparaissent derrière leurs créations. Professionnels ou amateurs, dix-neuf jardiniers de diverses nationalités se retrouvent dans ce livre et font dialoguer, au-delà des pays, et grâce aux photographies de Bruno Suet, leurs jardins : Patrick Blanc, Alan Bloom, Érik Borja, Fernando Caruncho, Gilles Clément, Randoll Coate, Didier Courbot, Éléonore Cruse, Ian Hamilton Finlay, Kathryn Gustafson, Claude Lafon, Éric Ossart & Arnaud Maurières, Piet Oudolf, Hugues Peuvergne, Dan Pearson, Alain Richert, Barbara Wirth, Jacques Wirtz.
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books
books
Publication:
January 2007, Paris
January 2007, Paris
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sale books
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Title:
Zaha Hadid
Zaha Hadid
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This fully illustrated catalogue of the major retrospective exhibition provides an in-depth examination of the work of one of today’s most visionary architects. The first woman to be awarded the Pritzker Architecture Prize, in 2004, Zaha Hadid is known for projects that have literally "shifted the geometry of buildings." The Iraqi-born, London-based architect has(...)
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This fully illustrated catalogue of the major retrospective exhibition provides an in-depth examination of the work of one of today’s most visionary architects. The first woman to be awarded the Pritzker Architecture Prize, in 2004, Zaha Hadid is known for projects that have literally "shifted the geometry of buildings." The Iraqi-born, London-based architect has(...)
Publication:
August 2006, New York
August 2006, New York
Title:
Zaha Hadid
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This fully illustrated catalogue of the major retrospective exhibition provides an in-depth examination of the work of one of today’s most visionary architects. The first woman to be awarded the Pritzker Architecture Prize, in 2004, Zaha Hadid is known for projects that have literally "shifted the geometry of buildings." The Iraqi-born, London-based architect has collaborated with the Guggenheim on several projects leading up to this comprehensive retrospective, including the design for the museum’s exhibition The Great Utopia in 1992. Each of Hadid’s dynamic and innovative works builds on over 30 years of experimentation and research in the interrelated fields of urbanism, architecture and design. True to Hadid’s interdisciplinary approach to architecture, all mediums will be covered here. Having first achieved international recognition through her striking images and designs, Zaha Hadid is now widely known as an innovator who consistently tests the boundaries of architecture, urbanism and design. One of her most important "testing fields" has been her drawings. Her reconsideration of the architectural drawing through nontraditional floor plans has had a major impact on all areas of design and architecture. Once considered unbuildable, her projects can now be seen around the world, including major projects in Europe, North America and Asia. Hadid’s most recent work incorporates smooth surfaces where walls seem to melt, floors curving upward, and ceilings that appear to compress, bend and expand. In her designs, architecture emerges not as an isolated object but out of the surrounding landscape and urban environment, and as a result of its users' movements and paths. Her work addresses "fluid geometries" and "artificial natures." The book features color illustrations of designs and models, previously unpublished paintings and photographs of buildings at all stages of construction, as well as two previously unpublished interviews with Hadid by Alvin Boyarsky.
Zaha Hadid
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This fully illustrated catalogue of the major retrospective exhibition provides an in-depth examination of the work of one of today’s most visionary architects. The first woman to be awarded the Pritzker Architecture Prize, in 2004, Zaha Hadid is known for projects that have literally "shifted the geometry of buildings." The Iraqi-born, London-based architect has collaborated with the Guggenheim on several projects leading up to this comprehensive retrospective, including the design for the museum’s exhibition The Great Utopia in 1992. Each of Hadid’s dynamic and innovative works builds on over 30 years of experimentation and research in the interrelated fields of urbanism, architecture and design. True to Hadid’s interdisciplinary approach to architecture, all mediums will be covered here. Having first achieved international recognition through her striking images and designs, Zaha Hadid is now widely known as an innovator who consistently tests the boundaries of architecture, urbanism and design. One of her most important "testing fields" has been her drawings. Her reconsideration of the architectural drawing through nontraditional floor plans has had a major impact on all areas of design and architecture. Once considered unbuildable, her projects can now be seen around the world, including major projects in Europe, North America and Asia. Hadid’s most recent work incorporates smooth surfaces where walls seem to melt, floors curving upward, and ceilings that appear to compress, bend and expand. In her designs, architecture emerges not as an isolated object but out of the surrounding landscape and urban environment, and as a result of its users' movements and paths. Her work addresses "fluid geometries" and "artificial natures." The book features color illustrations of designs and models, previously unpublished paintings and photographs of buildings at all stages of construction, as well as two previously unpublished interviews with Hadid by Alvin Boyarsky.
Form:
books
books
Publication:
August 2006, New York
August 2006, New York
