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Susan Cianciolo (Rhode Island, 1969) is a New York based fashion designer and artist. Cianciolo began her career in 1995 after graduating from Parson�s School of Design, by collaborating with Kim Gordon on the X-Girl clothing line, while around the same time starting her own Run collection � mixing clothing with film and performance art � which for 10 years(...)
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Susan Cianciolo (Rhode Island, 1969) is a New York based fashion designer and artist. Cianciolo began her career in 1995 after graduating from Parson�s School of Design, by collaborating with Kim Gordon on the X-Girl clothing line, while around the same time starting her own Run collection � mixing clothing with film and performance art � which for 10 years(...)
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Susan Cianciolo: the lilac spaceship fanzine
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Susan Cianciolo (Rhode Island, 1969) is a New York based fashion designer and artist. Cianciolo began her career in 1995 after graduating from Parson�s School of Design, by collaborating with Kim Gordon on the X-Girl clothing line, while around the same time starting her own Run collection � mixing clothing with film and performance art � which for 10 years involved the collaboration of some of New York�s leading artists and musicians. The Lilac Spaceship Fanzine, created over the last year, embodies the idea of what has been Cianciolo�s most fond images to be inspired by and the complete joy and magical beauty of having her baby - Lilac Sky - who inspired the completion and the title of this publication, �..since she is another dimension, just like a space ship!�. Susan Cianciolo has been included in i-D�s Fashion Now book, among 150 of the most important designers of our times, and she has been one of the pioneers in using eco friendly materials in her collections. Her illustrations and paintings have also been exhibited worldwide in several galleries and museums.
Susan Cianciolo: the lilac spaceship fanzine
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Susan Cianciolo (Rhode Island, 1969) is a New York based fashion designer and artist. Cianciolo began her career in 1995 after graduating from Parson�s School of Design, by collaborating with Kim Gordon on the X-Girl clothing line, while around the same time starting her own Run collection � mixing clothing with film and performance art � which for 10 years involved the collaboration of some of New York�s leading artists and musicians. The Lilac Spaceship Fanzine, created over the last year, embodies the idea of what has been Cianciolo�s most fond images to be inspired by and the complete joy and magical beauty of having her baby - Lilac Sky - who inspired the completion and the title of this publication, �..since she is another dimension, just like a space ship!�. Susan Cianciolo has been included in i-D�s Fashion Now book, among 150 of the most important designers of our times, and she has been one of the pioneers in using eco friendly materials in her collections. Her illustrations and paintings have also been exhibited worldwide in several galleries and museums.
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July 2008, Z�rich
July 2008, Z�rich
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Title:
Histoire du design 1940-1990
Histoire du design 1940-1990
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L'histoire du design de 1940 à 1990 pourrait n'être fondée que sur la vie et l'oeuvre de ses stars: de Loewy à Starck, d'Aalto à Sottsass, de Rietveld à Miyake. Mais Raymond Guidot ne sacrifie pas au culte de la personalité. Son livre, qui ressemble parfois à un film d'anticipation, replace le design dans un movement historique qui englobe les(...)
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L'histoire du design de 1940 à 1990 pourrait n'être fondée que sur la vie et l'oeuvre de ses stars: de Loewy à Starck, d'Aalto à Sottsass, de Rietveld à Miyake. Mais Raymond Guidot ne sacrifie pas au culte de la personalité. Son livre, qui ressemble parfois à un film d'anticipation, replace le design dans un movement historique qui englobe les(...)
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Histoire du design 1940-1990
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L'histoire du design de 1940 à 1990 pourrait n'être fondée que sur la vie et l'oeuvre de ses stars: de Loewy à Starck, d'Aalto à Sottsass, de Rietveld à Miyake. Mais Raymond Guidot ne sacrifie pas au culte de la personalité. Son livre, qui ressemble parfois à un film d'anticipation, replace le design dans un movement historique qui englobe les évenements politiques, le cinéma, les arts plastiques, la bande dessinée, et l''exploration de l''espace.
Histoire du design 1940-1990
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L'histoire du design de 1940 à 1990 pourrait n'être fondée que sur la vie et l'oeuvre de ses stars: de Loewy à Starck, d'Aalto à Sottsass, de Rietveld à Miyake. Mais Raymond Guidot ne sacrifie pas au culte de la personalité. Son livre, qui ressemble parfois à un film d'anticipation, replace le design dans un movement historique qui englobe les évenements politiques, le cinéma, les arts plastiques, la bande dessinée, et l''exploration de l''espace.
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books
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November 1994, Paris
November 1994, Paris
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sale books
sale books
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$80.50
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Brought up in Sweden by Scottish parents, trained in France, a regular visitor to China and India, Sir William Chambers (1726-1796) was by far the most internationally minded British architect of his time. Settling in London in 1755, Chambers became a favorite of King George III and went on to hold the highest official architectural offices and to build public and private(...)
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Brought up in Sweden by Scottish parents, trained in France, a regular visitor to China and India, Sir William Chambers (1726-1796) was by far the most internationally minded British architect of his time. Settling in London in 1755, Chambers became a favorite of King George III and went on to hold the highest official architectural offices and to build public and private(...)
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Sir William Chambers : architect to George III
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Brought up in Sweden by Scottish parents, trained in France, a regular visitor to China and India, Sir William Chambers (1726-1796) was by far the most internationally minded British architect of his time. Settling in London in 1755, Chambers became a favorite of King George III and went on to hold the highest official architectural offices and to build public and private commissions throughout the British Isles. Because of his eclectic neo-Palladian style, seminal Treatise on Civil Architecture (1759), and longterm influence through his numerous pupils, Chambers was regarded as one of the two greatest architects of late eighteenth-century Britain, sharing the honor with the more prolific Robert Adam. In this wide-ranging book, leading scholars of the period present current research on Chambers' Scandinavian and French connections; his Italian studies and projects; his relationship with British royalty; his commissioned buildings, interiors, and gardens; his furniture and metalwork designs; and his Treatise. Chambers designed and commanded works at Buckingham House, Kew, Richmond, and Windsor Castle, and was commissioned in 1774 to design the public offices at Somerset House in London. Charged with creating "an object of national splendour as well as convenience," Chambers met the challenge with a building equal to the best of those created by the French architects with whom he had trained. Selecting the highest quality materials, ornamentation, and painted decoration for Somerset House, Chambers' building showcased the best in British craftsmanship. This book was the catalogue for a William Chambers exhibition mounted in fall 1996 by the Courtauld Institute Galleries at Somerset House, their new home.
Sir William Chambers : architect to George III
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Brought up in Sweden by Scottish parents, trained in France, a regular visitor to China and India, Sir William Chambers (1726-1796) was by far the most internationally minded British architect of his time. Settling in London in 1755, Chambers became a favorite of King George III and went on to hold the highest official architectural offices and to build public and private commissions throughout the British Isles. Because of his eclectic neo-Palladian style, seminal Treatise on Civil Architecture (1759), and longterm influence through his numerous pupils, Chambers was regarded as one of the two greatest architects of late eighteenth-century Britain, sharing the honor with the more prolific Robert Adam. In this wide-ranging book, leading scholars of the period present current research on Chambers' Scandinavian and French connections; his Italian studies and projects; his relationship with British royalty; his commissioned buildings, interiors, and gardens; his furniture and metalwork designs; and his Treatise. Chambers designed and commanded works at Buckingham House, Kew, Richmond, and Windsor Castle, and was commissioned in 1774 to design the public offices at Somerset House in London. Charged with creating "an object of national splendour as well as convenience," Chambers met the challenge with a building equal to the best of those created by the French architects with whom he had trained. Selecting the highest quality materials, ornamentation, and painted decoration for Somerset House, Chambers' building showcased the best in British craftsmanship. This book was the catalogue for a William Chambers exhibition mounted in fall 1996 by the Courtauld Institute Galleries at Somerset House, their new home.
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Publication:
October 1996, New Haven, London
October 1996, New Haven, London
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Cruz/Ortiz
Cruz/Ortiz
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Introduction by Rafael Moneo Photographs and drawings of various projects by this Seville-based team are accompanied by project descriptions and commentary.
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Introduction by Rafael Moneo Photographs and drawings of various projects by this Seville-based team are accompanied by project descriptions and commentary.
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Cruz/Ortiz
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Introduction by Rafael Moneo Photographs and drawings of various projects by this Seville-based team are accompanied by project descriptions and commentary.
Cruz/Ortiz
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Introduction by Rafael Moneo Photographs and drawings of various projects by this Seville-based team are accompanied by project descriptions and commentary.
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November 1996, New York
November 1996, New York
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The first monograph on the work of this internationally active Australian firm includes and introduction by Peter G. Rowe and an essay by Deyan Sudjic.
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The first monograph on the work of this internationally active Australian firm includes and introduction by Peter G. Rowe and an essay by Deyan Sudjic.
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Denton Corker Marshall : rule playing and the ratbag element
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The first monograph on the work of this internationally active Australian firm includes and introduction by Peter G. Rowe and an essay by Deyan Sudjic.
Denton Corker Marshall : rule playing and the ratbag element
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The first monograph on the work of this internationally active Australian firm includes and introduction by Peter G. Rowe and an essay by Deyan Sudjic.
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January 2000, Basel
January 2000, Basel
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$189.00
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Ouvrage illustré par les nombreuses photographies d'Oswald Pauwels. Ce livre fait le tour des grands monuments de l'architecture religieuse et monastique, des donjons et châteaux, des édifices publics et des maisons de la Belgique. Il contient également un sommaire en anglais/english-language summary and captions included.
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Ouvrage illustré par les nombreuses photographies d'Oswald Pauwels. Ce livre fait le tour des grands monuments de l'architecture religieuse et monastique, des donjons et châteaux, des édifices publics et des maisons de la Belgique. Il contient également un sommaire en anglais/english-language summary and captions included.
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November 1997, Bruxelles
November 1997, Bruxelles
Title:
Architecture gothique en Belgique
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Ouvrage illustré par les nombreuses photographies d'Oswald Pauwels. Ce livre fait le tour des grands monuments de l'architecture religieuse et monastique, des donjons et châteaux, des édifices publics et des maisons de la Belgique. Il contient également un sommaire en anglais/english-language summary and captions included.
Architecture gothique en Belgique
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Ouvrage illustré par les nombreuses photographies d'Oswald Pauwels. Ce livre fait le tour des grands monuments de l'architecture religieuse et monastique, des donjons et châteaux, des édifices publics et des maisons de la Belgique. Il contient également un sommaire en anglais/english-language summary and captions included.
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November 1997, Bruxelles
November 1997, Bruxelles
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$19.95
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Catalogue from the 1997 exhibition at Aedes in Berlin of the work of the Canary Islands firm AMP.
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Catalogue from the 1997 exhibition at Aedes in Berlin of the work of the Canary Islands firm AMP.
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January 1900, Berlin
January 1900, Berlin
Title:
Artengo Menis Pastrana : morphologische architektur
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Catalogue from the 1997 exhibition at Aedes in Berlin of the work of the Canary Islands firm AMP.
Artengo Menis Pastrana : morphologische architektur
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Catalogue from the 1997 exhibition at Aedes in Berlin of the work of the Canary Islands firm AMP.
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January 1900, Berlin
January 1900, Berlin
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Ulrich Franzen was born in 1921 in Düsseldorf and studied architecture with Marcel Breuer and Walter Gropius at the Harvard University Graduate School of Design. From 1950-55 he worked for I.M. Pei before opening his own architectural office in New (...)
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Ulrich Franzen was born in 1921 in Düsseldorf and studied architecture with Marcel Breuer and Walter Gropius at the Harvard University Graduate School of Design. From 1950-55 he worked for I.M. Pei before opening his own architectural office in New (...)
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The architecture of Ulrich Franzen
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Ulrich Franzen was born in 1921 in Düsseldorf and studied architecture with Marcel Breuer and Walter Gropius at the Harvard University Graduate School of Design. From 1950-55 he worked for I.M. Pei before opening his own architectural office in New York in 1955. His encounter with Modernism had a determining influence on his work, and Franzen soon developed his own individual architectural language. Reference to context and collage, the bringing together of different elements in free composition are typical themes in his work. The spectrum of his architecture spans elegant, generous residences and severe, rigorous buildings for industry and research. He has also worked on projects in urban development.
The architecture of Ulrich Franzen
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Ulrich Franzen was born in 1921 in Düsseldorf and studied architecture with Marcel Breuer and Walter Gropius at the Harvard University Graduate School of Design. From 1950-55 he worked for I.M. Pei before opening his own architectural office in New York in 1955. His encounter with Modernism had a determining influence on his work, and Franzen soon developed his own individual architectural language. Reference to context and collage, the bringing together of different elements in free composition are typical themes in his work. The spectrum of his architecture spans elegant, generous residences and severe, rigorous buildings for industry and research. He has also worked on projects in urban development.
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Publication:
April 1999, Basel
April 1999, Basel
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$38.81
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Featuring the Guggenheim Museum in Bilbao, by Frank Gehry; Educatorium, by OMA; Beyeler Foundation Museum, by Renzo Piano; and an article on Finnish contemporary architecture and city planning in Helsinki.
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Featuring the Guggenheim Museum in Bilbao, by Frank Gehry; Educatorium, by OMA; Beyeler Foundation Museum, by Renzo Piano; and an article on Finnish contemporary architecture and city planning in Helsinki.
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Kenchiku Bunka 3 march 1998 : Gehry, Koolhaas, Piano
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Featuring the Guggenheim Museum in Bilbao, by Frank Gehry; Educatorium, by OMA; Beyeler Foundation Museum, by Renzo Piano; and an article on Finnish contemporary architecture and city planning in Helsinki.
Kenchiku Bunka 3 march 1998 : Gehry, Koolhaas, Piano
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Featuring the Guggenheim Museum in Bilbao, by Frank Gehry; Educatorium, by OMA; Beyeler Foundation Museum, by Renzo Piano; and an article on Finnish contemporary architecture and city planning in Helsinki.
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Publication:
March 1998, Tokyo
March 1998, Tokyo
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Title:
Leicester University Engineering Building : Leicester 1959-63, James Stirling and James Gowan
Leicester University Engineering Building : Leicester 1959-63, James Stirling and James Gowan
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Architecture in Detail series.
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Architecture in Detail series.
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Leicester University Engineering Building : Leicester 1959-63, James Stirling and James Gowan
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Architecture in Detail series.
Leicester University Engineering Building : Leicester 1959-63, James Stirling and James Gowan
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Architecture in Detail series.
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Publication:
October 1994, London
October 1994, London
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