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In 1992, Enric Miralles founded this architectural firm with his wife Benedetta Tagliabue. Together, they have designed several award-winning buildings in cities throughout Europe. From 1978, Miralles held various teaching positions in Barcelona. In addition to her role as partner in EMBT, Benedetta Tagliabue has lectured and taught courses at architectural schools(...)
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In 1992, Enric Miralles founded this architectural firm with his wife Benedetta Tagliabue. Together, they have designed several award-winning buildings in cities throughout Europe. From 1978, Miralles held various teaching positions in Barcelona. In addition to her role as partner in EMBT, Benedetta Tagliabue has lectured and taught courses at architectural schools(...)
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Enric Miralles - Benedetta Tagliabue : EMBT arquitectes
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In 1992, Enric Miralles founded this architectural firm with his wife Benedetta Tagliabue. Together, they have designed several award-winning buildings in cities throughout Europe. From 1978, Miralles held various teaching positions in Barcelona. In addition to her role as partner in EMBT, Benedetta Tagliabue has lectured and taught courses at architectural schools worldwide. Since Miralles's death in 2000, she has headed the firm.
Enric Miralles - Benedetta Tagliabue : EMBT arquitectes
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In 1992, Enric Miralles founded this architectural firm with his wife Benedetta Tagliabue. Together, they have designed several award-winning buildings in cities throughout Europe. From 1978, Miralles held various teaching positions in Barcelona. In addition to her role as partner in EMBT, Benedetta Tagliabue has lectured and taught courses at architectural schools worldwide. Since Miralles's death in 2000, she has headed the firm.
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September 2003, New York
September 2003, New York
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Andrea Palladio
Andrea Palladio
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Between 1560 and 1580, Andrea Palladio constructed several churches in Venice including the churches of San Francesco della Vigna, San Giorgio Maggiore, and Il Redentore. His last great work was the theatre in Vicenza for the Academia Olimpica. Palladio cultivated his own interpretation of Roman motifs, and combined many of the elements of the classical style. However,(...)
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Between 1560 and 1580, Andrea Palladio constructed several churches in Venice including the churches of San Francesco della Vigna, San Giorgio Maggiore, and Il Redentore. His last great work was the theatre in Vicenza for the Academia Olimpica. Palladio cultivated his own interpretation of Roman motifs, and combined many of the elements of the classical style. However,(...)
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Andrea Palladio
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Between 1560 and 1580, Andrea Palladio constructed several churches in Venice including the churches of San Francesco della Vigna, San Giorgio Maggiore, and Il Redentore. His last great work was the theatre in Vicenza for the Academia Olimpica. Palladio cultivated his own interpretation of Roman motifs, and combined many of the elements of the classical style. However, he shared in the Renaissance quest for harmonic proportions. Palladio was the first architect to systematize the layout of the private rooms of a house, and the first to use the ancient Greco-Roman temple front as a portico on residential buildings.
Andrea Palladio
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Between 1560 and 1580, Andrea Palladio constructed several churches in Venice including the churches of San Francesco della Vigna, San Giorgio Maggiore, and Il Redentore. His last great work was the theatre in Vicenza for the Academia Olimpica. Palladio cultivated his own interpretation of Roman motifs, and combined many of the elements of the classical style. However, he shared in the Renaissance quest for harmonic proportions. Palladio was the first architect to systematize the layout of the private rooms of a house, and the first to use the ancient Greco-Roman temple front as a portico on residential buildings.
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October 2002, New York
October 2002, New York
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This volume showcases international talent, including such well-recognized architects as Tadao Ando (Japan), Glenn Murcutt (Australia), Samuel Mockbee (US), and rising stars like Shigeru Ban (Japan), TEN Arquitectos (Mexico), and Edge/Gary Chang (Hong Kong). Domestic architecture is constantly changing; World House Now showcases over twenty houses all built in the last(...)
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This volume showcases international talent, including such well-recognized architects as Tadao Ando (Japan), Glenn Murcutt (Australia), Samuel Mockbee (US), and rising stars like Shigeru Ban (Japan), TEN Arquitectos (Mexico), and Edge/Gary Chang (Hong Kong). Domestic architecture is constantly changing; World House Now showcases over twenty houses all built in the last(...)
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World house now : contemporary architectural directions
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This volume showcases international talent, including such well-recognized architects as Tadao Ando (Japan), Glenn Murcutt (Australia), Samuel Mockbee (US), and rising stars like Shigeru Ban (Japan), TEN Arquitectos (Mexico), and Edge/Gary Chang (Hong Kong). Domestic architecture is constantly changing; World House Now showcases over twenty houses all built in the last three years to illuminate current trends in domestic architecture and house styles.
World house now : contemporary architectural directions
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This volume showcases international talent, including such well-recognized architects as Tadao Ando (Japan), Glenn Murcutt (Australia), Samuel Mockbee (US), and rising stars like Shigeru Ban (Japan), TEN Arquitectos (Mexico), and Edge/Gary Chang (Hong Kong). Domestic architecture is constantly changing; World House Now showcases over twenty houses all built in the last three years to illuminate current trends in domestic architecture and house styles.
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June 2003, New York
June 2003, New York
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Les bâtisseurs du Louvre
Les bâtisseurs du Louvre
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Ce guide se propose, en suivant l'évolution du monument, de retracer une certain histoire de l'architecture française, depuis les premières murailles de Philippe Auguste jusque'aux structures de verre et d'acier de la pyramide de Pei.
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Ce guide se propose, en suivant l'évolution du monument, de retracer une certain histoire de l'architecture française, depuis les premières murailles de Philippe Auguste jusque'aux structures de verre et d'acier de la pyramide de Pei.
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June 2003, Paris
June 2003, Paris
Title:
Les bâtisseurs du Louvre
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Ce guide se propose, en suivant l'évolution du monument, de retracer une certain histoire de l'architecture française, depuis les premières murailles de Philippe Auguste jusque'aux structures de verre et d'acier de la pyramide de Pei.
Les bâtisseurs du Louvre
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Ce guide se propose, en suivant l'évolution du monument, de retracer une certain histoire de l'architecture française, depuis les premières murailles de Philippe Auguste jusque'aux structures de verre et d'acier de la pyramide de Pei.
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June 2003, Paris
June 2003, Paris
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$6.95
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For almost twenty years, and over sixty issues, "Emigre" has been a sourcebook of ideas, fonts, images, work, products, and even music. Now, "Emigre" has made a transition into a new format, a series of "pocketbooks," focusing on critical writing about the state of graphic design. Previously priced at $16.95.
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For almost twenty years, and over sixty issues, "Emigre" has been a sourcebook of ideas, fonts, images, work, products, and even music. Now, "Emigre" has made a transition into a new format, a series of "pocketbooks," focusing on critical writing about the state of graphic design. Previously priced at $16.95.
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Emigre no. 65 : if we're standing on the shoulders of giants, what are we reaching for?
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For almost twenty years, and over sixty issues, "Emigre" has been a sourcebook of ideas, fonts, images, work, products, and even music. Now, "Emigre" has made a transition into a new format, a series of "pocketbooks," focusing on critical writing about the state of graphic design. Previously priced at $16.95.
Emigre no. 65 : if we're standing on the shoulders of giants, what are we reaching for?
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For almost twenty years, and over sixty issues, "Emigre" has been a sourcebook of ideas, fonts, images, work, products, and even music. Now, "Emigre" has made a transition into a new format, a series of "pocketbooks," focusing on critical writing about the state of graphic design. Previously priced at $16.95.
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August 2003, New York
August 2003, New York
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Art is flowering floral motifs in jewellery and contemporary art A lavishly illustrated interdisciplinary book on flowers that, eschewing kitsch and clichés, provides a repast for the senses in drawing on jewelly, contemporary art, cultural history and literature to reveal the past and present significance of flowers.
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Art is flowering floral motifs in jewellery and contemporary art A lavishly illustrated interdisciplinary book on flowers that, eschewing kitsch and clichés, provides a repast for the senses in drawing on jewelly, contemporary art, cultural history and literature to reveal the past and present significance of flowers.
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October 2007, Stuttgart
October 2007, Stuttgart
Title:
Kunst treibt blüten art is flowering
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Art is flowering floral motifs in jewellery and contemporary art A lavishly illustrated interdisciplinary book on flowers that, eschewing kitsch and clichés, provides a repast for the senses in drawing on jewelly, contemporary art, cultural history and literature to reveal the past and present significance of flowers.
Kunst treibt blüten art is flowering
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Art is flowering floral motifs in jewellery and contemporary art A lavishly illustrated interdisciplinary book on flowers that, eschewing kitsch and clichés, provides a repast for the senses in drawing on jewelly, contemporary art, cultural history and literature to reveal the past and present significance of flowers.
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October 2007, Stuttgart
October 2007, Stuttgart
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$33.25
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For many Americans at the turn of the twentieth century and into the 1920s, the city of New York conjured dark images of crime, poverty, and the desperation of crowded immigrants. In How New York Became American, 1890--1924 Angela Blake explores how advertising professionals and savvy business leaders "reinvented" the city, creating a brand image of New York that(...)
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For many Americans at the turn of the twentieth century and into the 1920s, the city of New York conjured dark images of crime, poverty, and the desperation of crowded immigrants. In How New York Became American, 1890--1924 Angela Blake explores how advertising professionals and savvy business leaders "reinvented" the city, creating a brand image of New York that(...)
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How New York became american 1890-1924
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For many Americans at the turn of the twentieth century and into the 1920s, the city of New York conjured dark images of crime, poverty, and the desperation of crowded immigrants. In How New York Became American, 1890--1924 Angela Blake explores how advertising professionals and savvy business leaders "reinvented" the city, creating a brand image of New York that capitalized on the trend toward pleasure travel. Blake examines the ways in which these early boosters built on the attention drawn to the city and its exotic populations to craft an image of New York City as America writ urban -- a place where the arts flourished, diverse peoples lived together boisterously but peacefully, and where one could enjoy a visit.
How New York became american 1890-1924
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For many Americans at the turn of the twentieth century and into the 1920s, the city of New York conjured dark images of crime, poverty, and the desperation of crowded immigrants. In How New York Became American, 1890--1924 Angela Blake explores how advertising professionals and savvy business leaders "reinvented" the city, creating a brand image of New York that capitalized on the trend toward pleasure travel. Blake examines the ways in which these early boosters built on the attention drawn to the city and its exotic populations to craft an image of New York City as America writ urban -- a place where the arts flourished, diverse peoples lived together boisterously but peacefully, and where one could enjoy a visit.
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April 2009
April 2009
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Wolfgang Laib’s concentrated installations are touching in an immediate and fundamental way, perhaps because they also address various levels of early childhood consciousness. Beeswax tunnels are redolent with an overwhelming scent of sweet honey and pollen; powdery piles of pollen are such a luminous yellow that you want to put your hands in it and play. Visitors to(...)
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Wolfgang Laib’s concentrated installations are touching in an immediate and fundamental way, perhaps because they also address various levels of early childhood consciousness. Beeswax tunnels are redolent with an overwhelming scent of sweet honey and pollen; powdery piles of pollen are such a luminous yellow that you want to put your hands in it and play. Visitors to(...)
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Publication:
January 1900, New York, Ostfildern/Ruit
January 1900, New York, Ostfildern/Ruit
Title:
Wolfgand Laib : a retrospective
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Wolfgang Laib’s concentrated installations are touching in an immediate and fundamental way, perhaps because they also address various levels of early childhood consciousness. Beeswax tunnels are redolent with an overwhelming scent of sweet honey and pollen; powdery piles of pollen are such a luminous yellow that you want to put your hands in it and play. Visitors to the installations are "opened up" to the spiritual dimension, become aware of the energetic presence of the natural materials shown, and are prepared for a spiritual and intellectual encounter with their symbolic content. This retrospective monograph features all of the key categories of Laib’s oeuvre, establishing the unique position and great auratic power of works that consistently question crucial issues.
Wolfgand Laib : a retrospective
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Wolfgang Laib’s concentrated installations are touching in an immediate and fundamental way, perhaps because they also address various levels of early childhood consciousness. Beeswax tunnels are redolent with an overwhelming scent of sweet honey and pollen; powdery piles of pollen are such a luminous yellow that you want to put your hands in it and play. Visitors to the installations are "opened up" to the spiritual dimension, become aware of the energetic presence of the natural materials shown, and are prepared for a spiritual and intellectual encounter with their symbolic content. This retrospective monograph features all of the key categories of Laib’s oeuvre, establishing the unique position and great auratic power of works that consistently question crucial issues.
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books
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January 1900, New York, Ostfildern/Ruit
January 1900, New York, Ostfildern/Ruit
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Aldo Rossi drawings
Aldo Rossi drawings
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Sketches, drawings, concepts, watercolors, and collages from the early 1960s through to 1998 help us to understand Aldo Rossi the artist and architect, and how he elaborated his projects. The drawings are accompanied by photographs of the finished projects, in 264, often full page color illustrations. The volume is complete with a register of the Aldo Rossi Foundation’s(...)
$24.95
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Sketches, drawings, concepts, watercolors, and collages from the early 1960s through to 1998 help us to understand Aldo Rossi the artist and architect, and how he elaborated his projects. The drawings are accompanied by photographs of the finished projects, in 264, often full page color illustrations. The volume is complete with a register of the Aldo Rossi Foundation’s(...)
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January 1900, Milano
January 1900, Milano
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Aldo Rossi drawings
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Sketches, drawings, concepts, watercolors, and collages from the early 1960s through to 1998 help us to understand Aldo Rossi the artist and architect, and how he elaborated his projects. The drawings are accompanied by photographs of the finished projects, in 264, often full page color illustrations. The volume is complete with a register of the Aldo Rossi Foundation’s works, an index of exhibitions, and a bibliography.
Aldo Rossi drawings
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Sketches, drawings, concepts, watercolors, and collages from the early 1960s through to 1998 help us to understand Aldo Rossi the artist and architect, and how he elaborated his projects. The drawings are accompanied by photographs of the finished projects, in 264, often full page color illustrations. The volume is complete with a register of the Aldo Rossi Foundation’s works, an index of exhibitions, and a bibliography.
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January 1900, Milano
January 1900, Milano
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$32.50
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This book tells the story of the influential group of creative artists--Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin--who connected music to technology during a legendary era in California's cultural history. An integral part of the robust San Francisco "scene," the San Francisco Tape Music Center developed new art forms through(...)
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This book tells the story of the influential group of creative artists--Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin--who connected music to technology during a legendary era in California's cultural history. An integral part of the robust San Francisco "scene," the San Francisco Tape Music Center developed new art forms through(...)
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June 2008, Berkeley, Los Angeles, London
June 2008, Berkeley, Los Angeles, London
Title:
The San Francisco tape music center: 1960s counterculture and the avant-garde
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This book tells the story of the influential group of creative artists--Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin--who connected music to technology during a legendary era in California's cultural history. An integral part of the robust San Francisco "scene," the San Francisco Tape Music Center developed new art forms through collaborations with Terry Riley, Steve Reich, David Tudor, Ken Dewey, Lee Breuer, the San Francisco Actor's Workshop, the San Francisco Mime Troupe, the Ann Halprin Dancers' Workshop, Canyon Cinema, and others. Told through vivid personal accounts, interviews, and retrospective essays by leading scholars and artists, this work, capturing the heady experimental milieu of the sixties, is the first comprehensive history of the San Francisco Tape Music Center.
The San Francisco tape music center: 1960s counterculture and the avant-garde
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$32.50
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This book tells the story of the influential group of creative artists--Pauline Oliveros, Morton Subotnick, Ramon Sender, William Maginnis, and Tony Martin--who connected music to technology during a legendary era in California's cultural history. An integral part of the robust San Francisco "scene," the San Francisco Tape Music Center developed new art forms through collaborations with Terry Riley, Steve Reich, David Tudor, Ken Dewey, Lee Breuer, the San Francisco Actor's Workshop, the San Francisco Mime Troupe, the Ann Halprin Dancers' Workshop, Canyon Cinema, and others. Told through vivid personal accounts, interviews, and retrospective essays by leading scholars and artists, this work, capturing the heady experimental milieu of the sixties, is the first comprehensive history of the San Francisco Tape Music Center.
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books
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Publication:
June 2008, Berkeley, Los Angeles, London
June 2008, Berkeley, Los Angeles, London
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sale books
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