2832 Results
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events
events
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Chiara Baglione, Visiting Scholar, Becoming an Architect, Rome Urban VIII, Architectural Training, Pietro da Cortona
Chiara Baglione, Visiting Scholar, Becoming an Architect, Rome Urban VIII, Architectural Training, Pietro da Cortona
Date:
7 March 2003
7 March 2003
Form:
events
events
Date:
7 March 2003
7 March 2003
Form:
exhibitions
exhibitions
Title:
Learning Architecture
Learning Architecture
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Description:
As architecture acquired its modern identity as both a liberal art and a regulated profession, and as architectural theories and forms underwent radical transformations, the training of architects did not fundamentally change. The core activities of architectural students remain “Authority,” the study of treatises and theoretical works, “Observation,” the study of the(...)
As architecture acquired its modern identity as both a liberal art and a regulated profession, and as architectural theories and forms underwent radical transformations, the training of architects did not fundamentally change. The core activities of architectural students remain “Authority,” the study of treatises and theoretical works, “Observation,” the study of the(...)
Location:
Hall cases
Hall cases
Date:
5 July 1994 to 2 October 1994
5 July 1994 to 2 October 1994
Title:
Learning Architecture
Actions:
Description:
As architecture acquired its modern identity as both a liberal art and a regulated profession, and as architectural theories and forms underwent radical transformations, the training of architects did not fundamentally change. The core activities of architectural students remain “Authority,” the study of treatises and theoretical works, “Observation,” the study of the(...)
Learning Architecture
Actions:
Description:
As architecture acquired its modern identity as both a liberal art and a regulated profession, and as architectural theories and forms underwent radical transformations, the training of architects did not fundamentally change. The core activities of architectural students remain “Authority,” the study of treatises and theoretical works, “Observation,” the study of the(...)
Form:
exhibitions
exhibitions
Date:
5 July 1994 to
2 October 1994
5 July 1994 to
2 October 1994
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Description:
This exhibition will explore the third-year undergraduate arts course, “A305: History of Architecture and Design, 1890–1939,” offered by the Open University via television and radio broadcasts that aired from 1975 to 1982. Beyond its many innovations in new forms of higher education, the Open University—founded in 1969 with headquarters in Milton Keynes, UK—was a key(...)
This exhibition will explore the third-year undergraduate arts course, “A305: History of Architecture and Design, 1890–1939,” offered by the Open University via television and radio broadcasts that aired from 1975 to 1982. Beyond its many innovations in new forms of higher education, the Open University—founded in 1969 with headquarters in Milton Keynes, UK—was a key(...)
Date:
15 November 2017 to 1 April 2018
15 November 2017 to 1 April 2018
Title:
The University Is Now on Air: Broadcasting Modern Architecture
Actions:
Description:
This exhibition will explore the third-year undergraduate arts course, “A305: History of Architecture and Design, 1890–1939,” offered by the Open University via television and radio broadcasts that aired from 1975 to 1982. Beyond its many innovations in new forms of higher education, the Open University—founded in 1969 with headquarters in Milton Keynes, UK—was a key(...)
The University Is Now on Air: Broadcasting Modern Architecture
Actions:
Description:
This exhibition will explore the third-year undergraduate arts course, “A305: History of Architecture and Design, 1890–1939,” offered by the Open University via television and radio broadcasts that aired from 1975 to 1982. Beyond its many innovations in new forms of higher education, the Open University—founded in 1969 with headquarters in Milton Keynes, UK—was a key(...)
Form:
exhibitions
exhibitions
Date:
15 November 2017 to
1 April 2018
15 November 2017 to
1 April 2018
Form:
exhibitions
exhibitions
Actions:
Description:
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Location:
Main galleries
Main galleries
Date:
16 May 2012 to 14 October 2012
16 May 2012 to 14 October 2012
Title:
Notes from the Archive: James Frazer Stirling
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Description:
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Notes from the Archive: James Frazer Stirling
Actions:
Description:
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Form:
exhibitions
exhibitions
Date:
16 May 2012 to
14 October 2012
16 May 2012 to
14 October 2012
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Description:
The exhibition presents three aspects of the villas described by the Roman writer, Pliny the Younger, in the first century AD: their direct historical influence on architecture, the indirect influence they have exerted on architects as a model for study, and their impact on the classical tradition in the city of Montreal. The Villas of Pliny and Classical Architecture(...)
The exhibition presents three aspects of the villas described by the Roman writer, Pliny the Younger, in the first century AD: their direct historical influence on architecture, the indirect influence they have exerted on architects as a model for study, and their impact on the classical tradition in the city of Montreal. The Villas of Pliny and Classical Architecture(...)
Location:
Musée des beaux-arts de Montréal
Musée des beaux-arts de Montréal
Date:
14 October 1983 to 11 December 1983
14 October 1983 to 11 December 1983
Title:
The Villas of Pliny and Classical Architecture in Montréal
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Description:
The exhibition presents three aspects of the villas described by the Roman writer, Pliny the Younger, in the first century AD: their direct historical influence on architecture, the indirect influence they have exerted on architects as a model for study, and their impact on the classical tradition in the city of Montreal. The Villas of Pliny and Classical Architecture(...)
The Villas of Pliny and Classical Architecture in Montréal
Actions:
Description:
The exhibition presents three aspects of the villas described by the Roman writer, Pliny the Younger, in the first century AD: their direct historical influence on architecture, the indirect influence they have exerted on architects as a model for study, and their impact on the classical tradition in the city of Montreal. The Villas of Pliny and Classical Architecture(...)
Form:
exhibitions
exhibitions
Date:
14 October 1983 to
11 December 1983
14 October 1983 to
11 December 1983
Location:
Musée des beaux-arts de Montréal
Musée des beaux-arts de Montréal
Form:
exhibitions
exhibitions
Description:
Architecture, though constrained by boundaries of function and structure, is always ultimately an act of the imagination. Potential Architecture: Construction Toys from the CCA Collection explores twenty-one construction toys, made in the hundred years from 1850 to 1950, that were designed to challenge a child’s creativity. The toys illustrate how children learn to invent(...)
Architecture, though constrained by boundaries of function and structure, is always ultimately an act of the imagination. Potential Architecture: Construction Toys from the CCA Collection explores twenty-one construction toys, made in the hundred years from 1850 to 1950, that were designed to challenge a child’s creativity. The toys illustrate how children learn to invent(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
4 December 1991 to 8 March 1992
4 December 1991 to 8 March 1992
Title:
Potential Architecture: Construction Toys from the CCA Collection
Actions:
Description:
Architecture, though constrained by boundaries of function and structure, is always ultimately an act of the imagination. Potential Architecture: Construction Toys from the CCA Collection explores twenty-one construction toys, made in the hundred years from 1850 to 1950, that were designed to challenge a child’s creativity. The toys illustrate how children learn to invent(...)
Potential Architecture: Construction Toys from the CCA Collection
Actions:
Description:
Architecture, though constrained by boundaries of function and structure, is always ultimately an act of the imagination. Potential Architecture: Construction Toys from the CCA Collection explores twenty-one construction toys, made in the hundred years from 1850 to 1950, that were designed to challenge a child’s creativity. The toys illustrate how children learn to invent(...)
Form:
exhibitions
exhibitions
Date:
4 December 1991 to
8 March 1992
4 December 1991 to
8 March 1992
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Title:
Toys that Teach
Toys that Teach
Actions:
Description:
The architectural toy typically looks to the world of “real” buildings, reproducing columns, arches, and windows in miniature form. Toys That Teach, however, presents a range of construction toys based on the elementary forms of geometry found in nature: cubes and spheres, cones and cylinders, rods and prisms. The toys serve not only for building but also for mathematical(...)
The architectural toy typically looks to the world of “real” buildings, reproducing columns, arches, and windows in miniature form. Toys That Teach, however, presents a range of construction toys based on the elementary forms of geometry found in nature: cubes and spheres, cones and cylinders, rods and prisms. The toys serve not only for building but also for mathematical(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
16 December 1992 to 25 April 1993
16 December 1992 to 25 April 1993
Title:
Toys that Teach
Actions:
Description:
The architectural toy typically looks to the world of “real” buildings, reproducing columns, arches, and windows in miniature form. Toys That Teach, however, presents a range of construction toys based on the elementary forms of geometry found in nature: cubes and spheres, cones and cylinders, rods and prisms. The toys serve not only for building but also for mathematical(...)
Toys that Teach
Actions:
Description:
The architectural toy typically looks to the world of “real” buildings, reproducing columns, arches, and windows in miniature form. Toys That Teach, however, presents a range of construction toys based on the elementary forms of geometry found in nature: cubes and spheres, cones and cylinders, rods and prisms. The toys serve not only for building but also for mathematical(...)
Form:
exhibitions
exhibitions
Date:
16 December 1992 to
25 April 1993
16 December 1992 to
25 April 1993
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
6 June 2013 to 11 August 2013
6 June 2013 to 11 August 2013
Title:
Dissections: Geoffrey Smedley
Actions:
Description:
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Dissections: Geoffrey Smedley
Actions:
Description:
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Form:
exhibitions
exhibitions
Date:
6 June 2013 to
11 August 2013
6 June 2013 to
11 August 2013
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Description:
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Location:
Main galleries
Main galleries
Date:
22 October 1997 to 15 February 1998
22 October 1997 to 15 February 1998
Title:
Other Soundings: Selected Works by John Hejduk, 1954-1997
Actions:
Description:
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Other Soundings: Selected Works by John Hejduk, 1954-1997
Actions:
Description:
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Form:
exhibitions
exhibitions
Date:
22 October 1997 to
15 February 1998
22 October 1997 to
15 February 1998
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Description:
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
23 July 2015 to 13 September 2015
23 July 2015 to 13 September 2015
Title:
Landscapes of the Hyperreal: Ábalos&Herreros selected by SO – IL
Actions:
Description:
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Landscapes of the Hyperreal: Ábalos&Herreros selected by SO – IL
Actions:
Description:
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Form:
exhibitions
exhibitions
Date:
23 July 2015 to
13 September 2015
23 July 2015 to
13 September 2015
Location:
Octagonal gallery
Octagonal gallery
