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Ruins of Pompei, Brigitte Desrochers, Francesco Piranesi, Charles François Mazois, Visiting Scholar
Ruins of Pompei, Brigitte Desrochers, Francesco Piranesi, Charles François Mazois, Visiting Scholar
Date:
8 March 2002
8 March 2002
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events
events
Date:
8 March 2002
8 March 2002
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books
books
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Description:
156 pages (48 folded), [1] leaf of plates : illustrations, color map ; 32 cm
Description:
156 pages (48 folded), [1] leaf of plates : illustrations, color map ; 32 cm
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Publication:
Roma : V. Conti, 1996.
Roma : V. Conti, 1996.
Title:
Piranesi : vedute e antichità di Tivoli : Giambattista, 1720-1778, Francesco, 1758 (59)-1810 / a cura di Vincenzo Conti ; [traduzione, Jenni Scott, con collaborazione di Joseph Scott].
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Description:
156 pages (48 folded), [1] leaf of plates : illustrations, color map ; 32 cm
Piranesi : vedute e antichità di Tivoli : Giambattista, 1720-1778, Francesco, 1758 (59)-1810 / a cura di Vincenzo Conti ; [traduzione, Jenni Scott, con collaborazione di Joseph Scott].
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Description:
156 pages (48 folded), [1] leaf of plates : illustrations, color map ; 32 cm
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books
books
Publication:
Roma : V. Conti, 1996.
Roma : V. Conti, 1996.
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Subject:
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books
books
Title:
La cultura dei lumi tra Italia e Svezia : il ruolo di Francesco Piranesi / Rossana Caira Lumetti.
La cultura dei lumi tra Italia e Svezia : il ruolo di Francesco Piranesi / Rossana Caira Lumetti.
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Description:
401 pages ; 21 cm.
Description:
401 pages ; 21 cm.
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Publication:
Roma : Bonacci editore, ©1990.
Roma : Bonacci editore, ©1990.
Title:
La cultura dei lumi tra Italia e Svezia : il ruolo di Francesco Piranesi / Rossana Caira Lumetti.
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Description:
401 pages ; 21 cm.
La cultura dei lumi tra Italia e Svezia : il ruolo di Francesco Piranesi / Rossana Caira Lumetti.
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Description:
401 pages ; 21 cm.
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books
books
Publication:
Roma : Bonacci editore, ©1990.
Roma : Bonacci editore, ©1990.
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books
books
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220 pages : illustrations (some color) ; 25 x 31 cm
Description:
220 pages : illustrations (some color) ; 25 x 31 cm
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Subject:
Publication:
Sydney, N.S.W. : NewSouth Publishing, 2014.
Sydney, N.S.W. : NewSouth Publishing, 2014.
Title:
Piranesi's grandest tour : from Europe to Australia / Colin Holden.
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220 pages : illustrations (some color) ; 25 x 31 cm
Piranesi's grandest tour : from Europe to Australia / Colin Holden.
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Description:
220 pages : illustrations (some color) ; 25 x 31 cm
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books
books
Publication:
Sydney, N.S.W. : NewSouth Publishing, 2014.
Sydney, N.S.W. : NewSouth Publishing, 2014.
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books
books
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397 pages : illustrations (some color) ; 24 cm.
Description:
397 pages : illustrations (some color) ; 24 cm.
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Subject:
Publication:
Roma : Edizioni Quasar, 2016.
Roma : Edizioni Quasar, 2016.
Title:
Giovanni Battista Piranesi : predecessori, contemporanei e successori : studi in onore di John Wilton-Ely / a cura di Francesco Nevola.
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397 pages : illustrations (some color) ; 24 cm.
Giovanni Battista Piranesi : predecessori, contemporanei e successori : studi in onore di John Wilton-Ely / a cura di Francesco Nevola.
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397 pages : illustrations (some color) ; 24 cm.
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books
books
Publication:
Roma : Edizioni Quasar, 2016.
Roma : Edizioni Quasar, 2016.
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books
books
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141 pages : illustrations (some color) ; 25 cm
Description:
141 pages : illustrations (some color) ; 25 cm
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Publication:
New York : Shorewood Publishers, [1963], ©1963
New York : Shorewood Publishers, [1963], ©1963
Title:
Italian drawings from the 15th to the 19th century / text by Winslow Ames.
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141 pages : illustrations (some color) ; 25 cm
Italian drawings from the 15th to the 19th century / text by Winslow Ames.
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Description:
141 pages : illustrations (some color) ; 25 cm
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books
books
Publication:
New York : Shorewood Publishers, [1963], ©1963
New York : Shorewood Publishers, [1963], ©1963
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books
books
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443 pages : illustrations, 300 plates ; 27 cm
Description:
443 pages : illustrations, 300 plates ; 27 cm
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Publication:
[New York] : The Metropolitan Museum of Art : The Pierpont Morgan Library, [1971], Greenwich, Connecticut : Distributed by New York Graphic Society, ©1971
[New York] : The Metropolitan Museum of Art : The Pierpont Morgan Library, [1971], Greenwich, Connecticut : Distributed by New York Graphic Society, ©1971
Title:
The eighteenth century in Italy / Jacob Bean, Felice Stampfle.
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443 pages : illustrations, 300 plates ; 27 cm
The eighteenth century in Italy / Jacob Bean, Felice Stampfle.
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443 pages : illustrations, 300 plates ; 27 cm
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books
books
Publication:
[New York] : The Metropolitan Museum of Art : The Pierpont Morgan Library, [1971], Greenwich, Connecticut : Distributed by New York Graphic Society, ©1971
[New York] : The Metropolitan Museum of Art : The Pierpont Morgan Library, [1971], Greenwich, Connecticut : Distributed by New York Graphic Society, ©1971
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works of art
works of art
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Reference number:
DR1974:0002:021:022
DR1974:0002:021:022
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Subject:
architecture
architecture
Date:
1776 ?-1810
1776 ?-1810
Title:
Elevation, profile, and sections of a Corinthian capital and entablature from the portico of the Pantheon, Rome
Actions:
DR1974:0002:021:022
Elevation, profile, and sections of a Corinthian capital and entablature from the portico of the Pantheon, Rome
Actions:
DR1974:0002:021:022
Form:
works of art
works of art
Date:
1776 ?-1810
1776 ?-1810
People:
Subject:
architecture
architecture
Form:
drawings, works of art
drawings, works of art
Reference number:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
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Date:
drawings executed between 1818-1832, prints executed 1776 ?-1832
drawings executed between 1818-1832, prints executed 1776 ?-1832
Title:
Album of mostly student drawings of the Orders
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Album of mostly student drawings of the Orders
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Form:
drawings, works of art
drawings, works of art
Date:
drawings executed between 1818-1832, prints executed 1776 ?-1832
drawings executed between 1818-1832, prints executed 1776 ?-1832
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books
books
Title:
Teatro di Ercolano.
Teatro di Ercolano.
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Description:
[10] pages, 9 leaves of plates : illustrations, plans ; 49 cm
Description:
[10] pages, 9 leaves of plates : illustrations, plans ; 49 cm
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Publication:
[Roma] : [Salomoni], [1783]
[Roma] : [Salomoni], [1783]
Title:
Teatro di Ercolano.
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Description:
[10] pages, 9 leaves of plates : illustrations, plans ; 49 cm
Teatro di Ercolano.
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Description:
[10] pages, 9 leaves of plates : illustrations, plans ; 49 cm
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books
books
Publication:
[Roma] : [Salomoni], [1783]
[Roma] : [Salomoni], [1783]
Author:
Subject:
