Starting From... Windows
A window can be a void, an aperture, or a glass surface. Existing at the boundary between interior and exterior, windows admit light and air and frame views. The idea of the window, combined with advances in glass as a building material, became central to architectural experimentation during the modern period. This selection from the CCA collection presents a range of(...)
Hall cases
17 June 2010 to 27 September 2010
Starting From... Windows
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A window can be a void, an aperture, or a glass surface. Existing at the boundary between interior and exterior, windows admit light and air and frame views. The idea of the window, combined with advances in glass as a building material, became central to architectural experimentation during the modern period. This selection from the CCA collection presents a range of(...)
Hall cases
The exhibition examines the important role the Pantheon played in French artistic and political life from its foundation in 1744 well into the twentieth century. Coinciding with the international celebrations of the bicentennial of the French Revolution, the exhibition focuses on one of the central architectural episodes of the Revolution—the transformation of Saint(...)
Main galleries
19 September 1989 to 19 November 1989
Le Panthéon: Symbol of Revolution
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The exhibition examines the important role the Pantheon played in French artistic and political life from its foundation in 1744 well into the twentieth century. Coinciding with the international celebrations of the bicentennial of the French Revolution, the exhibition focuses on one of the central architectural episodes of the Revolution—the transformation of Saint(...)
Main galleries
Money Matters: A Critical Look at Bank Architecture surveys the history and cultural significance of bank architecture, focusing on bank architecture as a building typology rather than in the context of a single architect or architectural firm. Challenging the standard notion that bank buildings are repetitive, dull and conservative, the exhibition reveals banks as(...)
Main galleries
14 November 1990 to 24 February 1991
Money Matters: A Critical Look at Bank Architecture
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Money Matters: A Critical Look at Bank Architecture surveys the history and cultural significance of bank architecture, focusing on bank architecture as a building typology rather than in the context of a single architect or architectural firm. Challenging the standard notion that bank buildings are repetitive, dull and conservative, the exhibition reveals banks as(...)
Main galleries
Mirrors / Miroirs
Mirrors/ Miroirs is conceived through an indirect dialogue with the exhibition Besides, History: Go Hasegawa, Kersten Geers, David Van Severen, a project rooted in the shared references and resonances between the work of two contemporary practices in the presence of history. If Besides, History is premised on impressions of one office’s work registered through(...)
Hall cases
22 June 2017 to 14 January 2018
Mirrors / Miroirs
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Mirrors/ Miroirs is conceived through an indirect dialogue with the exhibition Besides, History: Go Hasegawa, Kersten Geers, David Van Severen, a project rooted in the shared references and resonances between the work of two contemporary practices in the presence of history. If Besides, History is premised on impressions of one office’s work registered through(...)
Hall cases
Marking the 10th anniversary of the CCA’s public opening, the exhibition spotlights and juxtaposes acquisitions from its first decade. Over 350 prints, drawings, photographs, rare books, manuscripts, toys, and models spanning five centuries of architectural history reflect how the built world has been imagined, conceived, and reflected upon. Dedicated to the many donors(...)
Main galleries and hall cases
24 November 1999 to 30 April 2000
En chantier: The Collections of the CCA, 1989-1999
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Marking the 10th anniversary of the CCA’s public opening, the exhibition spotlights and juxtaposes acquisitions from its first decade. Over 350 prints, drawings, photographs, rare books, manuscripts, toys, and models spanning five centuries of architectural history reflect how the built world has been imagined, conceived, and reflected upon. Dedicated to the many donors(...)
Main galleries and hall cases
The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
Main galleries
5 March 1997 to 25 May 1997
The New Spirit: Modern Architecture in Vancouver, 1938-1963
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The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
Main galleries
Starting from diverse premises and points of view, Cedric Price, Aldo Rossi, James Stirling, and Gordon Matta-Clark each engaged in a radical rethinking of the status, history, and purpose of architecture. out of the box: price rossi stirling + matta-clark brings the ideas of these four pivotal figures of the 1970s into dialogue through a group of archives that recently(...)
Main galleries
23 October 2003 to 6 September 2004
out of the box: price rossi stirling + matta-clark
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Starting from diverse premises and points of view, Cedric Price, Aldo Rossi, James Stirling, and Gordon Matta-Clark each engaged in a radical rethinking of the status, history, and purpose of architecture. out of the box: price rossi stirling + matta-clark brings the ideas of these four pivotal figures of the 1970s into dialogue through a group of archives that recently(...)
Main galleries
Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Octagonal gallery
21 September 2018 to 19 May 2019
Scripts for a new world
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Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Octagonal gallery
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Main galleries
23 October 2002 to 6 April 2003
Herzog & de Meuron: Archaeology of the Mind
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Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Main galleries
Through a commission from the CCA, three contemporary photographers spent six years interpreting the work of Frederick Law Olmsted (1822–1903), North America’s most important landscape architect. *Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James* presents 155 photographs from this commission to offer visitors an opportunity to understand(...)
Main galleries
16 October 1996 to 2 February 1997
Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James
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Through a commission from the CCA, three contemporary photographers spent six years interpreting the work of Frederick Law Olmsted (1822–1903), North America’s most important landscape architect. *Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James* presents 155 photographs from this commission to offer visitors an opportunity to understand(...)
Main galleries