168 Results
Form:
exhibitions
exhibitions
Location:
Octagonal gallery
Octagonal gallery
Date:
7 February 2020 to 4 October 2020
7 February 2020 to 4 October 2020
Form:
exhibitions
exhibitions
Date:
7 February 2020 to
4 October 2020
7 February 2020 to
4 October 2020
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
The exhibition Industrial Architecture: ÁbalosHerreros selected by OFFICE Kersten Geers David Van Severen presents a precise reading of the industrial approach to architecture in the work of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Diverse objects are presented: CAD drawings, photographs of archival material taken by Stefano Graziani, a replica(...)
The exhibition Industrial Architecture: ÁbalosHerreros selected by OFFICE Kersten Geers David Van Severen presents a precise reading of the industrial approach to architecture in the work of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Diverse objects are presented: CAD drawings, photographs of archival material taken by Stefano Graziani, a replica(...)
Location:
Octagonal gallery Keyword(s):
Kersten Geers, David Van Severen, OFFICE, KGVDS, Ábalos, Herreros, Ábalos&Herreros, out of the box
Octagonal gallery Keyword(s):
Kersten Geers, David Van Severen, OFFICE, KGVDS, Ábalos, Herreros, Ábalos&Herreros, out of the box
Date:
12 March 2015 to 17 May 2015
12 March 2015 to 17 May 2015
Title:
Industrial Architecture: Ábalos&Herreros selected by OFFICE Kersten Geers David Van Severen
Actions:
Description:
The exhibition Industrial Architecture: ÁbalosHerreros selected by OFFICE Kersten Geers David Van Severen presents a precise reading of the industrial approach to architecture in the work of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Diverse objects are presented: CAD drawings, photographs of archival material taken by Stefano Graziani, a replica(...)
Industrial Architecture: Ábalos&Herreros selected by OFFICE Kersten Geers David Van Severen
Actions:
Description:
The exhibition Industrial Architecture: ÁbalosHerreros selected by OFFICE Kersten Geers David Van Severen presents a precise reading of the industrial approach to architecture in the work of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Diverse objects are presented: CAD drawings, photographs of archival material taken by Stefano Graziani, a replica(...)
Form:
exhibitions
exhibitions
Date:
12 March 2015 to
17 May 2015
12 March 2015 to
17 May 2015
Location:
Octagonal gallery Keyword(s):
Kersten Geers, David Van Severen, OFFICE, KGVDS, Ábalos, Herreros, Ábalos&Herreros, out of the box
Octagonal gallery Keyword(s):
Kersten Geers, David Van Severen, OFFICE, KGVDS, Ábalos, Herreros, Ábalos&Herreros, out of the box
Level of archival description:
Project
Project
Title:
Hague Hole
Hague Hole
Reference number:
AP144.S2.D25
Description:
File documents an unexecuted proposal for a truck transportable week-end house for a beach site in North Wales. Accordion-shaped extendible boxes with cross bracing are designed to be pulled out by car from a fixed central core onto structural rail sections levelled on jacks. The fixed central core consists of living, dining, kitchen and bathroom facilities. Some material in this file was published in 'Architectural Design', vol. 40, (October 1970), 511. File also contains measured drawings for unknown residence. Material in this file was produced in1960. File contains conceptual drawings, measured drawings, photographic materials, and textual records.
AP144.S2.D25
Description:
File documents an unexecuted proposal for a truck transportable week-end house for a beach site in North Wales. Accordion-shaped extendible boxes with cross bracing are designed to be pulled out by car from a fixed central core onto structural rail sections levelled on jacks. The fixed central core consists of living, dining, kitchen and bathroom facilities. Some material in this file was published in 'Architectural Design', vol. 40, (October 1970), 511. File also contains measured drawings for unknown residence. Material in this file was produced in1960. File contains conceptual drawings, measured drawings, photographic materials, and textual records.
People:
Date:
[1960]
[1960]
Title:
Hague Hole
Actions:
AP144.S2.D25
Description:
File documents an unexecuted proposal for a truck transportable week-end house for a beach site in North Wales. Accordion-shaped extendible boxes with cross bracing are designed to be pulled out by car from a fixed central core onto structural rail sections levelled on jacks. The fixed central core consists of living, dining, kitchen and bathroom facilities. Some material in this file was published in 'Architectural Design', vol. 40, (October 1970), 511. File also contains measured drawings for unknown residence. Material in this file was produced in1960. File contains conceptual drawings, measured drawings, photographic materials, and textual records.
Hague Hole
Actions:
AP144.S2.D25
Description:
File documents an unexecuted proposal for a truck transportable week-end house for a beach site in North Wales. Accordion-shaped extendible boxes with cross bracing are designed to be pulled out by car from a fixed central core onto structural rail sections levelled on jacks. The fixed central core consists of living, dining, kitchen and bathroom facilities. Some material in this file was published in 'Architectural Design', vol. 40, (October 1970), 511. File also contains measured drawings for unknown residence. Material in this file was produced in1960. File contains conceptual drawings, measured drawings, photographic materials, and textual records.
Level of archival description:
File 25
File 25
Date:
[1960]
[1960]
People:
Form:
born digital
born digital
Actions:
Reference number:
AP167.S1.SS3.002
Description:
This directory chiefly contains the out-of-the-box Virtools software, located in the subdirectory titled "Virtools." This includes a variety of applications, most notably Virtools Dev, the Virtools CAD software. Applications also include the Virtools render engine, configuration specifications, the CKGUID generator, and the Decision Industrial Interface (DII) setup wizard. There are also a small number of NSA Muscle composition and player files in the "besturing" subdirectory, and a number of DII files in the "drivers" subdirectory. Original directory name: "!!!muscle cd". Most common file formats: Plain Text File, Unidentified, JPEG File Interchange Format, Windows Portable Executable, Waveform Audio (PCMWAVEFORMAT).
AP167.S1.SS3.002
Description:
This directory chiefly contains the out-of-the-box Virtools software, located in the subdirectory titled "Virtools." This includes a variety of applications, most notably Virtools Dev, the Virtools CAD software. Applications also include the Virtools render engine, configuration specifications, the CKGUID generator, and the Decision Industrial Interface (DII) setup wizard. There are also a small number of NSA Muscle composition and player files in the "besturing" subdirectory, and a number of DII files in the "drivers" subdirectory. Original directory name: "!!!muscle cd". Most common file formats: Plain Text File, Unidentified, JPEG File Interchange Format, Windows Portable Executable, Waveform Audio (PCMWAVEFORMAT).
People:
Date:
31 January 1998 - 5 November 2003
31 January 1998 - 5 November 2003
Title:
Virtools software and NSA Muscle composition and player files
Actions:
AP167.S1.SS3.002
Description:
This directory chiefly contains the out-of-the-box Virtools software, located in the subdirectory titled "Virtools." This includes a variety of applications, most notably Virtools Dev, the Virtools CAD software. Applications also include the Virtools render engine, configuration specifications, the CKGUID generator, and the Decision Industrial Interface (DII) setup wizard. There are also a small number of NSA Muscle composition and player files in the "besturing" subdirectory, and a number of DII files in the "drivers" subdirectory. Original directory name: "!!!muscle cd". Most common file formats: Plain Text File, Unidentified, JPEG File Interchange Format, Windows Portable Executable, Waveform Audio (PCMWAVEFORMAT).
Virtools software and NSA Muscle composition and player files
Actions:
AP167.S1.SS3.002
Description:
This directory chiefly contains the out-of-the-box Virtools software, located in the subdirectory titled "Virtools." This includes a variety of applications, most notably Virtools Dev, the Virtools CAD software. Applications also include the Virtools render engine, configuration specifications, the CKGUID generator, and the Decision Industrial Interface (DII) setup wizard. There are also a small number of NSA Muscle composition and player files in the "besturing" subdirectory, and a number of DII files in the "drivers" subdirectory. Original directory name: "!!!muscle cd". Most common file formats: Plain Text File, Unidentified, JPEG File Interchange Format, Windows Portable Executable, Waveform Audio (PCMWAVEFORMAT).
Form:
born digital
born digital
Date:
31 January 1998 - 5 November 2003
31 January 1998 - 5 November 2003
People:
Level of archival description:
Project
Project
Reference number:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
People:
Date:
1986-1988
1986-1988
Title:
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Level of archival description:
File 65
File 65
Date:
1986-1988
1986-1988
People:
Form:
exhibitions
exhibitions
Description:
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
24 May 2015 to 12 July 2015
24 May 2015 to 12 July 2015
Title:
Jai Tech: Ábalos&Herreros selected by Juan José Castellón
Actions:
Description:
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Jai Tech: Ábalos&Herreros selected by Juan José Castellón
Actions:
Description:
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Form:
exhibitions
exhibitions
Date:
24 May 2015 to
12 July 2015
24 May 2015 to
12 July 2015
Location:
Octagonal gallery
Octagonal gallery
Form:
drawings
drawings
Reference number:
DR1995:0179:001-008
Description:
- This group of drawings are for a "truck transportable week-end house to be located on a beach in North Wales, UK" ('Architectural Design', 511). Accordion-shaped extendible boxes with cross bracing are designed to be pulled out by car from a fixed central core onto structural rail sections leveled on jacks. The fixed central core consists of living, dining, kitchen and bathroom facilities. Four extendible boxes house additional sleeping quarters along with a carport and a dock which is shown extended out into the water. Two sketches have apparently been redrawn from originals by Cedric Price in order to clarify ideas for publication in 'Architectural Design', (May 1970) (DR1995:0179:007 - DR1995:0179:008).
DR1995:0179:001-008
Description:
- This group of drawings are for a "truck transportable week-end house to be located on a beach in North Wales, UK" ('Architectural Design', 511). Accordion-shaped extendible boxes with cross bracing are designed to be pulled out by car from a fixed central core onto structural rail sections leveled on jacks. The fixed central core consists of living, dining, kitchen and bathroom facilities. Four extendible boxes house additional sleeping quarters along with a carport and a dock which is shown extended out into the water. Two sketches have apparently been redrawn from originals by Cedric Price in order to clarify ideas for publication in 'Architectural Design', (May 1970) (DR1995:0179:007 - DR1995:0179:008).
People:
Date:
1960
1960
Title:
Hague Hole extendable portable beach house: Conceptual drawings, annotated sketches and diagrams
Actions:
DR1995:0179:001-008
Description:
- This group of drawings are for a "truck transportable week-end house to be located on a beach in North Wales, UK" ('Architectural Design', 511). Accordion-shaped extendible boxes with cross bracing are designed to be pulled out by car from a fixed central core onto structural rail sections leveled on jacks. The fixed central core consists of living, dining, kitchen and bathroom facilities. Four extendible boxes house additional sleeping quarters along with a carport and a dock which is shown extended out into the water. Two sketches have apparently been redrawn from originals by Cedric Price in order to clarify ideas for publication in 'Architectural Design', (May 1970) (DR1995:0179:007 - DR1995:0179:008).
Hague Hole extendable portable beach house: Conceptual drawings, annotated sketches and diagrams
Actions:
DR1995:0179:001-008
Description:
- This group of drawings are for a "truck transportable week-end house to be located on a beach in North Wales, UK" ('Architectural Design', 511). Accordion-shaped extendible boxes with cross bracing are designed to be pulled out by car from a fixed central core onto structural rail sections leveled on jacks. The fixed central core consists of living, dining, kitchen and bathroom facilities. Four extendible boxes house additional sleeping quarters along with a carport and a dock which is shown extended out into the water. Two sketches have apparently been redrawn from originals by Cedric Price in order to clarify ideas for publication in 'Architectural Design', (May 1970) (DR1995:0179:007 - DR1995:0179:008).
Form:
drawings
drawings
Date:
1960
1960
People:
Form:
articles
articles
Title:
We All Have Our Obsessions
We All Have Our Obsessions
Actions:
Yves Moreau, Claudia Shmidt, Sofia von Ellrichshausen, and Mauricio Pezo in conversation with Francesco Garutti
Published:
22 April 2024
22 April 2024
Title:
We All Have Our Obsessions
Yves Moreau, Claudia Shmidt, Sofia von Ellrichshausen, and Mauricio Pezo in conversation with Francesco Garutti
Actions:
We All Have Our Obsessions
Yves Moreau, Claudia Shmidt, Sofia von Ellrichshausen, and Mauricio Pezo in conversation with Francesco Garutti
Actions:
Form:
exhibitions
exhibitions
Actions:
Description:
For the third and last installment in this series, Mauricio Pezo and Sofia von Ellrichshausen of Pezo von Ellrichshausen explore domestic monumentality in Williamss work. The exhibition presents technical drawings of monumental elements incorporated in two key projects—Casa Sobre el Arroyo [House on the river] and Casa Demarás [Desmarás house]—alongside an array of(...)
For the third and last installment in this series, Mauricio Pezo and Sofia von Ellrichshausen of Pezo von Ellrichshausen explore domestic monumentality in Williamss work. The exhibition presents technical drawings of monumental elements incorporated in two key projects—Casa Sobre el Arroyo [House on the river] and Casa Demarás [Desmarás house]—alongside an array of(...)
Location:
Octagonal gallery Keyword(s):
Amancio Williams, Pezo von Ellrichshausen, Buenos Aires, Out of the box, Argentina, Casa sobre el arroyo, Casa Desmarás, bridge house
Octagonal gallery Keyword(s):
Amancio Williams, Pezo von Ellrichshausen, Buenos Aires, Out of the box, Argentina, Casa sobre el arroyo, Casa Desmarás, bridge house
Date:
22 February 2024 to 19 May 2024
22 February 2024 to 19 May 2024
Title:
Domestic Monument: Amancio Williams selected by Pezo von Ellrichshausen
Actions:
Description:
For the third and last installment in this series, Mauricio Pezo and Sofia von Ellrichshausen of Pezo von Ellrichshausen explore domestic monumentality in Williamss work. The exhibition presents technical drawings of monumental elements incorporated in two key projects—Casa Sobre el Arroyo [House on the river] and Casa Demarás [Desmarás house]—alongside an array of(...)
Domestic Monument: Amancio Williams selected by Pezo von Ellrichshausen
Actions:
Description:
For the third and last installment in this series, Mauricio Pezo and Sofia von Ellrichshausen of Pezo von Ellrichshausen explore domestic monumentality in Williamss work. The exhibition presents technical drawings of monumental elements incorporated in two key projects—Casa Sobre el Arroyo [House on the river] and Casa Demarás [Desmarás house]—alongside an array of(...)
Form:
exhibitions
exhibitions
Date:
22 February 2024 to
19 May 2024
22 February 2024 to
19 May 2024
Location:
Octagonal gallery Keyword(s):
Amancio Williams, Pezo von Ellrichshausen, Buenos Aires, Out of the box, Argentina, Casa sobre el arroyo, Casa Desmarás, bridge house
Octagonal gallery Keyword(s):
Amancio Williams, Pezo von Ellrichshausen, Buenos Aires, Out of the box, Argentina, Casa sobre el arroyo, Casa Desmarás, bridge house
Form:
exhibitions
exhibitions
Location:
Octagonal gallery
Octagonal gallery
Date:
27 September 2019 to 19 January 2020
27 September 2019 to 19 January 2020
Form:
exhibitions
exhibitions
Date:
27 September 2019 to
19 January 2020
27 September 2019 to
19 January 2020
Location:
Octagonal gallery
Octagonal gallery
