PH1986:1187:067
published 1855
PH1980:0291
ca. 1950s
Panoramic view of courtyard and fountain, of renaissance palace, Prague, Czech Republic
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PH1980:0291
View of Renaissance details of south ambulatory of Cathédrale Sainte-Cécile d’Albi, Albi, France
PH1979:0624:023
Description:
Section B, 6e item. "7: Albi Cathedral: Renaissance details: ... Ambulating"
1883-1930
View of Renaissance details of south ambulatory of Cathédrale Sainte-Cécile d’Albi, Albi, France
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PH1979:0624:023
Description:
Section B, 6e item. "7: Albi Cathedral: Renaissance details: ... Ambulating"
PH1978:0074:005
1853-1854
View of facade of Renaissance Court, showing Elizabithan and Italian facades, Crystal Palace, London, England
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PH1978:0074:005
PH1986:1187:072
published 1855
Renaissance Court, showing one of the Venetian Wells, Crystal Palace, Sydenham, England
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PH1986:1187:072
PH1979:0454:015
Renaissance portico with carved columns and Romanesque arches, Cloister St. Paul's Outside the Walls, Rome, Italy
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PH1979:0454:015
Visiting Scholar, Christopher Heuer, Guidebooks to Chaos, The Grotesque Renaissances, Hans Vredeman de Vries, The City Rehearsed, Urban Design, Architectural Imaginary, Visiting Scholar Seminar
13 July 2006
articles
18th century, 19th century, Antiquité, antiquité, Antiquity, Buffon, Charles de Wailly, Charles-François Viel, Claude-Nicolas Ledoux, dessin, drawing, Etienne-Louis Boullée, Étienne-Louis Boullée, France, French Revolution, Grèce, Greece, hôpital, hospital, Jacques-Germain Soufflot, Jean-Louis Viel de Saint-Maux, Jean-Nicolas-Louis Durand, Lettres d’architecture des anciens et celle des moderns, Panthéon, Paris, Paul Holmquist, Principes de l’ordonnance et de la construction des bâtimens, Renaissance, Révolution française, Rome, Sainte-Geneviève, Vitruve,
28 November 2011
The drawings presented in this exhibition are annotated to show the Italian Renaissance master architect Andrea Palladio as a draughtsman considering a blank sheet of paper. Palladio at Work considers a life sustained by drawing, the process by which Palladio’s design was developed, argued, and communicated. Curated by Guido Beltramini and Charles Hind. Co-organized with(...)
Octagonal gallery
3 March 2011 to 22 May 2011
Palladio at Work: An annotated exhibition
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Description:
The drawings presented in this exhibition are annotated to show the Italian Renaissance master architect Andrea Palladio as a draughtsman considering a blank sheet of paper. Palladio at Work considers a life sustained by drawing, the process by which Palladio’s design was developed, argued, and communicated. Curated by Guido Beltramini and Charles Hind. Co-organized with(...)
Octagonal gallery
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
Main galleries
18 August 1993 to 2 January 1994
Exploring Rome: Piranesi and His Contemporaries
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Description:
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
Main galleries