685 Results
Form:
articles
articles
Title:
First, the Forests
First, the Forests
Actions:
Issue:
Nature reorganized
Nature reorganized
Keyword(s):
16th century, 20th century, carte, D'abord les forêts, Dan Handel, dessin, drawing, États-Unis, First the Forests, forest, foresterie, forestry, forêt, Inde, India, Italie, Italy, map, photographie, photography, Programme pour jeune commissaire, United States, Venice, Venise, XVIe siècle, XXe siècle, Young Curator Program
16th century, 20th century, carte, D'abord les forêts, Dan Handel, dessin, drawing, États-Unis, First the Forests, forest, foresterie, forestry, forêt, Inde, India, Italie, Italy, map, photographie, photography, Programme pour jeune commissaire, United States, Venice, Venise, XVIe siècle, XXe siècle, Young Curator Program
Published:
28 August 2012
28 August 2012
Issue:
Nature reorganized
Nature reorganized
Form:
exhibitions
exhibitions
Actions:
Description:
Toplight: Roof Transparencies from 1760 to 1960 traces the evolution of skylights from their origins at the end of the eighteenth century, when this type of fenestration was first explored in Paris’s new Halle au blé (1763–1782), to James Stirling’s History Faculty Building, University of Cambridge (1963–1968). The exhibition is organized around a series of case studies(...)
Toplight: Roof Transparencies from 1760 to 1960 traces the evolution of skylights from their origins at the end of the eighteenth century, when this type of fenestration was first explored in Paris’s new Halle au blé (1763–1782), to James Stirling’s History Faculty Building, University of Cambridge (1963–1968). The exhibition is organized around a series of case studies(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
23 October 2008 to 15 February 2009
23 October 2008 to 15 February 2009
Title:
Toplight: Roof Transparencies from 1760 to 1960
Actions:
Description:
Toplight: Roof Transparencies from 1760 to 1960 traces the evolution of skylights from their origins at the end of the eighteenth century, when this type of fenestration was first explored in Paris’s new Halle au blé (1763–1782), to James Stirling’s History Faculty Building, University of Cambridge (1963–1968). The exhibition is organized around a series of case studies(...)
Toplight: Roof Transparencies from 1760 to 1960
Actions:
Description:
Toplight: Roof Transparencies from 1760 to 1960 traces the evolution of skylights from their origins at the end of the eighteenth century, when this type of fenestration was first explored in Paris’s new Halle au blé (1763–1782), to James Stirling’s History Faculty Building, University of Cambridge (1963–1968). The exhibition is organized around a series of case studies(...)
Form:
exhibitions
exhibitions
Date:
23 October 2008 to
15 February 2009
23 October 2008 to
15 February 2009
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Description:
Meditations on Piero presents contemporary sculptures by British/Canadian artist Geoffrey Smedley alongside over thirty rare books from the fifteenth to the eighteenth centuries. The sculptures draw their inspiration from a series of drawings of the human head by the great Italian Renaissance artist Piero della Francesca. The exhibition relates these drawings and(...)
Meditations on Piero presents contemporary sculptures by British/Canadian artist Geoffrey Smedley alongside over thirty rare books from the fifteenth to the eighteenth centuries. The sculptures draw their inspiration from a series of drawings of the human head by the great Italian Renaissance artist Piero della Francesca. The exhibition relates these drawings and(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
2 May 2001 to 16 September 2001
2 May 2001 to 16 September 2001
Title:
Meditations on Piero
Actions:
Description:
Meditations on Piero presents contemporary sculptures by British/Canadian artist Geoffrey Smedley alongside over thirty rare books from the fifteenth to the eighteenth centuries. The sculptures draw their inspiration from a series of drawings of the human head by the great Italian Renaissance artist Piero della Francesca. The exhibition relates these drawings and(...)
Meditations on Piero
Actions:
Description:
Meditations on Piero presents contemporary sculptures by British/Canadian artist Geoffrey Smedley alongside over thirty rare books from the fifteenth to the eighteenth centuries. The sculptures draw their inspiration from a series of drawings of the human head by the great Italian Renaissance artist Piero della Francesca. The exhibition relates these drawings and(...)
Form:
exhibitions
exhibitions
Date:
2 May 2001 to
16 September 2001
2 May 2001 to
16 September 2001
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Title:
Cedric Price: Mean Time
Cedric Price: Mean Time
Actions:
Description:
British architect Cedric Price draws upon the collection of the CCA to develop the complex relationships between time, movement, and space in the built environment. Looking at structures and building elements through the ages, including some of Price’s own projects, Mean Time presents photographs of an ancient Aztec sun dial, a railroad switching yard, a shot tower, and a(...)
British architect Cedric Price draws upon the collection of the CCA to develop the complex relationships between time, movement, and space in the built environment. Looking at structures and building elements through the ages, including some of Price’s own projects, Mean Time presents photographs of an ancient Aztec sun dial, a railroad switching yard, a shot tower, and a(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
19 October 1999 to 27 February 2000
19 October 1999 to 27 February 2000
Title:
Cedric Price: Mean Time
Actions:
Description:
British architect Cedric Price draws upon the collection of the CCA to develop the complex relationships between time, movement, and space in the built environment. Looking at structures and building elements through the ages, including some of Price’s own projects, Mean Time presents photographs of an ancient Aztec sun dial, a railroad switching yard, a shot tower, and a(...)
Cedric Price: Mean Time
Actions:
Description:
British architect Cedric Price draws upon the collection of the CCA to develop the complex relationships between time, movement, and space in the built environment. Looking at structures and building elements through the ages, including some of Price’s own projects, Mean Time presents photographs of an ancient Aztec sun dial, a railroad switching yard, a shot tower, and a(...)
Form:
exhibitions
exhibitions
Date:
19 October 1999 to
27 February 2000
19 October 1999 to
27 February 2000
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Title:
Starting from... People
Starting from... People
Actions:
Description:
One of the markers of modernity from the eighteenth century onwards is the emergence of “the people” as a respected political entity. In response, architects have advocated for the transformation of cities, explored new technologies, pioneered design discourses, and engaged in heated cultural conflicts—all in the name of the people. During this time, fictional, abstracted(...)
One of the markers of modernity from the eighteenth century onwards is the emergence of “the people” as a respected political entity. In response, architects have advocated for the transformation of cities, explored new technologies, pioneered design discourses, and engaged in heated cultural conflicts—all in the name of the people. During this time, fictional, abstracted(...)
Location:
Hall cases
Hall cases
Date:
5 October 2011 to 22 January 2012
5 October 2011 to 22 January 2012
Title:
Starting from... People
Actions:
Description:
One of the markers of modernity from the eighteenth century onwards is the emergence of “the people” as a respected political entity. In response, architects have advocated for the transformation of cities, explored new technologies, pioneered design discourses, and engaged in heated cultural conflicts—all in the name of the people. During this time, fictional, abstracted(...)
Starting from... People
Actions:
Description:
One of the markers of modernity from the eighteenth century onwards is the emergence of “the people” as a respected political entity. In response, architects have advocated for the transformation of cities, explored new technologies, pioneered design discourses, and engaged in heated cultural conflicts—all in the name of the people. During this time, fictional, abstracted(...)
Form:
exhibitions
exhibitions
Date:
5 October 2011 to
22 January 2012
5 October 2011 to
22 January 2012
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Location:
Main galleries
Main galleries
Date:
19 July 1994 to 25 September 1994
19 July 1994 to 25 September 1994
Title:
The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Form:
exhibitions
exhibitions
Date:
19 July 1994 to
25 September 1994
19 July 1994 to
25 September 1994
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
15 March 2000 to 7 May 2000
15 March 2000 to 7 May 2000
Title:
Visions and Views: The Architecture of Borromini in the Photographs of Edward Burtynsky
Actions:
Description:
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Visions and Views: The Architecture of Borromini in the Photographs of Edward Burtynsky
Actions:
Description:
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Form:
exhibitions
exhibitions
Date:
15 March 2000 to
7 May 2000
15 March 2000 to
7 May 2000
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
The greystone buildings standing in Montreal today are essential tools for understanding the city. A deep study of their material history from the late 17th century to the early 20th demonstrates how geology, topography, politics, ethnicity, culture, as well as changes in economy and technology, have shaped the city through the centuries. Conceived as a photographic(...)
The greystone buildings standing in Montreal today are essential tools for understanding the city. A deep study of their material history from the late 17th century to the early 20th demonstrates how geology, topography, politics, ethnicity, culture, as well as changes in economy and technology, have shaped the city through the centuries. Conceived as a photographic(...)
Location:
Octagonal gallery Keyword(s):
Greystone, Phyllis Lambert, Montréal, photography, Richard Pare
Octagonal gallery Keyword(s):
Greystone, Phyllis Lambert, Montréal, photography, Richard Pare
Date:
13 October 2017 to 4 March 2018
13 October 2017 to 4 March 2018
Title:
Greystone: Tools for Understanding the City
Actions:
Description:
The greystone buildings standing in Montreal today are essential tools for understanding the city. A deep study of their material history from the late 17th century to the early 20th demonstrates how geology, topography, politics, ethnicity, culture, as well as changes in economy and technology, have shaped the city through the centuries. Conceived as a photographic(...)
Greystone: Tools for Understanding the City
Actions:
Description:
The greystone buildings standing in Montreal today are essential tools for understanding the city. A deep study of their material history from the late 17th century to the early 20th demonstrates how geology, topography, politics, ethnicity, culture, as well as changes in economy and technology, have shaped the city through the centuries. Conceived as a photographic(...)
Form:
exhibitions
exhibitions
Date:
13 October 2017 to
4 March 2018
13 October 2017 to
4 March 2018
Location:
Octagonal gallery Keyword(s):
Greystone, Phyllis Lambert, Montréal, photography, Richard Pare
Octagonal gallery Keyword(s):
Greystone, Phyllis Lambert, Montréal, photography, Richard Pare
Form:
exhibitions
exhibitions
Title:
Architects’ Books
Architects’ Books
Actions:
Description:
This exhibition presents three phases in the history of the architect’s book: the mid-sixteenth century, when architects first proved themselves in the field; the late-nineteenth to early-twentieth centuries, when architects turned to book design as a serious complement to their professional career; and contemporary times, when architectural firms, in league with their(...)
This exhibition presents three phases in the history of the architect’s book: the mid-sixteenth century, when architects first proved themselves in the field; the late-nineteenth to early-twentieth centuries, when architects turned to book design as a serious complement to their professional career; and contemporary times, when architectural firms, in league with their(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
24 June 2004 to 26 September 2004
24 June 2004 to 26 September 2004
Title:
Architects’ Books
Actions:
Description:
This exhibition presents three phases in the history of the architect’s book: the mid-sixteenth century, when architects first proved themselves in the field; the late-nineteenth to early-twentieth centuries, when architects turned to book design as a serious complement to their professional career; and contemporary times, when architectural firms, in league with their(...)
Architects’ Books
Actions:
Description:
This exhibition presents three phases in the history of the architect’s book: the mid-sixteenth century, when architects first proved themselves in the field; the late-nineteenth to early-twentieth centuries, when architects turned to book design as a serious complement to their professional career; and contemporary times, when architectural firms, in league with their(...)
Form:
exhibitions
exhibitions
Date:
24 June 2004 to
26 September 2004
24 June 2004 to
26 September 2004
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Location:
Main galleries
Main galleries
Date:
15 May 2003 to 14 September 2003
15 May 2003 to 14 September 2003
Title:
Traces of India: Photography, Architecture, and the Politics of Representation
Actions:
Description:
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Traces of India: Photography, Architecture, and the Politics of Representation
Actions:
Description:
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Form:
exhibitions
exhibitions
Date:
15 May 2003 to
14 September 2003
15 May 2003 to
14 September 2003
Location:
Main galleries
Main galleries
