4429 Results
Form:
exhibitions
exhibitions
Actions:
Description:
Architects of the Image: Photography in the Heroic Age of Construction explores the relationships between camera images and the making of large-scale architectural and engineering structures that stirred public imagination in the first hundred years of photography. The exhibition is predicated on the notion of the photographer as architect, an analogy that suggests(...)
Architects of the Image: Photography in the Heroic Age of Construction explores the relationships between camera images and the making of large-scale architectural and engineering structures that stirred public imagination in the first hundred years of photography. The exhibition is predicated on the notion of the photographer as architect, an analogy that suggests(...)
Date:
11 October 1995 to 4 February 1996
11 October 1995 to 4 February 1996
Title:
Architects of the Image: Photography in the Heroic Age of Construction
Actions:
Description:
Architects of the Image: Photography in the Heroic Age of Construction explores the relationships between camera images and the making of large-scale architectural and engineering structures that stirred public imagination in the first hundred years of photography. The exhibition is predicated on the notion of the photographer as architect, an analogy that suggests(...)
Architects of the Image: Photography in the Heroic Age of Construction
Actions:
Description:
Architects of the Image: Photography in the Heroic Age of Construction explores the relationships between camera images and the making of large-scale architectural and engineering structures that stirred public imagination in the first hundred years of photography. The exhibition is predicated on the notion of the photographer as architect, an analogy that suggests(...)
Form:
exhibitions
exhibitions
Date:
11 October 1995 to
4 February 1996
11 October 1995 to
4 February 1996
Form:
exhibitions
exhibitions
Actions:
Description:
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
15 March 2000 to 7 May 2000
15 March 2000 to 7 May 2000
Title:
Visions and Views: The Architecture of Borromini in the Photographs of Edward Burtynsky
Actions:
Description:
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Visions and Views: The Architecture of Borromini in the Photographs of Edward Burtynsky
Actions:
Description:
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Form:
exhibitions
exhibitions
Date:
15 March 2000 to
7 May 2000
15 March 2000 to
7 May 2000
Location:
Octagonal gallery
Octagonal gallery
Form:
articles
articles
Title:
Photography as Project
Photography as Project
Actions:
A conversation between Stefano Graziani and Bas Princen
Keyword(s):
Stefano Graziani; Bas Princen; The Lives of Documents, CCA collection, architecture photography, photography as a project
Stefano Graziani; Bas Princen; The Lives of Documents, CCA collection, architecture photography, photography as a project
Published:
24 April 2023
24 April 2023
Form:
articles
articles
Title:
On the Edge
On the Edge
Actions:
Davide Deriu on photography and the vertigo of modern architecture
Issue:
Keep Safe
Keep Safe
Published:
5 February 2024
5 February 2024
Issue:
Keep Safe
Keep Safe
Form:
textual records
textual records
Actions:
Reference number:
ARCH273814
Description:
File contains photography invoices for Arthur Erickson's book, The Architecture of Arthur Erickson, published by Thames and Hudson (1988).
ARCH273814
Description:
File contains photography invoices for Arthur Erickson's book, The Architecture of Arthur Erickson, published by Thames and Hudson (1988).
People:
Title:
Invoices for "The Architecture of Arthur Erickson" by Erickson
Actions:
ARCH273814
Description:
File contains photography invoices for Arthur Erickson's book, The Architecture of Arthur Erickson, published by Thames and Hudson (1988).
Invoices for "The Architecture of Arthur Erickson" by Erickson
Actions:
ARCH273814
Description:
File contains photography invoices for Arthur Erickson's book, The Architecture of Arthur Erickson, published by Thames and Hudson (1988).
Form:
textual records
textual records
People:
Actions:
Reference number:
AP140.S2.SS7.D3.P10.5
Description:
An episode of the British television series Omnibus in which Prince Charles presents a critique of modern British architecture. [London] : BBC, c1988. Written & narrated by H.R.H. the Prince of Wales ; researcher, Cassie Braban ; rostrum cameraman, Malcolm Kipling ; dubbing mixer, Rob James ; dubbing editor, Debbie Pragnell ; film recordists, Michael Spencer, Tim Humphries ; photography, John Daly, Colin Munn, Chris Sadler, Martin Patmore ; filmeditor, Jeff Shaw ; director, Nicholas Rossiter ; producer, Christopher Martin ; Omnibus editor, Andrew Snell.
AP140.S2.SS7.D3.P10.5
Description:
An episode of the British television series Omnibus in which Prince Charles presents a critique of modern British architecture. [London] : BBC, c1988. Written & narrated by H.R.H. the Prince of Wales ; researcher, Cassie Braban ; rostrum cameraman, Malcolm Kipling ; dubbing mixer, Rob James ; dubbing editor, Debbie Pragnell ; film recordists, Michael Spencer, Tim Humphries ; photography, John Daly, Colin Munn, Chris Sadler, Martin Patmore ; filmeditor, Jeff Shaw ; director, Nicholas Rossiter ; producer, Christopher Martin ; Omnibus editor, Andrew Snell.
People:
Subject:
architecture
architecture
Date:
1988
1988
Title:
A vision of Britain : a personal view of architecture
Actions:
AP140.S2.SS7.D3.P10.5
Description:
An episode of the British television series Omnibus in which Prince Charles presents a critique of modern British architecture. [London] : BBC, c1988. Written & narrated by H.R.H. the Prince of Wales ; researcher, Cassie Braban ; rostrum cameraman, Malcolm Kipling ; dubbing mixer, Rob James ; dubbing editor, Debbie Pragnell ; film recordists, Michael Spencer, Tim Humphries ; photography, John Daly, Colin Munn, Chris Sadler, Martin Patmore ; filmeditor, Jeff Shaw ; director, Nicholas Rossiter ; producer, Christopher Martin ; Omnibus editor, Andrew Snell.
A vision of Britain : a personal view of architecture
Actions:
AP140.S2.SS7.D3.P10.5
Description:
An episode of the British television series Omnibus in which Prince Charles presents a critique of modern British architecture. [London] : BBC, c1988. Written & narrated by H.R.H. the Prince of Wales ; researcher, Cassie Braban ; rostrum cameraman, Malcolm Kipling ; dubbing mixer, Rob James ; dubbing editor, Debbie Pragnell ; film recordists, Michael Spencer, Tim Humphries ; photography, John Daly, Colin Munn, Chris Sadler, Martin Patmore ; filmeditor, Jeff Shaw ; director, Nicholas Rossiter ; producer, Christopher Martin ; Omnibus editor, Andrew Snell.
Date:
1988
1988
People:
Subject:
architecture
architecture
Form:
photographs
photographs
Actions:
Reference number:
ARCH285480
ARCH285480
People:
Date:
1967
1967
Title:
Parkin recieving Massey Foundation Award in Architecture from Paul Martin Sr.
Actions:
ARCH285480
Parkin recieving Massey Foundation Award in Architecture from Paul Martin Sr.
Actions:
ARCH285480
Form:
photographs
photographs
Date:
1967
1967
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP066.S3.D2
Description:
Le dossier documente la soumission pour le concours pour un projet d'ornementation contemporaine en maçonnerie à la Place des Arts de Montréal où Jacques Rousseau, ex-aequo, s'est mérité le premier prix. Le budget aloué pour ce projet était de 3 000$. Il s'agit d'un mur de maçonnerie armée réalisé dans le cadre de l'Archifête à la Place-des-arts en 1984. Le mur a été déménagé sur la rue St-Hubert, la rue de Bullion, au Bar Business sur la rue Saint-Laurent et sur le terrain à l'avant de la Maison Coloniale. Le dossier contient des dessins, des photographies, des panneaux, des documents textuels et des documents photographiques. Description du projet par l'architecte: "Chante pleure, tant en temps la larme est donnée À qui s'est tu!" Siglinde Spanihel [pseudonyme?], "Premier prix ex-aequo: Jacques Rousseau, architecte", ARQ vol. 21, nº 9.
AP066.S3.D2
Description:
Le dossier documente la soumission pour le concours pour un projet d'ornementation contemporaine en maçonnerie à la Place des Arts de Montréal où Jacques Rousseau, ex-aequo, s'est mérité le premier prix. Le budget aloué pour ce projet était de 3 000$. Il s'agit d'un mur de maçonnerie armée réalisé dans le cadre de l'Archifête à la Place-des-arts en 1984. Le mur a été déménagé sur la rue St-Hubert, la rue de Bullion, au Bar Business sur la rue Saint-Laurent et sur le terrain à l'avant de la Maison Coloniale. Le dossier contient des dessins, des photographies, des panneaux, des documents textuels et des documents photographiques. Description du projet par l'architecte: "Chante pleure, tant en temps la larme est donnée À qui s'est tu!" Siglinde Spanihel [pseudonyme?], "Premier prix ex-aequo: Jacques Rousseau, architecte", ARQ vol. 21, nº 9.
People:
Date:
1984
1984
Title:
Concours "Architecture en relief " de l'archifête - Projet d'ornementation contemporaine en maçonnerie
Actions:
AP066.S3.D2
Description:
Le dossier documente la soumission pour le concours pour un projet d'ornementation contemporaine en maçonnerie à la Place des Arts de Montréal où Jacques Rousseau, ex-aequo, s'est mérité le premier prix. Le budget aloué pour ce projet était de 3 000$. Il s'agit d'un mur de maçonnerie armée réalisé dans le cadre de l'Archifête à la Place-des-arts en 1984. Le mur a été déménagé sur la rue St-Hubert, la rue de Bullion, au Bar Business sur la rue Saint-Laurent et sur le terrain à l'avant de la Maison Coloniale. Le dossier contient des dessins, des photographies, des panneaux, des documents textuels et des documents photographiques. Description du projet par l'architecte: "Chante pleure, tant en temps la larme est donnée À qui s'est tu!" Siglinde Spanihel [pseudonyme?], "Premier prix ex-aequo: Jacques Rousseau, architecte", ARQ vol. 21, nº 9.
Concours "Architecture en relief " de l'archifête - Projet d'ornementation contemporaine en maçonnerie
Actions:
AP066.S3.D2
Description:
Le dossier documente la soumission pour le concours pour un projet d'ornementation contemporaine en maçonnerie à la Place des Arts de Montréal où Jacques Rousseau, ex-aequo, s'est mérité le premier prix. Le budget aloué pour ce projet était de 3 000$. Il s'agit d'un mur de maçonnerie armée réalisé dans le cadre de l'Archifête à la Place-des-arts en 1984. Le mur a été déménagé sur la rue St-Hubert, la rue de Bullion, au Bar Business sur la rue Saint-Laurent et sur le terrain à l'avant de la Maison Coloniale. Le dossier contient des dessins, des photographies, des panneaux, des documents textuels et des documents photographiques. Description du projet par l'architecte: "Chante pleure, tant en temps la larme est donnée À qui s'est tu!" Siglinde Spanihel [pseudonyme?], "Premier prix ex-aequo: Jacques Rousseau, architecte", ARQ vol. 21, nº 9.
Level of archival description:
Dossier 2
Dossier 2
Date:
1984
1984
People:
Form:
photographs
Quantity:
82 photograph(s)
photographs
Quantity:
82 photograph(s)
Actions:
Reference number:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
People:
Subject:
architecture, engineering, sculpture
architecture, engineering, sculpture
Date:
1980s-1990s
1980s-1990s
Title:
Group of views of architecture from Aldo Rossi's trips to Italy, France, Corsica, Greece, United States and unspecified countries
Actions:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Group of views of architecture from Aldo Rossi's trips to Italy, France, Corsica, Greece, United States and unspecified countries
Actions:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Form:
photographs
Quantity:
82 photograph(s)
photographs
Quantity:
82 photograph(s)
Date:
1980s-1990s
1980s-1990s
People:
Subject:
architecture, engineering, sculpture
architecture, engineering, sculpture
Form:
photographs
photographs
Actions:
Reference number:
ARCH259763
Description:
Cette boîte contient des planches contacts de photographies personnelles d'Ernest Cormier, incluant des photographies de France, d'Italie, d'oeuvre d'arts, d'architecture et de travaux d'ingénierie. Contient les planches contact des originaux sur nitrates numéro 1 à numéro 149.
ARCH259763
Description:
Cette boîte contient des planches contacts de photographies personnelles d'Ernest Cormier, incluant des photographies de France, d'Italie, d'oeuvre d'arts, d'architecture et de travaux d'ingénierie. Contient les planches contact des originaux sur nitrates numéro 1 à numéro 149.
People:
Date:
1910s-1950s
1910s-1950s
Title:
Planches contacts de diverses photographies personnelles et professionnelles
Actions:
ARCH259763
Description:
Cette boîte contient des planches contacts de photographies personnelles d'Ernest Cormier, incluant des photographies de France, d'Italie, d'oeuvre d'arts, d'architecture et de travaux d'ingénierie. Contient les planches contact des originaux sur nitrates numéro 1 à numéro 149.
Planches contacts de diverses photographies personnelles et professionnelles
Actions:
ARCH259763
Description:
Cette boîte contient des planches contacts de photographies personnelles d'Ernest Cormier, incluant des photographies de France, d'Italie, d'oeuvre d'arts, d'architecture et de travaux d'ingénierie. Contient les planches contact des originaux sur nitrates numéro 1 à numéro 149.
Form:
photographs
photographs
Date:
1910s-1950s
1910s-1950s
People:
