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I could reinvent myself
institution, unlearning, curating, the museum is not enough, grant application, Giovanna Borasi, Albert Ferré, Francesco Garutti, Jayne Kelley, Mirko Zardini
1 May 2022
I could reinvent myself
An exercise in imagining new institutions marked by stringent limitations on their structures
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Toplight: Roof Transparencies from 1760 to 1960 traces the evolution of skylights from their origins at the end of the eighteenth century, when this type of fenestration was first explored in Paris’s new Halle au blé (1763–1782), to James Stirling’s History Faculty Building, University of Cambridge (1963–1968). The exhibition is organized around a series of case studies(...)
Octagonal gallery
23 October 2008 to 15 February 2009
Toplight: Roof Transparencies from 1760 to 1960
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Toplight: Roof Transparencies from 1760 to 1960 traces the evolution of skylights from their origins at the end of the eighteenth century, when this type of fenestration was first explored in Paris’s new Halle au blé (1763–1782), to James Stirling’s History Faculty Building, University of Cambridge (1963–1968). The exhibition is organized around a series of case studies(...)
Octagonal gallery
The 60s: Montréal Thinks Big
During the 1960s, the massive scale of the changes that transformed Montréal made it an archetype of the great metropolises of the Western world. As host of Expo 67, Montréal asserted itself on the international scene as a city of the future. The 60s: Montréal Thinks Big illustrates the processes that brought about these changes. The exhibition’s original models,(...)
Main galleries
20 October 2004 to 11 September 2005
The 60s: Montréal Thinks Big
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During the 1960s, the massive scale of the changes that transformed Montréal made it an archetype of the great metropolises of the Western world. As host of Expo 67, Montréal asserted itself on the international scene as a city of the future. The 60s: Montréal Thinks Big illustrates the processes that brought about these changes. The exhibition’s original models,(...)
Main galleries
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Main galleries
26 May 1999 to 31 October 1999
Carlo Scarpa, Architect: Intervening with History
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The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Main galleries
Found in Translation: Palladio – Jefferson presents recent work by the documentary and architecture photographer Filippo Romano on the villas conceived by Andrea Palladio (1508–1580) in the Veneto region and the buildings designed by the American president and architect Thomas Jefferson (1743–1826). Curated by Guido Beltramini, Palladio Museum. Co-organized with the(...)
Octagonal gallery
8 October 2014 to 15 February 2015
Found in Translation: Palladio – Jefferson
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Found in Translation: Palladio – Jefferson presents recent work by the documentary and architecture photographer Filippo Romano on the villas conceived by Andrea Palladio (1508–1580) in the Veneto region and the buildings designed by the American president and architect Thomas Jefferson (1743–1826). Curated by Guido Beltramini, Palladio Museum. Co-organized with the(...)
Octagonal gallery
Money Matters: A Critical Look at Bank Architecture surveys the history and cultural significance of bank architecture, focusing on bank architecture as a building typology rather than in the context of a single architect or architectural firm. Challenging the standard notion that bank buildings are repetitive, dull and conservative, the exhibition reveals banks as(...)
Main galleries
14 November 1990 to 24 February 1991
Money Matters: A Critical Look at Bank Architecture
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Money Matters: A Critical Look at Bank Architecture surveys the history and cultural significance of bank architecture, focusing on bank architecture as a building typology rather than in the context of a single architect or architectural firm. Challenging the standard notion that bank buildings are repetitive, dull and conservative, the exhibition reveals banks as(...)
Main galleries
John Soane 1753-1837
Described by Henry James as “one of the most curious things in London,” Sir John Soane’s Museum was built as the picturesque and enigmatic home, office, collector’s trove, and personal showplace of one of history’s most innovative architects. This exhibition is a major re-evaluation of Soane’s career, as well as a reconsideration of his importance to the history of modern(...)
Main galleries
16 May 2001 to 3 September 2001
John Soane 1753-1837
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Described by Henry James as “one of the most curious things in London,” Sir John Soane’s Museum was built as the picturesque and enigmatic home, office, collector’s trove, and personal showplace of one of history’s most innovative architects. This exhibition is a major re-evaluation of Soane’s career, as well as a reconsideration of his importance to the history of modern(...)
Main galleries
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Octagonal gallery ante-room
6 December 1989 to 11 February 1990
Mills and Factories of New England: Photographs by Serge Hambourg
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Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Octagonal gallery ante-room
Combining enthusiasm for the radically new world view of cubist art with a desire to establish an autonomous aesthetic as well as political presence, the Czech cubists produced not only powerful visionary work, but also went beyond theory to practice. Czech Cubism: Architecture and Design, 1910–1925 brings together the work of a group of Czech artists, architects, and(...)
Main galleries
10 June 1992 to 2 August 1992
Czech Cubism: Architecture and Design, 1910–1925
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Combining enthusiasm for the radically new world view of cubist art with a desire to establish an autonomous aesthetic as well as political presence, the Czech cubists produced not only powerful visionary work, but also went beyond theory to practice. Czech Cubism: Architecture and Design, 1910–1925 brings together the work of a group of Czech artists, architects, and(...)
Main galleries
As Building Director of Baden in southwest Germany, Friedrich Weinbrenner (1766–1826) had the unique opportunity to create in Karlsruhe—the capital and his native city—one of the most homogeneous architectural ensembles ever achieved by a single architect. The exhibition focuses on the impact of scientific and administrative reform on the urban and agricultural(...)
Main galleries
31 January 1990 to 18 March 1990
Friedrich Weinbrenner, Architect of Karlsruhe
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As Building Director of Baden in southwest Germany, Friedrich Weinbrenner (1766–1826) had the unique opportunity to create in Karlsruhe—the capital and his native city—one of the most homogeneous architectural ensembles ever achieved by a single architect. The exhibition focuses on the impact of scientific and administrative reform on the urban and agricultural(...)
Main galleries