51664 Results
Form:
textual records
textual records
Actions:
Reference number:
AP058.S3.SS3.002
AP058.S3.SS3.002
People:
Date:
1981-1982
1981-1982
Form:
textual records
textual records
Date:
1981-1982
1981-1982
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH175888
Description:
City of Vancouver Art Gallery Building Campaign, 1951
ARCH175888
Description:
City of Vancouver Art Gallery Building Campaign, 1951
People:
Date:
1951
1951
Title:
.. so Art doesn't mean a thing to You?
Actions:
ARCH175888
Description:
City of Vancouver Art Gallery Building Campaign, 1951
.. so Art doesn't mean a thing to You?
Actions:
ARCH175888
Description:
City of Vancouver Art Gallery Building Campaign, 1951
Form:
textual records
textual records
Date:
1951
1951
People:
Form:
textual records
textual records
Actions:
Reference number:
AP075.S3.SS1.063
Description:
Original folder entitled "Art in Public Places / Miscellaneous".
AP075.S3.SS1.063
Description:
Original folder entitled "Art in Public Places / Miscellaneous".
People:
Date:
1974-1989
1974-1989
Title:
Reference material and press clippings on public art
Actions:
AP075.S3.SS1.063
Description:
Original folder entitled "Art in Public Places / Miscellaneous".
Reference material and press clippings on public art
Actions:
AP075.S3.SS1.063
Description:
Original folder entitled "Art in Public Places / Miscellaneous".
Form:
textual records
textual records
Date:
1974-1989
1974-1989
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.2000.PR08
Description:
This project series documents an extension for the Art Center College of Design (Ampliação) in Pasedena, United States. While the records were held in the office’s archives this project was assigned the number 8/00. The office assigned the date 2000 for this project. The building program included a library and a technical-skills building, near the Craig Ellwood building. The project was a collaboration with Gehry Partners and Peter Testa. Siza did not realize the project. Documenting this project are sketches, studies, and preliminary master plans. Textual material includes project documentation and correspondence. Photographic material documents the models, project site, and built project.
AP178.S1.2000.PR08
Description:
This project series documents an extension for the Art Center College of Design (Ampliação) in Pasedena, United States. While the records were held in the office’s archives this project was assigned the number 8/00. The office assigned the date 2000 for this project. The building program included a library and a technical-skills building, near the Craig Ellwood building. The project was a collaboration with Gehry Partners and Peter Testa. Siza did not realize the project. Documenting this project are sketches, studies, and preliminary master plans. Textual material includes project documentation and correspondence. Photographic material documents the models, project site, and built project.
People:
Date:
2000-2008
2000-2008
Title:
Art Center College of Design (Ampliação) [Extension for the Art Center College of Design], Pasedena, United States, 2000
Actions:
AP178.S1.2000.PR08
Description:
This project series documents an extension for the Art Center College of Design (Ampliação) in Pasedena, United States. While the records were held in the office’s archives this project was assigned the number 8/00. The office assigned the date 2000 for this project. The building program included a library and a technical-skills building, near the Craig Ellwood building. The project was a collaboration with Gehry Partners and Peter Testa. Siza did not realize the project. Documenting this project are sketches, studies, and preliminary master plans. Textual material includes project documentation and correspondence. Photographic material documents the models, project site, and built project.
Art Center College of Design (Ampliação) [Extension for the Art Center College of Design], Pasedena, United States, 2000
Actions:
AP178.S1.2000.PR08
Description:
This project series documents an extension for the Art Center College of Design (Ampliação) in Pasedena, United States. While the records were held in the office’s archives this project was assigned the number 8/00. The office assigned the date 2000 for this project. The building program included a library and a technical-skills building, near the Craig Ellwood building. The project was a collaboration with Gehry Partners and Peter Testa. Siza did not realize the project. Documenting this project are sketches, studies, and preliminary master plans. Textual material includes project documentation and correspondence. Photographic material documents the models, project site, and built project.
Level of archival description:
Project
Project
Date:
2000-2008
2000-2008
People:
Form:
textual records
textual records
Actions:
Reference number:
AP075.S1.1981.PR01.001
Description:
Original folder entitled "VANCOUVER ART GALLERY".
AP075.S1.1981.PR01.001
Description:
Original folder entitled "VANCOUVER ART GALLERY".
People:
Date:
1981
1981
Title:
Correspondence, Vancouver Art Gallery, Vancouver, British Columbia
Actions:
AP075.S1.1981.PR01.001
Description:
Original folder entitled "VANCOUVER ART GALLERY".
Correspondence, Vancouver Art Gallery, Vancouver, British Columbia
Actions:
AP075.S1.1981.PR01.001
Description:
Original folder entitled "VANCOUVER ART GALLERY".
Form:
textual records
textual records
Date:
1981
1981
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:096:033
Description:
File containing documents in English, including professional correspondence between Melvin Charney and members of staff at the Winnipeg Art Gallery. Original folder inscribed in graphite: WINNIPEG ART GALLERY
DR2012:0012:096:033
Description:
File containing documents in English, including professional correspondence between Melvin Charney and members of staff at the Winnipeg Art Gallery. Original folder inscribed in graphite: WINNIPEG ART GALLERY
People:
Date:
1976-1979
1976-1979
Title:
Correspondence of Melvin Charney with Winnipeg Art Gallery
Actions:
DR2012:0012:096:033
Description:
File containing documents in English, including professional correspondence between Melvin Charney and members of staff at the Winnipeg Art Gallery. Original folder inscribed in graphite: WINNIPEG ART GALLERY
Correspondence of Melvin Charney with Winnipeg Art Gallery
Actions:
DR2012:0012:096:033
Description:
File containing documents in English, including professional correspondence between Melvin Charney and members of staff at the Winnipeg Art Gallery. Original folder inscribed in graphite: WINNIPEG ART GALLERY
Form:
textual records
textual records
Date:
1976-1979
1976-1979
People:
Form:
journals and magazines
journals and magazines
Actions:
Reference number:
PH2008:0037:017
Description:
Review by Judith Rodenbeck titled "Gordon Matta-Clark" (pp. 110-111) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
PH2008:0037:017
Description:
Review by Judith Rodenbeck titled "Gordon Matta-Clark" (pp. 110-111) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
People:
Date:
June 2007
June 2007
Title:
Modern Painters: The International Contemporary Art Magazine
Actions:
PH2008:0037:017
Description:
Review by Judith Rodenbeck titled "Gordon Matta-Clark" (pp. 110-111) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
Modern Painters: The International Contemporary Art Magazine
Actions:
PH2008:0037:017
Description:
Review by Judith Rodenbeck titled "Gordon Matta-Clark" (pp. 110-111) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
Form:
journals and magazines
journals and magazines
Date:
June 2007
June 2007
People:
Level of archival description:
Series
Series
Reference number:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
People:
Date:
2000 - 2007
2000 - 2007
Title:
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Level of archival description:
Series
Series
Date:
2000 - 2007
2000 - 2007
People:
Form:
photographs
photographs
Reference number:
PH1987:0060
PH1987:0060
People:
Date:
1917-1923
1917-1923
Form:
photographs
photographs
Date:
1917-1923
1917-1923
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH266149
ARCH266149
People:
Form:
photographs
photographs
People:
