3525 Results
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Reference number:
AP162
Synopsis:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
AP162
Synopsis:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
People:
Date:
1911-1977
1911-1977
Title:
Die gläserne Kette collection
Actions:
AP162
Synopsis:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Die gläserne Kette collection
Actions:
AP162
Synopsis:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Form:
archives
Level of archival description:
Collection AP162
archives
Level of archival description:
Collection AP162
Date:
1911-1977
1911-1977
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Chuck Hoberman fonds
Chuck Hoberman fonds
Reference number:
AP165
Synopsis:
The Chuck Hoberman fonds documents Hoberman’s work in transformable design throughout the first part of his career, from 1980 to 2006, as well as the operations of his company Hoberman Associates Inc. Materials relate to the research and development of design concepts, the patenting of inventions, detailed drawings for certain unfolding structures, the workings and movements of mechanisms, public presentations at fairs and exhibitions, and media coverage.
AP165
Synopsis:
The Chuck Hoberman fonds documents Hoberman’s work in transformable design throughout the first part of his career, from 1980 to 2006, as well as the operations of his company Hoberman Associates Inc. Materials relate to the research and development of design concepts, the patenting of inventions, detailed drawings for certain unfolding structures, the workings and movements of mechanisms, public presentations at fairs and exhibitions, and media coverage.
People:
Date:
circa 1980-2006
circa 1980-2006
Title:
Chuck Hoberman fonds
Actions:
AP165
Synopsis:
The Chuck Hoberman fonds documents Hoberman’s work in transformable design throughout the first part of his career, from 1980 to 2006, as well as the operations of his company Hoberman Associates Inc. Materials relate to the research and development of design concepts, the patenting of inventions, detailed drawings for certain unfolding structures, the workings and movements of mechanisms, public presentations at fairs and exhibitions, and media coverage.
Chuck Hoberman fonds
Actions:
AP165
Synopsis:
The Chuck Hoberman fonds documents Hoberman’s work in transformable design throughout the first part of his career, from 1980 to 2006, as well as the operations of his company Hoberman Associates Inc. Materials relate to the research and development of design concepts, the patenting of inventions, detailed drawings for certain unfolding structures, the workings and movements of mechanisms, public presentations at fairs and exhibitions, and media coverage.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 1980-2006
circa 1980-2006
People:
Level of archival description:
Series
Series
Title:
Design files
Design files
Actions:
Reference number:
AP195.S1
Description:
Series 1: Design files, 1999 – 2014, relates to the design documentation of Phaeno Science Centre. This series primarily contains renderings and other images (TIFF, JPEG, Adobe Photoshop), 3D models (STL, 3DM), CAD drawings (AutoCAD, plotter files), and textual documents (PDF, Microsoft Word, Microsoft Excel). The bulk of the records date from 2000 – 2006. The material in this series documents the design process, including the initial competition, preliminary design documentation, early construction planning (relating to permits), and fit out phases of the project. There are also files related to the exhibition space design and furniture design, as well as graphic design for Phaeno logos and brochures.
AP195.S1
Description:
Series 1: Design files, 1999 – 2014, relates to the design documentation of Phaeno Science Centre. This series primarily contains renderings and other images (TIFF, JPEG, Adobe Photoshop), 3D models (STL, 3DM), CAD drawings (AutoCAD, plotter files), and textual documents (PDF, Microsoft Word, Microsoft Excel). The bulk of the records date from 2000 – 2006. The material in this series documents the design process, including the initial competition, preliminary design documentation, early construction planning (relating to permits), and fit out phases of the project. There are also files related to the exhibition space design and furniture design, as well as graphic design for Phaeno logos and brochures.
People:
Date:
1999 - 2014
1999 - 2014
Title:
Design files
Actions:
AP195.S1
Description:
Series 1: Design files, 1999 – 2014, relates to the design documentation of Phaeno Science Centre. This series primarily contains renderings and other images (TIFF, JPEG, Adobe Photoshop), 3D models (STL, 3DM), CAD drawings (AutoCAD, plotter files), and textual documents (PDF, Microsoft Word, Microsoft Excel). The bulk of the records date from 2000 – 2006. The material in this series documents the design process, including the initial competition, preliminary design documentation, early construction planning (relating to permits), and fit out phases of the project. There are also files related to the exhibition space design and furniture design, as well as graphic design for Phaeno logos and brochures.
Design files
Actions:
AP195.S1
Description:
Series 1: Design files, 1999 – 2014, relates to the design documentation of Phaeno Science Centre. This series primarily contains renderings and other images (TIFF, JPEG, Adobe Photoshop), 3D models (STL, 3DM), CAD drawings (AutoCAD, plotter files), and textual documents (PDF, Microsoft Word, Microsoft Excel). The bulk of the records date from 2000 – 2006. The material in this series documents the design process, including the initial competition, preliminary design documentation, early construction planning (relating to permits), and fit out phases of the project. There are also files related to the exhibition space design and furniture design, as well as graphic design for Phaeno logos and brochures.
Level of archival description:
Series
Series
Date:
1999 - 2014
1999 - 2014
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH275846
Description:
Also includes floor plans, sections and elevations of the Peek & Cloppenburg building as well as documentation of various other projects by Arthur Erickson Architects and the history of the firm. This binder was assembled at the firm's offices in 1991.
ARCH275846
Description:
Also includes floor plans, sections and elevations of the Peek & Cloppenburg building as well as documentation of various other projects by Arthur Erickson Architects and the history of the firm. This binder was assembled at the firm's offices in 1991.
People:
Date:
30 October 1991
30 October 1991
Title:
Photographic documentation of models, the project team constructing models and interior views of the building
Actions:
ARCH275846
Description:
Also includes floor plans, sections and elevations of the Peek & Cloppenburg building as well as documentation of various other projects by Arthur Erickson Architects and the history of the firm. This binder was assembled at the firm's offices in 1991.
Photographic documentation of models, the project team constructing models and interior views of the building
Actions:
ARCH275846
Description:
Also includes floor plans, sections and elevations of the Peek & Cloppenburg building as well as documentation of various other projects by Arthur Erickson Architects and the history of the firm. This binder was assembled at the firm's offices in 1991.
Form:
photographs
photographs
Date:
30 October 1991
30 October 1991
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1962.PR05
Description:
This project series documents the construction of the Toronto-Dominion Bank Building in Toronto in1962. The office identified the project number as 6280. This project consisted of a 56 storey, black steel skyscraper that came to exemplify the age of modernist architecture in Toronto through the introduction of the International Style to the older cityscape. The design of the Toronto-Dominion Bank Centre is almost wholly credited to architect Ludwig Mies van der Rohe. However, John B. Parkin Associates, in joint venture with architecture firm Bregman + Hamann, were the primary architects on the project, with van der Rohe acting as consulting architect. During this era, the Toronto-Dominion Centre included three buildings - two office towers and a single level banking pavilion which was about two-storeys in height. It appears that this project consisted only of the tallest tower, now known as TD Tower, and that the other buildings were completed under different project numbers assigned by the office. The project is recorded through reprographic copies of construction drawings dating from 1966-1968.
AP018.S1.1962.PR05
Description:
This project series documents the construction of the Toronto-Dominion Bank Building in Toronto in1962. The office identified the project number as 6280. This project consisted of a 56 storey, black steel skyscraper that came to exemplify the age of modernist architecture in Toronto through the introduction of the International Style to the older cityscape. The design of the Toronto-Dominion Bank Centre is almost wholly credited to architect Ludwig Mies van der Rohe. However, John B. Parkin Associates, in joint venture with architecture firm Bregman + Hamann, were the primary architects on the project, with van der Rohe acting as consulting architect. During this era, the Toronto-Dominion Centre included three buildings - two office towers and a single level banking pavilion which was about two-storeys in height. It appears that this project consisted only of the tallest tower, now known as TD Tower, and that the other buildings were completed under different project numbers assigned by the office. The project is recorded through reprographic copies of construction drawings dating from 1966-1968.
People:
Date:
1966-1968
1966-1968
Title:
Toronto-Dominion Bank Building, Toronto (1962-1967)
Actions:
AP018.S1.1962.PR05
Description:
This project series documents the construction of the Toronto-Dominion Bank Building in Toronto in1962. The office identified the project number as 6280. This project consisted of a 56 storey, black steel skyscraper that came to exemplify the age of modernist architecture in Toronto through the introduction of the International Style to the older cityscape. The design of the Toronto-Dominion Bank Centre is almost wholly credited to architect Ludwig Mies van der Rohe. However, John B. Parkin Associates, in joint venture with architecture firm Bregman + Hamann, were the primary architects on the project, with van der Rohe acting as consulting architect. During this era, the Toronto-Dominion Centre included three buildings - two office towers and a single level banking pavilion which was about two-storeys in height. It appears that this project consisted only of the tallest tower, now known as TD Tower, and that the other buildings were completed under different project numbers assigned by the office. The project is recorded through reprographic copies of construction drawings dating from 1966-1968.
Toronto-Dominion Bank Building, Toronto (1962-1967)
Actions:
AP018.S1.1962.PR05
Description:
This project series documents the construction of the Toronto-Dominion Bank Building in Toronto in1962. The office identified the project number as 6280. This project consisted of a 56 storey, black steel skyscraper that came to exemplify the age of modernist architecture in Toronto through the introduction of the International Style to the older cityscape. The design of the Toronto-Dominion Bank Centre is almost wholly credited to architect Ludwig Mies van der Rohe. However, John B. Parkin Associates, in joint venture with architecture firm Bregman + Hamann, were the primary architects on the project, with van der Rohe acting as consulting architect. During this era, the Toronto-Dominion Centre included three buildings - two office towers and a single level banking pavilion which was about two-storeys in height. It appears that this project consisted only of the tallest tower, now known as TD Tower, and that the other buildings were completed under different project numbers assigned by the office. The project is recorded through reprographic copies of construction drawings dating from 1966-1968.
Level of archival description:
Project
Project
Date:
1966-1968
1966-1968
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP075.S4.SS4
Description:
This sub-series documents Cornelia Hahn Oberlander's research on artists, professionals, organizations or universities'schools related to architecture, landscape architecture, environment and other professions of interest to Oberlander and for her projects. It also documents Oberlander's research on some of her clients or architects she worked with, including Arthur Erickson. The sub-series includes collected documentation, such contact information, press clippings and periodicals and some correspondence.
AP075.S4.SS4
Description:
This sub-series documents Cornelia Hahn Oberlander's research on artists, professionals, organizations or universities'schools related to architecture, landscape architecture, environment and other professions of interest to Oberlander and for her projects. It also documents Oberlander's research on some of her clients or architects she worked with, including Arthur Erickson. The sub-series includes collected documentation, such contact information, press clippings and periodicals and some correspondence.
People:
Date:
1971-2018
1971-2018
Title:
Research on professional community and organizations
Actions:
AP075.S4.SS4
Description:
This sub-series documents Cornelia Hahn Oberlander's research on artists, professionals, organizations or universities'schools related to architecture, landscape architecture, environment and other professions of interest to Oberlander and for her projects. It also documents Oberlander's research on some of her clients or architects she worked with, including Arthur Erickson. The sub-series includes collected documentation, such contact information, press clippings and periodicals and some correspondence.
Research on professional community and organizations
Actions:
AP075.S4.SS4
Description:
This sub-series documents Cornelia Hahn Oberlander's research on artists, professionals, organizations or universities'schools related to architecture, landscape architecture, environment and other professions of interest to Oberlander and for her projects. It also documents Oberlander's research on some of her clients or architects she worked with, including Arthur Erickson. The sub-series includes collected documentation, such contact information, press clippings and periodicals and some correspondence.
Level of archival description:
Sub-series
Sub-series
Date:
1971-2018
1971-2018
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP032.S1.SS2
Description:
This sub-series consists of Goldsmith’s collection of materials connected to the work of Ludwig Mies van der Rohe, which includes photographs and drawings documenting Mies van der Rohe’s work along with the work of other architects. It also contains textual records, photographs, and drawings related to Goldsmith’s studies under Mies van der Rohe (including Goldsmith’s Master’s thesis) and their later working relationship.
AP032.S1.SS2
Description:
This sub-series consists of Goldsmith’s collection of materials connected to the work of Ludwig Mies van der Rohe, which includes photographs and drawings documenting Mies van der Rohe’s work along with the work of other architects. It also contains textual records, photographs, and drawings related to Goldsmith’s studies under Mies van der Rohe (including Goldsmith’s Master’s thesis) and their later working relationship.
People:
Date:
1939-1963
1939-1963
Title:
Studies and Work with Mies van der Rohe
Actions:
AP032.S1.SS2
Description:
This sub-series consists of Goldsmith’s collection of materials connected to the work of Ludwig Mies van der Rohe, which includes photographs and drawings documenting Mies van der Rohe’s work along with the work of other architects. It also contains textual records, photographs, and drawings related to Goldsmith’s studies under Mies van der Rohe (including Goldsmith’s Master’s thesis) and their later working relationship.
Studies and Work with Mies van der Rohe
Actions:
AP032.S1.SS2
Description:
This sub-series consists of Goldsmith’s collection of materials connected to the work of Ludwig Mies van der Rohe, which includes photographs and drawings documenting Mies van der Rohe’s work along with the work of other architects. It also contains textual records, photographs, and drawings related to Goldsmith’s studies under Mies van der Rohe (including Goldsmith’s Master’s thesis) and their later working relationship.
Level of archival description:
Sub-series 2
Sub-series 2
Date:
1939-1963
1939-1963
People:
Level of archival description:
Project
Project
Reference number:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
People:
Date:
1986-1988
1986-1988
Title:
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Level of archival description:
File 65
File 65
Date:
1986-1988
1986-1988
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Amancio Williams fonds
Amancio Williams fonds
Reference number:
AP205
Synopsis:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
AP205
Synopsis:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
People:
Date:
1848-2010s
1848-2010s
Title:
Amancio Williams fonds
Actions:
AP205
Synopsis:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Amancio Williams fonds
Actions:
AP205
Synopsis:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1848-2010s
1848-2010s
People:
Level of archival description:
Series
Series
Actions:
Reference number:
AP195.S4
Description:
Series 4: Press, publications and events, 1999 – 2011, contains materials used to publicize the Phaeno Science Centre during and after its construction. Formats include CAD drawings (plotter files, AutoCAD, and EPS), image files (TIFF, JPEG, EXIF), and text (PDF, Microsoft Word). The bulk of the material dates from 2000 to 2007. This series significantly overlaps with the previous three series, because many design and construction images were repurposed for publications and the press. The materials in this series largely relate to at least two different books written about the Phaeno Science Centre; one is titled “Phaeno Construction Drawings, 2000-2005” and the other is unidentified. There are also photographs, presentation files, award applications, and press information created during and after Phaeno Science Centre construction. Notably, there is also a grouping of materials relating to the use of concrete in this project.
AP195.S4
Description:
Series 4: Press, publications and events, 1999 – 2011, contains materials used to publicize the Phaeno Science Centre during and after its construction. Formats include CAD drawings (plotter files, AutoCAD, and EPS), image files (TIFF, JPEG, EXIF), and text (PDF, Microsoft Word). The bulk of the material dates from 2000 to 2007. This series significantly overlaps with the previous three series, because many design and construction images were repurposed for publications and the press. The materials in this series largely relate to at least two different books written about the Phaeno Science Centre; one is titled “Phaeno Construction Drawings, 2000-2005” and the other is unidentified. There are also photographs, presentation files, award applications, and press information created during and after Phaeno Science Centre construction. Notably, there is also a grouping of materials relating to the use of concrete in this project.
People:
Date:
1999 - 2011
1999 - 2011
Title:
Press, publications, and events
Actions:
AP195.S4
Description:
Series 4: Press, publications and events, 1999 – 2011, contains materials used to publicize the Phaeno Science Centre during and after its construction. Formats include CAD drawings (plotter files, AutoCAD, and EPS), image files (TIFF, JPEG, EXIF), and text (PDF, Microsoft Word). The bulk of the material dates from 2000 to 2007. This series significantly overlaps with the previous three series, because many design and construction images were repurposed for publications and the press. The materials in this series largely relate to at least two different books written about the Phaeno Science Centre; one is titled “Phaeno Construction Drawings, 2000-2005” and the other is unidentified. There are also photographs, presentation files, award applications, and press information created during and after Phaeno Science Centre construction. Notably, there is also a grouping of materials relating to the use of concrete in this project.
Press, publications, and events
Actions:
AP195.S4
Description:
Series 4: Press, publications and events, 1999 – 2011, contains materials used to publicize the Phaeno Science Centre during and after its construction. Formats include CAD drawings (plotter files, AutoCAD, and EPS), image files (TIFF, JPEG, EXIF), and text (PDF, Microsoft Word). The bulk of the material dates from 2000 to 2007. This series significantly overlaps with the previous three series, because many design and construction images were repurposed for publications and the press. The materials in this series largely relate to at least two different books written about the Phaeno Science Centre; one is titled “Phaeno Construction Drawings, 2000-2005” and the other is unidentified. There are also photographs, presentation files, award applications, and press information created during and after Phaeno Science Centre construction. Notably, there is also a grouping of materials relating to the use of concrete in this project.
Level of archival description:
Series
Series
Date:
1999 - 2011
1999 - 2011
People:
