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Ecoinfrastructure is the continuous green subculture which runs throughout a building integrating inorganic mass with the organic content of the green ecoinfrastructure, imitating the balance of biotic with the abiotic constituents present in an ecosystem. The approach imitates an ecosystem in nature. The ecoinfrastructure may consist of several ecological(...)
Vertical ecoinfrastructure: the work of T.R. Hamzah & Yeang
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Ecoinfrastructure is the continuous green subculture which runs throughout a building integrating inorganic mass with the organic content of the green ecoinfrastructure, imitating the balance of biotic with the abiotic constituents present in an ecosystem. The approach imitates an ecosystem in nature. The ecoinfrastructure may consist of several ecological components and devices, such as ecocells, vegetated ramps, vertical green walls, green sky-courts, roof gardens, and terraces.
Architecture Monographs
Bungalow colors : exteriors
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Drawing on the works of such Arts & Crafts masters as Greene & Greene, Stickley, and Wright, this new volume outlines the history of colour within the Arts & Crafts movement. Schweitzer provides practical advice for integrating historically accurate colours today. Whether restoring an older bungalow or aiming to impart an authentic flavour to a new Arts & Crafts-style(...)
Bungalow colors : exteriors
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Drawing on the works of such Arts & Crafts masters as Greene & Greene, Stickley, and Wright, this new volume outlines the history of colour within the Arts & Crafts movement. Schweitzer provides practical advice for integrating historically accurate colours today. Whether restoring an older bungalow or aiming to impart an authentic flavour to a new Arts & Crafts-style home, Bungalow Colors: Exteriors focuses on "outside" solutions. Schweitzer addresses exterior walls, windows, roofs, and other architectural features, plus body, trim, accents, stucco, shingles, and clapboards.
History until 1900
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Since its invention, photography has been used to document and interpret the landscape. Survey photographers in the 1860s were the first environmental advocates, arguing for the U.S. national park system. During the first half of the 20th century photographers Ansel Adams and Eliot Porter were central figures in influencing American attitudes toward wilderness and(...)
Photography by Region
April 2011
Earth now: american photographers and the environment
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Since its invention, photography has been used to document and interpret the landscape. Survey photographers in the 1860s were the first environmental advocates, arguing for the U.S. national park system. During the first half of the 20th century photographers Ansel Adams and Eliot Porter were central figures in influencing American attitudes toward wilderness and conservation. This book traces the development of environmental photography beginning with Adams, Porter and others, and the next generation of landscape photographers - Robert Adams, Richard Misrach, Robert Glenn Ketchum, Patrick Nagatani, Mark Klett, whose works confronted the issues of landscape and the environment in less idealised terms. Shifting from the historical framework, the book presents new work by twenty-three photographers working in the U.S., the next wave of artists using the camera to engage the environmental issues of the day. Ranging from documentary to conceptual, the photographs touch on topics such as land and water use, the human place in the landscape, mounting consumer waste, industrial pollution, roof gardens and the green roof initiative, local food production, energy consumption, and the effects of industry on humans and animals. Katherine Ware's text offers insightful commentary on photography and the ways that environmental issues have been framed and advanced through the medium of photography. This is a powerful commentary on global environmental issues as seen through the lens of the newest wave of environmental photographers. This book is published to coincide with an exhibition to open at the New Mexico Museum of Art, Santa Fe, New Mexico, in April 2011.
Photography by Region
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The minimalist garden
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Over the course of the 20th century many of the best garden designers have looked to the past for inspiration; with the approach of the millennium, however, a fresh approach to garden design - minimalism - has moved to the forefront. The philosophy of minimalism, rooted simultaneously in classicism and modernism, has had a strong influence on architecture and interior(...)
The minimalist garden
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Over the course of the 20th century many of the best garden designers have looked to the past for inspiration; with the approach of the millennium, however, a fresh approach to garden design - minimalism - has moved to the forefront. The philosophy of minimalism, rooted simultaneously in classicism and modernism, has had a strong influence on architecture and interior and graphic design, as well as landscape. Minimalist gardens, with their emphasis on clean lines, pure form, and a strong sense of place, are closely related to contemporary architecture and lifestyles. New trends in more relaxed and ecologically aware planting have contributed greatly to the development of such green spaces, and the creative use of trees and hedges to define and control space is often an important design element. In this volume, award-winning garden designer Christopher Bradley-Hole has drawn together a great variety of minimalist gardens from around the world - large and small, urban and rural. The projects are grouped into thematic chapters, including the landscape garden, pools and water gardens, courtyard gardens, and terrace and roof gardens. Among the designers are Vladimir Sitta, John Pawson, Luis Barragán, Seth Stein, Jacques Wirtz, Martha Schwartz, Shodo Suzuki, and Isamu Noguchi. Large color photographs and detailed images show the gardens in context; the text discusses the inspiration behind each garden, the relationship of space and proportions, and the frequent use of unusual materials and imaginative planning. Directories of materials and plants for the perfect minimalist garden are included as well.
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October 1999, New York
Gardens
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When architect Rafael Vinoly was commissioned to design a major new centre for the arts at Duke University, he set about creating his first museum in North America and the first stand-alone museum in Duke's eighty-year history. The resulting 65,000-square-foot building has changed the cultural landscape of the university and indeed the Southeast. This book(...)
Architecture Monographs
October 2005, Durham, North Carolina
The Nasher Museum of Art at Duke University : Rafael Vinoly Architects
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When architect Rafael Vinoly was commissioned to design a major new centre for the arts at Duke University, he set about creating his first museum in North America and the first stand-alone museum in Duke's eighty-year history. The resulting 65,000-square-foot building has changed the cultural landscape of the university and indeed the Southeast. This book documents the genesis and design of the new museum, which opens on October 2, 2005. The building is named in honor of the family of Raymond D. Nasher, an internationally prominent art collector who graduated from Duke in 1943. The brilliant core of the Nasher at Duke is a 13,000-square-foot glass and steel canopy rising to a height of 45 feet above the central gallery space. The faceted roof soars above the irregular pentagonal great hall, where five concrete pavilions fan out at different angles. The pavilions will house three large gallery spaces, an auditorium, offices, university and community classrooms, a museum shop, and a café with outdoor seating overlooking a sculpture garden. Set in the forest on Duke's campus, the museum's full-height glass walls and green slate floor connect the pavilions and further blur the division between building and nature. With an essay by art historian Annabel Jane Wharton, a design statement by architect Rafael Vinoly, a foreword by museum namesake Raymond D. Nasher, and photographs by Brad Feinknopf and Jerry Blow, this book documents the building that will become a cornerstone for cultural activities for the university and the public.
Architecture Monographs
Rick Mather architects
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The Ashmolean Museum in Oxford is the oldest museum in the country, however, behind a distinguished facade by CR Cockerell lies a confused accretion of buildings that neither does justice to Cockerell nor develops the full potential of the Museum. By 2008 the museum will have doubled its floor space with six new storeys of galleries, education and conservation centres,(...)
Architecture Monographs
March 2006, London
Rick Mather architects
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The Ashmolean Museum in Oxford is the oldest museum in the country, however, behind a distinguished facade by CR Cockerell lies a confused accretion of buildings that neither does justice to Cockerell nor develops the full potential of the Museum. By 2008 the museum will have doubled its floor space with six new storeys of galleries, education and conservation centres, and a roof top restaurant. This is just the latest in a long line of distinguished projects that have seen Rick Mather Architects become one of the most influential and well respected firms in the world today. "Rick Mather architects" explores the full scope of the 500 projects that the office has undertaken over the past 33 years. Best known for their award winning museum extensions, such as the Dulwich Picture Gallery and the National Maritime Museum, and their major new expansion to the Virginia Museum of Fine Arts in Richmond, USA, which is currently on site and due to complete in 2008, their portfolio spans a broad spectrum of projects including residential and student housing, masterplans, of which the first phase of their masterplan for London’s South Bank is nearing completion, including both renovations and new buildings. Essays by architectural historian and former Dean of Architecture at Princeton, Robert Maxwell; architect and structural engineer Tim Macfarlane, renowned for his pioneering work in structural glass; and Patrick Bellew, distinguished for his commitment to ‘green’ engineering, form the backbone of this study. As a firm Rick Mather Architects bridges the space between the street and the interior, the old and the new, infusing their buildings with a distinct architectural identity. They are renowned for their intuitive sense of place and context, as well as their pioneering technologies in structural glass and sustainable design. Rick Mather Architects draws on Mather’s original plans and drawings and does full justice to the firm’s unique subtlety.
Architecture Monographs
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The "Friedrichswerder" is situated next to the Gendarmenmarkt in opposite of the Federal Foreign Office and is the construction site of 47 "Berlin Townhouses".This new city district lies on the historic site of the first city extension from the old town Berlin-Cölln, between 1650 and 1700, and will be redeveloped in following the historic pattern. The aim is to obtain and(...)
7 townhouses for berlin / stadthäuser für Berlin : soberly sensually
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The "Friedrichswerder" is situated next to the Gendarmenmarkt in opposite of the Federal Foreign Office and is the construction site of 47 "Berlin Townhouses".This new city district lies on the historic site of the first city extension from the old town Berlin-Cölln, between 1650 and 1700, and will be redeveloped in following the historic pattern. The aim is to obtain and recapture the living in this old city district. This Type of urban housing gives the possibility to live in the historic center of the city and, at the same time, to have the advantage of living in a house with garden. A long and narrow shape creates the typicall characteristic of these lots. The senat department of the city decided not to restrain the ambitions for individual design of the houses. Just the size of the lots and the number of levels were regulated. So almost every kind of desired design for the clients is satisfiable. Every client could choose his own architect. The berlin sized architect Johanne Nalbach builds seven of these house. They are under construction yet and will be finished in 2007. The Townhouses by Johanne Nalbach The Townhouses are characterized by the integration into the urban context. The two houses on the Oberwallstrasse represent the dialog with the city. The urban space demands a higher grade of restrain of material and colour of the facades. The other side of the new city district, is dominated by the strong neighbourhood of the Federal Foreign Office. Five of the houses by Johanne Nalbach are situated in this green area in front of the former Reichsbankgebäude. According to the architect the urban context gives the strength to a more individual design on this side for the houses and functions as a contrast to the regular historic façade of the 30s. The houses show the individuality of the clients and the influences of the regional and traditional culture through the articulation and choice of the materials of the facade. Representative living in the center of berlin with garden, roof terraces, living and working consolidated – the aim was to reach the most flexible possibilities of living. Level high windows dominate the design of the façade and submit the light to reach as far as possible into the depth of the houses. The center of the house is characterized by an open fireplace. The room´s altitude of 4 m and the vertical views produce a spatial liberality and emphasize the vertical idea of these houses. The linearity of the single run staircase, the free spaces and the galleries are the instruments to procure unconventional experiences of space.
books
December 2006, Berlin
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