Project
AP018.S1.1964.PR09
Description:
This project series documents a lecture hall building at York University in North York, Ontario from 1964-1965. The office identified the project number as 6413. This project, known as Lecture Hall No. 1, consisted of a two-storey building at York University, to be used for teaching. The basement included mechanical and electrical rooms, while the ground floor was made up of large, two-storey lecture halls, smaller classrooms, and projection rooms. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. UPACE received a Special Mention Massey Medal in 1967 for the design of this project. The project is recorded through reprographic copies of drawings dating from 1965. These were a set of drawings issued for tender.
1965
York University, Lecture Hall No. 1, North York, Ontario (1964-1965)
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AP018.S1.1964.PR09
Description:
This project series documents a lecture hall building at York University in North York, Ontario from 1964-1965. The office identified the project number as 6413. This project, known as Lecture Hall No. 1, consisted of a two-storey building at York University, to be used for teaching. The basement included mechanical and electrical rooms, while the ground floor was made up of large, two-storey lecture halls, smaller classrooms, and projection rooms. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. UPACE received a Special Mention Massey Medal in 1967 for the design of this project. The project is recorded through reprographic copies of drawings dating from 1965. These were a set of drawings issued for tender.
Project
1965
This exhibition features Italian photographer Guido Guidis photographs of the Brion family mausoleum in Italy, considered to be architect Carlo Scarpa’s masterpiece. The artist’s 54 colour photographs reveal the beauty of the funerary complex, its clean architectural lines, and the poetic nature of Scarpa’s work. By concentrating on particular architectural features,(...)
Octagonal gallery
11 September 2009 to 10 January 2010
Carlo Scarpa's Tomba Brion: Photographs by Guido Guidi, 1997-2007
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Description:
This exhibition features Italian photographer Guido Guidis photographs of the Brion family mausoleum in Italy, considered to be architect Carlo Scarpa’s masterpiece. The artist’s 54 colour photographs reveal the beauty of the funerary complex, its clean architectural lines, and the poetic nature of Scarpa’s work. By concentrating on particular architectural features,(...)
Octagonal gallery
drawings
Quantity:
22 File
ARCH44877
Description:
Building "A", panels over toilet openings; Building "B", 1st floor arrangement, locker bases, partitions, ward screens, lockers, cupboard doors; "C" Building, basketball backstops, badminton courts, transformer pit, window sill, exterior sash, partition, projection room openings, chapel confessional, stairs to stage, toilet and scrub-up-room, entrance canopy, sink and cupboard, tile pattern in dining room
Building "A", Building "B", Building "C"
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ARCH44877
Description:
Building "A", panels over toilet openings; Building "B", 1st floor arrangement, locker bases, partitions, ward screens, lockers, cupboard doors; "C" Building, basketball backstops, badminton courts, transformer pit, window sill, exterior sash, partition, projection room openings, chapel confessional, stairs to stage, toilet and scrub-up-room, entrance canopy, sink and cupboard, tile pattern in dining room
drawings
Quantity:
22 File
Project
Olympia
AP144.S2.D83
Description:
File documents Cedric Price's competition entry for the design of one of the pedestrian plazas at the Olympic Village for the 1972 Olympics held in Munich, Germany. The limited competition was originally awarded to Cedric Price, but later withdrawn, and the project was never executed. The proposal called for market stalls/exhibition stands, seating, groups of spherical structures that would emit light, sound, warm or cool air, and a large central sphere that would provide multi-media projections and information. Some material from this file was submitted for publication in 'L'Architecture d'aujourd'hui' (1972) and 'Bauen + Wohnen' (1972). Material in this file was produced between 1971 and 1972. File contains conceptual drawings, photographic materials, presentation drawings, reference drawings, and textual records.
1971-1972
Olympia
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AP144.S2.D83
Description:
File documents Cedric Price's competition entry for the design of one of the pedestrian plazas at the Olympic Village for the 1972 Olympics held in Munich, Germany. The limited competition was originally awarded to Cedric Price, but later withdrawn, and the project was never executed. The proposal called for market stalls/exhibition stands, seating, groups of spherical structures that would emit light, sound, warm or cool air, and a large central sphere that would provide multi-media projections and information. Some material from this file was submitted for publication in 'L'Architecture d'aujourd'hui' (1972) and 'Bauen + Wohnen' (1972). Material in this file was produced between 1971 and 1972. File contains conceptual drawings, photographic materials, presentation drawings, reference drawings, and textual records.
File 83
1971-1972
Documents of Displacement proposes to explore the notion of displacement and its diverse meanings and effects in photographic and video works of artists through the subjects documented or through their methodologies and processes. The artists invited for this series all live in North America, but develop work from a sense of displacement, whether by their cultural or(...)
Paul Desmarais Theatre Keyword(s):
Victor Arroyo, Documents of Displacement, Hester Keijser, photography, Cherán, P’urhépecha
7 December 2023, 6:30pm
Documents of Displacement III
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Description:
Documents of Displacement proposes to explore the notion of displacement and its diverse meanings and effects in photographic and video works of artists through the subjects documented or through their methodologies and processes. The artists invited for this series all live in North America, but develop work from a sense of displacement, whether by their cultural or(...)
Paul Desmarais Theatre Keyword(s):
Victor Arroyo, Documents of Displacement, Hester Keijser, photography, Cherán, P’urhépecha
drawings
Quantity:
24 File
ARCH42618
Description:
employment entrance, section of stage and carpenter's shop, boiler room, plan of water mains, doors, exhaust fan room, court landscape, vault building elevations, engineering department layout, board room and viewing room, conference room and workshop, pipe recesses, special effects area, botanical photography greenhouse, elevator pit, retaining walls, stair footing, screening room and projection booth, main switchboard, doors, revisions to floors, technical research section, science films section
Employment entrance, section of stage and carpenter's shop, boiler room, plan of water mains
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ARCH42618
Description:
employment entrance, section of stage and carpenter's shop, boiler room, plan of water mains, doors, exhaust fan room, court landscape, vault building elevations, engineering department layout, board room and viewing room, conference room and workshop, pipe recesses, special effects area, botanical photography greenhouse, elevator pit, retaining walls, stair footing, screening room and projection booth, main switchboard, doors, revisions to floors, technical research section, science films section
drawings
Quantity:
24 File
drawings
ARCH8468
Description:
Mobilier : plan d'une table de chimie. Détails intérieurs : chambre frigorifique pour les viandes. Aile G : doubles fenêtres en bois pour les fenêtres métalliques QQ et TTT. Ailes H, K et L: détails des rayons et escaliers du dépôt de livres, meurtrières de la cabine de projection K503, aménagement des vestiaires K409 à K412, fenêtres du corridor L5 et de l'amphithéâtre H404. Aile B' : baie vitrées dans l'escalier B'2 (dessins 0301 à 0303, 0305 à 0308 (x 2), 0309).
1942-1943
Mobilier, plan d'une table de chimie, détails intérieurs
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ARCH8468
Description:
Mobilier : plan d'une table de chimie. Détails intérieurs : chambre frigorifique pour les viandes. Aile G : doubles fenêtres en bois pour les fenêtres métalliques QQ et TTT. Ailes H, K et L: détails des rayons et escaliers du dépôt de livres, meurtrières de la cabine de projection K503, aménagement des vestiaires K409 à K412, fenêtres du corridor L5 et de l'amphithéâtre H404. Aile B' : baie vitrées dans l'escalier B'2 (dessins 0301 à 0303, 0305 à 0308 (x 2), 0309).
drawings
1942-1943
Anna Neimark and Andrew Atwood of First Office present recent work on exhibitions and display, including a temporary screening room installed at the MAK Center for Art and Architecture in Los Angeles. Presented as part of Displaying Architecture, a CCA series that looks at the relationship between architecture and spaces of display.
22 October 2015 , 6pm
Displaying Architecture: First Office
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Description:
Anna Neimark and Andrew Atwood of First Office present recent work on exhibitions and display, including a temporary screening room installed at the MAK Center for Art and Architecture in Los Angeles. Presented as part of Displaying Architecture, a CCA series that looks at the relationship between architecture and spaces of display.
archives
Level of archival description:
Fonds
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
2001-2016
Preston Scott Cohen Eyebeam project records
Actions:
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
archives
Level of archival description:
Fonds
2001-2016
DR1987:0119
Description:
- This print, which is probably a photolithograph of a photomontage, combines a panorama of the devastated remains of Hiroshima with images of futuristic, visionary architecture designed by Japanese architects in the early 1960s. The print was designed for the Electric Labyrinth, an installation made for the fourteenth Milan Triennale in 1968. The Electric Labyrinth was comprised of curved, revolving plexiglass panels and a large projection screen. Images of Hiroshima and the visionary architecture designed by Isozaki and his contemporaries were displayed on both the panels and the screen (Koshalek 1991, 278).
urban planning
1968
Panorama of Hiroshima with futuristic buildings
Actions:
DR1987:0119
Description:
- This print, which is probably a photolithograph of a photomontage, combines a panorama of the devastated remains of Hiroshima with images of futuristic, visionary architecture designed by Japanese architects in the early 1960s. The print was designed for the Electric Labyrinth, an installation made for the fourteenth Milan Triennale in 1968. The Electric Labyrinth was comprised of curved, revolving plexiglass panels and a large projection screen. Images of Hiroshima and the visionary architecture designed by Isozaki and his contemporaries were displayed on both the panels and the screen (Koshalek 1991, 278).
urban planning