Making Seed Bombs
Montréal-based artist Gina Badger shows workshop participants how to make seed-bombs – balls of dirt, clay, water, and seeds that can be used to start gardens in the city. The workshop is presented in collaboration with DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). In conjunction with the exhibition Actions: What You Can Do With the City (2008),(...)
14 March 2009
Making Seed Bombs
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Montréal-based artist Gina Badger shows workshop participants how to make seed-bombs – balls of dirt, clay, water, and seeds that can be used to start gardens in the city. The workshop is presented in collaboration with DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). In conjunction with the exhibition Actions: What You Can Do With the City (2008),(...)
The greystone buildings standing in Montreal today are essential tools for understanding the city. A deep study of their material history from the late 17th century to the early 20th demonstrates how geology, topography, politics, ethnicity, culture, as well as changes in economy and technology, have shaped the city through the centuries. Conceived as a photographic(...)
Octagonal gallery Keyword(s):
Greystone, Phyllis Lambert, Montréal, photography, Richard Pare
13 October 2017 to 4 March 2018
Greystone: Tools for Understanding the City
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The greystone buildings standing in Montreal today are essential tools for understanding the city. A deep study of their material history from the late 17th century to the early 20th demonstrates how geology, topography, politics, ethnicity, culture, as well as changes in economy and technology, have shaped the city through the centuries. Conceived as a photographic(...)
Octagonal gallery Keyword(s):
Greystone, Phyllis Lambert, Montréal, photography, Richard Pare
Bill Brown leads participants on a guided tour through Montréal’s underground city, pointing out the locations of surveillance cameras and discussing the role of surveillance in public space. Brown is a member of Surveillance Camera Players, a New York City-based group that maps surveillance cameras in urban spaces. In conjunction with the exhibition Actions: What You Can(...)
Complexe Desjardins
21 February 2009
Discovering the Unmonitored Underground City
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Bill Brown leads participants on a guided tour through Montréal’s underground city, pointing out the locations of surveillance cameras and discussing the role of surveillance in public space. Brown is a member of Surveillance Camera Players, a New York City-based group that maps surveillance cameras in urban spaces. In conjunction with the exhibition Actions: What You Can(...)
Complexe Desjardins
How can construction be an instrument of peace? Post-conflict cities share many problems such as spontaneous construction and a lack of strong civil governance, thus even well-intended projects under these conditions risk fixing inequalities permanently or introducing new ones in the built environment. Can architecture, beyond solving a direct need or problem, add to(...)
Octagonal gallery
16 June 2011 to 4 September 2011
The Good Cause: Architecture of Peace
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How can construction be an instrument of peace? Post-conflict cities share many problems such as spontaneous construction and a lack of strong civil governance, thus even well-intended projects under these conditions risk fixing inequalities permanently or introducing new ones in the built environment. Can architecture, beyond solving a direct need or problem, add to(...)
Octagonal gallery
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Main galleries
26 May 1999 to 31 October 1999
Carlo Scarpa, Architect: Intervening with History
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The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Main galleries
The Unschool
What could a school be? For a week over summer 2012, students of The Unschool explored the spaces in and around schools and pushed the limits of the camera as a social instrument with guest curator Monica Nouwens. Participants compared how people live in schools and cities, and how design can encourage and limit behaviours, relationships, and activities. “Could(...)
30 July 2012 to 3 August 2012
The Unschool
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What could a school be? For a week over summer 2012, students of The Unschool explored the spaces in and around schools and pushed the limits of the camera as a social instrument with guest curator Monica Nouwens. Participants compared how people live in schools and cities, and how design can encourage and limit behaviours, relationships, and activities. “Could(...)
articles
Near Documentary
The Lives of Documents, Photography as a Project, Stefano Graziani and Bas Princen, Jeff Wall, conversation, oral history
5 June 2023
Chicago-based artist Michael Rakowitz speaks with Luca Stasi of Recetas Urbanas about their various projects. Rakowitz’s work explores the concepts of nomadic habitat and urban appropriation, while Recetas Urbanas uses strategies of urban intervention that take advantage of legal loopholes, opening up opportunities for autonomous architecture. The conversation is part of(...)
Paul Desmarais Theatre
2 April 2009
Michael Rakowitz and Luca Stasi of Recetas Urbanas
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Chicago-based artist Michael Rakowitz speaks with Luca Stasi of Recetas Urbanas about their various projects. Rakowitz’s work explores the concepts of nomadic habitat and urban appropriation, while Recetas Urbanas uses strategies of urban intervention that take advantage of legal loopholes, opening up opportunities for autonomous architecture. The conversation is part of(...)
Paul Desmarais Theatre
Mapping Rural Montréal
On a tour of downtown Montréal, San Francisco-based artist Amy Franceschini shows participants ‘rural’ sites and activities and questions the dichotomy of country and city. Franceschini founded Futurefarmers, a collaborative and experimental studio that addresses ecological issues, as well as the online magazine, Atlas. Inspired by the exhibition Actions: What You Can Do(...)
4 April 2009
Mapping Rural Montréal
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On a tour of downtown Montréal, San Francisco-based artist Amy Franceschini shows participants ‘rural’ sites and activities and questions the dichotomy of country and city. Franceschini founded Futurefarmers, a collaborative and experimental studio that addresses ecological issues, as well as the online magazine, Atlas. Inspired by the exhibition Actions: What You Can Do(...)
Foraging in Montréal
Chicago-based artist and forager Nance Klehm leads a foraging and tea-making expedition. Foraging is the practice of collecting plants that grow wild in urban and rural areas. Participants identify and collect edible plants growing in Montreal and then make tea from the foraged ingredients. Inspired by the exhibition Actions: What You Can Do With the City (2008), the CCA(...)
18 April 2009
Foraging in Montréal
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Chicago-based artist and forager Nance Klehm leads a foraging and tea-making expedition. Foraging is the practice of collecting plants that grow wild in urban and rural areas. Participants identify and collect edible plants growing in Montreal and then make tea from the foraged ingredients. Inspired by the exhibition Actions: What You Can Do With the City (2008), the CCA(...)