1677 Results
Form:
exhibitions
exhibitions
Title:
Mirrors / Miroirs
Mirrors / Miroirs
Actions:
Description:
Mirrors/ Miroirs is conceived through an indirect dialogue with the exhibition Besides, History: Go Hasegawa, Kersten Geers, David Van Severen, a project rooted in the shared references and resonances between the work of two contemporary practices in the presence of history. If Besides, History is premised on impressions of one office’s work registered through(...)
Mirrors/ Miroirs is conceived through an indirect dialogue with the exhibition Besides, History: Go Hasegawa, Kersten Geers, David Van Severen, a project rooted in the shared references and resonances between the work of two contemporary practices in the presence of history. If Besides, History is premised on impressions of one office’s work registered through(...)
Location:
Hall cases
Hall cases
Date:
22 June 2017 to 14 January 2018
22 June 2017 to 14 January 2018
Title:
Mirrors / Miroirs
Actions:
Description:
Mirrors/ Miroirs is conceived through an indirect dialogue with the exhibition Besides, History: Go Hasegawa, Kersten Geers, David Van Severen, a project rooted in the shared references and resonances between the work of two contemporary practices in the presence of history. If Besides, History is premised on impressions of one office’s work registered through(...)
Mirrors / Miroirs
Actions:
Description:
Mirrors/ Miroirs is conceived through an indirect dialogue with the exhibition Besides, History: Go Hasegawa, Kersten Geers, David Van Severen, a project rooted in the shared references and resonances between the work of two contemporary practices in the presence of history. If Besides, History is premised on impressions of one office’s work registered through(...)
Form:
exhibitions
exhibitions
Date:
22 June 2017 to
14 January 2018
22 June 2017 to
14 January 2018
Location:
Hall cases
Hall cases
Form:
drawings
Quantity:
17 reprographie(s)
drawings
Quantity:
17 reprographie(s)
Reference number:
ARCH170504
Description:
Coopérative l'Union à Rivière-des-Prairies: Plan de localisation et d'aménagement du terrain Plan du sous-sol Plan du rez-de chaussée Plans des 2e et 3e étages Plan de la toiture et détails Élévations avant et arrière, enduit Coupes Coupe de murs types Détails des fondations Détails des fenêtres Solariums et fenêtres Balcon, escalier d'issue extérieur Escaliers intérieurs et murs types Cuisines et salles de bain Portes et détails divers
ARCH170504
Description:
Coopérative l'Union à Rivière-des-Prairies: Plan de localisation et d'aménagement du terrain Plan du sous-sol Plan du rez-de chaussée Plans des 2e et 3e étages Plan de la toiture et détails Élévations avant et arrière, enduit Coupes Coupe de murs types Détails des fondations Détails des fenêtres Solariums et fenêtres Balcon, escalier d'issue extérieur Escaliers intérieurs et murs types Cuisines et salles de bain Portes et détails divers
People:
Title:
Coopérative l'Union à Rivière-des-Prairies
Actions:
ARCH170504
Description:
Coopérative l'Union à Rivière-des-Prairies: Plan de localisation et d'aménagement du terrain Plan du sous-sol Plan du rez-de chaussée Plans des 2e et 3e étages Plan de la toiture et détails Élévations avant et arrière, enduit Coupes Coupe de murs types Détails des fondations Détails des fenêtres Solariums et fenêtres Balcon, escalier d'issue extérieur Escaliers intérieurs et murs types Cuisines et salles de bain Portes et détails divers
Coopérative l'Union à Rivière-des-Prairies
Actions:
ARCH170504
Description:
Coopérative l'Union à Rivière-des-Prairies: Plan de localisation et d'aménagement du terrain Plan du sous-sol Plan du rez-de chaussée Plans des 2e et 3e étages Plan de la toiture et détails Élévations avant et arrière, enduit Coupes Coupe de murs types Détails des fondations Détails des fenêtres Solariums et fenêtres Balcon, escalier d'issue extérieur Escaliers intérieurs et murs types Cuisines et salles de bain Portes et détails divers
Form:
drawings
Quantity:
17 reprographie(s)
drawings
Quantity:
17 reprographie(s)
People:
Level of archival description:
Sub-series
Sub-series
Title:
Opera Houses
Opera Houses
Reference number:
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
People:
Date:
1717-1868
1717-1868
Title:
Opera Houses
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
Opera Houses
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
Level of archival description:
File 3
File 3
Date:
1717-1868
1717-1868
People:
Form:
drawings
drawings
Actions:
Reference number:
ARCH8453
Description:
Mobilier : table, tribune, tableau et fauteuils pour F'606, F'706, F'807. Détails intérieurs : Ailes B et B' : niche B225, plancher en terrazzo B111 et B121, plancher en marbre B'101. Ailes E et E' : portes. Ailes K et L : portes, main courante et échelle sur la coupole de la tour. Ailes A' et D' : plan du couloir entre A'301 et D'301, portes aile D' (dessins 481 à 490).
ARCH8453
Description:
Mobilier : table, tribune, tableau et fauteuils pour F'606, F'706, F'807. Détails intérieurs : Ailes B et B' : niche B225, plancher en terrazzo B111 et B121, plancher en marbre B'101. Ailes E et E' : portes. Ailes K et L : portes, main courante et échelle sur la coupole de la tour. Ailes A' et D' : plan du couloir entre A'301 et D'301, portes aile D' (dessins 481 à 490).
People:
Date:
1942
1942
Title:
Mobilier : table, tribune, tableau et fauteuils pour F'606, F'706, F'807
Actions:
ARCH8453
Description:
Mobilier : table, tribune, tableau et fauteuils pour F'606, F'706, F'807. Détails intérieurs : Ailes B et B' : niche B225, plancher en terrazzo B111 et B121, plancher en marbre B'101. Ailes E et E' : portes. Ailes K et L : portes, main courante et échelle sur la coupole de la tour. Ailes A' et D' : plan du couloir entre A'301 et D'301, portes aile D' (dessins 481 à 490).
Mobilier : table, tribune, tableau et fauteuils pour F'606, F'706, F'807
Actions:
ARCH8453
Description:
Mobilier : table, tribune, tableau et fauteuils pour F'606, F'706, F'807. Détails intérieurs : Ailes B et B' : niche B225, plancher en terrazzo B111 et B121, plancher en marbre B'101. Ailes E et E' : portes. Ailes K et L : portes, main courante et échelle sur la coupole de la tour. Ailes A' et D' : plan du couloir entre A'301 et D'301, portes aile D' (dessins 481 à 490).
Form:
drawings
drawings
Date:
1942
1942
People:
Form:
drawings
drawings
Title:
Plans du mobilier
Plans du mobilier
Actions:
Reference number:
ARCH8494
Description:
Mobilier : crédence de la chapelle temporaire H402; tables de géologie et de minéralogie. Détails divers : Aile D : détails des escaliers temporaires en bois dans les gaines d'ascenseurs entre les étages D1 et D4 pour le Conseil national de recherches, plan des gaines d'ascenseurs 1 et 2. Aile L : entrée des élèves à la salle L302; mât de la façade principale. Aile H' : détails intérieurs et coupes du salon H'402. Description du ou des dessins (dessins 0330 à 0339, sans numéro).
ARCH8494
Description:
Mobilier : crédence de la chapelle temporaire H402; tables de géologie et de minéralogie. Détails divers : Aile D : détails des escaliers temporaires en bois dans les gaines d'ascenseurs entre les étages D1 et D4 pour le Conseil national de recherches, plan des gaines d'ascenseurs 1 et 2. Aile L : entrée des élèves à la salle L302; mât de la façade principale. Aile H' : détails intérieurs et coupes du salon H'402. Description du ou des dessins (dessins 0330 à 0339, sans numéro).
People:
Date:
1943
1943
Title:
Plans du mobilier
Actions:
ARCH8494
Description:
Mobilier : crédence de la chapelle temporaire H402; tables de géologie et de minéralogie. Détails divers : Aile D : détails des escaliers temporaires en bois dans les gaines d'ascenseurs entre les étages D1 et D4 pour le Conseil national de recherches, plan des gaines d'ascenseurs 1 et 2. Aile L : entrée des élèves à la salle L302; mât de la façade principale. Aile H' : détails intérieurs et coupes du salon H'402. Description du ou des dessins (dessins 0330 à 0339, sans numéro).
Plans du mobilier
Actions:
ARCH8494
Description:
Mobilier : crédence de la chapelle temporaire H402; tables de géologie et de minéralogie. Détails divers : Aile D : détails des escaliers temporaires en bois dans les gaines d'ascenseurs entre les étages D1 et D4 pour le Conseil national de recherches, plan des gaines d'ascenseurs 1 et 2. Aile L : entrée des élèves à la salle L302; mât de la façade principale. Aile H' : détails intérieurs et coupes du salon H'402. Description du ou des dessins (dessins 0330 à 0339, sans numéro).
Form:
drawings
drawings
Date:
1943
1943
People:
Form:
drawings
drawings
Title:
Détails divers
Détails divers
Actions:
Reference number:
ARCH8347
Description:
Détails divers : Ailes D et D' : couvertures des gaines de ventilation, détails du hall de l'administration au 3e étage. Aile E : escalier circulaire, administration de la faculté de médecine, 4e étage. Aile G : lucarne sur le côté sud de la toiture de la chapelle. Ailes H, K et L : détails intérieurs de marbre, pierre et enduits pour le vestibule, le hall d'honneur et l'escalier de la salle des promotions, Marquise L4, cloison et porte entre les ailes H et L au 6e étage (dessins 380 à 390).
ARCH8347
Description:
Détails divers : Ailes D et D' : couvertures des gaines de ventilation, détails du hall de l'administration au 3e étage. Aile E : escalier circulaire, administration de la faculté de médecine, 4e étage. Aile G : lucarne sur le côté sud de la toiture de la chapelle. Ailes H, K et L : détails intérieurs de marbre, pierre et enduits pour le vestibule, le hall d'honneur et l'escalier de la salle des promotions, Marquise L4, cloison et porte entre les ailes H et L au 6e étage (dessins 380 à 390).
People:
Date:
1932-1942
1932-1942
Title:
Détails divers
Actions:
ARCH8347
Description:
Détails divers : Ailes D et D' : couvertures des gaines de ventilation, détails du hall de l'administration au 3e étage. Aile E : escalier circulaire, administration de la faculté de médecine, 4e étage. Aile G : lucarne sur le côté sud de la toiture de la chapelle. Ailes H, K et L : détails intérieurs de marbre, pierre et enduits pour le vestibule, le hall d'honneur et l'escalier de la salle des promotions, Marquise L4, cloison et porte entre les ailes H et L au 6e étage (dessins 380 à 390).
Détails divers
Actions:
ARCH8347
Description:
Détails divers : Ailes D et D' : couvertures des gaines de ventilation, détails du hall de l'administration au 3e étage. Aile E : escalier circulaire, administration de la faculté de médecine, 4e étage. Aile G : lucarne sur le côté sud de la toiture de la chapelle. Ailes H, K et L : détails intérieurs de marbre, pierre et enduits pour le vestibule, le hall d'honneur et l'escalier de la salle des promotions, Marquise L4, cloison et porte entre les ailes H et L au 6e étage (dessins 380 à 390).
Form:
drawings
drawings
Date:
1932-1942
1932-1942
People:
Form:
drawings
drawings
Title:
Détails intérieurs
Détails intérieurs
Actions:
Reference number:
ARCH8405
Description:
Détails intérieurs : Aile E : monte-charge. Ailes K et L : salle des promotions K504, incluant la scène, le rostrum, les plafonds, et le fini des murs à l'endroit des escaliers du balcon; antichambre K507, porte entre K502 et K511; plafonds K501, K602, L402 et de l'escalier de L402 à H et H'. Ailes A' et D' : toilettes A'300 et D'300, salle de réunion de la Société d'administration D'325 (dessins 431, 433, 434, 435, 438 à 450).
ARCH8405
Description:
Détails intérieurs : Aile E : monte-charge. Ailes K et L : salle des promotions K504, incluant la scène, le rostrum, les plafonds, et le fini des murs à l'endroit des escaliers du balcon; antichambre K507, porte entre K502 et K511; plafonds K501, K602, L402 et de l'escalier de L402 à H et H'. Ailes A' et D' : toilettes A'300 et D'300, salle de réunion de la Société d'administration D'325 (dessins 431, 433, 434, 435, 438 à 450).
People:
Date:
1941-1942
1941-1942
Title:
Détails intérieurs
Actions:
ARCH8405
Description:
Détails intérieurs : Aile E : monte-charge. Ailes K et L : salle des promotions K504, incluant la scène, le rostrum, les plafonds, et le fini des murs à l'endroit des escaliers du balcon; antichambre K507, porte entre K502 et K511; plafonds K501, K602, L402 et de l'escalier de L402 à H et H'. Ailes A' et D' : toilettes A'300 et D'300, salle de réunion de la Société d'administration D'325 (dessins 431, 433, 434, 435, 438 à 450).
Détails intérieurs
Actions:
ARCH8405
Description:
Détails intérieurs : Aile E : monte-charge. Ailes K et L : salle des promotions K504, incluant la scène, le rostrum, les plafonds, et le fini des murs à l'endroit des escaliers du balcon; antichambre K507, porte entre K502 et K511; plafonds K501, K602, L402 et de l'escalier de L402 à H et H'. Ailes A' et D' : toilettes A'300 et D'300, salle de réunion de la Société d'administration D'325 (dessins 431, 433, 434, 435, 438 à 450).
Form:
drawings
drawings
Date:
1941-1942
1941-1942
People:
Form:
drawings, textual records, works of art
drawings, textual records, works of art
Actions:
Reference number:
DR1974:0002:011:001-089
Description:
- This album contains mostly design development and presentation drawings for the conversion or renovation of several Parisan hôtel particuliers by Hubert Rohault de Fleury, and for the Rohault de Fleury family house, 12-14 rue d'Aguesseau, Paris. Also included are four prints of British country seats. The drawings - mostly plans - for hôtel particuliers include: alterations to the Hôtel du ministère de la Guerre, perhaps the initial conversion of the Hôtel du Maine into government offices (DR1974:0002:011:003 - DR1974:0002:011:005); alterations to Hôtel de Rothelin-Charolais (Hôtel de Conti) as offices for the Ministère de l'intérieur (DR1974:0002:011:006 - DR1974:0002:011:009); the conversion of Hôtel de Soyécourt into gendarmerie barracks (DR1974:0002:011:017 - DR1974:0002:011:027 and DR1974:0002:011:089); and the alterations to Hôtel de la Colonnade (Grand and Petit Hôtels de Wagram) as offices for the Ministère des affaires étrangères (DR1974:0002:011:028 - DR1974:0002:011:042). Letter DR1974:0002:011:037 R/V apparently concerns the alterations to Hôtel de la Colonnade. The album contains drawings for several other hôtels - Hôtel de Lorge, Petit hôtel de Nivernais, Hôtel de Bouillon, and an hôtel on rue des Quatre-Fils. The purpose of these drawings has not been determined. Drawings for the Rohault de Fleury family house include: 22 graphite design development drawings with dimensions, calculations and notes - mostly plans and elevations; seven finished watercolour presentation drawings - plans, sections and elevations; two interior perspectives; and one drawing for the roof structures (DR1974:0002:011:050 - DR1974:0002:011:083). The coloured sections and the interior perspective drawings show the Empire style interior decoration, including furnishings (DR1974:0002:011:080 - DR1974:0002:011:082 R and DR1974:0002:011:083 R). The four prints are part of a series of views of English country seats by William Henry Toms after Thomas Badeslade and William Winstanley printed during the mid 18th century: Hawarden Castle and the adjacent Broadlane Hall, Wales, seat of Sir John Glynne; Erddig (house), Wales, seat of Simon Yorke; Hather Thorpe (house), Lincolnshire, England, seat of Sir Michael Newton; and Rushton Hall, Northamptonshire, England, seat of Viscount Cullen (DR1974:0002:011:085 - DR1974:0002:011:088). The album also includes: three drawings for a château for M. le marquis de la Sainte-Aulaire, designed by Perrot, the first of which is possibly for proposed additions by Hubert Rohault de Fleury (DR1974:0002:011:013); an elevation for a temporary altar; a cost estimate for a country cottage; six drawings for an unidentified country house; and a site plan of the village [?] and vicinity of Chailly, France for Mr. Pierre Jacques Le Roy.
DR1974:0002:011:001-089
Description:
- This album contains mostly design development and presentation drawings for the conversion or renovation of several Parisan hôtel particuliers by Hubert Rohault de Fleury, and for the Rohault de Fleury family house, 12-14 rue d'Aguesseau, Paris. Also included are four prints of British country seats. The drawings - mostly plans - for hôtel particuliers include: alterations to the Hôtel du ministère de la Guerre, perhaps the initial conversion of the Hôtel du Maine into government offices (DR1974:0002:011:003 - DR1974:0002:011:005); alterations to Hôtel de Rothelin-Charolais (Hôtel de Conti) as offices for the Ministère de l'intérieur (DR1974:0002:011:006 - DR1974:0002:011:009); the conversion of Hôtel de Soyécourt into gendarmerie barracks (DR1974:0002:011:017 - DR1974:0002:011:027 and DR1974:0002:011:089); and the alterations to Hôtel de la Colonnade (Grand and Petit Hôtels de Wagram) as offices for the Ministère des affaires étrangères (DR1974:0002:011:028 - DR1974:0002:011:042). Letter DR1974:0002:011:037 R/V apparently concerns the alterations to Hôtel de la Colonnade. The album contains drawings for several other hôtels - Hôtel de Lorge, Petit hôtel de Nivernais, Hôtel de Bouillon, and an hôtel on rue des Quatre-Fils. The purpose of these drawings has not been determined. Drawings for the Rohault de Fleury family house include: 22 graphite design development drawings with dimensions, calculations and notes - mostly plans and elevations; seven finished watercolour presentation drawings - plans, sections and elevations; two interior perspectives; and one drawing for the roof structures (DR1974:0002:011:050 - DR1974:0002:011:083). The coloured sections and the interior perspective drawings show the Empire style interior decoration, including furnishings (DR1974:0002:011:080 - DR1974:0002:011:082 R and DR1974:0002:011:083 R). The four prints are part of a series of views of English country seats by William Henry Toms after Thomas Badeslade and William Winstanley printed during the mid 18th century: Hawarden Castle and the adjacent Broadlane Hall, Wales, seat of Sir John Glynne; Erddig (house), Wales, seat of Simon Yorke; Hather Thorpe (house), Lincolnshire, England, seat of Sir Michael Newton; and Rushton Hall, Northamptonshire, England, seat of Viscount Cullen (DR1974:0002:011:085 - DR1974:0002:011:088). The album also includes: three drawings for a château for M. le marquis de la Sainte-Aulaire, designed by Perrot, the first of which is possibly for proposed additions by Hubert Rohault de Fleury (DR1974:0002:011:013); an elevation for a temporary altar; a cost estimate for a country cottage; six drawings for an unidentified country house; and a site plan of the village [?] and vicinity of Chailly, France for Mr. Pierre Jacques Le Roy.
People:
Subject:
architecture, landscape architecture, temporary architecture, interior design, military, topographic
architecture, landscape architecture, temporary architecture, interior design, military, topographic
Date:
1755-1849, manuscripts written between 1792-1849, printed between ca. 1740-1849
1755-1849, manuscripts written between 1792-1849, printed between ca. 1740-1849
Title:
Album of drawings for alterations to several Parisian hôtel particuliers and the Rohault de Fleury family house, rue d'Aguesseau, Paris, and of prints of English country seats
Actions:
DR1974:0002:011:001-089
Description:
- This album contains mostly design development and presentation drawings for the conversion or renovation of several Parisan hôtel particuliers by Hubert Rohault de Fleury, and for the Rohault de Fleury family house, 12-14 rue d'Aguesseau, Paris. Also included are four prints of British country seats. The drawings - mostly plans - for hôtel particuliers include: alterations to the Hôtel du ministère de la Guerre, perhaps the initial conversion of the Hôtel du Maine into government offices (DR1974:0002:011:003 - DR1974:0002:011:005); alterations to Hôtel de Rothelin-Charolais (Hôtel de Conti) as offices for the Ministère de l'intérieur (DR1974:0002:011:006 - DR1974:0002:011:009); the conversion of Hôtel de Soyécourt into gendarmerie barracks (DR1974:0002:011:017 - DR1974:0002:011:027 and DR1974:0002:011:089); and the alterations to Hôtel de la Colonnade (Grand and Petit Hôtels de Wagram) as offices for the Ministère des affaires étrangères (DR1974:0002:011:028 - DR1974:0002:011:042). Letter DR1974:0002:011:037 R/V apparently concerns the alterations to Hôtel de la Colonnade. The album contains drawings for several other hôtels - Hôtel de Lorge, Petit hôtel de Nivernais, Hôtel de Bouillon, and an hôtel on rue des Quatre-Fils. The purpose of these drawings has not been determined. Drawings for the Rohault de Fleury family house include: 22 graphite design development drawings with dimensions, calculations and notes - mostly plans and elevations; seven finished watercolour presentation drawings - plans, sections and elevations; two interior perspectives; and one drawing for the roof structures (DR1974:0002:011:050 - DR1974:0002:011:083). The coloured sections and the interior perspective drawings show the Empire style interior decoration, including furnishings (DR1974:0002:011:080 - DR1974:0002:011:082 R and DR1974:0002:011:083 R). The four prints are part of a series of views of English country seats by William Henry Toms after Thomas Badeslade and William Winstanley printed during the mid 18th century: Hawarden Castle and the adjacent Broadlane Hall, Wales, seat of Sir John Glynne; Erddig (house), Wales, seat of Simon Yorke; Hather Thorpe (house), Lincolnshire, England, seat of Sir Michael Newton; and Rushton Hall, Northamptonshire, England, seat of Viscount Cullen (DR1974:0002:011:085 - DR1974:0002:011:088). The album also includes: three drawings for a château for M. le marquis de la Sainte-Aulaire, designed by Perrot, the first of which is possibly for proposed additions by Hubert Rohault de Fleury (DR1974:0002:011:013); an elevation for a temporary altar; a cost estimate for a country cottage; six drawings for an unidentified country house; and a site plan of the village [?] and vicinity of Chailly, France for Mr. Pierre Jacques Le Roy.
Album of drawings for alterations to several Parisian hôtel particuliers and the Rohault de Fleury family house, rue d'Aguesseau, Paris, and of prints of English country seats
Actions:
DR1974:0002:011:001-089
Description:
- This album contains mostly design development and presentation drawings for the conversion or renovation of several Parisan hôtel particuliers by Hubert Rohault de Fleury, and for the Rohault de Fleury family house, 12-14 rue d'Aguesseau, Paris. Also included are four prints of British country seats. The drawings - mostly plans - for hôtel particuliers include: alterations to the Hôtel du ministère de la Guerre, perhaps the initial conversion of the Hôtel du Maine into government offices (DR1974:0002:011:003 - DR1974:0002:011:005); alterations to Hôtel de Rothelin-Charolais (Hôtel de Conti) as offices for the Ministère de l'intérieur (DR1974:0002:011:006 - DR1974:0002:011:009); the conversion of Hôtel de Soyécourt into gendarmerie barracks (DR1974:0002:011:017 - DR1974:0002:011:027 and DR1974:0002:011:089); and the alterations to Hôtel de la Colonnade (Grand and Petit Hôtels de Wagram) as offices for the Ministère des affaires étrangères (DR1974:0002:011:028 - DR1974:0002:011:042). Letter DR1974:0002:011:037 R/V apparently concerns the alterations to Hôtel de la Colonnade. The album contains drawings for several other hôtels - Hôtel de Lorge, Petit hôtel de Nivernais, Hôtel de Bouillon, and an hôtel on rue des Quatre-Fils. The purpose of these drawings has not been determined. Drawings for the Rohault de Fleury family house include: 22 graphite design development drawings with dimensions, calculations and notes - mostly plans and elevations; seven finished watercolour presentation drawings - plans, sections and elevations; two interior perspectives; and one drawing for the roof structures (DR1974:0002:011:050 - DR1974:0002:011:083). The coloured sections and the interior perspective drawings show the Empire style interior decoration, including furnishings (DR1974:0002:011:080 - DR1974:0002:011:082 R and DR1974:0002:011:083 R). The four prints are part of a series of views of English country seats by William Henry Toms after Thomas Badeslade and William Winstanley printed during the mid 18th century: Hawarden Castle and the adjacent Broadlane Hall, Wales, seat of Sir John Glynne; Erddig (house), Wales, seat of Simon Yorke; Hather Thorpe (house), Lincolnshire, England, seat of Sir Michael Newton; and Rushton Hall, Northamptonshire, England, seat of Viscount Cullen (DR1974:0002:011:085 - DR1974:0002:011:088). The album also includes: three drawings for a château for M. le marquis de la Sainte-Aulaire, designed by Perrot, the first of which is possibly for proposed additions by Hubert Rohault de Fleury (DR1974:0002:011:013); an elevation for a temporary altar; a cost estimate for a country cottage; six drawings for an unidentified country house; and a site plan of the village [?] and vicinity of Chailly, France for Mr. Pierre Jacques Le Roy.
Form:
drawings, textual records, works of art
drawings, textual records, works of art
Date:
1755-1849, manuscripts written between 1792-1849, printed between ca. 1740-1849
1755-1849, manuscripts written between 1792-1849, printed between ca. 1740-1849
People:
Subject:
architecture, landscape architecture, temporary architecture, interior design, military, topographic
architecture, landscape architecture, temporary architecture, interior design, military, topographic
Form:
drawings
drawings
Actions:
Reference number:
ARCH8468
Description:
Mobilier : plan d'une table de chimie. Détails intérieurs : chambre frigorifique pour les viandes. Aile G : doubles fenêtres en bois pour les fenêtres métalliques QQ et TTT. Ailes H, K et L: détails des rayons et escaliers du dépôt de livres, meurtrières de la cabine de projection K503, aménagement des vestiaires K409 à K412, fenêtres du corridor L5 et de l'amphithéâtre H404. Aile B' : baie vitrées dans l'escalier B'2 (dessins 0301 à 0303, 0305 à 0308 (x 2), 0309).
ARCH8468
Description:
Mobilier : plan d'une table de chimie. Détails intérieurs : chambre frigorifique pour les viandes. Aile G : doubles fenêtres en bois pour les fenêtres métalliques QQ et TTT. Ailes H, K et L: détails des rayons et escaliers du dépôt de livres, meurtrières de la cabine de projection K503, aménagement des vestiaires K409 à K412, fenêtres du corridor L5 et de l'amphithéâtre H404. Aile B' : baie vitrées dans l'escalier B'2 (dessins 0301 à 0303, 0305 à 0308 (x 2), 0309).
People:
Date:
1942-1943
1942-1943
Title:
Mobilier, plan d'une table de chimie, détails intérieurs
Actions:
ARCH8468
Description:
Mobilier : plan d'une table de chimie. Détails intérieurs : chambre frigorifique pour les viandes. Aile G : doubles fenêtres en bois pour les fenêtres métalliques QQ et TTT. Ailes H, K et L: détails des rayons et escaliers du dépôt de livres, meurtrières de la cabine de projection K503, aménagement des vestiaires K409 à K412, fenêtres du corridor L5 et de l'amphithéâtre H404. Aile B' : baie vitrées dans l'escalier B'2 (dessins 0301 à 0303, 0305 à 0308 (x 2), 0309).
Mobilier, plan d'une table de chimie, détails intérieurs
Actions:
ARCH8468
Description:
Mobilier : plan d'une table de chimie. Détails intérieurs : chambre frigorifique pour les viandes. Aile G : doubles fenêtres en bois pour les fenêtres métalliques QQ et TTT. Ailes H, K et L: détails des rayons et escaliers du dépôt de livres, meurtrières de la cabine de projection K503, aménagement des vestiaires K409 à K412, fenêtres du corridor L5 et de l'amphithéâtre H404. Aile B' : baie vitrées dans l'escalier B'2 (dessins 0301 à 0303, 0305 à 0308 (x 2), 0309).
Form:
drawings
drawings
Date:
1942-1943
1942-1943
People:
Form:
drawings
Quantity:
21 reprographie(s)
drawings
Quantity:
21 reprographie(s)
Actions:
Reference number:
ARCH170478
Description:
Plan du sous-sol et du rez-de-chaussée Plans des 2e et 3e étages Plan de la toiture et détails Élévations avant et sud-ouest, détails enduit Élévations arrière et nord-est, détails enduit Coupes Coupes de murs types Détails de fondation Détails des fenêtres Solariums, fenêtres et détails Balcon et escalier d'issue extérieur Escaliers intérieurs, murs types Cuisines et salles de bain Tableau de portes, détails divers Plan de localisation Plan des fondations Étage type et toit Plomberie, ventilation au sous-sol et étage type
ARCH170478
Description:
Plan du sous-sol et du rez-de-chaussée Plans des 2e et 3e étages Plan de la toiture et détails Élévations avant et sud-ouest, détails enduit Élévations arrière et nord-est, détails enduit Coupes Coupes de murs types Détails de fondation Détails des fenêtres Solariums, fenêtres et détails Balcon et escalier d'issue extérieur Escaliers intérieurs, murs types Cuisines et salles de bain Tableau de portes, détails divers Plan de localisation Plan des fondations Étage type et toit Plomberie, ventilation au sous-sol et étage type
People:
Title:
Élévations, coupes, détails, plans
Actions:
ARCH170478
Description:
Plan du sous-sol et du rez-de-chaussée Plans des 2e et 3e étages Plan de la toiture et détails Élévations avant et sud-ouest, détails enduit Élévations arrière et nord-est, détails enduit Coupes Coupes de murs types Détails de fondation Détails des fenêtres Solariums, fenêtres et détails Balcon et escalier d'issue extérieur Escaliers intérieurs, murs types Cuisines et salles de bain Tableau de portes, détails divers Plan de localisation Plan des fondations Étage type et toit Plomberie, ventilation au sous-sol et étage type
Élévations, coupes, détails, plans
Actions:
ARCH170478
Description:
Plan du sous-sol et du rez-de-chaussée Plans des 2e et 3e étages Plan de la toiture et détails Élévations avant et sud-ouest, détails enduit Élévations arrière et nord-est, détails enduit Coupes Coupes de murs types Détails de fondation Détails des fenêtres Solariums, fenêtres et détails Balcon et escalier d'issue extérieur Escaliers intérieurs, murs types Cuisines et salles de bain Tableau de portes, détails divers Plan de localisation Plan des fondations Étage type et toit Plomberie, ventilation au sous-sol et étage type
Form:
drawings
Quantity:
21 reprographie(s)
drawings
Quantity:
21 reprographie(s)
People:
