179 Results
Form:
textual records
textual records
Reference number:
ARCH153531
Description:
Letters to PDE Folder Oppositions Magazine : - Correspondence with MIT Press and Rizzoli about distribution - Schedule and financial status - Memos from Julia Bloomfield (1981) - Minutes and action list of editors meeting, March 20, 1981 - Daniel Libeskind's manuscript "Deus ex Machina…" - Manuscript of the translation of Riegl's "The Modern Cult of Monuments…"; fragment (pages 26-42) of edited text - Subscription count as of 10 December 1974 Loose documents: - Correspondence with MIT Press and Rizzoli - Memos from Julia Bloomfield (1978-1981) - William Ellis's manuscript : "Grave Complications" - Georges Teyssot's C.V. - Article project on "Gruppo 7" by Ellen Shapiro - Job description Managing Editor - Draft manuscript of article by PDE (no title) - Manuscript of Rosemarie Haag Bletter : "Opaque Transparency" - Manuscript of Anthony Vidler : "Postscript to Dal Co on Rossi" - Photocopy of "Manhattan: Capital of the XXth Century, 1969", Oppositions 4
ARCH153531
Description:
Letters to PDE Folder Oppositions Magazine : - Correspondence with MIT Press and Rizzoli about distribution - Schedule and financial status - Memos from Julia Bloomfield (1981) - Minutes and action list of editors meeting, March 20, 1981 - Daniel Libeskind's manuscript "Deus ex Machina…" - Manuscript of the translation of Riegl's "The Modern Cult of Monuments…"; fragment (pages 26-42) of edited text - Subscription count as of 10 December 1974 Loose documents: - Correspondence with MIT Press and Rizzoli - Memos from Julia Bloomfield (1978-1981) - William Ellis's manuscript : "Grave Complications" - Georges Teyssot's C.V. - Article project on "Gruppo 7" by Ellen Shapiro - Job description Managing Editor - Draft manuscript of article by PDE (no title) - Manuscript of Rosemarie Haag Bletter : "Opaque Transparency" - Manuscript of Anthony Vidler : "Postscript to Dal Co on Rossi" - Photocopy of "Manhattan: Capital of the XXth Century, 1969", Oppositions 4
People:
Date:
1974-1981
1974-1981
Title:
D. Programmes and Publications, 1978-1981: 4. Oppositions Magazine
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ARCH153531
Description:
Letters to PDE Folder Oppositions Magazine : - Correspondence with MIT Press and Rizzoli about distribution - Schedule and financial status - Memos from Julia Bloomfield (1981) - Minutes and action list of editors meeting, March 20, 1981 - Daniel Libeskind's manuscript "Deus ex Machina…" - Manuscript of the translation of Riegl's "The Modern Cult of Monuments…"; fragment (pages 26-42) of edited text - Subscription count as of 10 December 1974 Loose documents: - Correspondence with MIT Press and Rizzoli - Memos from Julia Bloomfield (1978-1981) - William Ellis's manuscript : "Grave Complications" - Georges Teyssot's C.V. - Article project on "Gruppo 7" by Ellen Shapiro - Job description Managing Editor - Draft manuscript of article by PDE (no title) - Manuscript of Rosemarie Haag Bletter : "Opaque Transparency" - Manuscript of Anthony Vidler : "Postscript to Dal Co on Rossi" - Photocopy of "Manhattan: Capital of the XXth Century, 1969", Oppositions 4
D. Programmes and Publications, 1978-1981: 4. Oppositions Magazine
Actions:
ARCH153531
Description:
Letters to PDE Folder Oppositions Magazine : - Correspondence with MIT Press and Rizzoli about distribution - Schedule and financial status - Memos from Julia Bloomfield (1981) - Minutes and action list of editors meeting, March 20, 1981 - Daniel Libeskind's manuscript "Deus ex Machina…" - Manuscript of the translation of Riegl's "The Modern Cult of Monuments…"; fragment (pages 26-42) of edited text - Subscription count as of 10 December 1974 Loose documents: - Correspondence with MIT Press and Rizzoli - Memos from Julia Bloomfield (1978-1981) - William Ellis's manuscript : "Grave Complications" - Georges Teyssot's C.V. - Article project on "Gruppo 7" by Ellen Shapiro - Job description Managing Editor - Draft manuscript of article by PDE (no title) - Manuscript of Rosemarie Haag Bletter : "Opaque Transparency" - Manuscript of Anthony Vidler : "Postscript to Dal Co on Rossi" - Photocopy of "Manhattan: Capital of the XXth Century, 1969", Oppositions 4
Form:
textual records
textual records
Date:
1974-1981
1974-1981
People:
Form:
graphic materials
graphic materials
Reference number:
ARCH153787
Description:
Various posters advertising IAUS related programming and publications: Oppositions, nos 5, 6, 7, 8; 1975 (2) Oppositions Books, [no date] (2) Architecture: Program for Continuing Education in Architecture; October 7 to December 19 [?] (2) Architecture 2: Program for Continuing Education in Architecture; March 3 to May 15, 1975 (2) A New Wave of Japanese Architecture; September 25 to November 14, 1978 (2) A New Wave of Austrian Architecture; March 24 to May 19, 1980 (2) The Advanced Studio Workshop: '80/'81 (2) City as Theater: Evening Program in Architecture and Planning; March 1 to June 29, 1977 (2) Open Plan 77: Architecture in American Culture; October 3 to December 8, 1977 (3) Open Plan 79: Architecture in American Culture; March 5 to May 10, 1979 (3) Open Plan 80: Architecture in American Culture; February 18 to May 1, 1980 (4 : 2 large & 2 small) Vienna/New York: National Tour Program; March 24 to May 4 [?] (1) Between Utopia and Nightmare: Five Lectures on Visions in Architecture by Anthony Vidler, The Architectural Association School of Architecture [no date] (2)
ARCH153787
Description:
Various posters advertising IAUS related programming and publications: Oppositions, nos 5, 6, 7, 8; 1975 (2) Oppositions Books, [no date] (2) Architecture: Program for Continuing Education in Architecture; October 7 to December 19 [?] (2) Architecture 2: Program for Continuing Education in Architecture; March 3 to May 15, 1975 (2) A New Wave of Japanese Architecture; September 25 to November 14, 1978 (2) A New Wave of Austrian Architecture; March 24 to May 19, 1980 (2) The Advanced Studio Workshop: '80/'81 (2) City as Theater: Evening Program in Architecture and Planning; March 1 to June 29, 1977 (2) Open Plan 77: Architecture in American Culture; October 3 to December 8, 1977 (3) Open Plan 79: Architecture in American Culture; March 5 to May 10, 1979 (3) Open Plan 80: Architecture in American Culture; February 18 to May 1, 1980 (4 : 2 large & 2 small) Vienna/New York: National Tour Program; March 24 to May 4 [?] (1) Between Utopia and Nightmare: Five Lectures on Visions in Architecture by Anthony Vidler, The Architectural Association School of Architecture [no date] (2)
People:
Date:
1975-1981
1975-1981
Title:
Various posters advertising IAUS related programming and publications
Actions:
ARCH153787
Description:
Various posters advertising IAUS related programming and publications: Oppositions, nos 5, 6, 7, 8; 1975 (2) Oppositions Books, [no date] (2) Architecture: Program for Continuing Education in Architecture; October 7 to December 19 [?] (2) Architecture 2: Program for Continuing Education in Architecture; March 3 to May 15, 1975 (2) A New Wave of Japanese Architecture; September 25 to November 14, 1978 (2) A New Wave of Austrian Architecture; March 24 to May 19, 1980 (2) The Advanced Studio Workshop: '80/'81 (2) City as Theater: Evening Program in Architecture and Planning; March 1 to June 29, 1977 (2) Open Plan 77: Architecture in American Culture; October 3 to December 8, 1977 (3) Open Plan 79: Architecture in American Culture; March 5 to May 10, 1979 (3) Open Plan 80: Architecture in American Culture; February 18 to May 1, 1980 (4 : 2 large & 2 small) Vienna/New York: National Tour Program; March 24 to May 4 [?] (1) Between Utopia and Nightmare: Five Lectures on Visions in Architecture by Anthony Vidler, The Architectural Association School of Architecture [no date] (2)
Various posters advertising IAUS related programming and publications
Actions:
ARCH153787
Description:
Various posters advertising IAUS related programming and publications: Oppositions, nos 5, 6, 7, 8; 1975 (2) Oppositions Books, [no date] (2) Architecture: Program for Continuing Education in Architecture; October 7 to December 19 [?] (2) Architecture 2: Program for Continuing Education in Architecture; March 3 to May 15, 1975 (2) A New Wave of Japanese Architecture; September 25 to November 14, 1978 (2) A New Wave of Austrian Architecture; March 24 to May 19, 1980 (2) The Advanced Studio Workshop: '80/'81 (2) City as Theater: Evening Program in Architecture and Planning; March 1 to June 29, 1977 (2) Open Plan 77: Architecture in American Culture; October 3 to December 8, 1977 (3) Open Plan 79: Architecture in American Culture; March 5 to May 10, 1979 (3) Open Plan 80: Architecture in American Culture; February 18 to May 1, 1980 (4 : 2 large & 2 small) Vienna/New York: National Tour Program; March 24 to May 4 [?] (1) Between Utopia and Nightmare: Five Lectures on Visions in Architecture by Anthony Vidler, The Architectural Association School of Architecture [no date] (2)
Form:
graphic materials
graphic materials
Date:
1975-1981
1975-1981
People:
Form:
books
books
Price:
$54.95
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Summary:
L'oeuvre de Claude-Nicolas Ledoux (1736-1806) compte parmi celle des grands visionnaires de l'architecture. Célèbre en son temps, puis accusé vers la fin de sa vie d'avoir «soumis l'architecure à des genres de tortures», génie et précurseur de notre époque, Ledoux le fut tout autant pour ses conceptions sociales que pour son esthétique et son style qui enrichirent(...)
$54.95
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L'oeuvre de Claude-Nicolas Ledoux (1736-1806) compte parmi celle des grands visionnaires de l'architecture. Célèbre en son temps, puis accusé vers la fin de sa vie d'avoir «soumis l'architecure à des genres de tortures», génie et précurseur de notre époque, Ledoux le fut tout autant pour ses conceptions sociales que pour son esthétique et son style qui enrichirent(...)
Title:
Ledoux
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L'oeuvre de Claude-Nicolas Ledoux (1736-1806) compte parmi celle des grands visionnaires de l'architecture. Célèbre en son temps, puis accusé vers la fin de sa vie d'avoir «soumis l'architecure à des genres de tortures», génie et précurseur de notre époque, Ledoux le fut tout autant pour ses conceptions sociales que pour son esthétique et son style qui enrichirent l'architecture d'inventions personnelles et ingénieuses.
Ledoux
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L'oeuvre de Claude-Nicolas Ledoux (1736-1806) compte parmi celle des grands visionnaires de l'architecture. Célèbre en son temps, puis accusé vers la fin de sa vie d'avoir «soumis l'architecure à des genres de tortures», génie et précurseur de notre époque, Ledoux le fut tout autant pour ses conceptions sociales que pour son esthétique et son style qui enrichirent l'architecture d'inventions personnelles et ingénieuses.
Form:
books
books
Publication:
March 2005, Paris
March 2005, Paris
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$60.00
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Summary:
Anthony Vidler, an internationally recognized scholar, theorist, and critic of modern and contemporary architecture, is widely known for his essays on the most pressing issues and debates in the field. This volume brings together a collection of such writings—including the iconic, long unavailable Scenes of the Street—into one volume. This book showcases Vidler’s engaging(...)
$60.00
(available to order)
Summary:
Anthony Vidler, an internationally recognized scholar, theorist, and critic of modern and contemporary architecture, is widely known for his essays on the most pressing issues and debates in the field. This volume brings together a collection of such writings—including the iconic, long unavailable Scenes of the Street—into one volume. This book showcases Vidler’s engaging(...)
Title:
Scenes of the street and other essays
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$60.00
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Summary:
Anthony Vidler, an internationally recognized scholar, theorist, and critic of modern and contemporary architecture, is widely known for his essays on the most pressing issues and debates in the field. This volume brings together a collection of such writings—including the iconic, long unavailable Scenes of the Street—into one volume. This book showcases Vidler’s engaging and accessible expertise on both contemporary and historic subjects that are relevant to today's concerns.
Scenes of the street and other essays
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$60.00
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Summary:
Anthony Vidler, an internationally recognized scholar, theorist, and critic of modern and contemporary architecture, is widely known for his essays on the most pressing issues and debates in the field. This volume brings together a collection of such writings—including the iconic, long unavailable Scenes of the Street—into one volume. This book showcases Vidler’s engaging and accessible expertise on both contemporary and historic subjects that are relevant to today's concerns.
Form:
books
books
Publication:
November 2010
November 2010
Subject:
Urban Theory
Urban Theory
Form:
books
books
Price:
$42.95
(available to order)
Summary:
In this book, Anthony Vidler examines the work of four historians of architectural modernism and the ways in which their histories were constructed as more or less overt programs for the theory and practice of design in a contemporary context. Vidler looks at the historical approaches of Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri, and the specific(...)
$42.95
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Summary:
In this book, Anthony Vidler examines the work of four historians of architectural modernism and the ways in which their histories were constructed as more or less overt programs for the theory and practice of design in a contemporary context. Vidler looks at the historical approaches of Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri, and the specific(...)
Title:
Histories of the immediate present: inventing architectural modernism
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In this book, Anthony Vidler examines the work of four historians of architectural modernism and the ways in which their histories were constructed as more or less overt programs for the theory and practice of design in a contemporary context. Vidler looks at the historical approaches of Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri, and the specific versions of modernism advanced by their historical narratives. Vidler shows that the modernism conceived by Kaufmann was, like the late Enlightenment projects he revered, one of pure, geometrical forms and elemental composition; that of Rowe saw mannerist ambiguity and complexity in contemporary design; Banham's modernism took its cue from the aspirations of the futurists; and the "Renaissance modernism" of Tafuri found its source in the division between the technical experimentation of Brunelleschi and the cultural nostalgia of Alberti.
Histories of the immediate present: inventing architectural modernism
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$42.95
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Summary:
In this book, Anthony Vidler examines the work of four historians of architectural modernism and the ways in which their histories were constructed as more or less overt programs for the theory and practice of design in a contemporary context. Vidler looks at the historical approaches of Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri, and the specific versions of modernism advanced by their historical narratives. Vidler shows that the modernism conceived by Kaufmann was, like the late Enlightenment projects he revered, one of pure, geometrical forms and elemental composition; that of Rowe saw mannerist ambiguity and complexity in contemporary design; Banham's modernism took its cue from the aspirations of the futurists; and the "Renaissance modernism" of Tafuri found its source in the division between the technical experimentation of Brunelleschi and the cultural nostalgia of Alberti.
Form:
books
books
Publication:
March 2008, Cambridge
March 2008, Cambridge
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$39.95
(available to order)
Summary:
Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the (...)
$39.95
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Summary:
Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the (...)
Title:
Warped space : art, architecture, and anxiety in modern culture
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Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city. The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways. Vidler traces the emergence of a psychological idea of space from Pascal and Freud to the identification of agoraphobia and claustrophobia in the nineteenth century to twentieth-century theories of spatial alienation and estrangement in the writings of Georg Simmel, Siegfried Kracauer, and Walter Benjamin. Focusing on current conditions of displacement and placelessness, he examines ways in which contemporary artists and architects have produced new forms of spatial warping. The discussion ranges from theorists such as Jacques Lacan and Gilles Deleuze to artists such as Vito Acconci, Mike Kelley, Martha Rosler, and Rachel Whiteread. Finally, Vidler looks at the architectural experiments of Frank Gehry, Coop Himmelblau, Daniel Libeskind, Greg Lynn, Morphosis, and Eric Owen Moss in the light of new digital techniques that, while relying on traditional perspective, have radically transformed the composition, production, and experience of architecture.
Warped space : art, architecture, and anxiety in modern culture
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$39.95
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Summary:
Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city. The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways. Vidler traces the emergence of a psychological idea of space from Pascal and Freud to the identification of agoraphobia and claustrophobia in the nineteenth century to twentieth-century theories of spatial alienation and estrangement in the writings of Georg Simmel, Siegfried Kracauer, and Walter Benjamin. Focusing on current conditions of displacement and placelessness, he examines ways in which contemporary artists and architects have produced new forms of spatial warping. The discussion ranges from theorists such as Jacques Lacan and Gilles Deleuze to artists such as Vito Acconci, Mike Kelley, Martha Rosler, and Rachel Whiteread. Finally, Vidler looks at the architectural experiments of Frank Gehry, Coop Himmelblau, Daniel Libeskind, Greg Lynn, Morphosis, and Eric Owen Moss in the light of new digital techniques that, while relying on traditional perspective, have radically transformed the composition, production, and experience of architecture.
Form:
books
books
Publication:
April 2002, Cambridge, Mass.
April 2002, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$49.50
(available to order)
Summary:
Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the (...)
$49.50
(available to order)
Summary:
Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the (...)
Title:
Warped space : art, architecture, and anxiety in modern culture
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Price:
$49.50
(available to order)
Summary:
Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city. The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways. Vidler traces the emergence of a psychological idea of space from Pascal and Freud to the identification of agoraphobia and claustrophobia in the nineteenth century to twentieth-century theories of spatial alienation and estrangement in the writings of Georg Simmel, Siegfried Kracauer, and Walter Benjamin. Focusing on current conditions of displacement and placelessness, he examines ways in which contemporary artists and architects have produced new forms of spatial warping. The discussion ranges from theorists such as Jacques Lacan and Gilles Deleuze to artists such as Vito Acconci, Mike Kelley, Martha Rosler, and Rachel Whiteread. Finally, Vidler looks at the architectural experiments of Frank Gehry, Coop Himmelblau, Daniel Libeskind, Greg Lynn, Morphosis, and Eric Owen Moss in the light of new digital techniques that, while relying on traditional perspective, have radically transformed the composition, production, and experience of architecture.
Warped space : art, architecture, and anxiety in modern culture
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Price:
$49.50
(available to order)
Summary:
Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city. The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways. Vidler traces the emergence of a psychological idea of space from Pascal and Freud to the identification of agoraphobia and claustrophobia in the nineteenth century to twentieth-century theories of spatial alienation and estrangement in the writings of Georg Simmel, Siegfried Kracauer, and Walter Benjamin. Focusing on current conditions of displacement and placelessness, he examines ways in which contemporary artists and architects have produced new forms of spatial warping. The discussion ranges from theorists such as Jacques Lacan and Gilles Deleuze to artists such as Vito Acconci, Mike Kelley, Martha Rosler, and Rachel Whiteread. Finally, Vidler looks at the architectural experiments of Frank Gehry, Coop Himmelblau, Daniel Libeskind, Greg Lynn, Morphosis, and Eric Owen Moss in the light of new digital techniques that, while relying on traditional perspective, have radically transformed the composition, production, and experience of architecture.
Form:
books
books
Publication:
June 2000, Cambridge, Mass.
June 2000, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
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books
books
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$70.00
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Summary:
The British architect James Frazer Stirling (1924–1992) stimulated impassioned responses among both supporters and detractors, and he continues to be the subject of fierce debate. Fully illustrated with previously unpublished documents and new photography from the James Stirling/Michael Wilford Archive at the Canadian Centre for Architecture, Montreal, this book allows(...)
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Summary:
The British architect James Frazer Stirling (1924–1992) stimulated impassioned responses among both supporters and detractors, and he continues to be the subject of fierce debate. Fully illustrated with previously unpublished documents and new photography from the James Stirling/Michael Wilford Archive at the Canadian Centre for Architecture, Montreal, this book allows(...)
Title:
James Frazer Stirling: Notes from the archive
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The British architect James Frazer Stirling (1924–1992) stimulated impassioned responses among both supporters and detractors, and he continues to be the subject of fierce debate. Fully illustrated with previously unpublished documents and new photography from the James Stirling/Michael Wilford Archive at the Canadian Centre for Architecture, Montreal, this book allows for a close examination of design drawings, photographs, and models spanning Stirling’s entire career. These materials deepen our understanding of the influences, early formation, approach, and process of an architect whose work resists labeling. Filled with in-depth analytical and critical presentations of exemplary projects and their reception, the volume reveals Stirling to be a remarkably informed and consistent thinker and writer on architecture.
James Frazer Stirling: Notes from the archive
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The British architect James Frazer Stirling (1924–1992) stimulated impassioned responses among both supporters and detractors, and he continues to be the subject of fierce debate. Fully illustrated with previously unpublished documents and new photography from the James Stirling/Michael Wilford Archive at the Canadian Centre for Architecture, Montreal, this book allows for a close examination of design drawings, photographs, and models spanning Stirling’s entire career. These materials deepen our understanding of the influences, early formation, approach, and process of an architect whose work resists labeling. Filled with in-depth analytical and critical presentations of exemplary projects and their reception, the volume reveals Stirling to be a remarkably informed and consistent thinker and writer on architecture.
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books
books
Publication:
October 2010
October 2010
Form:
books
books
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$62.00
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Summary:
Claude-Nicolas Ledoux (1736-1806) is today regarded as chief representative of French revolutionary architecture. With his extraordinary inventiveness he projected the architectural ideals of his era. Ledoux's influential buildings and projects are presented and interpreted both aesthetically and historically in this book. This expanded edition comprises a new(...)
$62.00
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Summary:
Claude-Nicolas Ledoux (1736-1806) is today regarded as chief representative of French revolutionary architecture. With his extraordinary inventiveness he projected the architectural ideals of his era. Ledoux's influential buildings and projects are presented and interpreted both aesthetically and historically in this book. This expanded edition comprises a new(...)
Title:
Claude-Nicolas LeDoux: Architecture and utopia in the era of the French revolution
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$62.00
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Summary:
Claude-Nicolas Ledoux (1736-1806) is today regarded as chief representative of French revolutionary architecture. With his extraordinary inventiveness he projected the architectural ideals of his era. Ledoux's influential buildings and projects are presented and interpreted both aesthetically and historically in this book. This expanded edition comprises a new introduction as well as a chapter on Ledoux's influence and reception and all chapers have been updated.
Claude-Nicolas LeDoux: Architecture and utopia in the era of the French revolution
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$62.00
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Summary:
Claude-Nicolas Ledoux (1736-1806) is today regarded as chief representative of French revolutionary architecture. With his extraordinary inventiveness he projected the architectural ideals of his era. Ledoux's influential buildings and projects are presented and interpreted both aesthetically and historically in this book. This expanded edition comprises a new introduction as well as a chapter on Ledoux's influence and reception and all chapers have been updated.
Form:
books
books
Publication:
August 2021
August 2021
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$42.95
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Summary:
Claude-Nicolas Ledoux (1736–1806) is a French revolutionary architect. Since the 1930s, when he was rediscovered by Emil Kaufmann in the famous study “From Ledoux to Le Corbusier,” his visionary but widely realized buildings have served as a source of inspiration for unusual designs.
$42.95
(available to order)
Summary:
Claude-Nicolas Ledoux (1736–1806) is a French revolutionary architect. Since the 1930s, when he was rediscovered by Emil Kaufmann in the famous study “From Ledoux to Le Corbusier,” his visionary but widely realized buildings have served as a source of inspiration for unusual designs.
Title:
Claude-Nicolas Ledoux : architecture and utopia in the era of the french revolution
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$42.95
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Summary:
Claude-Nicolas Ledoux (1736–1806) is a French revolutionary architect. Since the 1930s, when he was rediscovered by Emil Kaufmann in the famous study “From Ledoux to Le Corbusier,” his visionary but widely realized buildings have served as a source of inspiration for unusual designs.
Claude-Nicolas Ledoux : architecture and utopia in the era of the french revolution
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$42.95
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Summary:
Claude-Nicolas Ledoux (1736–1806) is a French revolutionary architect. Since the 1930s, when he was rediscovered by Emil Kaufmann in the famous study “From Ledoux to Le Corbusier,” his visionary but widely realized buildings have served as a source of inspiration for unusual designs.
Form:
books
books
Publication:
April 2006, Basel
April 2006, Basel
Subject:
Architecture Monographs
Architecture Monographs
