Seagram Plaza
The plaza at the Seagram Building in New York, designed by Ludwig Mies van der Rohe and completed in 1958, was a litmus test of what an open space in the city could be. Raised three steps above the sidewalk along Park Avenue, the plaza is an oasis of calm, distant from the commotion and turbulence of the street. The way in which the plaza has been adopted by New Yorkers(...)
Hall cases
1 May 2013 to 18 August 2013
Seagram Plaza
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The plaza at the Seagram Building in New York, designed by Ludwig Mies van der Rohe and completed in 1958, was a litmus test of what an open space in the city could be. Raised three steps above the sidewalk along Park Avenue, the plaza is an oasis of calm, distant from the commotion and turbulence of the street. The way in which the plaza has been adopted by New Yorkers(...)
Hall cases
At the beginning of powered flight, most airplanes required only a stretch of grassy plain 1,500 feet long for take-off and landing, and a converted barn served as both terminal and hangar. Only with the advent of a profitable commercial aviation industry in the late 1920s, some twenty-five years after Wilbur and Orville Wright’s historic flight, did the modern airport(...)
Hall cases
12 June 1990 to 16 September 1990
Airport Origins: Three Projects by Lloyd Wright
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At the beginning of powered flight, most airplanes required only a stretch of grassy plain 1,500 feet long for take-off and landing, and a converted barn served as both terminal and hangar. Only with the advent of a profitable commercial aviation industry in the late 1920s, some twenty-five years after Wilbur and Orville Wright’s historic flight, did the modern airport(...)
Hall cases
Luigi Ghirri / Aldo Rossi: Things Which Are Only Themselves presents a visual dialogue between two leading figures in contemporary Italian art and culture. Their discussion is based on a sympathy between photographer and architect that is grounded in a shared fascination for a region—the Padana of northern Italy—and a common belief both in the autonomous eye of the(...)
Octagonal gallery
21 August 1996 to 24 November 1996
Luigi Ghirri/Aldo Rossi: Things Which Are Only Themselves
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Luigi Ghirri / Aldo Rossi: Things Which Are Only Themselves presents a visual dialogue between two leading figures in contemporary Italian art and culture. Their discussion is based on a sympathy between photographer and architect that is grounded in a shared fascination for a region—the Padana of northern Italy—and a common belief both in the autonomous eye of the(...)
Octagonal gallery
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
Main galleries
19 October 1994 to 8 January 1995
Urban Revisions: Current Projects for the Public Realm
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In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
Main galleries
Photographers Clara Gutsche and David Miller offer their vision of the industrial landscape and architecture surrounding the urban historical site of Lachine Canal in Montréal. The Canal, which is over one hundred years old, suffered a long period of neglect after having played a key role in the development of Canadian industry. Fifteen years after the waterway closed,(...)
Octagonal gallery
15 July 1992 to 22 November 1992
An Industrial Landscape Observed: The Lachine Canal
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Photographers Clara Gutsche and David Miller offer their vision of the industrial landscape and architecture surrounding the urban historical site of Lachine Canal in Montréal. The Canal, which is over one hundred years old, suffered a long period of neglect after having played a key role in the development of Canadian industry. Fifteen years after the waterway closed,(...)
Octagonal gallery
exhibitions
Learning Architecture
As architecture acquired its modern identity as both a liberal art and a regulated profession, and as architectural theories and forms underwent radical transformations, the training of architects did not fundamentally change. The core activities of architectural students remain “Authority,” the study of treatises and theoretical works, “Observation,” the study of the(...)
Hall cases
5 July 1994 to 2 October 1994
Learning Architecture
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As architecture acquired its modern identity as both a liberal art and a regulated profession, and as architectural theories and forms underwent radical transformations, the training of architects did not fundamentally change. The core activities of architectural students remain “Authority,” the study of treatises and theoretical works, “Observation,” the study of the(...)
exhibitions
5 July 1994 to
2 October 1994
Hall cases
Starting From... Travel
Interpreting the subject of travel to distant places, the exhibition charts an expanded notion of travel that spans imaginary journeys, strange sites, vanishing points, floating and portable houses, endless caves, swirling diamond domes, tombs, crypts and catacombs, tunnel adventures, formal studies, technical innovation, cultural imagination, and experimental(...)
Hall cases
3 December 2008 to 1 May 2009
Starting From... Travel
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Interpreting the subject of travel to distant places, the exhibition charts an expanded notion of travel that spans imaginary journeys, strange sites, vanishing points, floating and portable houses, endless caves, swirling diamond domes, tombs, crypts and catacombs, tunnel adventures, formal studies, technical innovation, cultural imagination, and experimental(...)
Hall cases
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Main galleries
16 May 2012 to 14 October 2012
Notes from the Archive: James Frazer Stirling
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Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Main galleries
Mies in America
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Main galleries
17 October 2001 to 20 January 2002
Mies in America
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A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Main galleries
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks presents a visual essay of the Disney theme parks in Anaheim, Orlando, Tokyo, and Paris. Fascinated by the importance of illusion in the design and layout of the parks, Wagner aspired “to add yet another layer of deception to this already simulated world, our world, where illusion is now more real(...)
Octagonal gallery
17 June 1997 to 28 September 1997
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks
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Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks presents a visual essay of the Disney theme parks in Anaheim, Orlando, Tokyo, and Paris. Fascinated by the importance of illusion in the design and layout of the parks, Wagner aspired “to add yet another layer of deception to this already simulated world, our world, where illusion is now more real(...)
Octagonal gallery