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In the south of Iceland is Landbrot, a place closer to fairy tales than to science-- indeed, a place easy to imagine as the singular source of fairies and elves worldwide. It is easy, too, to imagine the sensual comfort and satisfaction to be found there. "Mother, wonder" is the eleventh book in Roni Horn’s (born 1955) ongoing series "To Place," which she initiated in(...)
Roni Horn: Mother wonder (Island)
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In the south of Iceland is Landbrot, a place closer to fairy tales than to science-- indeed, a place easy to imagine as the singular source of fairies and elves worldwide. It is easy, too, to imagine the sensual comfort and satisfaction to be found there. "Mother, wonder" is the eleventh book in Roni Horn’s (born 1955) ongoing series "To Place," which she initiated in 1989 and exists only in book form. All the volumes focus on Iceland and the evolving experiences of the artist there; together they form a flowing dialogue addressing the relationship between identity and place. The titles to date in the coveted "To Place" encyclopedia are "Bluff Life" (1990), "Folds" (1991), "Lava" (1992), "Pooling Waters" (1994), "Verne’s Journey" (1995), "Haraldsdóttir" (1996), "Arctic Circles" (1998), "Becoming a Landscape" (2001), "Doubt Box" (2006) and "Haraldsdóttir, Part Two" (2011).
Current Exhibitions
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This book is duct tape for the mouth of every artist's inner critic. Silencing that stifling voice once and for all, this salve for creatives introduces ten truths they must face in order to defeat self-doubt. Each encouraging chapter deconstructs a pivotal moment on the path to success—fear of the blank page, the dangers of jealousy, sharing work with others—and explains(...)
Your inner critic is a big jerk, and other truths about being creative
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This book is duct tape for the mouth of every artist's inner critic. Silencing that stifling voice once and for all, this salve for creatives introduces ten truths they must face in order to defeat self-doubt. Each encouraging chapter deconstructs a pivotal moment on the path to success—fear of the blank page, the dangers of jealousy, sharing work with others—and explains how to navigate roadblock. Packed with helpful anecdotes, thoughts from successful creatives, and practical exercises gleaned from Danielle Krysa's years of working with professional and aspiring artists—plus riotously apt illustrations from art world darling Martha Rich—this book arms readers with the most essential tool for their toolbox: the confidence they need to get down to business and make good work.
CAISSE
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The Tugendhat House in Brno (Czech Republic) was named by UNESCO in 2001 as one of the most important buildings of modern architecture and as a World Heritage Site. Mies van der Rohe designed and built it in 1928-1930 and it is beyond any doubt one of the pinnacles in his career. The authors describe the complex aspects of this house: personal, historical, art historical,(...)
Architecture Monographs
December 2014
Tugendhat House. Mies van der Rohe
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The Tugendhat House in Brno (Czech Republic) was named by UNESCO in 2001 as one of the most important buildings of modern architecture and as a World Heritage Site. Mies van der Rohe designed and built it in 1928-1930 and it is beyond any doubt one of the pinnacles in his career. The authors describe the complex aspects of this house: personal, historical, art historical, architecture theoretical and restoration scientific ones. Most recent additions include personal reminiscences, photography experiments by Fritz Tugendhat and previously unpublished footage from the family mansion, the house's history after 1997, the conservation of scientifically important materiality of the house and comments on the methodology and techniques of restoration in 2010-2012.
Architecture Monographs
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Oil is not new to Saskatchewan. Many of the wells found on farmland across the province date back to the 1950s when the industry began to spread. But there is little doubt that the recent boom (2006–2014) in unconventional oil production has reshaped rural lives and landscapes. While many small towns were suffering from depopulation and decline, others reoriented(...)
Fault lines : life and landscape in Saskatchewan's oil economy
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Oil is not new to Saskatchewan. Many of the wells found on farmland across the province date back to the 1950s when the industry began to spread. But there is little doubt that the recent boom (2006–2014) in unconventional oil production has reshaped rural lives and landscapes. While many small towns were suffering from depopulation and decline, others reoriented themselves around a booming oil industry.In the summer of 2014, at the height of the boom, geographer Emily Eaton and photographer Valerie Zink travelled to oil towns across the province, from the sea-can motel built from shipping containers on the outskirts of Estevan to seismic testing sites on Thunderchild First Nation’s Sundance grounds. In text and photographs, ''Fault Lines'' captures the complexities of engagement, ambivalence, and resistance in communities living amid oil.
Current Exhibitions
Competing for excellence in architecture: editorials from the Canadian Competitions Catalogue
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A travel guide for those in search of architectural quality, this book can be browsed in many ways. Written in a clear and concise manner by about thirty authors, it features a collection of editorials from the Canadian Competitions Catalogue (CCC), a large online digital archive open to the public since 2006. The editorials explore more than sixty Canadian architecture(...)
Competing for excellence in architecture: editorials from the Canadian Competitions Catalogue
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A travel guide for those in search of architectural quality, this book can be browsed in many ways. Written in a clear and concise manner by about thirty authors, it features a collection of editorials from the Canadian Competitions Catalogue (CCC), a large online digital archive open to the public since 2006. The editorials explore more than sixty Canadian architecture competitions held in the last seventy years. Especially in recent years, both public and private institutions have organized competitions across Canada, producing hundreds of architectural, urban planning, and landscape design projects. Together these proposals, most of which remain unbuilt, constitute a fantastic treasure in our tangible and intangible common heritage. Given that competition organizers, designers, juries, and critics never operate alone, there is no doubt whatsoever that this book results from the collaboration of a myriad of people, contributing to and competing for excellence in architecture.
Architecture in Canada
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Without a doubt the most brilliant architectural innovator of his day, Sir John Soane (1753-1837) displayed a remarkable ability to adapt and modernize the language ofclassical architecture. The range of his built designs, from the ingenuity of his own house in London's Lincoln's Inn Fields (now Sir John Soane's Museum) to the opulence and originality of the Bank of(...)
Architecture Monographs
March 2015
John Soane, architect: master of space and light
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Without a doubt the most brilliant architectural innovator of his day, Sir John Soane (1753-1837) displayed a remarkable ability to adapt and modernize the language ofclassical architecture. The range of his built designs, from the ingenuity of his own house in London's Lincoln's Inn Fields (now Sir John Soane's Museum) to the opulence and originality of the Bank of England, places him on a par with other leading European neoclassicists, such as Ledoux and Schinkel. His architectural vocabulary remains infl uential to this day. Back in print, this landmark publication considers Soane's architectural achievements as well as his life and public role. It reproduces more than 100 of Soane's drawings and contains specially commissioned photographs of his original models and existing buildings. Contributors discuss all of the architect's major commissions, including the Dulwich Picture Gallery, the Law Courts at Westminster, and the Bank of England.
Architecture Monographs
Camouflages
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Joan Fontcuberta, in his original and multifaceted work Camouflages, brings into question the concept of reality, exploring camouflage in all its aspects. The idea develops through ten thematic areas: independent, but strictly related as they represent as many viewpoints on the alteration of reality. From the images of a fossil mermaid to virtual landscapes, created(...)
Camouflages
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Joan Fontcuberta, in his original and multifaceted work Camouflages, brings into question the concept of reality, exploring camouflage in all its aspects. The idea develops through ten thematic areas: independent, but strictly related as they represent as many viewpoints on the alteration of reality. From the images of a fossil mermaid to virtual landscapes, created using famous artworks as moulds, passing through paradoxical miracles and fake botanical plates. The purpose is to spread 'doubt' in the mind of the observer. The stars are midges and dust on the windscreen of a car, behind the terrorist hides an ordinary actor and an imaginary Russian astronaut disappears in space as well as in all documents and official photographs.Through these images Fontcuberta, with an ironic and disillusioned eye, deals with broader subjects: the role of religion in society and politics, criticising superstition and irrational; the limitations connected with the idea of authorship, style, signature and authenticity of a work of art; a reflection upon realism conceived as 'belief', 'faith' or conviction.
Theory of Photography
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From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of(...)
Käthe Kollwitz: prints, process, politics
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From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of historical narrative and contemporary political and ideological doubt are played out in visual motifs throughout the landscape. Fragments of the past and symbols of capitalist modernity underpin the work-banks, insurance companies and people as effigies of citizens appear as a cloaking miasma, the spectre of past, present and no future. The schema of the glitch and the appropriation methods in Feuerhelm's work are subtle enquiries into the contemporary conditions of fear and confusion. Loose associations about changing futures under technology, religion, immigration and the future of the photographic image also loom large. Dein Kampf is Feuerhelm's proposition about how we activate image and ideology in the book form. Includes text by Ulrich Baer.
Contemporary Art Monographs
books
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The focus of this issue of icamprint is on the 'market' for private archives. After all, collecting and managing the documentation of architecture history to conform to academic and scientific standards is a complex business, and a core task for most icam members. In this context, whether or not the 'originals' by star architects have an artistic value on the market is(...)
icam print 02 december 2007 International confederation of architectural museums
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The focus of this issue of icamprint is on the 'market' for private archives. After all, collecting and managing the documentation of architecture history to conform to academic and scientific standards is a complex business, and a core task for most icam members. In this context, whether or not the 'originals' by star architects have an artistic value on the market is only superficially a decisive issue. If one considers the lengths taken by the custodian's of Le Corbusier's estate to secure a suitable new home for what is without doubt a painting of artistic note, and so a market value and with it a place in an art history context, then it is worth waiting to see the place conceded on the art market one day to project-related sketches and drawings by contemporary star architects. The whole history of the conception and realisation of important works of architecture within a context of culture history ought to feature more prominently in the collection policy of icam members to ensure its suitability for research purposes. It remains to be seen what price is attributed to these comprehensive documents, these convolutes, in the competition between private collectors. This notwithstanding, the 'market' for collecting is just as crucial to icam members as the continuing debate on 'originals', and safeguarding them in times of digital architecture production. icamprint will focus increasingly on these and related issues, opening the discussion to all of the member institutions, to develop into an indispensable medium providing orientation on key issues for all icam members.
books
October 2007, Vienna
Museology
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A crisis is a turning point, a decisive moment when tensions and instabilities peak and change becomes inescapable. Crisis implies the questioning of beliefs and habits, it demands adjustment in perception and in modes of action. So it is in this sixth installment of Verb that we take the opportunity to widen our angle of view. Having previously explored the positive(...)
Magazines
January 2008, Barcelona
Verb architecture boogazine 6: crisis
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A crisis is a turning point, a decisive moment when tensions and instabilities peak and change becomes inescapable. Crisis implies the questioning of beliefs and habits, it demands adjustment in perception and in modes of action. So it is in this sixth installment of Verb that we take the opportunity to widen our angle of view. Having previously explored the positive impact of innovation and technological progress on the built environment, Verb now confronts underlying questions and doubts regarding current models of urban development, in the three chapters 'places', 'positions', and 'projects', including contributions by Shigeru Ban, Markus Miessen, Chantal Mouffe, Teddy Cruz, Takuya Onishi, Foreign Office Architects, and many more.
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