1739 Results
Form:
textual records
textual records
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Reference number:
DR2007:0009:001-002
Description:
''Isozaki and Superstudio: Their Use of the Square in Historical Perspective,'' unpublished paper-project completed for the Yale University course, Theoretical Issues in the Arts (Prof. Sheldon Nodelman), December 12, 1973. 26 original unbound sheets (green-grid paper) with typewritten text, white paint, and photocopy illustrations. Arata Isozaki commented to L.W. Richards that, as far as he knew, this was the first academic paper written in the United States on his work. The paper-project, about grids and squares, is composed precisely on green-grid paper.
DR2007:0009:001-002
Description:
''Isozaki and Superstudio: Their Use of the Square in Historical Perspective,'' unpublished paper-project completed for the Yale University course, Theoretical Issues in the Arts (Prof. Sheldon Nodelman), December 12, 1973. 26 original unbound sheets (green-grid paper) with typewritten text, white paint, and photocopy illustrations. Arata Isozaki commented to L.W. Richards that, as far as he knew, this was the first academic paper written in the United States on his work. The paper-project, about grids and squares, is composed precisely on green-grid paper.
People:
Date:
1973
1973
Title:
Isozaki-Superstudio Paper-Project, 1973
Actions:
DR2007:0009:001-002
Description:
''Isozaki and Superstudio: Their Use of the Square in Historical Perspective,'' unpublished paper-project completed for the Yale University course, Theoretical Issues in the Arts (Prof. Sheldon Nodelman), December 12, 1973. 26 original unbound sheets (green-grid paper) with typewritten text, white paint, and photocopy illustrations. Arata Isozaki commented to L.W. Richards that, as far as he knew, this was the first academic paper written in the United States on his work. The paper-project, about grids and squares, is composed precisely on green-grid paper.
Isozaki-Superstudio Paper-Project, 1973
Actions:
DR2007:0009:001-002
Description:
''Isozaki and Superstudio: Their Use of the Square in Historical Perspective,'' unpublished paper-project completed for the Yale University course, Theoretical Issues in the Arts (Prof. Sheldon Nodelman), December 12, 1973. 26 original unbound sheets (green-grid paper) with typewritten text, white paint, and photocopy illustrations. Arata Isozaki commented to L.W. Richards that, as far as he knew, this was the first academic paper written in the United States on his work. The paper-project, about grids and squares, is composed precisely on green-grid paper.
Form:
textual records
textual records
Date:
1973
1973
People:
Form:
exhibitions
exhibitions
Title:
Mies in America
Mies in America
Actions:
Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Location:
Main galleries
Main galleries
Date:
17 October 2001 to 20 January 2002
17 October 2001 to 20 January 2002
Title:
Mies in America
Actions:
Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Mies in America
Actions:
Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Form:
exhibitions
exhibitions
Date:
17 October 2001 to
20 January 2002
17 October 2001 to
20 January 2002
Location:
Main galleries
Main galleries
Form:
events
events
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Location:
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Date:
5 October 2017, 6:30pm
5 October 2017, 6:30pm
Title:
Guido Beltramini, what was history for patrons and architects in Bologna in 1579?
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Guido Beltramini, what was history for patrons and architects in Bologna in 1579?
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Form:
events
events
Date:
5 October 2017
6:30pm
5 October 2017
6:30pm
Location:
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Form:
exhibitions
exhibitions
Actions:
Description:
Coined in the early twentieth century to designate progressive literary journals, the term “little magazine” was remobilized during the 1960s to grapple with the contemporary proliferation of independent architectural periodicals that appeared in response to the political, social, and artistic changes of the period. Clip/Stamp/Fold 2 investigates how a diverse group of(...)
Coined in the early twentieth century to designate progressive literary journals, the term “little magazine” was remobilized during the 1960s to grapple with the contemporary proliferation of independent architectural periodicals that appeared in response to the political, social, and artistic changes of the period. Clip/Stamp/Fold 2 investigates how a diverse group of(...)
Location:
Octagonal gallery and library rotunda
Octagonal gallery and library rotunda
Date:
12 April 2007 to 9 September 2007
12 April 2007 to 9 September 2007
Title:
Clip/Stamp/Fold 2: The Radical Architecture of Little Magazines 196X - 197X
Actions:
Description:
Coined in the early twentieth century to designate progressive literary journals, the term “little magazine” was remobilized during the 1960s to grapple with the contemporary proliferation of independent architectural periodicals that appeared in response to the political, social, and artistic changes of the period. Clip/Stamp/Fold 2 investigates how a diverse group of(...)
Clip/Stamp/Fold 2: The Radical Architecture of Little Magazines 196X - 197X
Actions:
Description:
Coined in the early twentieth century to designate progressive literary journals, the term “little magazine” was remobilized during the 1960s to grapple with the contemporary proliferation of independent architectural periodicals that appeared in response to the political, social, and artistic changes of the period. Clip/Stamp/Fold 2 investigates how a diverse group of(...)
Form:
exhibitions
exhibitions
Date:
12 April 2007 to
9 September 2007
12 April 2007 to
9 September 2007
Location:
Octagonal gallery and library rotunda
Octagonal gallery and library rotunda
Form:
exhibitions
exhibitions
Actions:
Description:
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
Date:
11 May 2016 to 16 October 2016
11 May 2016 to 16 October 2016
Title:
Archaeology of the Digital: Complexity and Convention
Actions:
Description:
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
Archaeology of the Digital: Complexity and Convention
Actions:
Description:
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
Form:
exhibitions
exhibitions
Date:
11 May 2016 to
16 October 2016
11 May 2016 to
16 October 2016
Form:
textual records
textual records
Reference number:
AP140.S2.SS4.D1.P2
Description:
annotated drafts of introduction by John Jacobus, correspondence with John Jacobus and publisher Gerd Hatje, sketchbook with notes and sketches for book layout by James Stirling, including: folder 1/3 - letter from James Stirling to John Jacobus (28 April 1975) explaining the process of editing Jacobus' introduction, mollifying him regarding changes and noting that the text was reviewed by Ken Frampton and Kerry ? - letter from John Jacobus to James Stirling (22 May 1975?) "I'm still mad at you but that's a small thing." - 2nd draft of the introduction "approved by Jake" annotated in black and blue ink - 5th draft (June 1971) 2 photocopied copies - Draft of the introduction, inscribed "Mary" in red ink, with comments in pencil (by Mary Stirling ?) and further notes in red ink (by James Stirling ?) folder 2/3 - 5th draft (June 1971), inscribed "Jan" (struck through in red ink), "Fourth draft" (struck through in red ink and replaced with "Fifth), annotated in red ink over earlier nnotations (by James Stirling ?) - 5th draft (struck through in red ink), extensively edited and annotated in red ink by James Stirling - 5th draft, original typescript, annotated in black ink and graphite - 4th draft, inscribed "Jan 71," a photocopy of an already annotated and edited text - 4th draft, inscribed "3rd draft" (struck through in red ink), heavily edited in rd ink, graphite, green ink, including an additional 7 pages of notes "by Ken Frampton" dated "Fall of 1972 or 73" folder 3/3 - 3rd draft, original typescript, edited in black ink by James Stirling - 2nd draft, "approved by Jake," photocopy, edited in graphite over earlieer editing marks - several sets of early pages of the introduction, interspersed with accompanying letters from John Jacobus to James Stirling, all heavily annotated and struck through in red andorange marker, black ink, graphite, purple ink, yellow marker, red ink, purple pencil, with entirely new passages in black ink - 4th draft, dated "Jan 71," two photocopied copies including photocopied editing marks - final draft, inscribed "FINAL" and "Revised (in ink), to length(?) via Hatje," original typescript, edited in red ink, graphite, black ink, black marker, blue ink, green ink and strike throughs in black marker Red cloth-bound journal - 23.2 x 18.0 cm dated on inside cover "London - May - 1973" - page layouts for book - black ink, blue marker, red ink, graphite, blue ink
AP140.S2.SS4.D1.P2
Description:
annotated drafts of introduction by John Jacobus, correspondence with John Jacobus and publisher Gerd Hatje, sketchbook with notes and sketches for book layout by James Stirling, including: folder 1/3 - letter from James Stirling to John Jacobus (28 April 1975) explaining the process of editing Jacobus' introduction, mollifying him regarding changes and noting that the text was reviewed by Ken Frampton and Kerry ? - letter from John Jacobus to James Stirling (22 May 1975?) "I'm still mad at you but that's a small thing." - 2nd draft of the introduction "approved by Jake" annotated in black and blue ink - 5th draft (June 1971) 2 photocopied copies - Draft of the introduction, inscribed "Mary" in red ink, with comments in pencil (by Mary Stirling ?) and further notes in red ink (by James Stirling ?) folder 2/3 - 5th draft (June 1971), inscribed "Jan" (struck through in red ink), "Fourth draft" (struck through in red ink and replaced with "Fifth), annotated in red ink over earlier nnotations (by James Stirling ?) - 5th draft (struck through in red ink), extensively edited and annotated in red ink by James Stirling - 5th draft, original typescript, annotated in black ink and graphite - 4th draft, inscribed "Jan 71," a photocopy of an already annotated and edited text - 4th draft, inscribed "3rd draft" (struck through in red ink), heavily edited in rd ink, graphite, green ink, including an additional 7 pages of notes "by Ken Frampton" dated "Fall of 1972 or 73" folder 3/3 - 3rd draft, original typescript, edited in black ink by James Stirling - 2nd draft, "approved by Jake," photocopy, edited in graphite over earlieer editing marks - several sets of early pages of the introduction, interspersed with accompanying letters from John Jacobus to James Stirling, all heavily annotated and struck through in red andorange marker, black ink, graphite, purple ink, yellow marker, red ink, purple pencil, with entirely new passages in black ink - 4th draft, dated "Jan 71," two photocopied copies including photocopied editing marks - final draft, inscribed "FINAL" and "Revised (in ink), to length(?) via Hatje," original typescript, edited in red ink, graphite, black ink, black marker, blue ink, green ink and strike throughs in black marker Red cloth-bound journal - 23.2 x 18.0 cm dated on inside cover "London - May - 1973" - page layouts for book - black ink, blue marker, red ink, graphite, blue ink
People:
Title:
annotated drafts of introduction, correspondence, sketchbook with notes and sketches for book layout
Actions:
AP140.S2.SS4.D1.P2
Description:
annotated drafts of introduction by John Jacobus, correspondence with John Jacobus and publisher Gerd Hatje, sketchbook with notes and sketches for book layout by James Stirling, including: folder 1/3 - letter from James Stirling to John Jacobus (28 April 1975) explaining the process of editing Jacobus' introduction, mollifying him regarding changes and noting that the text was reviewed by Ken Frampton and Kerry ? - letter from John Jacobus to James Stirling (22 May 1975?) "I'm still mad at you but that's a small thing." - 2nd draft of the introduction "approved by Jake" annotated in black and blue ink - 5th draft (June 1971) 2 photocopied copies - Draft of the introduction, inscribed "Mary" in red ink, with comments in pencil (by Mary Stirling ?) and further notes in red ink (by James Stirling ?) folder 2/3 - 5th draft (June 1971), inscribed "Jan" (struck through in red ink), "Fourth draft" (struck through in red ink and replaced with "Fifth), annotated in red ink over earlier nnotations (by James Stirling ?) - 5th draft (struck through in red ink), extensively edited and annotated in red ink by James Stirling - 5th draft, original typescript, annotated in black ink and graphite - 4th draft, inscribed "Jan 71," a photocopy of an already annotated and edited text - 4th draft, inscribed "3rd draft" (struck through in red ink), heavily edited in rd ink, graphite, green ink, including an additional 7 pages of notes "by Ken Frampton" dated "Fall of 1972 or 73" folder 3/3 - 3rd draft, original typescript, edited in black ink by James Stirling - 2nd draft, "approved by Jake," photocopy, edited in graphite over earlieer editing marks - several sets of early pages of the introduction, interspersed with accompanying letters from John Jacobus to James Stirling, all heavily annotated and struck through in red andorange marker, black ink, graphite, purple ink, yellow marker, red ink, purple pencil, with entirely new passages in black ink - 4th draft, dated "Jan 71," two photocopied copies including photocopied editing marks - final draft, inscribed "FINAL" and "Revised (in ink), to length(?) via Hatje," original typescript, edited in red ink, graphite, black ink, black marker, blue ink, green ink and strike throughs in black marker Red cloth-bound journal - 23.2 x 18.0 cm dated on inside cover "London - May - 1973" - page layouts for book - black ink, blue marker, red ink, graphite, blue ink
annotated drafts of introduction, correspondence, sketchbook with notes and sketches for book layout
Actions:
AP140.S2.SS4.D1.P2
Description:
annotated drafts of introduction by John Jacobus, correspondence with John Jacobus and publisher Gerd Hatje, sketchbook with notes and sketches for book layout by James Stirling, including: folder 1/3 - letter from James Stirling to John Jacobus (28 April 1975) explaining the process of editing Jacobus' introduction, mollifying him regarding changes and noting that the text was reviewed by Ken Frampton and Kerry ? - letter from John Jacobus to James Stirling (22 May 1975?) "I'm still mad at you but that's a small thing." - 2nd draft of the introduction "approved by Jake" annotated in black and blue ink - 5th draft (June 1971) 2 photocopied copies - Draft of the introduction, inscribed "Mary" in red ink, with comments in pencil (by Mary Stirling ?) and further notes in red ink (by James Stirling ?) folder 2/3 - 5th draft (June 1971), inscribed "Jan" (struck through in red ink), "Fourth draft" (struck through in red ink and replaced with "Fifth), annotated in red ink over earlier nnotations (by James Stirling ?) - 5th draft (struck through in red ink), extensively edited and annotated in red ink by James Stirling - 5th draft, original typescript, annotated in black ink and graphite - 4th draft, inscribed "Jan 71," a photocopy of an already annotated and edited text - 4th draft, inscribed "3rd draft" (struck through in red ink), heavily edited in rd ink, graphite, green ink, including an additional 7 pages of notes "by Ken Frampton" dated "Fall of 1972 or 73" folder 3/3 - 3rd draft, original typescript, edited in black ink by James Stirling - 2nd draft, "approved by Jake," photocopy, edited in graphite over earlieer editing marks - several sets of early pages of the introduction, interspersed with accompanying letters from John Jacobus to James Stirling, all heavily annotated and struck through in red andorange marker, black ink, graphite, purple ink, yellow marker, red ink, purple pencil, with entirely new passages in black ink - 4th draft, dated "Jan 71," two photocopied copies including photocopied editing marks - final draft, inscribed "FINAL" and "Revised (in ink), to length(?) via Hatje," original typescript, edited in red ink, graphite, black ink, black marker, blue ink, green ink and strike throughs in black marker Red cloth-bound journal - 23.2 x 18.0 cm dated on inside cover "London - May - 1973" - page layouts for book - black ink, blue marker, red ink, graphite, blue ink
Form:
textual records
textual records
People:
Form:
journals and magazines
journals and magazines
Title:
Film comment.
Film comment.
Actions:
Description:
1 online resource
Author:
Subject:
Publication:
Boston, MA : Film Comment Publishing Corporation, New York, NY : Film Society of Lincoln Center
Boston, MA : Film Comment Publishing Corporation, New York, NY : Film Society of Lincoln Center
Form:
journals and magazines
journals and magazines
Publication:
Boston, MA : Film Comment Publishing Corporation, New York, NY : Film Society of Lincoln Center
Boston, MA : Film Comment Publishing Corporation, New York, NY : Film Society of Lincoln Center
Author:
Subject:
Form:
journals and magazines
journals and magazines
Title:
Environmental comment.
Environmental comment.
Actions:
Holdings:
Description:
volumes 28 cm
Description:
volumes 28 cm
Author:
Subject:
Publication:
[Washington] Urban Land Institute.
[Washington] Urban Land Institute.
Form:
journals and magazines
journals and magazines
Publication:
[Washington] Urban Land Institute.
[Washington] Urban Land Institute.
Author:
Subject:
Form:
journals and magazines
journals and magazines
Title:
Ibsen news and comment.
Ibsen news and comment.
Actions:
Description:
1 online resource
Author:
Subject:
Publication:
Brooklyn, New York : The Ibsen Society of America
Brooklyn, New York : The Ibsen Society of America
Form:
journals and magazines
journals and magazines
Publication:
Brooklyn, New York : The Ibsen Society of America
Brooklyn, New York : The Ibsen Society of America
Author:
Subject:
Form:
journals and magazines
journals and magazines
Actions:
Holdings:
Description:
volumes : illustrations ; 33 cm
Description:
volumes : illustrations ; 33 cm
Subject:
Publication:
Paris : M.J. Bourniquel, [1924]-
Paris : M.J. Bourniquel, [1924]-
Title:
Comment construire sa maison.
Actions:
Holdings:
Description:
volumes : illustrations ; 33 cm
Comment construire sa maison.
Actions:
Holdings:
Description:
volumes : illustrations ; 33 cm
Form:
journals and magazines
journals and magazines
Publication:
Paris : M.J. Bourniquel, [1924]-
Paris : M.J. Bourniquel, [1924]-
Subject:
