948 Results
Form:
events
events
Title:
Learning from... Chisasibi
Learning from... Chisasibi
Actions:
Description:
A conversation between artist Thomas Kneubühler and filmmaker Ernest Webb, who explore housing and human migration in a small town on the eastern shore of James Bay. The conversation will be moderated by Alessandra Ponte. Taking the hydroelectric installations in Northern Quebec as his cue, Kneubühler documents how the generation of power touches the land and by extension(...)
A conversation between artist Thomas Kneubühler and filmmaker Ernest Webb, who explore housing and human migration in a small town on the eastern shore of James Bay. The conversation will be moderated by Alessandra Ponte. Taking the hydroelectric installations in Northern Quebec as his cue, Kneubühler documents how the generation of power touches the land and by extension(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
25 October 2012 , 7pm
25 October 2012 , 7pm
Title:
Learning from... Chisasibi
Actions:
Description:
A conversation between artist Thomas Kneubühler and filmmaker Ernest Webb, who explore housing and human migration in a small town on the eastern shore of James Bay. The conversation will be moderated by Alessandra Ponte. Taking the hydroelectric installations in Northern Quebec as his cue, Kneubühler documents how the generation of power touches the land and by extension(...)
Learning from... Chisasibi
Actions:
Description:
A conversation between artist Thomas Kneubühler and filmmaker Ernest Webb, who explore housing and human migration in a small town on the eastern shore of James Bay. The conversation will be moderated by Alessandra Ponte. Taking the hydroelectric installations in Northern Quebec as his cue, Kneubühler documents how the generation of power touches the land and by extension(...)
Form:
events
events
Date:
25 October 2012
7pm
25 October 2012
7pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Level of archival description:
Project
Project
Actions:
Reference number:
AP066.S3.D1
Description:
Le dossier documente la soumission pour le concours ouvert pour le Vieux-Port de Montréal tenu entre le mois de juin et novembre en 1984. Le dossier contient des documents textuels. Objectifs du concours: "La Société du Vieux-Port de Montréal convoque un concours national de projets pour la construction de quatre fontaines dans le Vieux-Port de Montréal. Le concours est convoqué afin de permettre a un jury canadien, présidé par une personnalité internationale, de choisir les lauréats pour chacune des quatre fontaines dont la conception est mise en compétition et qui seront érigées dans les lieux désignés a cet effet dans le Vieux-Port." Tiré du réglement du concours, préparé par Léo Rosshandler, 4 juin 1984, (66-C001-001T). Description du projet par l'architecte: "Le plan s'articule sur deux volets qui distribuent plus extensivement les énergies de revitalisations tout autant dans le projet de réaménagement du port que dans le projet du Parc linéaire. La réflexion portanr donc sur l'idée de consolidation du tracé urbain." Jacques Rousseau, extrait de "Les temps impossibles", (66-C001-001T).
AP066.S3.D1
Description:
Le dossier documente la soumission pour le concours ouvert pour le Vieux-Port de Montréal tenu entre le mois de juin et novembre en 1984. Le dossier contient des documents textuels. Objectifs du concours: "La Société du Vieux-Port de Montréal convoque un concours national de projets pour la construction de quatre fontaines dans le Vieux-Port de Montréal. Le concours est convoqué afin de permettre a un jury canadien, présidé par une personnalité internationale, de choisir les lauréats pour chacune des quatre fontaines dont la conception est mise en compétition et qui seront érigées dans les lieux désignés a cet effet dans le Vieux-Port." Tiré du réglement du concours, préparé par Léo Rosshandler, 4 juin 1984, (66-C001-001T). Description du projet par l'architecte: "Le plan s'articule sur deux volets qui distribuent plus extensivement les énergies de revitalisations tout autant dans le projet de réaménagement du port que dans le projet du Parc linéaire. La réflexion portanr donc sur l'idée de consolidation du tracé urbain." Jacques Rousseau, extrait de "Les temps impossibles", (66-C001-001T).
People:
Date:
1984
1984
Title:
Concours national des quatre fontaines du Vieux-Port de Montréal - L'Étang possible
Actions:
AP066.S3.D1
Description:
Le dossier documente la soumission pour le concours ouvert pour le Vieux-Port de Montréal tenu entre le mois de juin et novembre en 1984. Le dossier contient des documents textuels. Objectifs du concours: "La Société du Vieux-Port de Montréal convoque un concours national de projets pour la construction de quatre fontaines dans le Vieux-Port de Montréal. Le concours est convoqué afin de permettre a un jury canadien, présidé par une personnalité internationale, de choisir les lauréats pour chacune des quatre fontaines dont la conception est mise en compétition et qui seront érigées dans les lieux désignés a cet effet dans le Vieux-Port." Tiré du réglement du concours, préparé par Léo Rosshandler, 4 juin 1984, (66-C001-001T). Description du projet par l'architecte: "Le plan s'articule sur deux volets qui distribuent plus extensivement les énergies de revitalisations tout autant dans le projet de réaménagement du port que dans le projet du Parc linéaire. La réflexion portanr donc sur l'idée de consolidation du tracé urbain." Jacques Rousseau, extrait de "Les temps impossibles", (66-C001-001T).
Concours national des quatre fontaines du Vieux-Port de Montréal - L'Étang possible
Actions:
AP066.S3.D1
Description:
Le dossier documente la soumission pour le concours ouvert pour le Vieux-Port de Montréal tenu entre le mois de juin et novembre en 1984. Le dossier contient des documents textuels. Objectifs du concours: "La Société du Vieux-Port de Montréal convoque un concours national de projets pour la construction de quatre fontaines dans le Vieux-Port de Montréal. Le concours est convoqué afin de permettre a un jury canadien, présidé par une personnalité internationale, de choisir les lauréats pour chacune des quatre fontaines dont la conception est mise en compétition et qui seront érigées dans les lieux désignés a cet effet dans le Vieux-Port." Tiré du réglement du concours, préparé par Léo Rosshandler, 4 juin 1984, (66-C001-001T). Description du projet par l'architecte: "Le plan s'articule sur deux volets qui distribuent plus extensivement les énergies de revitalisations tout autant dans le projet de réaménagement du port que dans le projet du Parc linéaire. La réflexion portanr donc sur l'idée de consolidation du tracé urbain." Jacques Rousseau, extrait de "Les temps impossibles", (66-C001-001T).
Level of archival description:
Dossier 1
Dossier 1
Date:
1984
1984
People:
Form:
textual records
textual records
Title:
Michelangelo Paper, 1974
Michelangelo Paper, 1974
Actions:
Reference number:
DR2007:0010:001-002
Description:
''The Latent Energies of Michelangelo's Secret Library,'' unpublished paper on Michelangelo's unrealized addition proposed for the Laurentian Library in Florence; completed for Professors Charles Seymour, Jr. and George L. Hersey, Yale University, dated April 20, 1974; 39 loose original typed sheets with some original sketches; hand-bound copy with cover that L.W. Richards designed; two small sheets of hamd-written comments by Charles Seymours, Jr., Yale's noted Michelangelo scholar.
DR2007:0010:001-002
Description:
''The Latent Energies of Michelangelo's Secret Library,'' unpublished paper on Michelangelo's unrealized addition proposed for the Laurentian Library in Florence; completed for Professors Charles Seymour, Jr. and George L. Hersey, Yale University, dated April 20, 1974; 39 loose original typed sheets with some original sketches; hand-bound copy with cover that L.W. Richards designed; two small sheets of hamd-written comments by Charles Seymours, Jr., Yale's noted Michelangelo scholar.
People:
Date:
1974
1974
Title:
Michelangelo Paper, 1974
Actions:
DR2007:0010:001-002
Description:
''The Latent Energies of Michelangelo's Secret Library,'' unpublished paper on Michelangelo's unrealized addition proposed for the Laurentian Library in Florence; completed for Professors Charles Seymour, Jr. and George L. Hersey, Yale University, dated April 20, 1974; 39 loose original typed sheets with some original sketches; hand-bound copy with cover that L.W. Richards designed; two small sheets of hamd-written comments by Charles Seymours, Jr., Yale's noted Michelangelo scholar.
Michelangelo Paper, 1974
Actions:
DR2007:0010:001-002
Description:
''The Latent Energies of Michelangelo's Secret Library,'' unpublished paper on Michelangelo's unrealized addition proposed for the Laurentian Library in Florence; completed for Professors Charles Seymour, Jr. and George L. Hersey, Yale University, dated April 20, 1974; 39 loose original typed sheets with some original sketches; hand-bound copy with cover that L.W. Richards designed; two small sheets of hamd-written comments by Charles Seymours, Jr., Yale's noted Michelangelo scholar.
Form:
textual records
textual records
Date:
1974
1974
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Pierlucio Pellissier fonds
Pierlucio Pellissier fonds
Actions:
Reference number:
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
People:
Date:
1946-2020
1946-2020
Title:
Pierlucio Pellissier fonds
Actions:
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Pierlucio Pellissier fonds
Actions:
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1946-2020
1946-2020
People:
Level of archival description:
Series
Series
Title:
George Rohault de Fleury
George Rohault de Fleury
Reference number:
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
People:
Date:
1866, 1874
1866, 1874
Title:
George Rohault de Fleury
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
George Rohault de Fleury
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
Level of archival description:
Series 3
Series 3
Date:
1866, 1874
1866, 1874
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Kaiman Lee fonds
Kaiman Lee fonds
Actions:
Reference number:
AP222
Synopsis:
The Kaiman Lee fonds, circa 1965 – 2006, documents the professional and academic career of Dr. Kaiman Lee. The material in the fonds also represents the publishing activities of the Environmental Design and Research Center, and the Center for Environmental Research, both based in Boston. The fonds also covers Lee’s academic pursuits as a student and lecturer. The fonds also contains computer parts related to the ARK Two computer-aided design system which Lee worked on during his time at the Boston-based firm Perry, Dean and Stewart Architects. The records within the fonds largely consists of photographic materials, publications, and artefacts.
AP222
Synopsis:
The Kaiman Lee fonds, circa 1965 – 2006, documents the professional and academic career of Dr. Kaiman Lee. The material in the fonds also represents the publishing activities of the Environmental Design and Research Center, and the Center for Environmental Research, both based in Boston. The fonds also covers Lee’s academic pursuits as a student and lecturer. The fonds also contains computer parts related to the ARK Two computer-aided design system which Lee worked on during his time at the Boston-based firm Perry, Dean and Stewart Architects. The records within the fonds largely consists of photographic materials, publications, and artefacts.
People:
Date:
circa 1965 - 2006
circa 1965 - 2006
Title:
Kaiman Lee fonds
Actions:
AP222
Synopsis:
The Kaiman Lee fonds, circa 1965 – 2006, documents the professional and academic career of Dr. Kaiman Lee. The material in the fonds also represents the publishing activities of the Environmental Design and Research Center, and the Center for Environmental Research, both based in Boston. The fonds also covers Lee’s academic pursuits as a student and lecturer. The fonds also contains computer parts related to the ARK Two computer-aided design system which Lee worked on during his time at the Boston-based firm Perry, Dean and Stewart Architects. The records within the fonds largely consists of photographic materials, publications, and artefacts.
Kaiman Lee fonds
Actions:
AP222
Synopsis:
The Kaiman Lee fonds, circa 1965 – 2006, documents the professional and academic career of Dr. Kaiman Lee. The material in the fonds also represents the publishing activities of the Environmental Design and Research Center, and the Center for Environmental Research, both based in Boston. The fonds also covers Lee’s academic pursuits as a student and lecturer. The fonds also contains computer parts related to the ARK Two computer-aided design system which Lee worked on during his time at the Boston-based firm Perry, Dean and Stewart Architects. The records within the fonds largely consists of photographic materials, publications, and artefacts.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 1965 - 2006
circa 1965 - 2006
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
Rohault de Fleury collection
Rohault de Fleury collection
Reference number:
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
People:
Date:
1717-[1884]
1717-[1884]
Title:
Rohault de Fleury collection
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Rohault de Fleury collection
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Form:
archives
Level of archival description:
Collection 1
archives
Level of archival description:
Collection 1
Date:
1717-[1884]
1717-[1884]
People:
Form:
archives
archives
Actions:
Holdings:
Description:
2 items ; 28 cm.
Description:
2 items ; 28 cm.
Author:
Subject:
Title:
Énergie verte Benny Farm = Green energy Benny Farm : exhibition products, 2006.
Actions:
Holdings:
Description:
2 items ; 28 cm.
Énergie verte Benny Farm = Green energy Benny Farm : exhibition products, 2006.
Actions:
Holdings:
Description:
2 items ; 28 cm.
Form:
archives
archives
Author:
Subject:
Form:
books
books
Actions:
Holdings:
Description:
92 pages : illustrations, charts, maps ; 24 cm.
Description:
92 pages : illustrations, charts, maps ; 24 cm.
Author:
Subject:
Publication:
Paris : Presses des Mines, [2014], ©2014
Paris : Presses des Mines, [2014], ©2014
Title:
Énergie, citoyens et ville durable / Congrès OSE, 13e édition, 26 septembre 2013 ; [organisé par l']Association Événement OSE [des étudiants du mastère spécialisé OSE, Mines ParisTech].
Actions:
Holdings:
Description:
92 pages : illustrations, charts, maps ; 24 cm.
Énergie, citoyens et ville durable / Congrès OSE, 13e édition, 26 septembre 2013 ; [organisé par l']Association Événement OSE [des étudiants du mastère spécialisé OSE, Mines ParisTech].
Actions:
Holdings:
Description:
92 pages : illustrations, charts, maps ; 24 cm.
Form:
books
books
Publication:
Paris : Presses des Mines, [2014], ©2014
Paris : Presses des Mines, [2014], ©2014
Author:
Subject:
Form:
graphic materials
graphic materials
Actions:
Holdings:
Description:
1 print (poster) : col. ; 59 x 44 cm.
Description:
1 print (poster) : col. ; 59 x 44 cm.
Author:
Subject:
Publication:
[Mauricie : s.n., 2001]
[Mauricie : s.n., 2001]
Title:
Énergie et société en Mauricie [graphic] : 36e congrès 2001 de la FSHQ.
Actions:
Holdings:
Description:
1 print (poster) : col. ; 59 x 44 cm.
Énergie et société en Mauricie [graphic] : 36e congrès 2001 de la FSHQ.
Actions:
Holdings:
Description:
1 print (poster) : col. ; 59 x 44 cm.
Form:
graphic materials
graphic materials
Publication:
[Mauricie : s.n., 2001]
[Mauricie : s.n., 2001]
Author:
Subject:
