Learning from… Ruscha and Venturi Scott Brown, 1962–1977 examines the relationship between the seminal illustrated books by artist Edward Ruscha and architects Robert Venturi and Denise Scott Brown that deal with the architecture and urbanism of the everyday in Los Angeles and Las Vegas during the 1960s and 1970s. Ruscha’s Every Building on the Sunset Strip and Venturi(...)
Octagonal gallery
31 March 2004 to 30 May 2004
Learning from… Ruscha and Venturi Scott Brown, 1962–1977
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Learning from… Ruscha and Venturi Scott Brown, 1962–1977 examines the relationship between the seminal illustrated books by artist Edward Ruscha and architects Robert Venturi and Denise Scott Brown that deal with the architecture and urbanism of the everyday in Los Angeles and Las Vegas during the 1960s and 1970s. Ruscha’s Every Building on the Sunset Strip and Venturi(...)
Octagonal gallery
According to a Chinese legend well-known in Japan, a giant katsura tree was planted on the moon, inspiring the proverb, “We can see the katsura on the moon with our eyes, but we cannot touch it with our hands.” The saying celebrates the quest for an absolute and is a fitting epigraph for Departure for Katsura, which pursues issues of self-identity and personal(...)
Octagonal gallery, hall cases, and Sottsass Room
9 December 1998 to 28 March 1999
Irene F. Whittome: Departure for Katsura
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According to a Chinese legend well-known in Japan, a giant katsura tree was planted on the moon, inspiring the proverb, “We can see the katsura on the moon with our eyes, but we cannot touch it with our hands.” The saying celebrates the quest for an absolute and is a fitting epigraph for Departure for Katsura, which pursues issues of self-identity and personal(...)
Octagonal gallery, hall cases, and Sottsass Room
In this exhibition, a selection of contemporary publications and critical investigations lay the groundwork through which to explore the relationship between travel and design today, while selected items from the CCA collection offer a historiography of tourism.
12 December 2019 to 15 November 2020
Detour: Alternative Readings of Travel
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In this exhibition, a selection of contemporary publications and critical investigations lay the groundwork through which to explore the relationship between travel and design today, while selected items from the CCA collection offer a historiography of tourism.
Tangent - Alain Paiement
The first in a series of exhibitions that invites artists to create new work in response to a corpus of photographs selected from the CCA’s collection. In a provocative installation, Québec artist Alain Paiement juxtaposes a wide range of photographic subjects from the collection – buildings under construction, models of student work, architectural abstractions, different(...)
23 April 2003 to 23 November 2003
Tangent - Alain Paiement
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The first in a series of exhibitions that invites artists to create new work in response to a corpus of photographs selected from the CCA’s collection. In a provocative installation, Québec artist Alain Paiement juxtaposes a wide range of photographic subjects from the collection – buildings under construction, models of student work, architectural abstractions, different(...)
Architecture and Its Image examines the complex relationships between drawings, photographs, prints, and other architectural representations and the buildings, landscapes, and cities they represent. The exhibition assembles images dating from the early sixteenth century to the late twentieth century from Tokyo and Rome to Mississauga and Montreal and includes maps, books,(...)
7 May 1989 to 7 August 1989
Architecture and Its Image
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Architecture and Its Image examines the complex relationships between drawings, photographs, prints, and other architectural representations and the buildings, landscapes, and cities they represent. The exhibition assembles images dating from the early sixteenth century to the late twentieth century from Tokyo and Rome to Mississauga and Montreal and includes maps, books,(...)
Americanism, the pattern of idealization, imitation and criticisms with which European architects greeted American urban models and building practices, is the subject of Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960. The skyscrapers, massive industrial plants, and new sense of mobility and efficiency of North America became a(...)
Main galleries
14 June 1995 to 14 September 1995
Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960
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Americanism, the pattern of idealization, imitation and criticisms with which European architects greeted American urban models and building practices, is the subject of Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960. The skyscrapers, massive industrial plants, and new sense of mobility and efficiency of North America became a(...)
Main galleries
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Octagonal gallery
15 March 2000 to 7 May 2000
Visions and Views: The Architecture of Borromini in the Photographs of Edward Burtynsky
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Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Octagonal gallery
125 Kilos of Books
125 Kilos of Books presents a selection of printed architectural works from the CCA collection dating from the fifteenth century to the present in order to provoke thought about what seems, at first sight, the most banal fact of any book: its size. With dimensions ranging from 10 centimetres to 1 metre, the works are explored through such themes as Buildings are Bigger(...)
Octagonal gallery
23 March 2006 to 30 April 2006
125 Kilos of Books
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125 Kilos of Books presents a selection of printed architectural works from the CCA collection dating from the fifteenth century to the present in order to provoke thought about what seems, at first sight, the most banal fact of any book: its size. With dimensions ranging from 10 centimetres to 1 metre, the works are explored through such themes as Buildings are Bigger(...)
Octagonal gallery
Centring on Eadweard Muybridge’s panoramas, this exhibition examines the representations of San Francisco from 1850 to 1880, a period of phenomenal growth and development for the city. Contextualizing Muybridge’s work, the exhibition includes multi-panel daguerreotype panoramas, photographic panoramas (including sets of stereocards), photographic-view books and albums,(...)
Main galleries
31 March 1993 to 25 July 1993
Eadweard Muybridge and the Photographic Panorama of San Francisco, 1850-1880
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Centring on Eadweard Muybridge’s panoramas, this exhibition examines the representations of San Francisco from 1850 to 1880, a period of phenomenal growth and development for the city. Contextualizing Muybridge’s work, the exhibition includes multi-panel daguerreotype panoramas, photographic panoramas (including sets of stereocards), photographic-view books and albums,(...)
Main galleries
Inspired by the theme of travel, this exhibition presents the personal vision of four photographers—Clara Sipprell, Lida Moser, Laura Volkerding, and Tadashi Kawamata—who visited Québec between the 1920s and today. The artists from elsewhere turn their attention to architecture and its environment, offering a view of Québec society from the perspective of their own(...)
Octagonal gallery
10 May 1995 to 15 October 1995
Four Photographers Visit Québec: Sipprell, Moser, Volkerding, Kawamata
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Inspired by the theme of travel, this exhibition presents the personal vision of four photographers—Clara Sipprell, Lida Moser, Laura Volkerding, and Tadashi Kawamata—who visited Québec between the 1920s and today. The artists from elsewhere turn their attention to architecture and its environment, offering a view of Québec society from the perspective of their own(...)
Octagonal gallery