Architects of the Image: Photography in the Heroic Age of Construction explores the relationships between camera images and the making of large-scale architectural and engineering structures that stirred public imagination in the first hundred years of photography. The exhibition is predicated on the notion of the photographer as architect, an analogy that suggests(...)
11 October 1995 to 4 February 1996
Architects of the Image: Photography in the Heroic Age of Construction
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Architects of the Image: Photography in the Heroic Age of Construction explores the relationships between camera images and the making of large-scale architectural and engineering structures that stirred public imagination in the first hundred years of photography. The exhibition is predicated on the notion of the photographer as architect, an analogy that suggests(...)
At the beginning of powered flight, most airplanes required only a stretch of grassy plain 1,500 feet long for take-off and landing, and a converted barn served as both terminal and hangar. Only with the advent of a profitable commercial aviation industry in the late 1920s, some twenty-five years after Wilbur and Orville Wright’s historic flight, did the modern airport(...)
Hall cases
12 June 1990 to 16 September 1990
Airport Origins: Three Projects by Lloyd Wright
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At the beginning of powered flight, most airplanes required only a stretch of grassy plain 1,500 feet long for take-off and landing, and a converted barn served as both terminal and hangar. Only with the advent of a profitable commercial aviation industry in the late 1920s, some twenty-five years after Wilbur and Orville Wright’s historic flight, did the modern airport(...)
Hall cases
Naoya Hatakeyama: Scales
The work of Japanese artist Naoya Hatakeyama is concerned largely with the relationship between nature and cities. Comissioned by the CCA, the three series of photographs comprising Scales capture existing architectural models of New York City and Tokyo in a way that challenges notions of scale and the perception of reality. Naoya Hatakeyama: Scales is the fourth and(...)
Octagonal gallery
27 September 2007 to 3 February 2008
Naoya Hatakeyama: Scales
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The work of Japanese artist Naoya Hatakeyama is concerned largely with the relationship between nature and cities. Comissioned by the CCA, the three series of photographs comprising Scales capture existing architectural models of New York City and Tokyo in a way that challenges notions of scale and the perception of reality. Naoya Hatakeyama: Scales is the fourth and(...)
Octagonal gallery
West 37th Street, Manhattan, photographed by John Veltri between 13 September and 18 September 1966
This exhibition highlights a work that the New York engineering firm Leonard S. Wegman Co. commissioned in 1966 from John Veltri. Veltri was to photograph every building, parking area, and shaftway on West 37th Street between 8th and 9th Avenues, at the heart of Manhattan’s busy Garment District. The photographs Veltri made in connection with Wegman Co.’s redevelopment(...)
Octagonal gallery
11 December 2003 to 7 March 2004
West 37th Street, Manhattan, photographed by John Veltri between 13 September and 18 September 1966
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This exhibition highlights a work that the New York engineering firm Leonard S. Wegman Co. commissioned in 1966 from John Veltri. Veltri was to photograph every building, parking area, and shaftway on West 37th Street between 8th and 9th Avenues, at the heart of Manhattan’s busy Garment District. The photographs Veltri made in connection with Wegman Co.’s redevelopment(...)
Octagonal gallery
British conceptual artist Victor Burgin has been influential both as an artist and as a theorist of the still and moving image. Commissioned by the CCA, Voyage to Italy comprises two series of black and white photographs and an evocative video that engage the timeless beauty and lasting resonance of a nineteenth-century Carlo Fratacci photograph of Pompeii in the CCA(...)
Octagonal gallery
7 December 2006 to 25 March 2007
Victor Burgin: Voyage to Italy
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British conceptual artist Victor Burgin has been influential both as an artist and as a theorist of the still and moving image. Commissioned by the CCA, Voyage to Italy comprises two series of black and white photographs and an evocative video that engage the timeless beauty and lasting resonance of a nineteenth-century Carlo Fratacci photograph of Pompeii in the CCA(...)
Octagonal gallery
Trois Architectes, Trois Quartiers focuses on three Montréal-based architects whose work had a strong presence in a specific area of the city during the first half of the twentieth century: Ludger Lemieux (1872–1953) in St-Henri, Ernest lsbell Barott (1884–1966) in St-Antoine on the southern and western slopes of Mount Royal, and Ernest Cormier (1885–1980) at the(...)
1440 rue Sainte-Catherine Ouest
20 May 1983 to 19 August 1983
Trois architectes, trois quartiers : Ludger Lemieux (St. Henri), Ernest Cormier (Cité universitaire), Ernest Isbell Barott (St. Antoine)
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Trois Architectes, Trois Quartiers focuses on three Montréal-based architects whose work had a strong presence in a specific area of the city during the first half of the twentieth century: Ludger Lemieux (1872–1953) in St-Henri, Ernest lsbell Barott (1884–1966) in St-Antoine on the southern and western slopes of Mount Royal, and Ernest Cormier (1885–1980) at the(...)
1440 rue Sainte-Catherine Ouest
The exhibition presents three aspects of the villas described by the Roman writer, Pliny the Younger, in the first century AD: their direct historical influence on architecture, the indirect influence they have exerted on architects as a model for study, and their impact on the classical tradition in the city of Montreal. The Villas of Pliny and Classical Architecture(...)
Musée des beaux-arts de Montréal
14 October 1983 to 11 December 1983
The Villas of Pliny and Classical Architecture in Montréal
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The exhibition presents three aspects of the villas described by the Roman writer, Pliny the Younger, in the first century AD: their direct historical influence on architecture, the indirect influence they have exerted on architects as a model for study, and their impact on the classical tradition in the city of Montreal. The Villas of Pliny and Classical Architecture(...)
Musée des beaux-arts de Montréal
In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
Hall cases
5 September 2013 to 5 December 2013
H-BLOCK: Social Housing – Ilse Bing
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In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
Hall cases
Mirrors / Miroirs
Mirrors/ Miroirs is conceived through an indirect dialogue with the exhibition Besides, History: Go Hasegawa, Kersten Geers, David Van Severen, a project rooted in the shared references and resonances between the work of two contemporary practices in the presence of history. If Besides, History is premised on impressions of one office’s work registered through(...)
Hall cases
22 June 2017 to 14 January 2018
Mirrors / Miroirs
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Mirrors/ Miroirs is conceived through an indirect dialogue with the exhibition Besides, History: Go Hasegawa, Kersten Geers, David Van Severen, a project rooted in the shared references and resonances between the work of two contemporary practices in the presence of history. If Besides, History is premised on impressions of one office’s work registered through(...)
Hall cases
This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
Main galleries
18 March 1998 to 24 May 1998
Montréal Métropole, 1880–1930
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This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
Main galleries