Architecture as Evidence
Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Octagonal gallery
16 June 2016 to 11 September 2016
Architecture as Evidence
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Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Octagonal gallery
Empire
The exhibition presents Empire, a visual essay by American artist John Gossage on the relationship between architecture and power. Gossage’s photographs of government buildings and monuments in Washington, D.C. are juxtaposed with images of Egypt taken by German chemist Hermann Vogel in 1868, exposing the parallel actions of governments, over a century apart, in(...)
Octagonal gallery
8 December 2005 to 12 March 2006
Empire
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The exhibition presents Empire, a visual essay by American artist John Gossage on the relationship between architecture and power. Gossage’s photographs of government buildings and monuments in Washington, D.C. are juxtaposed with images of Egypt taken by German chemist Hermann Vogel in 1868, exposing the parallel actions of governments, over a century apart, in(...)
Octagonal gallery
Portuguese architect Álvaro Siza travelled to Peru in 1995 with his usual baggage: only a few changes of clothes, some books of poetry, and a single sketchbook. This was the toolkit he used to interpret the voyage and integrate it into his architecture. More than half a century earlier, Peruvian photographer Martín Chambi had taken his famous series of portraits of the(...)
Octagonal gallery
26 January 2012 to 29 April 2012
Alturas de Machu Picchu: Martín Chambi – Álvaro Siza at work
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Portuguese architect Álvaro Siza travelled to Peru in 1995 with his usual baggage: only a few changes of clothes, some books of poetry, and a single sketchbook. This was the toolkit he used to interpret the voyage and integrate it into his architecture. More than half a century earlier, Peruvian photographer Martín Chambi had taken his famous series of portraits of the(...)
Octagonal gallery
Found in Translation: Palladio – Jefferson presents recent work by the documentary and architecture photographer Filippo Romano on the villas conceived by Andrea Palladio (1508–1580) in the Veneto region and the buildings designed by the American president and architect Thomas Jefferson (1743–1826). Curated by Guido Beltramini, Palladio Museum. Co-organized with the(...)
Octagonal gallery
8 October 2014 to 15 February 2015
Found in Translation: Palladio – Jefferson
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Found in Translation: Palladio – Jefferson presents recent work by the documentary and architecture photographer Filippo Romano on the villas conceived by Andrea Palladio (1508–1580) in the Veneto region and the buildings designed by the American president and architect Thomas Jefferson (1743–1826). Curated by Guido Beltramini, Palladio Museum. Co-organized with the(...)
Octagonal gallery
Through a commission from the CCA, three contemporary photographers spent six years interpreting the work of Frederick Law Olmsted (1822–1903), North America’s most important landscape architect. *Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James* presents 155 photographs from this commission to offer visitors an opportunity to understand(...)
Main galleries
16 October 1996 to 2 February 1997
Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James
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Through a commission from the CCA, three contemporary photographers spent six years interpreting the work of Frederick Law Olmsted (1822–1903), North America’s most important landscape architect. *Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James* presents 155 photographs from this commission to offer visitors an opportunity to understand(...)
Main galleries
Money Matters: A Critical Look at Bank Architecture surveys the history and cultural significance of bank architecture, focusing on bank architecture as a building typology rather than in the context of a single architect or architectural firm. Challenging the standard notion that bank buildings are repetitive, dull and conservative, the exhibition reveals banks as(...)
Main galleries
14 November 1990 to 24 February 1991
Money Matters: A Critical Look at Bank Architecture
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Money Matters: A Critical Look at Bank Architecture surveys the history and cultural significance of bank architecture, focusing on bank architecture as a building typology rather than in the context of a single architect or architectural firm. Challenging the standard notion that bank buildings are repetitive, dull and conservative, the exhibition reveals banks as(...)
Main galleries
The exhibition presents a work by American artist Lewis Baltz that provokes critical thought on the relationships between architecture, landscape, and photography. The New Industrial Parks is part of a monographic series developed in the 1970s (The Tract Houses, Maryland, Nevada and Park City) that deals with wide-ranging cultural and philosophical questions about(...)
Octagonal gallery
18 April 2002 to 29 September 2002
Lewis Baltz: The New Industrial Parks Near Irvine, California
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The exhibition presents a work by American artist Lewis Baltz that provokes critical thought on the relationships between architecture, landscape, and photography. The New Industrial Parks is part of a monographic series developed in the 1970s (The Tract Houses, Maryland, Nevada and Park City) that deals with wide-ranging cultural and philosophical questions about(...)
Octagonal gallery
Celebrating the opening of the CCAs new building, Canadian Centre for Architecture: Building and Gardens reveals the potential of a museum of architecture as a statement: about the nature of the works it collects and exhibits; about its role in the life of a culture or a city; and about architecture itself. Both the restoration of the nineteenth-century Shaughnessy House(...)
Octagonal gallery
7 May 1989 to 25 March 1990
Canadian Centre for Architecture: Building and Gardens
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Celebrating the opening of the CCAs new building, Canadian Centre for Architecture: Building and Gardens reveals the potential of a museum of architecture as a statement: about the nature of the works it collects and exhibits; about its role in the life of a culture or a city; and about architecture itself. Both the restoration of the nineteenth-century Shaughnessy House(...)
Octagonal gallery
Naoya Hatakeyama: Scales
The work of Japanese artist Naoya Hatakeyama is concerned largely with the relationship between nature and cities. Comissioned by the CCA, the three series of photographs comprising Scales capture existing architectural models of New York City and Tokyo in a way that challenges notions of scale and the perception of reality. Naoya Hatakeyama: Scales is the fourth and(...)
Octagonal gallery
27 September 2007 to 3 February 2008
Naoya Hatakeyama: Scales
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The work of Japanese artist Naoya Hatakeyama is concerned largely with the relationship between nature and cities. Comissioned by the CCA, the three series of photographs comprising Scales capture existing architectural models of New York City and Tokyo in a way that challenges notions of scale and the perception of reality. Naoya Hatakeyama: Scales is the fourth and(...)
Octagonal gallery
Photographers Clara Gutsche and David Miller offer their vision of the industrial landscape and architecture surrounding the urban historical site of Lachine Canal in Montréal. The Canal, which is over one hundred years old, suffered a long period of neglect after having played a key role in the development of Canadian industry. Fifteen years after the waterway closed,(...)
Octagonal gallery
15 July 1992 to 22 November 1992
An Industrial Landscape Observed: The Lachine Canal
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Photographers Clara Gutsche and David Miller offer their vision of the industrial landscape and architecture surrounding the urban historical site of Lachine Canal in Montréal. The Canal, which is over one hundred years old, suffered a long period of neglect after having played a key role in the development of Canadian industry. Fifteen years after the waterway closed,(...)
Octagonal gallery