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Vito Acconci is well-known as a concept and performing artist who was far ahead of his time. In 2003, he realized one of his first architectural projects : for his artist-and-gallerist friend Kenny Schachter he designed the multifunctional gallery space conTEMPorary in New York. This experimental space became programmatic for their further collaboration, up to their(...)
Architectural Theory
June 2005, Wien / New York
Art becomes architecture becomes art : a conversation between
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Vito Acconci is well-known as a concept and performing artist who was far ahead of his time. In 2003, he realized one of his first architectural projects : for his artist-and-gallerist friend Kenny Schachter he designed the multifunctional gallery space conTEMPorary in New York. This experimental space became programmatic for their further collaboration, up to their latest project in King’s Cross, London. Over the past years, Vito Acconci has moved towards architecture. Today’s Acconci Studio covers planning for such diverse projects as the Skateboard Park in San Juan, the Inside-Out Bookstore for Documenta X, or an urban planning for Tel Aviv. Vito Acconci and Kenny Schachter met for two discussions in London and Basel in 2004 and 2005.
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June 2005, Wien / New York
Architectural Theory
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Jardins de la Méditerranée
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C'est en Italie, à la Renaissance, que se fixent les premières images du jardin européen : compositions géométriques, arbres taillés, parterres de fleurs, intégration au paysage. Cet héritage de Rome, sublimé par des dizaines de réalisations dans toutes les principautés d'Italie, donnera naissance aux jardins classiques de Provence, d'Espagne, de Grèce ou de Turquie. La(...)
Jardins de la Méditerranée
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C'est en Italie, à la Renaissance, que se fixent les premières images du jardin européen : compositions géométriques, arbres taillés, parterres de fleurs, intégration au paysage. Cet héritage de Rome, sublimé par des dizaines de réalisations dans toutes les principautés d'Italie, donnera naissance aux jardins classiques de Provence, d'Espagne, de Grèce ou de Turquie. La colonisation entraîne la naissance de jardins de plantes acclimatées qui envahissnet rapidement la Côte d'Azur puis les rivieras italienne et espagnole. Le paysage en est radicalement bouleversé. L'époque contemporaine ne fait que prolonger ce mouvement de mélange, d'échanges d'idées et de formes, de métissage. Grenade, Florence, Rome, Nice, Tel-Aviv, Aix-en-Provence, Marrakech, Palerme, Tunis, Cordoue, Lisbonne, Monte-Carlo sont quelques-unes des étapes de cette aventure des jardins de la Méditerranée.
books
April 2002, Ivry-sur-Seine
Gardens
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The recent works of the acclaimed Swiss architect are presented in this monograph on his world-renowned work and previously unpublished plans. Mario Botta's buildings are characterized by simple, geometric shapes that juxtapose lightness and weight. This richly illustrated monograph examines Botta's most recent examples on this theme, as seen in the Kyobo Tower in Seoul,(...)
Mario Botta : light and gravity, architecture 1993-2003
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The recent works of the acclaimed Swiss architect are presented in this monograph on his world-renowned work and previously unpublished plans. Mario Botta's buildings are characterized by simple, geometric shapes that juxtapose lightness and weight. This richly illustrated monograph examines Botta's most recent examples on this theme, as seen in the Kyobo Tower in Seoul, the San Francisco Museum of Modern Art, the Jean Tinguely Museum in Basel, and the Cymbalista Synagogue in Tel Aviv. Hundreds of photographs, sketches, and plans illustrate the architect's desire to create structures that adhere to and complement their locations, and show how his choice of materials emphasizes craftsmanship and geometric order. Botta's finished buildings are examined alongside plans which never saw completion, demonstrating the extraordinary creative process of this modern visionary.
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October 2004, Munich
Architecture Monographs
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Biblical in origin, the Sukkah is a fascinating 1,500-year-old Jewish ritual of construction and habitation. Erected for only one week in the fall, its premise is paradoxical, as it encompasses issues of both diaspora and belonging. The construction guidelines are as follows: a Sukkah must have at least two-and-a-half walls and a thatched roof through which the stars are(...)
March 2011
Home is anywhere: Jewish culture and the architecture of the Sukkah
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Biblical in origin, the Sukkah is a fascinating 1,500-year-old Jewish ritual of construction and habitation. Erected for only one week in the fall, its premise is paradoxical, as it encompasses issues of both diaspora and belonging. The construction guidelines are as follows: a Sukkah must have at least two-and-a-half walls and a thatched roof through which the stars are visible. Here, Mimi Levy Lipis' photographs record examples of contemporary Sukkah architecture from Europe, Israel and the U.S. These include a Sukkah on a truck parked in front of a restaurant in Manhattan; Sukkot on lonely parking lots in London; a Sukkah built for eternity in Berlin; criss-cross stacked booths in Jerusalem; and Sukkot made of the same fabric in London and Tel Aviv.
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March 2011
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These elaborate CAD-reconstructions, developed by Darmstadt Technical University, provide a representative survey of the architecture of synagogues in Germany before their destruction. What is more, they convey visual impressions of the diversity, the splendour and the significance of the synagogue in the history of German urban architecture from the early nineteenth(...)
Arch Middle East
March 2004, Basel
Synagogues in Germany : a virtual reconstruction
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These elaborate CAD-reconstructions, developed by Darmstadt Technical University, provide a representative survey of the architecture of synagogues in Germany before their destruction. What is more, they convey visual impressions of the diversity, the splendour and the significance of the synagogue in the history of German urban architecture from the early nineteenth century until 1938. In doing so, they also demonstrate the potential of such media to contribute to a new culture of remembrance. Reactions to the first exhibition in 2000 in Bonn, Germany, were resounding, with international praise for the quality of the simulations and their value as an instrument in the service of historical truth. This publication presents the results for the first time in print, to coincide with the launching of an exhibition in Tel Aviv which will travel to New York, Los Angeles and further international venues.
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March 2004, Basel
Arch Middle East
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Peter Latz and Partners specialize in a contemporary, intelligent use of alternative technologies and the regeneration of industrial wastelands. They have worked with Norman Foster among others. The trademark of the works of the firm, which was founded in 1968, is its ability to express ecological and social concerns in a strong aesthetic language. Process orientation(...)
Gardens
September 2007, Basel, Boston, Berlin
Syntax of landscape : the landscape architecture of Peter Latz and partners
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Peter Latz and Partners specialize in a contemporary, intelligent use of alternative technologies and the regeneration of industrial wastelands. They have worked with Norman Foster among others. The trademark of the works of the firm, which was founded in 1968, is its ability to express ecological and social concerns in a strong aesthetic language. Process orientation and the revealing of chronological layers of a site are the focus of design. The firm’s current projects include the design of large-scale street and park environments on the Plateau de Kirchberg in the European City of Luxembourg, the Parco Dora in Turin, Italy, and the conversion of a disused waste disposal site in Ayalon Park near Tel Aviv, Israel. Peter Latz teaches at the Technical University) in Munich-Weihenstephan and has held guest professorships at the University of Pennsylvania and Harvard University. Udo Weilacher is dean of the Fakultät für Architektur und Landschaft (School of Architecture and Landscape) at Hanover University.
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September 2007, Basel, Boston, Berlin
Gardens
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Ongoing use of fossil fuels, the development of industrial zones in city centers, and even our growing reliance on air conditioners have led to extreme climate swings. Now an urgent public concern, global warming alarms ever more people—and yet most of them still hesitate to identify a workable plan of action. Approaching the problem head-on, "Solar Guerilla" highlights a(...)
Solar Guerilla: constructive responses to climate change
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Ongoing use of fossil fuels, the development of industrial zones in city centers, and even our growing reliance on air conditioners have led to extreme climate swings. Now an urgent public concern, global warming alarms ever more people—and yet most of them still hesitate to identify a workable plan of action. Approaching the problem head-on, "Solar Guerilla" highlights a number of programs, architects, and companies that are already active in such cities as Chicago, Hong Kong, Shanghai, and Tel Aviv. In a series of case studies, this book focuses on efficient strategies implemented at the local level, where collaboration within communities may be the key to effectively combating environmental damage. As companies like China’s Turenscape and Israel’s Electreon thrive alongside programs such as Chicago’s Third Nature approach to its famous riverwalk, the local efforts begin to yield global results. As "Solar Guerilla" demonstrates, these and other initiatives may be the best way to counter the emotional fatigue and physical disasters that currently plague us in our all-too-rapidly-changing urban environment.
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December 2019
Green Architecture
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This is Israel
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Like the other Sasek classics, these are facsimile editions of his original books. The vibrant illustrations have been preserved, remaining true to his vision, and where applicable facts have been updated, appearing on a "This is...Today" page at the back of each book. The charming illustrations, coupled with Sasek’s witty, playful narrative, make for perfect souvenirs(...)
This is Israel
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Like the other Sasek classics, these are facsimile editions of his original books. The vibrant illustrations have been preserved, remaining true to his vision, and where applicable facts have been updated, appearing on a "This is...Today" page at the back of each book. The charming illustrations, coupled with Sasek’s witty, playful narrative, make for perfect souvenirs that will delight both children and their parents, many of whom will remember them from their own childhood. This is Britain, first published in 1974, encompasses the nation’s many facets, from the mystery of Stonehenge to the monuments of the British Isles. Among his stops are the White Cliffs of Dover; Brighton’s Prince Regent’s Royal Pavilion; the castles and Tintern Abbey in Wales; and Scotland’s four Royal Palaces and long lochs. This is Israel, first published in 1962, visits the Promised Land, a sun-drenched panorama of many hues and many traditions. From the Sea of Galilee to the Red Sea (it’s really blue); from modern Tel Aviv to Jerusalem new and old; from Mt. Zion to King Solomon’s mines; Sasek presents the biblical glory of its past and the golden hope of its future.
books
January 2008, New York
Children's Books
books
This is Britain
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Summary:
Like the other Sasek classics, these are facsimile editions of his original books. The vibrant illustrations have been preserved, remaining true to his vision, and where applicable facts have been updated, appearing on a "This is...Today" page at the back of each book. The charming illustrations, coupled with Sasek’s witty, playful narrative, make for perfect souvenirs(...)
This is Britain
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Like the other Sasek classics, these are facsimile editions of his original books. The vibrant illustrations have been preserved, remaining true to his vision, and where applicable facts have been updated, appearing on a "This is...Today" page at the back of each book. The charming illustrations, coupled with Sasek’s witty, playful narrative, make for perfect souvenirs that will delight both children and their parents, many of whom will remember them from their own childhood. This is Britain, first published in 1974, encompasses the nation’s many facets, from the mystery of Stonehenge to the monuments of the British Isles. Among his stops are the White Cliffs of Dover; Brighton’s Prince Regent’s Royal Pavilion; the castles and Tintern Abbey in Wales; and Scotland’s four Royal Palaces and long lochs. This is Israel, first published in 1962, visits the Promised Land, a sun-drenched panorama of many hues and many traditions. From the Sea of Galilee to the Red Sea (it’s really blue); from modern Tel Aviv to Jerusalem new and old; from Mt. Zion to King Solomon’s mines; Sasek presents the biblical glory of its past and the golden hope of its future.
books
January 2008, New York
Children's Books
journals and magazines
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Summary:
ome places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the(...)
Detail 12 2016 : colour materials finishes
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ome places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the coloured interiors of the masters’ houses in Dessau by Walter Gropius show that not everything was reduced to that hue. There are probably just as many colour theories as there are colour tones; but the streets in our towns and cities are rarely characterized by a consistent colour scheme. In this respect, the materials and their surface finishes play a dominant role. In our December issue, we present various architectural concepts that focus on the effects of colour. For example, the Sparren-burg Visitors’ Centre in Bielefeld with its tamped concrete facades enters into a dialogue with the historical surroundings, while the polychrome glazing of Sauerbruch Hutton’s office building in London forms a deliberate counterpoint to the urban environment. As one can see, architecture has to come to terms with colour. There is no such thing as neutrality.
journals and magazines
December 2016
Magazines